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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Anna Webber
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Anna Webber
  • City/Place: Brooklyn, NY
  • Country: United States

Life & Work

  • Bio: Anna Webber (b. 1984) is a New York-based flutist, saxophonist, and composer whose interests and work live the overlap between avant-garde jazz and new classical music. Her new album, Clockwise, featuring a septet comprised of several of the most creative musicians working in New York’s avant-garde, is out on Pi Recordings (February 2019). Webber is joined on Clockwise by Jeremy Viner, Jacob Garchik, Chris Hoffman, Matt Mitchell, Chris Tordini, and Ches Smith.

    In addition to this septet, Webber also leads the critically acclaimed Simple Trio, featuring drummer John Hollenbeck and pianist Matt Mitchell, with which she has released two albums on Skirl Records: Binary (2016) and SIMPLE (2014). She has furthermore recorded for Munich’s Pirouet Records with the now defunct Percussive Mechanics. Her other projects a big band co-led with Angela Morris; Jagged Spheres with Devin Gray and Elias Stemeseder; EAVE with Erik Hove, Evan Tighe, and Vicky Mettler; and The Hero of Warchester with Nathaniel Morgan and Liz Kosack.

    Webber has performed and/or recorded with Dan Weiss’ Sixteen; Jen Shyu’s Jade Tongue; Matt Mitchell’s A Pouting Grimace and Sprees; Dave Douglas’ ENGAGE; the John Hollenbeck Large Ensemble; Ches Smith’s Laugh Ash; Adam Hopkins’ Crickets; Geof Bradfield’s Yes and...; Ohad Talmor’s Grand Ensemble; Fabian Almazan’s Realm of Possibilities; Noah Garabedian’s Big Butter and the Eggmen; the Erik Hove Chamber Ensemble; a sextet from Bang on a Can All-Stars member Ken Thomson; Harris Eisenstadt’s Recent Developments; and the Marike van Dijk Stereography Project. She recently played in the world premiere of Sila: The Breath of the World by Pulitzer Prize-winner John Luther Adams at the Lincoln Center.

    Webber is a 2018 Guggenheim Fellow. She has additionally been awarded grants from the Shifting Foundation (2015), the Conseil des arts et des lettres du Québec, and the Canada Council for the Arts and residencies from the MacDowell Colony (2017), the Millay Colony for the Arts (2015), and the Brush Creek Foundation for the Arts (2014). She is the winner of the 2010 Prix François-Marcaurelle at the OFF Festival of Jazz in Montreal. In 2014 she won the BMI Foundation Charlie Parker Composition Prize as a member of the BMI Jazz Composers' Workshop.

    Originally from British Columbia, Webber studied music at McGill University in Montreal before moving to New York City in 2008. She holds master’s degrees from both Manhattan School of Music and the Jazz Institute Berlin.

Contact Information

  • Email: [email protected]
  • Management/Booking: Feel free to contact me regarding performances, private lessons (composition or instrumental), questions about music/scores, etc.

    For European booking, please contact Lalo at AKAMU Productions.
    akamu.net
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://annawebber.bandcamp.com
  • ▶ Buy My Music 2: (downloads/CDs/DVDs) http://pirecordings.com/albums/clockwise/
  • ▶ Website: http://annakristinwebber.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UC0kvQJv_RmC1oqSP9NGF4vQ
  • ▶ Spotify: http://open.spotify.com/album/0LhmwmlUr3Icb5t8qFwWNE
  • ▶ Spotify 2: http://open.spotify.com/album/2uVckR9eGYR8S8gJ8BRgyN

More

  • Quotes, Notes & Etc. ...pay attention to Webber, both in the moment and in the future.
    - Bill Meyer, Downbeat

    Reedist Anna Webber, a Brooklynite by way of British Columbia, is one of the most exciting new arrivals on the New York avant-garde jazz scene in the past couple years. ...her detail-rich writing recalls the work of elders as disparate as Tim Berne and Henry Threadgill, and her busy motion evokes a fizzy sort of exhilaration.
    - Peter Margasak, Chicago Reader

Clips (more may be added)

  • impulse purchase - anna webber SIMPLE trio
    By Anna Webber
    312 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Anna Webber:

