• Sign in
  • Be a Node
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • AFROBIZ Salvador
  • Questions?
  • IMPORTANT →
  • Recommendations In(4)
  • What's Up
  • Why a "Matrix"?
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • From Harlem to Bahia

IMPORTANT →

Recommendations In


Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending LaTasha Lee:

  • 0 R&B
  • 0 Singer-Songwriter
  • 0 Soul
  • 0 Texas

What's Up

The post was not added to the feed. Please check your privacy settings.
  • LaTasha Lee
    Irma Thomas → Soul has been recommended via LaTasha Lee.
    • August 30, 2020
  • LaTasha Lee
    Irma Thomas → Songwriter has been recommended via LaTasha Lee.
    • August 30, 2020
  • LaTasha Lee
    Irma Thomas → Singer has been recommended via LaTasha Lee.
    • August 30, 2020
  • LaTasha Lee
    Irma Thomas → R&B has been recommended via LaTasha Lee.
    • August 30, 2020
  • LaTasha Lee
    Irma Thomas → New Orleans has been recommended via LaTasha Lee.
    • August 30, 2020
  • LaTasha Lee
    Irma Thomas → Gospel has been recommended via LaTasha Lee.
    • August 30, 2020
  • LaTasha Lee
    Irma Thomas → Blues has been recommended via LaTasha Lee.
    • August 30, 2020
  • LaTasha Lee
    Mavis Staples → Soul has been recommended via LaTasha Lee.
    • August 30, 2020
  • LaTasha Lee
    Mavis Staples → Singer-Songwriter has been recommended via LaTasha Lee.
    • August 30, 2020
  • LaTasha Lee
    Mavis Staples → R&B has been recommended via LaTasha Lee.
    • August 30, 2020
  • LaTasha Lee
    Mavis Staples → Gospel has been recommended via LaTasha Lee.
    • August 30, 2020
  • LaTasha Lee
    Mavis Staples → Chicago has been recommended via LaTasha Lee.
    • August 30, 2020
  • LaTasha Lee
    A video was posted re LaTasha Lee:
    LaTasha Lee "Pledging My Love" Live Acoustic
    LaTasha Lee "Pledging my love" Live Acoustic
    • August 30, 2020
  • LaTasha Lee
    A video was posted re LaTasha Lee:
    Latasha Lee "Don't Cry For Her" Official Video
    Latasha Lee "Don't Cry For Her" Official Video
    • August 30, 2020
  • LaTasha Lee
    A video was posted re LaTasha Lee:
    LaTasha Lee in the garden
    See the official video to this song "Can't Walk Away"
    • August 30, 2020
  • LaTasha Lee
    A video was posted re LaTasha Lee:
    LaTasha Lee sings an original “I Regret it”
    LaTasha Lee sings an original: “I Regret It”
    • August 30, 2020
  • LaTasha Lee
    A category was added to LaTasha Lee:
    Texas
    • August 30, 2020
  • LaTasha Lee
    A category was added to LaTasha Lee:
    R&B
    • August 30, 2020
  • LaTasha Lee
    A category was added to LaTasha Lee:
    Soul
    • August 30, 2020
  • LaTasha Lee
    A category was added to LaTasha Lee:
    Singer-Songwriter
    • August 30, 2020
View More
Loading ...

Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • LaTasha Lee
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: LaTasha Lee
  • City/Place: Luling, Texas
  • Country: United States
  • Hometown: Corpus Christi, Texas

Life & Work

  • Bio: Latasha Lee was born in Corpus Christi, Texas. At an early age Latasha’s mom, Michelle Crayton, knew that Latasha was destined to perform.

    Latasha, who has always admired Aretha Franklin, Whitney Houston,Sam Cooke, Gladys Knight, Etta James and Otis Redding, knew her sound must contain the essence of these wonderful artists. In 2006 she signed to the production company Carnival Beats and started songwriting: "I Hear You Knockin", "Gotta Be A Way", and "Get Away", based in the Motown sound she loves.

    She hasn't stopped and also in common with the artists she loves and admires, doesn't plan to.

