Booker T. Jones
in The Integrated Global Creative Economy
means Booker T. Jones throughout the world...
Curation
CURATION
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from this page:
by Matrix
Matrix Page
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Name:
Booker T. Jones
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City/Place:
Los Angeles
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Country:
United States
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Hometown:
Memphis, Tennessee
Current News
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What's Up?
TIME IS TIGHT: MY LIFE NOTE BY NOTE
“Booker T. will forever be known as the Booker T. from Booker T. and the MGs. But this book reveals so much more of the man.”
– Bob Dylan
“As joyful to read as Booker’s music is to listen to.”
– Willie Nelson
“Beautiful… Engaging, unforgettable and deeply creative.”
– Sinead O’Connor
“As I approach my 75th birthday, I’m honored to share my new memoir, “Time is Tight,” is available for preorder and will be released on October 29th. Thank you to @littlebrown for helping me to tell my story.”
– Booker T. Jones
The long-awaited memoir of Booker T. Jones, leader of the famed Stax Records house band, architect of the Memphis soul sound, and one of the most legendary figures in music.From Booker T. Jones’s earliest years in segregated Memphis, music was the driving force in his life. While he worked paper routes and played gigs in local nightclubs to pay for lessons and support his family, Jones, on the side, was also recording sessions in what became the famous Stax Studios-all while still in high school. Not long after, he would form the genre-defining group Booker T. and the MGs, whose recordings went on to sell millions of copies, win a place in Rolling Stone’s list of top 500 songs of all time, and help forge collaborations with some of the era’s most influential artists, including Otis Redding, Wilson Pickett, and Sam & Dave.
Nearly five decades later, Jones’s influence continues to help define the music industry, but only now is he ready to tell his remarkable life story. Time is Tight is the deeply moving account of how Jones balanced the brutality of the segregationist South with the loving support of his family and community, all while transforming a burgeoning studio into a musical mecca.
Culminating with a definitive account into the inner workings of the Stax label, as well as a fascinating portrait of working with many of the era’s most legendary performers-Bob Dylan, Willie Nelson, and Tom Jones, among them-this extraordinary memoir promises to become a landmark moment in the history of Southern Soul.
Life & Work
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Bio:
From an early age, Booker T. Jones—“one of the legends of soul music” (The New
Yorker)—was captivated by the magic of melody, rhythm, and harmony. So magnetic was the attraction, in fact, that by the time he turned sixteen, he was, incredibly, already a working musician with a hit song to his name.
As part of the first house band for Stax Records, he formed the category-defining group Booker T. & the MGs, whose first recording, “Green Onions,” was an international sensation, selling more than one million copies and winning a place among Rolling Stone’s top five hundred songs of all time. Not stopping there, Jones continued to push soul music’s boundaries, refining it to its essence and then injecting it into the nation’s bloodstream. Nearly five decades after he first made his entrance onto the scene, Jones paved the way for modern soul music and is largely responsible for the genre’s rise and enduring popularity.
From midcentury Memphis, where the brutality of segregation was a stark backdrop to the loving, supportive family and community in which he was raised, to the creative hotbed of Beale Street, the Harlem of the South; from his early friendship with figures such as Maurice White (who went on to form Earth, Wind, and Fire) to the complicated dynamics of the racially mixed MGs—Jones not only was a witness to revolutions but also wrote their soundtracks. His musical legacy includes enduring compositions such as “Time Is Tight,” “Hip Hug-Her,” and the oftensampled “Melting Pot” and collaborations with the likes of Otis Redding, Wilson Pickett, and Sam and Dave—and later Neil Young, Bob Dylan, Barbra Streisand, Carlos Santana, and Willie Nelson.
Years in the making, this unforgettable personal journey is so much more than just a musician’s tale. Indeed, Time Is Tight is both the definitive account of one of modern music’s most influential eras and also a necessary addition to the canon of literature about American music.
Booker T. Jones is an American multi-instrumentalist, songwriter, record producer, and arranger. Best known as the front man of the band Booker T. & the MGs, he has worked with countless award-winning artists of the twentieth and twenty-first centuries and has earned a Grammy Award for Lifetime Achievement. Along with the band, he was inducted into the Rock and Roll Hall of Fame in 1992. Jones continues to record and tour internationally, both as a solo artist and as head of Booker T.’s Stax Revue.
Contact Information
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Management/Booking:
MANAGEMENT CONTACT
Olivia Jones
118 West Management
(310) 701-9831
[email protected]
BOOKING CONTACT
Tom Gold
Concerted Efforts
Phone: (617) 969-0810
[email protected]
Clips (more may be added)
Few people know that the Bay of All Saints was final port-of-call for more enslaved human beings than any other such throughout all of human history. And few people know the transcendence these people, and their descendents, wrought. That's where this Matrix begins...
Wolfram MathWorld
The idea is simple, powerful, and egalitarian: To propagate for them, the Matrix must propagate for all. Most in the world are within six degrees of us. The concept of a "small world" network (see Wolfram above) applies here, placing artists from the Recôncavo and the sertão, from Salvador... from Brooklyn, Berlin and Mombassa... musicians, writers, filmmakers... clicks (recommendations) away from their peers all over the planet.
This Integrated Global Creative Economy (we invented the concept) uncoils from Brazil's sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix... expanding like the canopy of a rainforest tree rooted in Bahia, branches spreading to embrace the entire world...
Recent Visitors Map
Great culture is great power.
And in a small world great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC (I've lived here in Brazil for 32 years now) I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.com
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