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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Guillermo Klein
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Guillermo Klein
  • City/Place: New York City
  • Country: United States
  • Hometown: Buenos Aires, Argentina

Life & Work

  • Bio: Guillermo’s father presented him with a piano when he turned 11 years old and, inspired by the legendary Argentinean composer Astor Piazzolla, Guillermo promptly began his experimentation with songwriting.

    He left Argentina to attend Berklee College of Music after hearing a moving speech by the former dean Gary Burton about his relationship working with Piazzolla. Klein intended to study classical music on his arrival but found himself among peers that were passionate about jazz.

    The music of Wayne Shorter provided the bridge from classical to jazz studies. Being a fan of unique harmonic expression, Klein was easily drawn to the work of this master composer who is deemed to be one of the most intriguing harmonic architects in jazz. Klein was also able to develop a talented network of musical friends, many of which came to Berklee from South America. This group of colleagues provided the framework for what would eventually become Klein’s main musical voice, the Big Van large ensemble that would later become Los Guachos (roughly speaking, The Bastards).

    After graduating from Berklee Klein moved to New York City like many of his fellow graduates. He settled into Greenwich Village and quickly became associated with a jazz club called Smalls, where he established a weekly engagement with his 17-piece Big Van band that incorporated musicians living in New York as well as commuters from Boston.

    Smalls was critical in fostering a community of young artists that would ultimately be some of the most influential voices of modern jazz.

    Klein later scaled the band down to a more streamlined 11 piece unit...Los Guachos. The band continued to develop with the help of residences at Smalls and, later, the Jazz Standard. After recording an album that was ultimately shelved, Klein was able to find a home with Sunnyside Records. The label released two CDs by Los Guachos, Los Guachos II (1999) and Los Guachos III (2002).

    Even with media attention and devoted fans, Klein found it increasingly difficult to make a living as a working musician in the States. He moved back to Argentina in the early fall of 2000 with his wife. While in Argentina, Klein was able to make another recording alongside local musicians, Una Nave (2005). He stayed in Argentina for two years before moving to Barcelona, Spain.

    Since then Guillermo has moved back to Argentina, and then back to New York City, where he's been living since 2014.

    Source & inspiration: Bret Sjerven / Sunnyside Records

Media | Markets

  • ▶ Spotify: http://open.spotify.com/album/7fuNFXQOOlUxcSJlHlAnxA
  • ▶ Spotify 2: http://open.spotify.com/album/01qBCcpGlPtzlCbyVxWOH5
  • ▶ Spotify 3: http://open.spotify.com/album/0AiRWZb25jF8ZuGUEGLQ0h
  • ▶ Spotify 4: http://open.spotify.com/album/0SJhbxZhLwEidNhGrDZcEV
  • ▶ Spotify 5: http://open.spotify.com/album/2AjkYe6mRToTsLRrzkjCiB
  • ▶ Spotify 6: http://https://open.spotify.com/album/0KgXtvBxrwVlodIjn2vQkx
  • ▶ Article: http://www.nytimes.com/2019/09/13/arts/music/guillermo-klein-los-guachos.html

Clips (more may be added)

  • Miula | La Ballena Azul
    By Guillermo Klein
    672 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Guillermo Klein:

