- Worldlines from Ben Allison: I'LL TAKE YOU THERE! ▶
Ben Allison
A short series of steps can potentially carry anybody anywhere on the planet between Ben Allison and all other artists, by the same seemingly magical mathematical principle which dictates that in human society there are between Ben Allison and you 6 or fewer degrees of separation.
THE MATRIX WAS BUILT TO OPEN THE WORLD UP FOR OBSCURE BRAZILIAN MUSICIANS. IT WILL ONLY WORK THEM IF IT WORKS FOR EVERYBODY
ma·trix /ˈmātriks/ originally "source", from "mater", Latin for "mother". We're real mothers for ya!
Who's taking you???
- Outgoing curation by: The Matrix via ↴
Who I Am & Where I Live
- Name: Ben Allison
- City: New York City
- Country: United States
- Hometown: New Haven, Connecticut
Current News
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What's Up?
Called “one of today’s best young jazz musicians” by the Boston Globe and a “visionary composer, adventurous improviser, and strong organizational force on the New York City jazz scene” by JazzTimes, Ben has released 13 albums — Quiet Revolution (2018, Sonic Camera Records), Layers of the City (2017, Sonic Camera Records), The Stars Look Very Different Today (2013, Sonic Camera Records) and Action-Refraction (2011), Think Free (2009), Little Things Run the World (2008), Cowboy Justice (2006), Buzz (2004), Peace Pipe (2002), Riding the Nuclear Tiger (2001), Third Eye (1999), Medicine Wheel (1998) and Seven Arrows (1996) on Palmetto Records — all of which showcase Ben’s forward-thinking vision as a bassist, composer, arranger, producer, and mixing engineer, as well as his hands-on approach to his craft.
7 of Ben’s albums have reached #1 on the CMJ national jazz radio charts, often remaining in the top 10 for many weeks, garnering him 8 SESAC National Performance Awards. His album Action-Refraction was named one of the Best Albums of 2011 (of any genre) by NPR and Time Out New York. His albums have consistently been named as among the best of the year by publications such as Billboard, The New York Times, The Boston Globe, The Village Voice, Jazz Times, Jazz Journalists Association, Downbeat Critics Poll, All About Jazz, Coda (Canada), Jazzit (Italy) and Jazz Review (UK), among many others.
My Life & Work
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Bio:
In a career that spans over 30 years, bassist/composer Ben Allison has developed his own instantly identifiable sound, solidifying an international reputation as one of the leading voices of his generation. Known for his inspired arrangements, inventive grooves and hummable melodies, Ben draws from the jazz tradition and a range of influences from rock and folk to 20th century classical and world music, seamlessly blending them into a cinematic, cohesive whole.
With his groups The Ben Allison Band, Think Free, The Easy Way Trio, Peace Pipe, and Medicine Wheel, Ben has toured extensively throughout the world, winning fans and building new audiences with an adventurous yet accessible sound and a flair for the unexpected.
Recent performance highlights include Carnegie Hall (New York City), Teatro Manzoni (Milan, Italy), Thatro Roberto Cantoral (Mexico City, Mexico), Central Park’s SummerStage (New York, NY), Auditório Ibirapuera (Sao Paulo, Brazil), The Capitol Theater (Salt Lake City, NV), Walt Disney Concert Hall (Los Angeles, CA) and Queen Elizabeth Hall (London, England).
In 2005, 2008 and 2013, Ben was a featured composer, arranger and performer with Jazz Sinfonica, an 80-piece orchestra based in Sao Paulo, Brazil. The orchestra performed Ben’s compositions Little Things Run the World, Riding the Nuclear Tiger, Roll Credits, Green Al, and others from his various albums. Ben performed his Carnegie Hall debut as a leader in February 2012. A multi-part short documentary of Ben preparing for the concert was filmed.
Born in New Haven, Connecticut, Ben has performed and collaborated with an extremely diverse range of artists including oudist Ara Dinkjian, kora player Mamadou Diabate, saxophonists Lee Konitz and Joe Lovano, Cambodian chapei master Kong Nay, legendary performance artist Joey Arias, tap dancers Jimmy Slide and Gregory Hines and US Poet Laureate Robert Pinsky. He has appeared on over 50 albums by various artists and has written music for film, television and radio, including the theme for the National Public Radio (NPR) show On the Media (which boasts a listenership of over 2,000,000 people), the score for Two Days, a play written by Pulitzer Prize-winning author Donald Margulies and the theme for The Conversation, a webcast talk show hosted by Pharrell Williams.
