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  • Wayne Krantz

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Wayne Krantz
  • City/Place: New York City
  • Country: United States
  • Hometown: Corvallis, Oregon

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Wayne Krantz, guitar

    Since 1986:

    HAS played and/or recorded for: Binney, Potter, Fagen, the Breckers, the Dan, Cobham, Anders, Bley, Bailey, Stern, Formanek, Wilkenfeld

    HAS employed on his own projects: Carlock, Lefebvre, Almond, Novak, Jackson, Lee, Socolow, Wilkenfeld, Danziger, Fig, Chambers, Bullock, Goines, Genus, Alias, Bryant, Hoenig, Binney, Beard, Ephron, Weyland, Mayer, Patitucci, Drayton, Beasley, Anders, Potter, Colaiuta, Wollesen, Palladino, the Staceys, Hey, Wood, Biddle, Tidd, Miura, Hess, Stern, Brewer, Garrison, Dion, Le Fleming, Scott, Smith, Doami, Joseph, League, White, Calvaire, Mendez, Verdinelli, Morrissey, Marien, Hawkins, Scherr, Varela, Sainz, Abadey

    HAS made 11 records:

    “Signals” (’91), w/ Don Alias, Jim Beard, Hiram Bullock, Dennis Chambers, Anthony Jackson, Leni Stern

    “Long To Be Loose” (’93), w/ Zach Danziger, Lincoln Goines

    “2 Drink Minimum” (’95), w/ Zach Danziger, Lincoln Goines

    “Separate Cages” (’96), w/ Leni Stern

    “Greenwich Mean” (’99), w/ Keith Carlock, Will Lee, Tim Lefebvre

    “Your Basic Live” (’03), w/ Keith Carlock, Tim Lefebvre

    “Your Basic Live ’06″ (’07), w/ Cliff Almond, Keith Carlock, James Genus, Anthony Jackson, Tim Lefebvre, Paul Socolow

    “Krantz Carlock Lefebvre” (’09), w/ Keith Carlock, Tim Lefebvre

    “Howie 61″ (’12), w/ Gabriela Anders, John Beasley, Owen Biddle, David Binney, Keith Carlock, Vinnie Colaiuta, Charley Drayton, Anton Fig, James Genus, Henry Hey, Yasushi Miura, Pino Palladino, John Patitucci, Jeremy Stacey, Paul Stacey, Tal Wilkenfeld, Kenny Wollesen, Nate Wood

    “Good Piranha Bad Piranha” (’14), w/ Gabriela Anders, Keith Carlock, Tim Lefebvre, Nate Wood

    “Write Out Your Head” (’20), w/ Gabriela Anders, Keith Carlock, Will Lee, Tim Lefebvre, Orlando LeFleming, Pino Palladino, Chris Potter

    HAS made 2 books: “An Improviser’s OS” (2005), and “An Improviser’s OS v.2” (2019)

    HAS taught at: NYU, Berklee, countless workshops worldwide

    BORN, RAISED: Corvallis, Oregon, USA

    BELIEFS: Nature, family, music

Contact Information

  • Email: [email protected]
  • Management/Booking: Wayne Krantz Management / Booking
    Souvik Dutta
    Abstract Logix Music
    http://www.abstractlogix.com
    Email: [email protected]
    Phone: 919.342.5700

    U.S. Publicity
    MAD Ink, PR
    West – Melissa Dragich-Cordero / [email protected]
    East – Michelle Gutenstein-Hinz / [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://waynekrantz.bandcamp.com
  • ▶ Buy My Music 2: (downloads/CDs/DVDs) http://www.waynekrantz.com/?album_categories=buy
  • ▶ Book Purchases: http://www.waynekrantz.com/?album_categories=buy
  • ▶ Twitter: waynekrantz5
  • ▶ Website: http://www.waynekrantz.com
  • ▶ Website 2: http://apps.apple.com/us/app/humanome/id1504532805
  • ▶ YouTube Music: http://music.youtube.com/channel/UCC-OHB3cE5bN--dptUGvayA
  • ▶ Spotify: http://open.spotify.com/album/5lAMHgUtNbNdCtM36H626E
  • ▶ Spotify 2: http://open.spotify.com/album/2Z1F88uc69qMu2kk7wN0SN
  • ▶ Spotify 3: http://open.spotify.com/album/4znqHDVUn47mb7xVt8L3PP
  • ▶ Spotify 4: http://open.spotify.com/album/7acUkGsknwGJN6tHoBSHBB
  • ▶ Spotify 5: http://open.spotify.com/album/4B9qPeFGPLQTkZDZvCXSFd
  • ▶ Articles: http://www.waynekrantz.com/?cat=16
  • ▶ Patreon: http://www.patreon.com/WayneKrantz