Contact Information

  • Management/Booking: [email protected]

Media | Markets

  • ▶ Twitter: Latashaleesing
  • ▶ Instagram: latashaleesing
  • ▶ Website: http://www.latashalee.com
  • ▶ YouTube Channel: http://www.youtube.com/user/salih7779311
  • ▶ YouTube Music: http://music.youtube.com/channel/UCOkd6PejohDc3dBSkyI_Bsw
  • ▶ Vimeo Channel: http://vimeo.com/user4006707
  • ▶ Spotify: http://open.spotify.com/album/7m9nJpfSLspRN3WOrDqao9
  • ▶ Spotify 2: http://open.spotify.com/album/1quL9EX9pqucnjULjkcGUK
  • ▶ Spotify 3: http://open.spotify.com/album/76V43neb2H4czFs0KY8MeR
  • ▶ Spotify 4: http://open.spotify.com/album/7AGz3Ds61tVk91mhjlS0zL
  • ▶ Spotify 5: http://open.spotify.com/album/2HnPK4lTP7qWWMkNUOYuuu
  • ▶ Spotify 6: http://open.spotify.com/album/2qqbrB0GtBwvjK3xIXXSfq

Clips (more may be added)

  • 2:33
    LaTasha Lee "Pledging My Love" Live Acoustic
    By LaTasha Lee
    160 views
  • 2:52
    Latasha Lee "Don't Cry For Her" Official Video
    By LaTasha Lee
    184 views
  • 0:39
    LaTasha Lee in the garden
    By LaTasha Lee
    165 views
  • 3:30
    LaTasha Lee sings an original “I Regret it”
    By LaTasha Lee
    153 views
Previous
Next
  • Mário Pam AFROBIZ Salvador
  • Chief Xian aTunde Adjuah New Orleans
  • Hermeto Pascoal Multi-Instrumentalist
  • Lauranne Bourrachot Movie Producer
  • Juliana Ribeiro Salvador
  • Raymundo Sodré Bahia
  • Robert Glasper Hip-Hop
  • Mateus Aleluia Candomblé
  • Herbie Hancock Jazz
  • Gal Costa Salvador
  • Darius Mans Economist
  • Jau Salvador
  • Airto Moreira Brazil
  • Gabi Guedes Salvador
  • Magary Lord AFROBIZ Salvador
  • Jorge Washington AFROBIZ Salvador
  • Armandinho Macêdo Salvador
  • Kamasi Washington Saxophone
  • João do Boi Samba de Roda
  • Luedji Luna Salvador
  • Iuri Passos AFROBIZ Salvador
  • Ilê Aiyê Salvador
  • Nduduzo Makhathini South Africa
  • Margareth Menezes Salvador
  • Toby Gough Musical Theater
  • Lazzo Matumbi Salvador
  • Gilberto Gil Salvador
  • Yosvany Terry Harvard University Faculty
  • Mestre Nenel AFROBIZ Salvador
  • Kurt Rosenwinkel Guitar
  • Louis Marks Ropeadope
  • Bob Mintzer USC Thornton School of Music Faculty
  • Jay Mazza Journalist
  • Caetano Veloso Salvador
  • Pedrito Martinez Congas
  • Kareem Abdul-Jabbar Writer
  • Vijay Iyer Harvard University Faculty
  • Christopher Wilkinson Screenwriter
  • Alicia Svigals Klezmer Fiddle
  • Julian Lloyd Webber Cello
  • Bobby Sanabria Manhattan School of Music Faculty
  • Simon Brook Filmmaker
  • Taj Mahal Blues
  • Paulinho da Viola Samba
  • Jason Reynolds Writer
  • Richard Bona Composer
  • Hermeto Pascoal Composer
  • Ari Hoenig Author
  • Alicia Hall Moran Opera
  • Rachael Price Brooklyn, NY
  • Damon Albarn Multi-Instrumentalist
  • Chris Thile Multi-Instrumentalist
  • Ben Allison Bass
  • Fred P DJ
  • Andrés Beeuwsaert Multi-Cultural
  • Paulo César Pinheiro Rio de Janeiro
  • Seth Rogovoy Journalist
  • Steve Coleman Multi-Cultural
  • Aneesa Strings Singer
  • Román Díaz Havana
  • Donnchadh Gough Waterford
  • Yotam Silberstein Jazz
  • Robi Botos Toronto
  • Jupiter Bokondji Singer-Songwriter
  • Raymundo Sodré Bahia
  • Martin Koenig Folk & Traditional
  • Lenna Bahule Singer-Songwriter
  • Eliane Elias Bossa Nova
  • Toninho Horta Singer
  • Howard Levy Record Label Owner
  • June Yamagishi Guitar
