Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Harish Raghavan
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Harish Raghavan
  • City/Place: Brooklyn, NY
  • Country: United States
  • Hometown: Chicago, Illinois

Life & Work

  • Bio: For more than a decade, bassist-composer Harish Raghavan has helped lay the foundation for a thriving generation of artists. The Thelonious Monk Competition semifinalist garners acclaim as a sound architect for myriad original projects, from Ambrose Akinmusire’s to Eric Harland’s.

    Other longtime collaborators include Logan Richardson, Vijay Iyer, Gerald Clayton, Taylor Eigsti and Walter Smith III.

    Born in Chicago, the New York-based artist transitioned from Mridanga to bass at age 16. His appetite for mingling lineages has allowed him to craft an inclusive, deeply personal artistry. Raghavan’s debut album Calls for Action (Whirlwind Recordings) reflects his development as a composer and band leader. Fifteen original tracks serve as a cohesive narrative for the album, as well as standalone suites on either side of its vinyl release.

    Raghavan received his BA in Music from USC — where he studied under John Clayton and Dave Carpenter, and later with Robert Hurst — and has become a highly sought educator. Teaching credits include Stanford Jazz Workshop, The New School, Siena Jazz Workshop, Banff and Centrum Jazz Workshop.

    He also appears regularly on the international festival circuit.

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://harishraghavan.bandcamp.com/
  • ▶ Buy My Vinyl: http://harishraghavan.bandcamp.com/
  • ▶ Twitter: Harishbass
  • ▶ Instagram: harishbass
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCmLpDr0zdAexkhB_DjRc74w
  • ▶ Spotify: http://open.spotify.com/album/4yyl25wbG9In50pAGd16Ti
  • ▶ Spotify 2: http://open.spotify.com/album/1HTzfQiALkd0871SQuUmIq
  • ▶ Spotify 3: http://open.spotify.com/album/74vUCcrlKsIJL0Kml9idOl
  • ▶ Article: http://downbeat.com/news/detail/the-steady-patience-of-bassist-harish-raghavan

More

  • Quotes, Notes & Etc. “To those in the know, Mr. Raghavan is one of the most exciting young bassists in jazz, but he’s also one of the most private. That made his performance at the Owl all the more intriguing. He played six original compositions with a sturdy, quicksilver quintet: Immanuel Wilkins on alto saxophone, Joel Ross on vibraphone, Taylor Eigsti on piano and Jeremy Dutton on drums. The tunes mostly pivoted on cycles of major harmony and intertwined polyrhythms, in which everyone played a part. The low-key M.V.P. was Mr. Ross, a slight player in his early 20s whose vibraphone was sometimes like a spray of confetti, erupting in brilliant bursts; elsewhere he took solos that had the slightest tug of swing, leaning against the locked-in syncopation of the rhythm section.”

    - The New York Times, Dec 31 2017

Clips (more may be added)

  • Harish Raghavan - 'AS' (Acoustic Version)
    By Harish Raghavan
    241 views
  • Anjou
    By Harish Raghavan
    275 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Harish Raghavan:

  • 1 Bass
  • 1 Brooklyn, NY
  • 1 Composer
  • 1 Educator
  • 1 Jazz
  • 1 Multi-Cultural

Nodes below are randomly generated. Reload for a different stack.