Clips (more may be added)

  • 1:05
    Wayne Krantz: Humanome
    By Wayne Krantz
    306 views
  • 0:08:05
    Wayne Krantz Black Swan
    By Wayne Krantz
    251 views
  • 0:13:26
    Wayne Krantz, Keith Carlock, and Tim Lefebvre live at the Iridium NYC
    By Wayne Krantz
    223 views
Previous
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Wayne Krantz Curated

  • 1 Composer
  • 1 Guitar
  • 1 Guitar Instruction
  • 1 Jazz
  • 1 New York City

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  • Wayne Krantz
    A video was posted re Wayne Krantz:
    Wayne Krantz: Humanome
    • August 19, 2020
  • Wayne Krantz
    A video was posted re Wayne Krantz:
    Wayne Krantz Black Swan
    Wayne Krantz, Evan Marien, Cliff Almond
    • August 19, 2020
  • Wayne Krantz
    A video was posted re Wayne Krantz:
    Wayne Krantz, Keith Carlock, and Tim Lefebvre live at the Iridium NYC
    Wayne Krantz, Keith Carlock and Tim Lefebvre at the Iridium NYC 2020
    • August 19, 2020
  • Wayne Krantz
    A category was added to Wayne Krantz:
    New York City
    • August 19, 2020
  • Wayne Krantz
    A category was added to Wayne Krantz:
    Composer
    • August 19, 2020
  • Wayne Krantz
    A category was added to Wayne Krantz:
    Guitar Instruction
    • August 19, 2020
  • Wayne Krantz
    A category was added to Wayne Krantz:
    Jazz
    • August 19, 2020
  • Wayne Krantz
    A category was added to Wayne Krantz:
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    • August 19, 2020
  • Wayne Krantz
    Wayne Krantz is matrixed!
    • August 19, 2020
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Chucho Valdés Piano
  • Warren Wolf Marimba
  • Lizz Wright Chicago, Illinois
  • Adam O'Farrill Multi-Cultural
  • Susana Baca Afro-Peruvian Music
  • Abderrahmane Sissako Film Director
  • Giovanni Russonello Magazine Founder, Editor
  • Abderrahmane Sissako Screenwriter
  • Marcus Rediker University of Pittsburgh Faculty
  • Robert Glasper Hip-Hop
  • Lalah Hathaway Piano
  • King Britt Computer Music
  • Jovino Santos Neto Seattle
  • Angel Bat Dawid Singer
  • Custódio Castelo Guitarra Portuguesa, Portuguese Guitar
  • James Poyser New York City
  • Shirazee Singer-Songwriter
  • Samuel Organ Keyboards
  • Taylor Ashton Banjo
  • Clint Smith Writer
  • Jonathon Grasse Gamelan
  • Orlando Costa Percussion
  • Casa da Mãe Restaurante-Bar, Restaurant-Bar
  • Abderrahmane Sissako Mali
  • Andrew Gilbert Roots Music
  • Zisl Slepovitch New York City
  • Damion Reid Drums
  • Molly Jong-Fast Journalist
  • Charlie Bolden New Orleans
  • Olivia Trummer Berlin
  • Gail Ann Dorsey Singer-Songwriter
  • Taylor McFerrin Beatboxer
  • Joey Alexander Indonesia
  • Dan Tepfer Composer
  • Bombino Singer-Songwriter
  • Parker Ighile Multi-Cultural
  • James Brady Arranger
  • Dave Jordan Americana
  • Zeca Freitas Saxophone
  • Paulão 7 Cordas Samba
  • Tonynho dos Santos Flugelhorn
  • Tom Piazza New Orleans
  • Capitão Corisco Bahia
  • Cacá Diegues Brasil, Brazil
  • Piti Canella Salvador
  • Bejun Mehta Opera
  • Brooklyn Rider Brooklyn, NY
  • Amaro Freitas Frevo
  • Carlos Henriquez Composer
  • Lionel Loueke African Music
  • Matt Glaser Composer
  • Sunna Gunnlaugs Jazz
  • Shez Raja Indo-Jazz Funk
  • Jussara Silveira Bahia
  • Dieu-Nalio Chery Photojournalist
  • Alex Conde Piano Instruction
  • Les Thompson Cinema Engineer
  • Marcos Sacramento Samba
  • Gearóid Ó hAllmhuráin Uilleann Pipes
  • Lula Galvão Choro