My Media
- ▶ YouTube Music: http://music.youtube.com/channel/UCzs2iF0hPAEGvfgrczCg1ug
- ▶ Twitter: benallisonmusic
- ▶ Instagram: benallisonmusic
- ▶ Website: http://benallison.com
- ▶ Buy My Music (downloads/CDs/DVDs): http://benallison.com/store
- ▶ Buy My Vinyl: http://benallison.com/store?category=Vinyl
- ▶ Charts/Scores: http://benallison.com/store?category=sheet+music
Click to Listen on Spotify
- ▶ (Album/Podcast 1): http://open.spotify.com/album/6g7UhiK9tZ44QOmyzwR8bs
- ▶ (Album/Podcast 2): http://open.spotify.com/album/3qwi3tppLsUnTYXFZajqMb
- ▶ (Album/Podcast 3): http://open.spotify.com/album/2Psg7K8i7zJSGWc7dybsll
- ▶ (Album/Podcast 4): http://open.spotify.com/album/5Fl4Y98GTYC4mQzBFwnc1h
- ▶ (Album/Podcast 5): http://open.spotify.com/album/7hkmIglvF1qFgTAGTubbJN
- ▶ (Album/Podcast 6): http://open.spotify.com/album/4cDfFlSNqQtE3l40eCLaZ2
Contact Information
- Record Company: Palmetto Records
More
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Quotes, Notes & Etc.
Over the past two decades, Ben has solidified his reputation as a strong voice for artist empowerment and musician’s rights. In 2001 he served as an advisor to the Doris Duke Foundation, helping to establish Chamber Music America’s New Works – Creation and Presentation program. He has served as a panelist and featured speaker at conferences led by the International Association of Jazz Educators, Chamber Music America, the Association of Performing Arts Presenters, JazzTimes, the Doris Duke Foundation, the NY State Arts Presenters, the JazzConnect conference, and the Jazz Composers Collective.
Ben served two terms as President of the Board of the New York chapter of the Recording Academy, and currently chairs the Advocacy Committee. He has also served two terms as Vice President and acted as an alternate National Trustee. He has met with state and federal Senators and Representatives on subjects ranging from intellectual property rights, to technology and arts funding. In June 2012, Ben testified before the House Committee on Energy and Commerce in support of performing rights. His testimony was reported on by the BBC, Billboard, Bloomberg and the New York Times among many other national and international news outlets. In 2015, Ben organized and moderated the first ever Grammy Town Hall in NYC, which featured an expert panel and keynote address by legendary producer Tony Visconti. He has appeared on radio programs produced by WBGO and WNYC where he has discussed issues relating to music piracy and intellectual property rights and is an active member of the NY state coalition NY is Music.
At the age of twenty-five, Ben formed the Jazz Composers Collective — a musician-run, non-profit organization based in New York City that was dedicated to constructing an environment where artists could exercise their ideals of creating and risking through the development and exploration of new music. As the Artistic Director and a Composer-in-Residence of the Collective, Ben produced or co-produced over 100 concerts and special events, including the Collective’s annual concert series (which ran for eleven seasons), national and international tours by Collective artists, an on-going Collective residency at the Museum of Modern Art (MoMA, NYC), and, in partnership with the United States Embassy, a series of concerts and educational activities in Sao Paulo and Campinas, Brazil. From 2001-2005 Ben organized an annual “Jazz Composers Collective Festival” at the Jazz Standard — which drew international attention as “..a mainstay of New York City’s cultural life” (New Yorker Magazine).
As an author, Ben has contributed music-related articles to magazines such as Downbeat, JazzTimes, Bass Player, Premiere Guitar, Bass World, Double Bassist and thetalkhouse.com. He co-wrote (with pianist Frank Kimbrough) the liner notes for the CD Herbie Nichols: The Complete Blue Note Recordings.