  • 4 Argentina
  • 4 Composer
  • 4 Jazz
  • 4 New York City
  • 4 Piano
  • 4 Tango
  • Shalom Adonai Chula
  • Arthur Verocai Piano
  • Jason Parham Writer
  • Anat Cohen Clarinet
  • Dee Spencer Sound Designer
  • Omari Jazz Brainfeeder
  • NIcholas Casey Writer
  • Mark Lettieri Ropeadope
  • Forrest Hylton Brazil
  • Rodrigo Amarante Rio de Janeiro
  • Shaun Martin Multi-Instrumentalist
  • Burhan Öçal Istanbul
  • Andra Day Los Angeles
  • Peter Dasent Author
  • Diosmar Filho Bahia
  • Kyle Poole Jazz
  • Theon Cross Jazz
  • Weedie Braimah Jazz
  • Leigh Alexander Video Game Story Designer
  • Sam Reider Accordion
  • Mariene de Castro Bahia
  • Rodrigo Amarante Los Angeles
  • Edgar Meyer Composer
  • Joey Baron New York City
  • Paul Anthony Smith Painter
  • Lucio Yanel Brazil
  • Nels Cline Composer
  • Fábio Luna Flauta, Flute
  • Aneesa Strings R&B
  • Ivo Perelman Multi-Instrumentalist
  • Ceumar Coelho Minas Gerais
  • Anat Cohen Tel Aviv
  • James Gadson Funk
  • Kevin Burke Fiddle
  • James Martins Brasil, Brazil
  • Django Bates Theater Composer
  • James Gadson R&B
  • Yilian Cañizares Ecole de Jazz et de Musique Actuelle Faculty
  • James Gadson Blues
  • Moses Boyd Record Producer
  • Rema Namakula Uganda
  • Bing Futch Mountain Dulcimer
  • Leon Bridges Record Producer
  • Jericho Brown Poet
  • Gel Barbosa Luthier
  • Herbie Hancock Jazz
  • Chris Boardman Orchestrator
  • Jam no MAM Brasil, Brazil
  • Bonerama New Orleans
  • Kyle Poole Composer
  • Frank London Composer
  • Marcel Camargo Arranger, Orchestrator
  • Jake Oleson Brooklyn, NY
  • Loli Molina Argentina
  • Vadinho França Presidente de Bloco de Carnaval, Carnival Bloco President
  • Sandro Albert Guitar
  • Super Chikan Delta Blues
  • Martyn House
  • Bruce Williams Juilliard Faculty
  • Zakir Hussain Multi-Cultural
  • Marcel Powell Rio de Janeiro
  • Nublu Record Label
  • Bebê Kramer Samba
  • William Parker Essayist
  • Stacy Dillard Jazz
  • Ricardo Herz Brazil
  • Mona Lisa Saloy New Orleans
  • George Cables New York City
  • Sam Eastmond Bandleader
  • Otto Pernambuco
  • J. Cunha Bahia
  • Chris Thile Classical Music
  • Django Bates Composer
  • Sarah Jarosz Americana
  • Issac Delgado Singer
  • Ivan Lins Brazil
  • Fred Hersch Rutgers University Faculty
  • Burhan Öçal Kudüm
  • Fred Dantas Bahia
  • Deesha Philyaw Essayist
  • Vijith Assar Writer
  • Dale Farmer Appalachian Music
  • Joel Guzmán Austin, Texas
  • Milton Nascimento Minas Gerais
  • Dale Bernstein Photographer
  • Brett Orrison Record Producer
  • Manuel Alejandro Rangel Classical Guitar
  • Luiz Santos Multi-Instrumentalist
  • Francisco Mela Percussion
  • Chris Dingman Multi-Cultural
  • Kermit Ruffins Composer
  • Yoko Miwa Composer
  • Diana Fuentes Singer-Songwriter
  • Gabriel Geszti Jazz Brasileiro, Brazilian Jazz
  • Aruán Ortiz Contemporary Classical Music
  • Jorge Alfredo Roteirista, Screenwriter
  • Dhafer Youssef ظافر يوسف Multi-Cultural
  • Luciana Souza Brazilian Jazz
  • Case Watkins Writer
  • Chelsea Kwakye UK
  • Nego Álvaro Singer-Songwriter
  • Bebê Kramer Tango
  • Chris Dingman Composer
  • Nancy Ruth Jazz
  • Jorge Alfredo Cantor-Compositor, Singer-Songwriter
  • Taylor McFerrin Singer-Songwriter
  • Rez Abbasi New York City
  • Nelson Latif Cavaquinho
  • David Byrne New York City
  • Neo Muyanga Contemporary Classical Music
  • Zé Katimba Brazil
  • Tom Schnabel Music Salon
  • Marcos Portinari Compositor, Composer
  • Justin Stanton Brooklyn, NY