  • Marcus Printup Trumpet
  • The Bayou Mosquitos Tex-Mex
  • Bruce Williams Composer
  • Academia de Música do Sertão Bahia
  • Tia Fuller Jazz
  • Tab Benoit Blues
  • Alex Cuadros Journalist
  • Allen Morrison Press Releases
  • Nate Chinen Radio Director
  • Gretchen Parlato Composer
  • Ari Hoenig Composer
  • Fernando César Brasília
  • Corey Henry New Orleans
  • Yelaine Rodriguez Wearable Art
  • Dudu Reis Choro
  • Amaro Freitas Maracatu
  • Anoushka Shankar Journalist
  • Sameer Gupta Drums
  • Diosmar Filho Escritor, Writer
  • Joe Newberry Bluegrass
  • Germán Garmendia Writer
  • Rudresh Mahanthappa Composer
  • Brian Q. Torff Writer
  • Lilli Lewis Folk Rock
  • Vadinho França Presidente de Bloco de Carnaval, Carnival Bloco President
  • Rowney Scott Música Clássica, Classical Music
  • Romero Lubambo Samba
  • César Camargo Mariano Piano
  • Arto Lindsay Composer
  • Ray Angry Jazz
  • Tom Piazza Liner Notes
  • Scotty Barnhart Trumpet
  • Sarz Multi-Instrumentalist
  • Miguel Atwood-Ferguson Music Producer
  • Arto Tunçboyacıyan Armenian Folk Music
  • Yasmin Williams Alexandria, Virginia
  • Custódio Castelo Castelo Branco
  • Betão Aguiar Rio de Janeiro
  • Michael Garnice Reggae
  • Yola England
  • Ivo Perelman Brooklyn, NY
  • Mischa Maisky Cello
  • Miles Mosley Bass
  • Vincent Herring Manhattan School of Music Faculty
  • Miles Okazaki Author
  • Ben Monder New York City
  • Renato Braz São Paulo
  • Yilian Cañizares Havana
  • Fábio Peron Multi-Cultural
  • Ned Sublette Record Producer
  • Barlavento Salvador
  • Walter Pinheiro Saxophone
  • Nublu East Village
  • Keith Jarrett Multi-Instrumentalist
  • Kiko Loureiro Heavy Metal
  • Matt Dievendorf Jazz
  • Rita Batista Podcaster
  • Louis Marks Ropeadope Sur
  • Serginho Meriti Composer
  • Liz Pelly Brooklyn, NY
  • MonoNeon Composer
  • Amitava Kumar Literary Critic
  • Anthony Coleman Avant-Garde Jazz
  • Otmaro Ruiz Jazz
  • Miguel Atwood-Ferguson Television Scores
  • Abderrahmane Sissako Mali
  • Cécile McLorin Salvant Illustrator
  • Marko Djordjevic Drums
  • Marcus Miller Bass
  • Christopher Nupen Filmmaker
  • Emicida Singer-Songwriter
  • Aubrey Johnson Contemporary Music
  • Dorian Concept Record Producer
  • Seth Swingle Banjo
  • Matt Glaser Violin
  • Jimmy Greene Gospel
  • ANNA Techno
  • Lakecia Benjamin Funk
  • Andrés Prado Guitar
  • Inaicyra Falcão Bahia
  • Wouter Kellerman Composer
  • Ben Okri Essayist
  • Wouter Kellerman Bansuri
  • Nabih Bulos Journalist
  • Frank Negrão Blues
  • Orrin Evans Jazz
  • Tutwiler Quilters Mississippi
  • Dave Jordan Singer-Songwriter
  • Nahre Sol Classical Music
  • Khruangbin Alt-World Music
  • Mateus Aleluia Filho Flugelhorn
  • Luiz Brasil Samba
  • Nicholas Daniel Conductor
  • Airto Moreira Brazil
  • Richie Barshay Jazz
  • Ron Blake Jazz
  • Joshue Ashby Afro-Cuban Music
  • Avishai Cohen אבישי כה Jazz
  • Sierra Hull Mandolin
  • Weedie Braimah Ropeadope
  • Yola Country
  • Imanuel Marcus War Correspondent
  • Flor Jorge Brazil
  • Arturo O'Farrill Piano
  • Joshue Ashby Timba
  • Paulo Aragão Brazil
  • David Wax Museum Mexo-Americana
  • Laura Beaubrun Haitian Dance Instruction
  • Shez Raja Multi-Cultural
  • Bianca Gismonti Rio de Janeiro
  • Corey Harris Guitar
  • Dwandalyn Reece Writer
  • Nora Fischer Contemporary Classical Music
  • Kalani Pe'a Hawaii
  • Serginho Meriti Samba
  • King Britt Record Label Owner
  • Vânia Oliveira Coreógrafa, Choreographer
  • Marcel Powell MPB
