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  • No princípio...
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The Birth of the Matrix →

No princípio...

Imagine uma rede em que, por alguma mágica fantástica, todos dentro tenderiam a poucos passos detectáveis ​​de todos os outros... na rede e no planeta...

 

Imagine uma rede que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem...

 

Imagine uma rede que incluiria todos na economia criativa global da humanidade...

 

Você está imaginando O Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a network wherein by some fantastic magic everybody within would tend to within scant, discoverable steps of everybody else... in the network, and on the planet...

 

Imagine a network that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did...

 

Imagine a network which would include all in humanity's global creative economy...

 

You are imagining The Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

Carpe diem

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  • Mateus Asato
    A video was posted re Mateus Asato:
    Africa
    A TOTO's classic. Video made in 2020 back in the Quarantine Sessions.
    • May 3
  • Mateus Asato
    A video was posted re Mateus Asato:
    Everybody Wants To Rule The World.
    A classic from Tears for Fears. This was made in 2020 back in my quarantine jukebox sessions.
    • May 3
  • Mateus Asato
    A video was posted re Mateus Asato:
    In My Life
    Beatles got me very much these past years...
    • May 3
  • Mateus Asato
    A video was posted re Mateus Asato:
    Hallelujah (Jeff Buckley/Leonard Cohen)
    Still looking for that secret chord... Happy Sunday!
    • May 3
  • Mateus Asato
    A video was posted re Mateus Asato:
    Mateus Asato - The Cure
    Thanks for your support. God bless you all, MA.
    • May 3
  • Mateus Asato
    A video was posted re Mateus Asato:
    Thank you, Daft Punk || Digital Love - Solo
    Originally posted on July of 2020 for Jukebox Sessions. Digital Love (solo). Special thanks to Daft Punk for being a soundtrack for most of my childhood. Enjoy the break!
    • May 3
  • Mateus Asato
    A video was posted re Mateus Asato:
    Fireflies - Owl City
    Re-posting this video I made for 'Jukebox Sessions' last year just to make things easier for those who wants to watch this only. It might be time for the 2nd run of Jukebox Sessions... what do you think? Anyways. Have a great week!
    • May 3
  • Mateus Asato
    A video was posted re Mateus Asato:
    Asabi: sounds (feat. Mateus Asato)
    A few examples of how I can use the Asabi overdrive/distortion. After all, I've been very happy with this pedal. If you wanna know more about the pedal, access: https://jackson.audio/products/asabi/ Thank you!!! --- Contents of the video --- 00:00 - ...
    • May 3
  • Mateus Asato
    A video was posted re Mateus Asato:
    The last of 2020
    I made this video for a demo of my new signature pedal Asabi in partnership with Jackson Audio. Thanks for your support! See you next year :)
    • May 3
  • Mateus Asato
    A video was posted re Mateus Asato:
    Sapato Velho • (Homenagem a Paulinho)
    Meu começo musical é muito ligado ao Roupa Nova. Difícil não relacionar a trilha sonora da minha infância com os hits e mais hits marcando insubstituível presença. Grato aos meus pais por me educarem também musicalmente, inserindo o Roupa Nova nos almoços...
    • May 3
  • Mateus Asato
    A video was posted re Mateus Asato:
    Acoustic Emotional Riff || Left Behind • I • Mateus Asato
    Forgot to post this here. My bad! :/
    • May 3
  • Mateus Asato
    A video was posted re Mateus Asato:
    VI, The Last! • Mateus Asato || Acoustic November Series 20'
    Thanks for following and watch the series. Hope you enjoy it! :)
    • May 3
  • Mateus Asato
    A category was added to Mateus Asato:
    Neo Fusion
    • May 3
  • Mateus Asato
    A category was added to Mateus Asato:
    Brazil
    • May 3
  • Mateus Asato
    A category was added to Mateus Asato:
    Los Angeles
    • May 3
  • Mateus Asato
    A category was added to Mateus Asato:
    Songwriter
    • May 3
  • Mateus Asato
    A category was added to Mateus Asato:
    Guitar
    • May 3
  • Mateus Asato
    Mateus Asato is matrixed!
    • May 3
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  • ALL IS CLOSER THAN WE IMAGINE
    (Imagine Mateus Asato)
    I RECOMMEND
    You can recommend Mateus Asato from below when logged in ←

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Mateus Asato
  • City/Place: Los Angeles
  • Country: United States
  • Hometown: Campo Grande, Mato Grosso do Sul, Brazil

Life & Work

  • Bio: Mateus Asato is a guitar player from the south of Brazil who attended music school in Los Angeles and who moved to LA to stay in 2013.