  • Harold López-Nussa Cuba
  • Fabiana Cozza Brazil
  • Benny Benack III Trumpet
  • Victor Wooten Bass
  • Henry Cole Puerto Rico
  • Christopher James Musicologist
  • Capitão Corisco Folk & Traditional
  • Alex Clark Journalist
  • Francisco Mela Cuba
  • Jamz Supernova London
  • Angel Bat Dawid Black American Traditional Music
  • Pharoah Sanders Multi-Cultural
  • Lizz Wright Singer
  • Greg Kot Music Critic
  • Lina Lapelytė Vilnius
  • Keola Beamer Composer
  • Tony Austin Recording Engineer
  • Thiago Amud Singer-Songwriter
  • Alan Williams Found & Recycled
  • Tom Piazza Writer
  • Mono/Poly Music Producer
  • Oteil Burbridge Bass
  • Mono/Poly Experimental Music
  • Bebê Kramer Tango
  • Roberto Fonseca Havana
  • Aurino de Jesus Samba de Roda
  • Brian Lynch University of Miami Frost School of Music Faculty
  • Jean-Paul Bourelly Avant-Blues-Rock
  • Luíz Paixão Rabeca
  • Asma Khalid Journalist
  • Tedy Santana Salvador
  • Dwayne Dopsie Louisiana
  • Berta Rojas Paraguay
  • Carlos Malta Pífano
  • Ed O'Brien Brazil
  • Jorge Aragão Percussion
  • Bob Bernotas Rutgers Faculty
  • Jill Scott Hip-Hop
  • Echezonachukwu Nduka Musicologist
  • João Callado Rio de Janeiro
  • Anna Webber Composer
  • Chris Dave Drums
  • Stefon Harris Jazz
  • Glória Bomfim Chula
  • Luiz Brasil Samba
  • Derrick Hodge Composer
  • Huey Morgan Guitar
  • João Parahyba Songwriter
  • Tony Kofi Flute
  • Garvia Bailey Arts Journalist
  • George Cables New York City
  • Grant Rindner Journalist
  • Amilton Godoy Classical Music
  • Mulatu Astatke Keyboards
  • Brandon Coleman Jazz/Funk/R&B/Soul
  • Ricardo Herz Composer
  • Marcus Printup Composer
  • Mona Lisa Saloy Poet
  • Nelson Faria YouTuber
  • Brenda Navarrete Havana
  • Atlantic Brass Quintet Baroque
  • Frank Negrão MPB
  • Marcus Printup New York City
  • John Archibald Journalist
  • Wayne Escoffery Composer
  • Bombino Guitar
  • Kiko Horta Piano
  • Teodor Currentzis Classical Music
  • Woody Mann Writer
  • Derrick Hodge Hip-Hop
  • Denzel Curry Singer-Songwriter
  • Forrest Hylton Brazil
  • Arturo O'Farrill Afro-Cuban Jazz
  • Hugo Linns Recife
  • Imanuel Marcus News Site Owner/Editor-in-Chief
  • Gord Sheard Humber College Music Faculty
  • Estrela Brilhante do Recife Recife
  • Garth Cartwright Music Critic
  • Jamel Brinkley Novelist
  • Alex de Mora Documentary Filmmaker
  • Issa Malluf Percussion
  • Susana Baca Afro-Peruvian Music
  • Oscar Peñas New York City
  • Joshue Ashby Violin
  • Noam Pikelny Banjo Instruction
  • Eric R. Danton Writer
  • Ambrose Akinmusire Jazz
  • María Grand New York City
  • Carlos Malta Clarinet
  • Lydia R. Diamond Playwright
  • Aditya Prakash Los Angeles
  • Quincy Jones Record Producer
  • Judith Hill R&B
  • Dale Farmer Folk & Traditional
  • Sean Jones Johns Hopkins Peabody Institute Faculty
  • J. Velloso Brazil
  • Gerson Silva Brazil
  • Soweto Kinch MC
  • Gerson Silva Bahia
  • Joshua Abrams Theater Scores
  • Paulo Dáfilin Composer
  • Tom Oren Tel Aviv
  • Bianca Gismonti Singer
  • David Wax Museum Mexo-Americana
  • Avishai Cohen אבישי כה Tel Aviv
  • Tshepiso Ledwaba Steinway Piano Technician
  • Tony Austin Television Scores
  • Jorge Aragão Samba
  • 小野リサ Lisa Ono Japan
  • Trombone Shorty Trumpet
  • Jorge Pita Bahia
  • Tom Schnabel Music Salon
  • Jill Scott Model