  • 1 Avant-Garde Jazz
  • 1 Brooklyn, NY
  • 1 Composer
  • 1 Contemporary Classical Music
  • 1 Flute
  • 1 Saxophone
  • Mehdi Rajabian Multi-Cultural
  • Pedrito Martinez Cuba
  • Larissa Luz Actor
  • Isaak Bransah Singer-Songwriter
  • Rolando Herts Singer
  • Tyler Gordon San Jose, California
  • Larissa Fulana de Tal Roteirista, Screenwriter
  • Caroline Shaw Record Producer
  • Becca Stevens Brooklyn, NY
  • Peter Slevin Writer
  • Casa Preta Teatro, Theater
  • Nicholas Gill Writer
  • Ken Coleman Black American Culture & History
  • David Bruce Contemporary Classical Music
  • Ênio Bernardes Diretor Musical, Music Director
  • Immanuel Wilkins New York City
  • Yunior Terry Cuba
  • Eamonn Flynn Keyboards
  • Sierra Hull Americana
  • Virgínia Rodrigues MPB
  • Dale Barlow New York City
  • Bob Bernotas Liner Notes
  • Philip Sherburne Music & Culture Writer
  • Stacy Dillard Jazz
  • Elodie Bouny Venezuela
  • Tony Kofi Composer
  • João Rabello Composer
  • Gerald Clayton Los Angeles
  • Immanuel Wilkins New School Faculty
  • Jay Mazza Writer
  • Anna Webber Composer
  • Jorge Pita Bahia
  • Neo Muyanga African Music
  • Avishai Cohen Trumpet
  • Richie Barshay Afro-Latin Percussion
  • Ariel Reich Mark Morris Dance Group Teaching Artist Faculty
  • Thundercat Multi-Instrumentalist
  • Riley Baugus Banjo
  • Nath Rodrigues Belo Horizonte
  • Luizinho Assis Jazz Brasileiro, Brazilian Jazz
  • Hua Hsu Writer
  • Ênio Bernardes Cantor-Compositor, Singer-Songwriter
  • Denzel Curry Singer-Songwriter
  • Johnny Vidacovich Drums
  • Samuca do Acordeon Accordion
  • Di Freitas Brazil
  • Courtney Pine Keyboards
  • Geraldine Inoa Writer
  • Jamie Dupuis Harp Guitar
  • João Rabello Brazil
  • Casey Benjamin Songwriter
  • Raphael Saadiq Neo Soul
  • Beats Antique World Fusion
  • Karsh Kale कर्ष काळे Record Producer
  • Karim Ziad Multi-Instrumentalist
  • Guillermo Klein Jazz
  • Sombrinha Guitar
  • Andrés Beeuwsaert Multi-Cultural
  • Cara Stacey Piano
  • Lenine Pernambuco
  • Alex Mesquita Composer
  • Cristovão Bastos Brazil
  • Olga Mieleszczuk Yiddish Folk Songs
  • Aindrias de Staic Television Presenter
  • Casa Preta Espaço de Cultura, Cultural Space
  • Brian Lynch University of Miami Frost School of Music Faculty
  • Luciano Calazans Bass
  • Ben Wendel Brooklyn, NY
  • Guto Wirtti Brazil
  • Cassie Kinoshi Saxophone
  • Alain Mabanckou Writer
  • Marcus J. Moore Music Journalist
  • Edil Pacheco Salvador
  • Tomo Fujita Funk
  • Derrick Hodge Jazz
  • John Luther Adams Composer
  • Sérgio Pererê MPB
  • Oleg Fateev Moldavia
  • Nguyên Lê Composer
  • Rick Beato Author
  • Jan Ramsey Funk
  • Regina Carter Multi-Cultural
  • Plinio Oyò Brasil, Brazil
  • Aaron Parks Piano
  • Greg Ruby Composer
  • Billy Strings Guitar
  • Gabriel Geszti Compositor, Composer
  • Sunna Gunnlaugs Reykjavik
  • Gel Barbosa Cantor-Compositor, Singer-Songwriter
  • Mark Turner Composer
  • Renato Braz MPB
  • Huey Morgan Author
  • Doug Wamble Composer
  • Flora Purim Brazilian Jazz
  • Caterina Lichtenberg Soprano Lute
  • Omer Avital Bass
  • Richard Bona Bass
  • Carl Allen New York City
  • Lina Lapelytė Multi-Instrumentalist
  • Tyshawn Sorey Avant-Garde Jazz
  • Menelaw Sete Artista Plástico, Artist
  • Jason Marsalis Drums
  • Yazz Ahmed Bahrain
  • Chris Potter Composer
  • Ali Jackson Percussion
  • Joan Chamorro Clarinets
  • Muireann Nic Amhlaoibh Piano
  • Irma Thomas R&B
  • Natan Drubi Bahia
  • Cale Glendening Film Director
  • Tatiana Eva-Marie Manouche
  • Kyle Poole Drums
  • Bukassa Kabengele Cultural Producer