Media | Markets

  • ▶ Twitter: mateusasato
  • ▶ Instagram: mateusasato
  • ▶ YouTube Channel: http://www.youtube.com/user/Mautaus
  • ▶ YouTube Music: http://music.youtube.com/channel/UCzetMz64I68d0ncJ5eA-LVw
  • ▶ Spotify: http://open.spotify.com/album/6NcKc1tWAlqgHSNk8qBUfS
  • ▶ Spotify 2: http://open.spotify.com/album/5cL8qWoOfuOMPTPBmVIuOW
  • ▶ Spotify 3: http://open.spotify.com/album/6l38zfFKDZrmrU2jXqW3GQ
  • ▶ Spotify 4: http://open.spotify.com/album/135NyW2XeqJSDpPqbqtNO1
  • ▶ Spotify 5: http://open.spotify.com/album/4Lv2KGGJpcF8Jnawi2reoa
  • ▶ Spotify 6: http://open.spotify.com/album/6R9oA6YVzMAh8XJZI6Yaxj

Clips (more may be added)

  • 1:01
    Africa
    By Mateus Asato
    41 views
  • 1:01
    Everybody Wants To Rule The World.
    By Mateus Asato
    48 views
  • 1:35
    In My Life
    By Mateus Asato
    42 views
  • 1:31
    Hallelujah (Jeff Buckley/Leonard Cohen)
    By Mateus Asato
    38 views
  • 3:10
    Mateus Asato - The Cure
    By Mateus Asato
    52 views
  • 1:01
    Thank you, Daft Punk || Digital Love - Solo
    By Mateus Asato
    43 views
  • 1:01
    Fireflies - Owl City
    By Mateus Asato
    43 views
  • 0:07:30
    Asabi: sounds (feat. Mateus Asato)
    By Mateus Asato
    46 views
  • 1:00
    The last of 2020
    By Mateus Asato
    46 views
  • 2:14
    Sapato Velho • (Homenagem a Paulinho)
    By Mateus Asato
    21 views
  • 1:01
    Acoustic Emotional Riff || Left Behind • I • Mateus Asato
    By Mateus Asato
    40 views
  • 0:49
    VI, The Last! • Mateus Asato || Acoustic November Series 20'
    By Mateus Asato
    48 views
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Do you  recommend Mateus Asato?

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 2 Brazil
  • 2 Guitar
  • 2 Los Angeles
  • 2 Neo Fusion
  • 2 Songwriter