  • Little Dragon Electronic Music
  • Egberto Gismonti Guitar
  • Pretinho da Serrinha Songwriter
  • Catherine Bent Classical Music
  • Mike Marshall Author
  • Omar Sosa Multi-Cultural
  • Rez Abbasi Composer
  • Oswaldo Amorim Brasília
  • Geraldo Azevedo Música Nordestina
  • Marcos Portinari Compositor, Composer
  • Sandro Albert Composer
  • J. Pierre New Orleans
  • Roberto Mendes Singer-Songwriter
  • Elisa Goritzki Salvador
  • Edgar Meyer Double Bass
  • Perumal Murugan Writer
  • Itiberê Zwarg Rio de Janeiro
  • Asma Khalid Washington, D.C.
  • Bebel Gilberto Brazil
  • Jay Blakesberg Photographer
  • Biréli Lagrène Composer
  • Ricky (Dirty Red) Gordon Washboard
  • James Poyser Television Scores
  • Alfredo Del-Penho Samba
  • Marcus Miller Clarinet
  • Tambay Obenson Journalist
  • Les Filles de Illighadad Tuareg Music
  • Márcio Valverde Samba
  • Béco Dranoff Record Label Owner
  • Shankar Mahadevan Playback Singer
  • Imani Winds Multi-Cultural
  • Carlos Malta Pife
  • Antonio García Singer
  • Ben Hazleton London
  • Jorge Washington Actor
  • Spider Stacy Actor
  • Helado Negro Brooklyn, NY
  • João Parahyba Songwriter
  • Missy Mazolli Opera
  • The Weeknd Singer-Songwriter
  • Bukassa Kabengele Congo
  • Rogério Caetano Choro
  • Tom Oren Composer
  • Yasmin Williams Guitar
  • Howard Levy Harmonica
  • Gabriel Grossi Forró
  • Melanie Charles Soul
  • Geovanna Costa Cantora-Compositora, Singer-Songwriter
  • Rowney Scott Faculdade da UFBA, Federal University of Bahia Faculty
  • Burhan Öçal Bendir
  • Juliana Ribeiro Samba de Roda
  • Siba Veloso Recife
  • Jan Ramsey Jazz
  • Elza Soares Singer
  • Marília Sodré MPB
  • Shemekia Copeland Chicago
  • Paquito D'Rivera Clarinet
  • Anders Osborne R&B
  • Snigdha Poonam Delhi
  • Johnny Vidacovich Second Line
  • Missy Mazolli New York City
  • Ronell Johnson Brass Band
  • Biréli Lagrène Gypsy Jazz
  • João Bosco Guitar
  • Vivien Schweitzer Piano
  • Oleg Fateev Accordion
  • Damon Albarn Film Scores
  • Luedji Luna Singer-Songwriter
  • Robby Krieger Guitar
  • Corey Harris Singer-Songwriter
  • Tatiana Campêlo Choreographer
  • Chris Dave Gospel
  • Stephen Guerra New York City
  • Milton Nascimento Minas Gerais
  • Jeff Coffin Vanderbilt University Blair School of Music Faculty
  • Bukassa Kabengele Guitar
  • Vivien Schweitzer Photographer
  • Roberto Mendes Guitar
  • Stomu Takeishi Bass
  • The Umoza Music Project Rap
  • Joe Newberry Folk & Traditional
  • Virgínia Rodrigues Brazil
  • David Fiuczynski Composer
  • Edsel Gomez Puerto Rico
  • Jas Kayser Composer
  • Catherine Bent Berklee College of Music Faculty
  • Tray Chaney Actor
  • Damion Reid R&B
  • Felipe Guedes Brazil
  • Jubu Smith R&B
  • Manuel Alejandro Rangel Caracas
  • Alicia Hall Moran New York City
  • Tony Trischka Old-Time Music
  • Scotty Barnhart Author
  • Flora Purim Brazil
  • Pierre Onassis Samba Reggae
  • Monk Boudreaux Mardi Gras Indian
  • Adriano Giffoni Rio de Janeiro
  • Etienne Charles Steel Drums
  • Antonio Sánchez Jazz
  • César Orozco Piano
  • Moses Boyd England
  • Bodek Janke Berlin
  • Brandon Coleman Singer-Songwriter
  • Roosevelt Collier Pedal Steel Guitar
  • Kotringo Piano
  • Maia Sharp Country
  • Joe Newberry Bluegrass
  • Tobias Meinhart Composer
  • Billy O'Shea Ireland
  • Alicia Svigals New York City
  • Chico César Paraíba
  • Asa Branca Guitar
  • Lula Moreira Pernambuco
  • Zoran Orlić Photographer
  • Carlinhos 7 Cordas Samba
