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  • Why a "Matrix"?
  • @ Ground Zero
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  • From Harlem to Bahia

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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Sérgio Pererê:

  • 0 Actor
  • 0 Belo Horizonte
  • 0 Brazil
  • 0 Composer
  • 0 Minas Gerais
  • 0 MPB
  • 0 Multi-Instrumentalist
  • 0 Percussion
  • 0 Singer

What's Up

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  • Sérgio Pererê
    Nath Rodrigues → Violin has been recommended via Sérgio Pererê.
    • March 26, 2021
  • Sérgio Pererê
    Nath Rodrigues → Singer-Songwriter has been recommended via Sérgio Pererê.
    • March 26, 2021
  • Sérgio Pererê
    Nath Rodrigues → Multi-Instrumentalist has been recommended via Sérgio Pererê.
    • March 26, 2021
  • Sérgio Pererê
    Nath Rodrigues → Minas Gerais has been recommended via Sérgio Pererê.
    • March 26, 2021
  • Sérgio Pererê
    Nath Rodrigues → Brazil has been recommended via Sérgio Pererê.
    • March 26, 2021
  • Sérgio Pererê
    Nath Rodrigues → Belo Horizonte has been recommended via Sérgio Pererê.
    • March 26, 2021
  • Sérgio Pererê
    Marcos Suzano → Rio de Janeiro has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Marcos Suzano → Pandeiro has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Marcos Suzano → Composer has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Marcos Suzano → Brazil has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Robertinho Silva → Samba has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Robertinho Silva → Rio de Janeiro has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Robertinho Silva → Percussion has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Robertinho Silva → MPB has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Robertinho Silva → Jazz has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Robertinho Silva → Drums has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Robertinho Silva → Composer has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Robertinho Silva → Choro has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Robertinho Silva → Brazilian Jazz has been recommended via Sérgio Pererê.
    • August 25, 2020
  • Sérgio Pererê
    Robertinho Silva → Brazil has been recommended via Sérgio Pererê.
    • August 25, 2020
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Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Sérgio Pererê
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Sérgio Pererê
  • City/Place: Belo Horizonte, Minas Gerais
  • Country: Brazil

Current News

  • What's Up? O que primeiro chama atenção é a voz.
    Depois, todos os afetos que a atravessam.
    E é junto à voz que tudo se une e realiza o artista Sérgio Pererê.
    Artista-hífen-MPB-Charango-Samba-Cavaquinho-Rock-Rebeca-Jongo-Capoeira-Jazz-Guitarra-Tango-Djembé-Blues-
    Toda uma gama de percussão
    O Congado, o Candomblé.
    Hífens que continuam para produzir algo novo
    Que não é simplesmente a sombra dos anteriores
    Mas um sabor diferente, como um novo tipo de berbere, de jacuba, de maniçoba, de tropeiro ou de todos esses pratos em que a mistura é a sua particularidade.
    Seus discos demonstram bem a força dessas misturas
    E cada qual um novo prato
    Do Labidumba (2008), a voz como percussão; do Serafim (2011), uma versatilidade mais pop; de Viamão (2016), a percussão que perpassa a latino-américa; Cada Um (2018), que realiza a mistura do tradicional e o contemporâneo; Linha de Estrelas (2005) e Famalé (2014), a ancestralidade que marcava já seu trabalho com o Tambolelê.
    Ancestralidade que costura sua obra, que conta com outras linhas:
    As águas
    Os anjos
    Os orixás
    As estrelas.
    Os caminhos e encruzilhadas.
    A existência.
    É Costura da Vida, Velhos de Coroa, os Guardiões da Memória, Cosme e Damião, a Alma Grande, Vento e Chama, Vendaval, o Riso do Sol, Zé Pereira, o Parto e o Fim da Ira.
    Vindo do bairro Glória em Belo Horizonte, Minas Gerais
    É Pererê quem determina seus territórios e linhas de fuga
    E se junta e compartilha desde sempre – suas mãos com outras mãos
    Descobrindo de onde vem – DNA África -
    E envolvido, a partir da família, com o que o cerca
    E leva à cidade seus afetos políticos como forma de luta
    (O transcendente é político)
    Seja no carnaval, seja no Movimento Negro (GloriÁfro, Bloco do Pirulito, Bala da Palavra, Dread Locko e tantos outros)
    E faz do mundo um palco, onde também virou ator
    E onde lança suas palavras, como no livro A Morte de Antônio Preto.
    Reunidor de afetos, com impulso transformador
    Um existencialismo negritado, desestabilizador do ordinário
    Versatilidade sem virtuose desnecessária,
    Mãos que escrevem, tocam, dedilham, pulsão e vibram
    Comovem, emocionam, enternecem – e afetam.
    Uma voz. A voz.