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
  • Negrizu Ator, Actor
  • Mikki Kunttu Finland
  • BaianaSystem Bahia
  • Sarz Africa
  • Igor Levit Classical Music
  • Marquis Hill Hip-Hop
  • Omer Avital Brooklyn, NY
  • Jura Margulis Musik und Kunst Privatuniversität der Stadt Wien Faculty
  • Lorna Simpson Sculptor
  • Helder Barbosa Salvador
  • Burhan Öçal Istanbul
  • Brett Orrison Sound Engineer
  • Kim André Arnesen Composer
  • David Chesky Multi-Cultural
  • Marcello Gonçalves Samba
  • Herlin Riley Tambourine
  • Vadinho França Bahia
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  • Ben Harper Soul
  • Mona Lisa Saloy Louisiana
  • Tshepiso Ledwaba University of South Africa Staff
  • Herlin Riley New Orleans
  • Rodrigo Amarante Singer-Songwriter
  • Siobhán Peoples County Clare
  • John McWhorter Columbia University Faculty
  • Veronica Swift Composer
  • Lokua Kanza Congo
  • Frank Olinsky Illustrator
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  • Andrés Prado Lima
  • Doug Wamble Composer
  • Stephanie Foden Bahia
  • Loli Molina Guitar
  • Isaak Bransah Salvador
  • Ben Harper Gospel
  • David Sacks Latin Jazz
  • Ryuichi Sakamoto Singer-Songwriter
  • Paddy Groenland Composer
  • Fred P Record Producer
  • Carlinhos Brown Record Producer
  • Bill T. Jones Choreographer
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  • Guinga Brazil
  • Muri Assunção Rio de Janeiro
  • The Brain Cloud New York City
  • Oteil Burbridge Jazz
  • Marcus Miller Composer
  • Marc Ribot Experimental Music
  • Toninho Ferragutti Accordion
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  • Giovanni Russonello Electoral Politics
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  • Kurt Rosenwinkel Record Label Owner
  • Mono/Poly DJ
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  • Mickalene Thomas Photographer
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  • Angel Bat Dawid Piano
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  • João Teoria Brasil, Brazil
  • José Antonio Escobar Barcelona
  • Philip Glass Piano
  • Carlos Malta Pífano
  • Echezonachukwu Nduka Piano
  • Huey Morgan DJ
  • Chick Corea Contemporary Classical Music
  • Siba Veloso Singer
  • Yotam Silberstein Guitar Instruction
  • Leonardo Mendes Violão, Guitar
  • Renee Rosnes Piano
  • Abel Selaocoe Multi-Cultural
  • As Ganhadeiras de Itapuã Bahia
  • Alex Rawls Music, Culture Website Owner, Editor
  • Tony Allen Composer
  • Lula Galvão Arranger
  • Jess Gillam Contemporary Classical Music
  • Keshav Batish Drums
  • Brian Q. Torff Composer
  • Ron McCurdy USC Thornton School of Music Faculty
  • Chucho Valdés Afro-Cuban Jazz
  • Marcus Strickland Brooklyn, NY
  • Natan Drubi São Paulo
  • Jerry Douglas Resonator Guitar
  • Inaicyra Falcão Candomblé
  • Owen Williams Writer
  • Guinha Ramires Rio Grande do Sul
  • James Brandon Lewis Essayist
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  • Wynton Marsalis New Orleans
  • Ashley Page Aukland
  • Amy K. Bormet Composer
  • Leandro Afonso Film Producer
  • Colson Whitehead Literary Critic
  • Saul Williams Rapper
  • Carlinhos Brown Salvador
  • Aurino de Jesus Samba de Viola
  • Michael Olatuja New York City
  • Bisa Butler Textile Artist
  • Nduduzo Makhathini Johannesburg
  • Jan Ramsey Jazz
  • James Martins Brasil, Brazil
  • Arifan Junior Brasil, Brazil
  • Rodrigo Amarante Rock
  • João do Boi Samba de Roda
  • Chris Dave Hip-Hop
  • Giorgi Mikadze გიორგი მიქაძე Composer
  • Linda Sikhakhane Johannesburg
  • Catherine Bent Jazz
  • Jake Oleson Filmmaker
  • Cécile McLorin Salvant Jazz
  • Oswaldo Amorim Bass
  • Rumaan Alam Literary Critic
  • H.L. Thompson Artist Development
  • Antonio García University of KwaZulu-Natal Faculty
  • Omer Avital North African Music
  • Ronell Johnson Second Line
  • Marc-André Hamelin Piano
  • Edward P. Jones Writer
  • John Santos Percussion
  • Walter Pinheiro Brazil
  • Kiya Tabassian كيا طبسيان Film Scores
  • María Grand Saxophone
  • The Bayou Mosquitos Amsterdam
  • Paulo Dáfilin Arranger
  • Karsh Kale कर्ष काळे Tabla
  • Bob Telson Composer
  • Justin Stanton Sound Design
  • Jorge Pita Salvador
  • Nahre Sol Toronto
  • Jeff Parker Film Scores
  • Robi Botos Composer
  • Nahre Sol Classical Music
  • Alex Mesquita Guitar
  • John Waters Writer
  • Tigran Hamasyan Singer
  • Beth Bahia Cohen Tanbur
  • Martyn Drum and Bass
  • Raymundo Sodré Ropeadope
  • Samuca do Acordeon Samba
  • Eli Degibri אלי דג'יברי Composer
  • Bodek Janke Drums
  • Jahi Sundance Record Producer
  • Issa Malluf Daf
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  • Edsel Gomez Piano
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  • Swizz Beatz Songwriter
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  • Andy Kershaw Radio Presenter
  • MonoNeon Composer
  • Tia Surica Brazil
  • Luciana Souza Singer
  • Gêge Nagô Candomblé
  • Michael Peha Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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