  • Sunna Gunnlaugs Composer
  • Shana Redmond Black Culture & Politics
  • Patty Kiss Salvador
  • Gord Sheard Piano
  • Arismar do Espírito Santo Choro
  • Thiago Trad Salvador
  • Sunna Gunnlaugs Reykjavik
  • Randy Lewis Journalist
  • Chris Acquavella Classical Music
  • Renato Braz Guitar
  • Brian Jackson Record Producer
  • Mateus Aleluia Filho Cantor-Compositor, Singer-Songwriter
  • Jeff Tweedy Chicago, Illinois
  • Damion Reid Brooklyn, NY
  • Neo Muyanga Cape Town
  • Afrocidade Brazil
  • MonoNeon Microtonal
  • Peter Evans Trumpet
  • Marilda Santanna Atriz, Actor
  • Negrizu Dançarino, Dancer
  • James Andrews Trumpet
  • Oswaldo Amorim Composer
  • Liron Meyuhas Multi-Cultural
  • Celso de Almeida Brazilian Jazz
  • Jovino Santos Neto Brazil
  • Carl Allen Educator
  • Caoimhín Ó Raghallaigh Irish Traditional Music
  • Sam Eastmond Trumpet
  • Ênio Bernardes Produtor de Discos, Record Producer
  • Leo Genovese Argentina
  • Michael W. Twitty Culinary Historian
  • Antonio Adolfo Brasil, Brazil
  • Abderrahmane Sissako Film Producer
  • Peter Slevin Journalist
  • Ivan Sacerdote Brazil
  • Sameer Gupta Jazz
  • Nego Álvaro Rio de Janeiro
  • Vadinho França Salvador
  • Nicholas Daniel Classical Music
  • John McEuen Radio Presenter
  • Andra Day R&B
  • Sergio Krakowski New York City
  • Casa da Mãe Espaço Cultural/Cultural Space
  • Trombone Shorty New Orleans
  • Victor Gama Composer
  • Archie Shepp Poet
  • Tito Jackson R&B
  • Milford Graves Percussion
  • Issac Delgado Cuba
  • Andrew Dickson London
  • Cláudio Badega Brasil, Brazil
  • Tray Chaney Author
  • Isaac Butler New School Faculty
  • Quincy Jones Arranger
  • Bill Pearis Editor
  • Darren Barrett Trumpet
  • Nádia Taquary Escultura, Sculptor
  • Djuena Tikuna Tikuna
  • Tito Jackson Pop
  • Christopher Silver Music Curator
  • David Ngwerume Harare
  • Luciano Matos Salvador
  • Mingo Araújo Composer
  • Kris Davis New York City
  • Leonardo Mendes Bahia
  • Katuka Africanidades Bahia
  • Jussara Silveira Singer
  • Brian Cross aka B+ Essayist
  • Lula Galvão Brazil
  • Tom Bergeron Bossa Nova
  • Archie Shepp Record Label Owner
  • Kiko Loureiro Helsinki
  • Jau Singer-Songwriter
  • Collins Omondi Okello Pencil Artist
  • Lina Lapelytė Contemporary Classical Music
  • Joel Guzmán Accordion
  • David Castillo New Orleans
  • Carlinhos Brown Salvador
  • Dave Douglas New York City
  • Léo Rugero Sanfona de 8 Baixos
  • Shankar Mahadevan Composer
  • Larry McCray Singer-Songwriter
  • Ivan Huol Brazil
  • Oleg Fateev Composer
  • Léo Rodrigues Frevo
  • Casey Driessen Fiddle
  • Colson Whitehead Writer
  • Tutwiler Quilters Mississippi
  • Juca Ferreira Brasil, Brazil
  • VJ Gabiru DJ
  • Benny Benack III New York City
  • Carlos Paiva Especialista em Políticas Públicas e Gestão Governamental, Specialist in Public Policy and Government Management
  • Paulinho Fagundes Rio Grande do Sul
  • Cashmere Cat Electronic Music
  • Marilda Santanna Salvador
  • Caoimhín Ó Raghallaigh Violin
  • Cécile Fromont Writer
  • Virgínia Rodrigues Singer
  • MARO Singer-Songwriter
  • Aaron Goldberg Jazz
  • Jonga Cunha Author
  • Stefan Grossman Songwriter
  • Lalah Hathaway R&B
  • Buck Jones Brasil, Brazil
  • Wynton Marsalis Composer
  • Stefon Harris Vibraphone
  • Dan Weiss Composer
  • José Antonio Escobar Barcelona
  • Michael Cleveland Fiddle
  • Michael Cuscuna Record Producer
  • Samuca do Acordeon Samba
  • Capitão Corisco Brazil
  • Ben Williams Jazz
  • Keith Jarrett Piano