  • Bernardo Aguiar Percussion
  • Devin Naar Jewish Studies
  • Tomoko Omura Brooklyn, NY
  • Raymundo Sodré Brazil
  • J. Cunha Bahia
  • Gilsons MPB
  • Becca Stevens Singer-Songwriter
  • Giba Gonçalves Percussion
  • Rodrigo Caçapa Viola Brasileira
  • Molly Tuttle Singer-Songwriter
  • Rebeca Omordia Nigeria
  • Robb Royer Multi-Instrumentalist
  • Stacy Dillard New York City
  • Jess Gillam Radio Presenter
  • Tiganá Santana Produtor Musical, Music Producer
  • Dan Nimmer Composer
  • Avishai Cohen Jazz
  • Plinio Oyò Samba de Roda
  • Nancy Ruth Vocal Instruction
  • Avner Dorman Gettysburg College Faculty
  • Peter Evans Composer
  • Armandinho Macêdo Bahia
  • Allen Morrison Jazz
  • Tony Austin Film Scores
  • Kenyon Dixon Los Angeles
  • J. Velloso Songwriter
  • André Becker Flauta, Flute
  • Miroslav Tadić Contemporary Classical Music
  • Varijashree Venugopal India
  • Meshell Ndegeocello Bass
  • Kiko Horta Brazil
  • Dee Spencer Jazz
  • Ricardo Herz São Paulo
  • Nabihah Iqbal Music Producer
  • Babau Santana Pandeiro
  • Itamar Vieira Júnior Bahia
  • Jason Reynolds Lesley University Faculty
  • Taj Mahal Blues
  • Jared Jackson Literary Critic
  • Oswaldinho do Acordeon Forró
  • Daymé Arocena Havana
  • Mariene de Castro Brazil
  • The Rheingans Sisters Folk & Traditional
  • Fidelis Melo Produtor Cultural, Cultural Producer
  • Ajurinã Zwarg Rio de Janeiro
  • Amilton Godoy Brazil
  • João do Boi Brazil
  • Moses Sumney Soul
  • Chico Buarque Rio de Janeiro
  • Gregory Porter Songwriter
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  • Michael Olatuja Composer
  • Liron Meyuhas Composer
  • Jamz Supernova London
  • Hugues Mbenda Experimental French, African Cuisine
  • PATRICKTOR4 DJ
  • 小野リサ Lisa Ono MPB
  • Jaimie Branch Trumpet
  • Tia Surica Brazil
  • Mavis Staples Chicago
  • Menelaw Sete Pelourinho
  • Eric Galm Ethnomusicologist
  • Larissa Luz Writer
  • Bertram Drum Set Performance
  • Ivan Sacerdote Classical Music
  • Vanessa Moreno MPB
  • Robert Glasper R&B
  • Bisa Butler Pan-African Culture
  • Priscila Castro Música Afro-Amazônica, Afro-Amazonian Music
  • Celso Fonseca Brazil
  • Tommaso Zillio Guitar
  • Ravi Coltrane Record Label Owner
  • David Virelles Jazz
  • Cássio Nobre Salvador
  • Sara Gazarek Los Angeles
  • Tiganá Santana Violão, Guitar
  • Kimmo Pohjonen Composer
  • Huey Morgan DJ
  • Miles Mosley Los Angeles
  • Pedro Martins Jazz
  • Gerson Silva Guitar
  • Fred P Techno
  • Jean Rondeau Harpsichord
  • Zé Katimba Rio de Janeiro
  • Niwel Tsumbu Guitar
  • Errollyn Wallen Royal Conservatoire of Scotland
  • Luizinho Assis Jazz
  • Glória Bomfim Rio de Janeiro
  • Melvin Gibbs Record Producer
  • Jan Ramsey Louisiana
  • Angel Bat Dawid Clarinet
  • Julia Alvarez Novelist
  • J. Pierre Muralist
  • Sharay Reed Chicago
  • Daru Jones Nashville, TN
  • Joshua Abrams Chicago
  • Marilda Santanna Escritora, Writer
  • Woody Mann Blues
  • Marko Djordjevic Composer
  • Colson Whitehead Literary Critic
  • Carlos Henriquez Jazz
  • Marcelo Caldi Música Nordestina
  • João Luiz Brazil
  • Julian Lage Guitar
  • Alexia Arthurs Short Stories
  • James Carter Clarinet
  • Perumal Murugan Tamil Literature
  • Mestrinho Singer-Songwriter
  • Duane Benjamin Arranger
  • Ubiratan Marques Música Afro-Brasileira, Afro-Brazilian Music
  • Massimo Biolcati App Developer
  • David Kirby New York City
  • Astrig Akseralian Cambridge, England
  • Peter Serkin Piano
  • Dorian Concept Keyboards
  • Fábio Luna Percussão, Percussion
  • Nubya Garcia England
  • Patty Kiss Frevo
