“Booker T. will forever be known as the Booker T. from Booker T. and the MGs. But this book reveals so much more of the man.”
– Bob Dylan
“As joyful to read as Booker’s music is to listen to.”
– Willie Nelson
“Beautiful… Engaging, unforgettable and deeply creative.”
– Sinead O’Connor
“As I approach my 75th birthday, I’m honored to share my new memoir, “Time is Tight,” is available for preorder and will be released on October 29th. Thank you to @littlebrown for helping me to tell my story.”
– Booker T. Jones
The long-awaited memoir of Booker T. Jones, leader of the famed Stax Records house band, architect of the Memphis soul sound, and one of the most legendary figures in music.From Booker T. Jones’s earliest years in segregated Memphis, music was the driving force in his life. While he worked paper routes and played gigs in local nightclubs to pay for lessons and support his family, Jones, on the side, was also recording sessions in what became the famous Stax Studios-all while still in high school. Not long after, he would form the genre-defining group Booker T. and the MGs, whose recordings went on to sell millions of copies, win a place in Rolling Stone’s list of top 500 songs of all time, and help forge collaborations with some of the era’s most influential artists, including Otis Redding, Wilson Pickett, and Sam & Dave.
Nearly five decades later, Jones’s influence continues to help define the music industry, but only now is he ready to tell his remarkable life story. Time is Tight is the deeply moving account of how Jones balanced the brutality of the segregationist South with the loving support of his family and community, all while transforming a burgeoning studio into a musical mecca.
Culminating with a definitive account into the inner workings of the Stax label, as well as a fascinating portrait of working with many of the era’s most legendary performers-Bob Dylan, Willie Nelson, and Tom Jones, among them-this extraordinary memoir promises to become a landmark moment in the history of Southern Soul.
Life & Work
Bio:
From an early age, Booker T. Jones—“one of the legends of soul music” (The New
Yorker)—was captivated by the magic of melody, rhythm, and harmony. So magnetic was the attraction, in fact, that by the time he turned sixteen, he was, incredibly, already a working musician with a hit song to his name.
As part of the first house band for Stax Records, he formed the category-defining group Booker T. & the MGs, whose first recording, “Green Onions,” was an international sensation, selling more than one million copies and winning a place among Rolling Stone’s top five hundred songs of all time. Not stopping there, Jones continued to push soul music’s boundaries, refining it to its essence and then injecting it into the nation’s bloodstream. Nearly five decades after he first made his entrance onto the scene, Jones paved the way for modern soul music and is largely responsible for the genre’s rise and enduring popularity.
From midcentury Memphis, where the brutality of segregation was a stark backdrop to the loving, supportive family and community in which he was raised, to the creative hotbed of Beale Street, the Harlem of the South; from his early friendship with figures such as Maurice White (who went on to form Earth, Wind, and Fire) to the complicated dynamics of the racially mixed MGs—Jones not only was a witness to revolutions but also wrote their soundtracks. His musical legacy includes enduring compositions such as “Time Is Tight,” “Hip Hug-Her,” and the oftensampled “Melting Pot” and collaborations with the likes of Otis Redding, Wilson Pickett, and Sam and Dave—and later Neil Young, Bob Dylan, Barbra Streisand, Carlos Santana, and Willie Nelson.
Years in the making, this unforgettable personal journey is so much more than just a musician’s tale. Indeed, Time Is Tight is both the definitive account of one of modern music’s most influential eras and also a necessary addition to the canon of literature about American music.
Booker T. Jones is an American multi-instrumentalist, songwriter, record producer, and arranger. Best known as the front man of the band Booker T. & the MGs, he has worked with countless award-winning artists of the twentieth and twenty-first centuries and has earned a Grammy Award for Lifetime Achievement. Along with the band, he was inducted into the Rock and Roll Hall of Fame in 1992. Jones continues to record and tour internationally, both as a solo artist and as head of Booker T.’s Stax Revue.
Contact Information
Management/Booking:
MANAGEMENT CONTACT
Olivia Jones
118 West Management
(310) 701-9831 [email protected]
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).