  • Paulo César Pinheiro MPB
  • Woz Kaly Singer-Songwriter
  • Kengo Kuma Japan
  • Courtney Pine London
  • Luciano Calazans Salvador
  • Henrique Cazes Rio de Janeiro
  • Ben Paris Brazil
  • Hank Roberts Jazz
  • Natalia Contesse Singer-Songwriter
  • Alberto Pitta Brasil, Brazil
  • Ali Jackson Composer
  • Gord Sheard Accordion
  • Chad Taylor Composer
  • Edsel Gomez Latin Jazz
  • Snigdha Poonam India
  • Raphael Saadiq Record Producer
  • Richie Pena Programmer
  • Allen Morrison Jazz History Lecturer
  • Tiganá Santana Brasil, Brazil
  • Marc Johnson Jazz
  • Mark Markham New York City
  • Lenine Singer-Songwriter
  • Vivien Schweitzer Culture Journalist
  • Tony Trischka Old-Time Music
  • Chico César Poet
  • Anthony Hervey Trumpet
  • Xenia França São Paulo
  • Herlin Riley Drums
  • VJ Gabiru Artista Multimídia, Multimedia Artist
  • Adam Cruz Jazz
  • Virgínia Rodrigues MPB
  • Arthur Jafa Multidisciplinary Artist
  • Jess Gillam London
  • Sátyra Carvalho AfroPop Baiana, Bahian AfroPop
  • Endea Owens Bass
  • Ana Moura Portugal
  • Walter Pinheiro Samba
  • Caterina Lichtenberg Hochschule für Musik und Tanz Köln
  • Celso de Almeida Drums
  • Keb' Mo' Blues
  • Michel Camilo Dominican Republic
  • Jon Madof Guitar
  • Ana Tijoux Chile
  • Augustin Hadelich New York City
  • Oscar Peñas Barcelona
  • Casuarina Brasil, Brazil
  • Michael Kiwanuka Record Producer
  • Arturo O'Farrill Composer
  • Nicholas Gill Photographer
  • Adam Rogers Jazz
  • Roberto Fonseca Cuba
  • Scott Kettner Pandeiro
  • Wajahat Ali Washington, D.C.
  • Morten Lauridsen USC Thornton School of Music Faculty
  • Carlinhos Brown Singer-Songwriter
  • Carlinhos Pandeiro de Ouro Rio de Janeiro
  • Zé Luíz Nascimento Paris
  • Bob Bernotas Rutgers Faculty
  • Eamonn Flynn Funk
  • Urânia Munzanzu Bahia
  • Pallett Tehran
  • Thundercat Composer
  • Arany Santana Brasil, Brazil
  • Gab Ferruz Bahia
  • Linda Sikhakhane Saxophone
  • Munyungo Jackson Composer
  • Rotem Sivan Guitar
  • Nailor Proveta Samba
  • Moreno Veloso Pandeiro
  • Joel Guzmán University of Texas in Austin Faculty
  • Donald Vega Nicaragua
  • Melvin Gibbs Composer
  • Craig Ross Songwriter
  • Monarco Singer-Songwriter
  • Elie Afif Dubai
  • Eric Roberson Keyboards
  • Gonzalo Rubalcaba Afro-Cuban Jazz
  • 小野リサ Lisa Ono Singer
  • Chris Dave Composer
  • Jean-Paul Bourelly Avant-Blues-Rock
  • Julie Fowlis Traditional Scottish Music
  • Jubu Smith R&B
  • David Kirby Writer
  • Arismar do Espírito Santo Samba
  • Flora Purim Guitar
  • Julian Lage Americana
  • Zachary Richard Cajun Music
  • Anthony Hervey New York City
  • Shaun Martin Ropeadope
  • Luques Curtis Composer
  • Mou Brasil Compositor, Composer
  • Myron Walden Flute
  • Horacio Hernández Afro-Cuban Jazz
  • Grégoire Maret Jazz
  • Marcos Sacramento Rio de Janeiro
  • Juca Ferreira Ambientalista, Environmentalist
  • Bob Lanzetti Educator
  • Milton Primo Chula
  • Siphiwe Mhlambi Johannesburg
  • Terri Lyne Carrington Berklee College of Music Faculty
  • Fabrício Mota Historiador, Historian
  • Christopher Seneca New York City
  • Phineas Harper Writer
  • Isaac Butler Podcaster
  • Jon Cowherd Piano
  • Gabriel Policarpo Repique
  • Anoushka Shankar Sitar
  • Chris Thile Multi-Instrumentalist
  • Estrela Brilhante do Recife Brazil
  • Guto Wirtti MPB
  • Sam Dagher Author
  • Yacouba Sissoko Griot
  • Stephen Guerra Choro
  • Mateus Asato Neo Fusion
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