  • Ray Angry Songwriter
  • Max ZT Composer
  • Melissa Aldana Jazz
  • Jack Talty Composer
  • Luciano Calazans Composer
  • Juliana Ribeiro Samba
  • Chris McQueen Record Producer
  • Philipp Meyer Writer
  • Lina Lapelytė Contemporary Classical Music
  • John Zorn Film Scores
  • Andrés Prado Composer
  • Shannon Sims Brazil
  • Alegre Corrêa Composer
  • Anna Mieke Ireland
  • 9Bach Welsh Traditional Music
  • Frank Beacham Storyteller
  • Maciel Salú Composer
  • Avishai Cohen אבישי כה Israel
  • Mika Mutti Bahia
  • Cássio Nobre Guitarra Baiana
  • Ry Cooder Multi-Cultural
  • John Zorn Composer
  • MicroTrio de Ivan Huol Bahia
  • Marco Pereira Rio de Janeiro
  • Art Rosenbaum Illustrator
  • Joan Chamorro Spain
  • Swizz Beatz New York City
  • Eliane Elias Brazil
  • Muhsinah Piano
  • Edivaldo Bolagi Candomblé
  • Jimmy Dludlu Guitar
  • Walter Ribeiro, Jr. Brazil
  • Miroslav Tadić Multi-Cultural
  • Fred P Record Producer
  • Archie Shepp Saxophone
  • David Bragger Record Label Owner
  • Celsinho Silva Pandeiro
  • Allen Morrison Piano
  • Vivien Schweitzer Writer
  • David Sacks Vocals
  • Ken Coleman Detroit, Michigan
  • Bai Kamara Jr. Sierra Leone
  • Guga Stroeter Candomblé
  • Alexia Arthurs Iowa Writers' Workshop Faculty
  • Mandla Buthelezi Jazz
  • Eddie Kadi Actor
  • China Moses Actor
  • Miguel Zenón Composer
  • Jerry Douglas Lap Steel Guitar
  • Hopkinson Smith Lute
  • Mou Brasil Guitarra, Guitar
  • Carlos Blanco Guitarra, Violão, Guitar
  • Daymé Arocena Santeria
  • Plinio Oyò Bahia
  • Tony Kofi London
  • Jerry Douglas Dobro
  • John Morrison Philadelphia, Pennsylvania
  • Pat Metheny Jazz
  • Tambay Obenson Writer
  • Alicia Hall Moran New York City
  • Jonathon Grasse Gamelan
  • Welson Tremura Bossa Nova
  • Issa Malluf Daf
  • Ivan Lins Rio de Janeiro
  • Michael Cuscuna Jazz
  • Frank Negrão Blues
  • Donald Vega Piano
  • Tarus Mateen Bass
  • Taylor Ashton Drawings
  • Jakub Knera Music & Culture Journalist
  • Weedie Braimah Folk & Traditional
  • Miguel Atwood-Ferguson Arranger
  • Omer Avital Middle Eastern Music
  • Caroline Shaw New York City
  • Tiganá Santana Diretor Artístico, Artistic Director
  • Bai Kamara Jr. Brussels, Belgium
  • Yvette Holzwarth Los Angeles
  • Aloísio Menezes Bahia
  • Jeff Preiss Filmmaker
  • Rudy Royston Photographer
  • Yayá Massemba Brasil, Brazil
  • Tab Benoit Louisiana
  • Toninho Ferragutti Composer
  • Nubya Garcia Jazz
  • Swami Jr. Violão de Sete
  • Azadeh Moussavi Iran
  • Spok Frevo Orquestra Frevo
  • João Camarero Violão de Sete
  • David Byrne New York City
  • Tony Austin Drums
  • Rudy Royston Classical Music
  • Neo Muyanga Piano
  • Joanna Majoko Zimbabwe
  • Guinga Guitar
  • Yelaine Rodriguez Wearable Art
  • Nara Couto Diretora, Director
  • Jovino Santos Neto Composer
  • Burkard Polster Monash University Faculty
  • Frank Beacham Writer
  • Carol Soares Samba de Roda
  • Tommy Peoples Fiddle
  • Aubrey Johnson Montclair State University Faculty
  • Simone Sou Drums
  • Alex Hargreaves New School for Jazz and Contemporary Music Faculty
  • Hisham Mayet Filmmaker
  • Shaun Martin Hip-Hop
  • Richie Barshay Percussion
  • Marc-André Hamelin Piano
  • Walter Pinheiro Frevo
  • Gêge Nagô Samba
  • Jim Hoke Composer
  • Wadada Leo Smith Trumpet
  • Anthony Hervey Singer
  • Varijashree Venugopal Brazilian Music
  • Yayá Massemba Bahia
  • James Martin Funk
  • Daedelus Electronic Music
  • Tessa Hadley Novelist
  • Chico César Paraíba

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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