  • James Poyser Multi-Instrumentalist
  • Beth Bahia Cohen Berklee College of Music Faculty
  • Jussara Silveira Bahia
  • Congahead World Music
  • Tobias Meinhart Jazz
  • Renee Rosnes New York City
  • Rosa Passos Samba
  • Gilsons Bahia
  • Rodrigo Caçapa Viola Brasileira
  • Glória Bomfim Brazil
  • Sam Eastmond Multi-Cultural
  • Ravi Coltrane Saxophone
  • Brian Jackson Brooklyn, NY
  • Jerry Douglas Bluegrass
  • Şener Özmen Kurdish Culture
  • Louis Marks Apparel & Fashion
  • Paquito D'Rivera Saxophone
  • Gui Duvignau Multi-Cultural
  • Rogério Caetano Choro
  • Rick Beato Recording Engineer
  • Paulo Dáfilin Brazil
  • Harvey G. Cohen King's College London Faculty
  • Tom Bergeron Choro
  • Yacouba Sissoko Kora
  • Béla Fleck Songwriter
  • Miguel Zenón Jazz
  • Wouter Kellerman Composer
  • Steve Lehman Jazz
  • Cara Stacey Radio Presenter
  • Philip Ó Ceallaigh Short Stories
  • Quincy Jones Arranger
  • Yola Singer-Songwriter
  • Betão Aguiar Documentary Filmmaker
  • Marquis Hill African-American Music
  • Jared Sims Clarinet
  • Leigh Alexander Journalist
  • Xenia França São Paulo
  • Little Simz Hip-Hop
  • Eric R. Danton Reporter
  • Shuya Okino Tokyo
  • Jeff 'Tain' Watts Actor
  • Marcel Camargo Brazil
  • Ryan Keberle Composer
  • Garvia Bailey Writer
  • Raul Midón Songwriter
  • María Grand Saxophone
  • Ari Rosenschein Writer
  • Ajeum da Diáspora Salvador
  • Nate Chinen Writer
  • Laura Marling Singer-Songwriter
  • Gino Banks Mumbai
  • Marcus Gilmore New York City
  • Manolo Badrena Puerto Rico
  • James Strauss Classical Music
  • Fábio Zanon Royal Academy of Music Visiting Professor
  • César Camargo Mariano Record Producer
  • Derron Ellies Singer
  • Marcos Suzano Brazil
  • Betsayda Machado Venezuela
  • James Elkington Record Producer
  • Keshav Batish Composer
  • Mike Marshall Violin
  • Mateus Asato Songwriter
  • Swizz Beatz Record Producer
  • Fred P Berlin
  • Guillermo Klein Jazz
  • Natan Drubi Brasil, Brazil
  • Niwel Tsumbu Composer
  • Roque Ferreira Author
  • Roots Manuva Record Producer
  • Gêge Nagô Candomblé
  • Silas Farley Ballet
  • André Vasconcellos Brasil, Brazil
  • Reena Esmail Los Angeles
  • Guinha Ramires Florianópolis
  • Miroslav Tadić Guitar
  • Léo Rodrigues Percussion
  • Hilton Schilder South Africa
  • Michael Pipoquinha Bass
  • Brian Q. Torff Composer
  • Terence Blanchard New Orleans
  • Adriana L. Dutra Documentary Filmmaker
  • Bertram Writer
  • Tedy Santana Drums
  • Moreno Veloso Brazil
  • Mário Santana Percussion
  • Darren Barrett Composer
  • Edsel Gomez Piano
  • Dadá do Trombone Samba
  • Yelaine Rodriguez Multimedia Art
  • Merima Ključo Sevdalinka
  • Ry Cooder Multi-Cultural
  • Kyle Poole Drums
  • Munyungo Jackson Composer
  • Jeffrey Boakye Writer
  • Kim André Arnesen Composer
  • A-KILL Street Artist
  • Alexandre Vieira Brasil, Brazil
  • Victor Gama Composer
  • Orquestra Afrosinfônica Bahia
  • Asa Branca Samba
  • Dan Moretti Berklee College of Music Faculty
  • Dorian Concept Electronic Music
  • Marcel Powell Samba
  • Abderrahmane Sissako Mali
  • Jeremy Pelt Trumpet
  • Bill Callahan Austin, Texas
  • June Yamagishi Jazz
  • Bobby Sanabria Afro-Cuban Jazz
  • Huey Morgan Songwriter
  • Ben Okri Short Stories
  • Guto Wirtti Rio de Janeiro
  • Brandon J. Acker Lute
  • Robby Krieger R&B
  • Django Bates Theater Composer
  • Alessandro Penezzi Multi-Instrumentalist
  • Jaques Morelenbaum Songwriter
  • Igor Osypov Composer
  • Kenyon Dixon Singer-Songwriter