Life & Work

  • Bio: Iniciado na música ainda na infância, possui formação autodidata e muito cedo chegou a ter contato com grandes músicos, como o baterista Robertinho Silva e o percussionista Marcos Suzano. Influenciado pelo blues e rock progressivo, mas sem perder as raízes afro-brasileiras, liderou a banda Avone, trabalho no qual exercitou seu talento enquanto compositor. Mais tarde, fez experimentações na área da MPB ao lado dos violonistas Meliandro Gallinari e Rafael Trapiello e da flautista argentina Andréia Cecília Romero. O quarteto formava o Grupo Pedra de Tucum, que interpretava, além de canções próprias, clássicos da MPB.

    Atuou como solista no espetáculo "Fogueira do Divino", assinado por Tavinho Moura e Fernando Brant, ao lado de Sérgio Santos, Marina Machado, Claudia Vale, Alda Resende, Mariana Brant, Toninho Marra, Geovanne Sassá e Santonne Lobato, sob a regência do Maestro Nelson Aires.

    Desde 1995, junto com Santonne Lobato e Giovanne Sassá forma a banda Tambolelê, com a qual lançou dois discos e já se apresentou nas principais cidades do Brasil e diversos países das Américas e Europa. Da banda, surgiu o Bloco Oficina Tambolelê, que tem sido um dos grandes destaques em Minas Gerais no trabalho sócio-cultural com jovens de periferias.

    Ao lado de Wagner Tiso no Rio de Janeiro, em 2002, viveu uma grande realização em sua carreira como cantor ao interpretar as canções para Chico Rei e Santa Efigênia, anteriormente gravadas por Milton Nascimento. Como um dos compositores mais significativo das novas linhagens da MPB, Sérgio Pererê possui os CDs solos e autorais "Linha de Estrelas" (2005), "Labidumba" (2008) e "Alma Grande" (2010). Admirado por diversos artistas do cenário nacional, já teve suas composições gravadas por Ceumar, Regina Souza, Titane, Eliana Printes, Anthônio e Mauricio Tizumba, além de ser cantado por grandes nomes como João Bosco, Milton Nascimento, Chico César, Vander Lee e Fabiana Cozza, sambista paulistana que gravará canções do compositor no seu próximo disco.

    No teatro, Pererê ainda foi ator-cantor nos espetáculos "Besouro, Cordão-de-Ouro" e "Bituca - O Vendedor de Sonhos", em homenagem a Milton Nascimento, ambos dirigidos por João das Neves e que excursionaram por diversas capitais do Brasil.

Contact Information

  • Email: [email protected]
  • Telephone: +55 (31) 98331-5040
  • Address: R. da Bahia, 1148/531
    Centro
    Belo Horizonte-MG, 30160-011

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://sergioperere.com.br/#pgc-w5b9b0f385c872-0-1
  • ▶ Instagram: sergioperere
  • ▶ Website: http://sergioperere.com.br
  • ▶ YouTube Channel: http://www.youtube.com/user/sergioperere
  • ▶ YouTube Music: http://music.youtube.com/channel/UCw3OqYXX_LdpwrXVf93UJ-A
  • ▶ Spotify: http://open.spotify.com/album/4sBDBPoaMpa1LeXleBTGYO
  • ▶ Spotify 2: http://open.spotify.com/album/2OLq3VxdX6CnlgDFpRlmPG
  • ▶ Spotify 3: http://open.spotify.com/album/30q9eFoDFRGnrEZIpMfXNT
  • ▶ Spotify 4: http://open.spotify.com/album/5mybH7kh0gp9Avezpc91QU
  • ▶ Spotify 5: http://open.spotify.com/album/51j0i2PefIFb6QPh3e1vrz
  • ▶ Spotify 6: http://open.spotify.com/album/4JAyjQ3AsalM8PU9qCbv2V

Clips (more may be added)

  • 3:59
    Sérgio Pererê - Meu Jardim (Com Mayí)
    By Sérgio Pererê
    179 views
  • 4:25
    Sergio Pererê - Hino da Umbanda
    By Sérgio Pererê
    198 views
  • 4:22
    Sérgio Pererê - Juízo Final
    By Sérgio Pererê
    198 views
  • 3:54
    Sérgio Pererê - Filho de Odé (Clipe)
    By Sérgio Pererê
    181 views
  • 4:08
    Costura da vida (Sérgio Pererê)
    By Sérgio Pererê
    165 views
  • 5:45
    A Criação - Mauricio Tizumba e Sérgio Pererê Ao Vivo
    By Sérgio Pererê
    193 views
  • 5:13
    Woman - Mauricio Tizumba e Sérgio Pererê Ao Vivo
    By Sérgio Pererê
    184 views
  • 3:53
    Kianda - Mauricio Tizumba e Sérgio Pererê Ao Vivo
    By Sérgio Pererê
    182 views
Previous
Next
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