  • Negra Jhô Salvador
  • Angel Deradoorian Music Producer
  • Adam Neely Bass
  • Marilda Santanna Faculdade da UFBA, Federal University of Bahia Faculty
  • Laércio de Freitas Piano
  • Lionel Loueke Jazz
  • Egberto Gismonti Rio de Janeiro
  • Curtis Hasselbring Guitar
  • Biréli Lagrène Manouche
  • David Kirby Journalist
  • Gui Duvignau Bass
  • Fernando Brandão Author
  • Eliane Elias Singer-Songwriter
  • Nelson Ayres Brazilian Jazz
  • Joel Guzmán Conjunto
  • Will Holshouser Accordion
  • Marc Ribot Free Jazz
  • Moreno Veloso MPB
  • Martin Hayes Fiddle
  • Ben Allison Bass
  • John Waters Songwriter
  • Richard Bona Composer
  • Ray Angry Keyboards
  • Michael Doucet Cajun Fiddle
  • Corey Harris Blues
  • Tessa Hadley Novelist
  • Sarah Jarosz Guitar
  • Kiya Tabassian كيا طبسيان Composer
  • Ronaldo do Bandolim Samba
  • Paulinho do Reco Percussion
  • Colm Tóibín Journalist
  • Paulo Costa Lima Academía Brasileira de Música, Brazilian Academy of Music
  • Orrin Evans Record Label Owner
  • Allen Morrison Piano
  • Gal Costa MPB
  • Bebê Kramer Brazil
  • Grégoire Maret Jazz
  • Angel Deradoorian Multi-Instrumentalist
  • Dadi Carvalho MPB
  • Ben Cox Film Director
  • Swizz Beatz Art Collector
  • Roosevelt Collier Lap Steel Guitar
  • Jeff 'Tain' Watts Actor
  • Marquis Hill R&B
  • Gilberto Gil Bahia
  • Lula Moreira Composer
  • D.D. Jackson Composer
  • Chico Buarque MPB
  • Louis Marks Writer
  • Yola Singer-Songwriter
  • Hermeto Pascoal Brazil
  • Alessandro Penezzi Violão de Sete
  • Aneesa Strings Composer
  • Branford Marsalis Jazz
  • Fábio Peron Multi-Cultural
  • Michael Cleveland Folk & Traditional
  • Philip Ó Ceallaigh Translator
  • Edmar Colón Flute
  • Tigran Hamasyan Armenia
  • Victor Wooten Bass
  • Jaques Morelenbaum Classical Music
  • Stephen Guerra Guitar
  • Africania Candomblé
  • Super Chikan Blues
  • Brian Lynch University of Miami Frost School of Music Faculty
  • Tom Green Composer
  • Dan Moretti Saxophone
  • Nubya Garcia Flute
  • Dafnis Prieto Cuba
  • Di Freitas Rabeca
  • Jimmy Dludlu Mozambique
  • Chris Dave R&B
  • Itiberê Zwarg Multi-Instrumentalist
  • Calypso Rose Singer-Songwriter
  • Brian Lynch Latin Jazz
  • Fantastic Negrito Singer-Songwriter
  • Thiago Amud Rio de Janeiro
  • Dezron Douglas Bass
  • João Luiz Jazz
  • Onisajé Candomblé
  • Ajurinã Zwarg Brazilian Jazz
  • Yasushi Nakamura New York City
  • Michael Formanek Bass
  • Ilê Aiyê Salvador
  • Nicholas Barber London
  • Tray Chaney Rapper
  • Soweto Kinch Saxophone
  • Dan Weiss New York City
  • Adonis Rose Jazz
  • Inaicyra Falcão Faculdade da UNICAMP/UNICAMP Faculty
  • Utar Artun Film Scores
  • John Archibald Pulitzer Prize
  • Neo Muyanga Contemporary Classical Music
  • Mauro Senise MPB
  • Terrace Martin Rapper
  • Fred P Composer
  • Nação Zumbi Funk
  • Anders Osborne Blues
  • Luciana Souza New York City
  • Tom Schnabel DJ
  • Philip Ó Ceallaigh Bucharest
  • David Ngwerume Sculptor
  • Bobby Sanabria Percussion
  • Wynton Marsalis Bandleader
  • Daru Jones Drums
  • Adriano Souza Choro
  • Mary Halvorson Avant-Garde Jazz
  • Monarco Singer-Songwriter
  • Christopher Seneca New York City
  • PATRICKTOR4 Global Bass
  • Amit Chatterjee Indian Classical Music
  • Calypso Rose Trinidad & Tobago
  • Archie Shepp Record Label Owner
  • Chris Speed Saxophone
  • Miho Hazama Big Band Leader
  • Pat Metheny Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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