  • Amilton Godoy Piano Course Online
  • Tyler Gordon Writer
  • Anna Mieke Multi-Instrumentalist
  • Reggie Ugwu Journalist
  • Mark Turner Jazz
  • Ali Jackson Drums
  • Angelique Kidjo Multi-Cultural
  • Marcelinho Oliveira Bahia
  • Sarah Jarosz Texas
  • Romero Lubambo Choro
  • Elio Villafranca Jazz
  • Hanif Abdurraqib Music Critic
  • Mou Brasil Jazz Brasileiro, Brazilian Jazz
  • Horácio Reis Bahia
  • Isaiah J. Thompson Composer
  • Corey Ledet Accordion
  • Mateus Aleluia Filho Candomblé
  • Emicida Hip-Hop
  • Scotty Barnhart Composer
  • Vadinho França Salvador
  • Colson Whitehead Short Stories
  • Nardis Jazz Club Istanbul
  • Lizz Wright Singer
  • Anna Mieke Wicklow
  • Rob Garland Guitar Instruction
  • Ambrose Akinmusire Jazz
  • Scott Devine Bass
  • Philip Sherburne Photographer
  • Alicia Svigals New York City
  • Irmandade da Boa Morte Brasil, Brazil
  • Léo Rugero Sanfona de 8 Baixos
  • Yasushi Nakamura Jazz
  • Danilo Caymmi Flute
  • Judith Hill Jazz
  • Rhiannon Giddens Fiddle
  • Diedrich Diederichsen Cultural Critic
  • Rhiannon Giddens Banjo
  • Marcello Gonçalves Rio de Janeiro
  • Ana Tijoux Santiago
  • James Grime YouTuber
  • Hélio Delmiro Brazil
  • Missy Mazolli New York City
  • Melvin Gibbs Bass
  • Arto Tunçboyacıyan New York City
  • Mateus Alves Bass
  • Flora Purim Guitar
  • Ana Luisa Barral Composer
  • Marc Johnson MPB
  • Pedrito Martinez Santeria
  • Manolo Badrena Composer
  • John Patrick Murphy Ethnomusicologist
  • Ariane Astrid Atodji Filmmaker
  • Derrick Hodge Record Producer
  • Tyler Gordon Artist
  • Melanie Charles Experimental Music
  • Frank Beacham Videographer
  • Nigel Hall New Orleans
  • Steve Lehman Saxophone Instructor
  • Louis Michot Western Swingbilly Cajun Punk
  • Edsel Gomez New York City
  • The Rheingans Sisters Sheffield
  • John Morrison Hip-Hop
  • Renato Braz Guitar
  • Howard Levy Composer
  • Catherine Bent Jazz
  • Maria Rita Singer
  • Imani Winds Contemporary Classical Music
  • Carlos Aguirre Piano
  • Tom Green Glasgow
  • Yola Bristol
  • Gal Costa MPB
  • Lenna Bahule Maputo
  • Alegre Corrêa Brazilian Jazz
  • Dadá do Trombone MPB
  • Jeff Tang Composer
  • Liz Dany Colombia
  • Welson Tremura Composer
  • Gregory Tardy Saxophone
  • Geraldo Azevedo Guitar
  • Wolfgang Muthspiel Guitar
  • Ryuichi Sakamoto Experimental Music
  • Anna Mieke Irish Folk Music
  • Trilok Gurtu Drums
  • Rick Beato Songwriter
  • Lenny Kravitz Multi-Instrumentalist
  • Paul McKenna Irish Traditional Music
  • Jakub Józef Orliński Poland
  • Nikki Yeoh Composer
  • Bodek Janke Jazz
  • Noam Pikelny Bluegrass
  • Richie Stearns Banjo
  • Rosa Cedrón Cello
  • Django Bates Vocalist
  • Philip Cashian London
  • Evgeny Kissin Short Stories
  • Joshua Abrams Composer
  • Cécile McLorin Salvant Jazz
  • Dónal Lunny Songwriter
  • Tim Hittle Director
  • John Patrick Murphy Pernambuco
  • Iuri Passos Bahia
  • Africania Candomblé
  • Dan Auerbach Multi-Instrumentalist
  • Ron Mader Professional Speaker
  • Yotam Silberstein Israel
  • John Luther Adams Writer
  • Amilton Godoy São Paulo
  • Ron Carter Jazz
  • Cainã Cavalcante Brazilian Jazz
  • Andrew Huang Songwriter
  • Kurt Andersen New York City
  • Lula Moreira Documentary Filmmaker
  • Willy Schwarz Singer
  • Ben Paris Bahia
  • Magary Lord Percussion
  • Jau Singer-Songwriter
  • Burkard Polster Mathematics

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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