  • Béco Dranoff Brazilian Music
  • Michael League Record Label Owner
  • Mateus Alves Pernambuco
  • Ben Okri Short Stories
  • Jimmy Dludlu Highlife
  • Sebastian Notini Percussão/Percussion
  • Jimmy Cliff Jamaica
  • Philip Watson Cork
  • Doug Wamble Singer-Songwriter
  • Antibalas Afrobeat
  • King Britt DJ
  • Chico César Poet
  • Bonerama Funk
  • André Muato Singer-Songwriter
  • Ben Hazleton Bass
  • Julian Lage Jazz
  • Michael W. Twitty Culinary Historian
  • Felipe Guedes Brazil
  • Margareth Menezes Salvador
  • Raymundo Sodré Forró
  • Ben Harper Blues
  • Will Holshouser Jazz
  • Mickalene Thomas Painter
  • Louis Michot Singer-Songwriter
  • Gonzalo Rubalcaba Havana
  • Gerson Silva Salvador
  • John Medeski Composer
  • Armen Donelian Author
  • Tatiana Campêlo Brazil
  • Michael Olatuja Composer
  • Robertinho Silva Jazz
  • Colm Tóibín Poet
  • Michael Doucet Zydeco
  • Madhuri Vijay Novelist
  • Liz Pelly NYU Tisch School of the Arts Faculty
  • Louis Marks Music Producer
  • Loli Molina Singer-Songwriter
  • Paulo Aragão MPB
  • Frank Olinsky Illustrator
  • Tele Novella Austin, Texas
  • Jacám Manricks UC Davis Faculty
  • Jau Singer-Songwriter
  • Joe Lovano Saxophone
  • Guga Stroeter Brazil
  • Felipe Guedes Bahia
  • Luis Delgado Qualtrough San Francisco
  • Angel Bat Dawid Jazz
  • Jimmy Greene Gospel
  • Olivia Trummer Classical Guitar
  • Ibrahim Maalouf Composer
  • Chubby Carrier Accordion
  • Mateus Aleluia Samba
  • Jessie Montgomery Chamber Musician
  • Brandee Younger Jazz
  • Jason Reynolds Lesley University Faculty
  • Questlove Drums
  • Cécile McLorin Salvant Illustrator
  • Meshell Ndegeocello Bass
  • Alicia Hall Moran Jazz
  • Hank Roberts Vocalist
  • John Harle Television Scores
  • Matt Parker Author
  • Cathal McNaughton Photographer
  • Fábio Zanon Brazil
  • Lucian Ban Romania
  • Ari Hoenig Drums
  • Yunior Terry NYU Faculty
  • Tom Moon MPB
  • Marcelo Caldi Forró
  • Giba Gonçalves Bahia
  • Yazhi Guo 郭雅志 Boston, Massachusetts
  • Don Byron Film Scores
  • David Binney Record Producer
  • Riley Baugus North Carolina
  • Jeff Tweedy Poet
  • Ryan Keberle Jazz
  • Charlie Bolden Jazz
  • Dale Barlow Saxophone
  • Keita Ogawa Brooklyn, NY
  • Virgínia Rodrigues Singer
  • Samba de Lata Brazil
  • Afrocidade Rap
  • Corey Henry Funk
  • THE ROOM Shibuya Music Venue
  • Rebeca Omordia Nigeria
  • Ricardo Herz São Paulo
  • Otto Manguebeat
  • Django Bates Multi-Instrumentalist
  • Donny McCaslin Jazz
  • Marcelinho Oliveira Keyboards
  • Diedrich Diederichsen Cultural Critic
  • Nana Nkweti University of Alabama Faculty
  • Pedro Abib Federal University of Bahia Faculty
  • Woody Mann Guitar
  • Eivør Pálsdóttir Singer-Songwriter
  • Scott Kettner Percussion
  • Garth Cartwright Journalist
  • Tom Zé Brazil
  • Asa Branca Brazil
  • Luiz Santos Contemporary Classical Music
  • Juliana Ribeiro Samba de Roda
  • Adam O'Farrill Composer
  • Gerson Silva Guitar
  • Vanessa Moreno MPB
  • Mário Santana Percussion
  • Keita Ogawa Multi-Cultural
  • Joel Guzmán Conjunto
  • Gerson Silva Music Director
  • Serginho Meriti Samba
  • Mauro Diniz Brazil
  • Miguel Atwood-Ferguson DJ
  • Guilherme Kastrup Drums
  • Christone 'Kingfish' Ingram Guitar
  • Sharay Reed Chicago
  • Philip Glass Piano
  • 小野リサ Lisa Ono MPB
  • Ron McCurdy USC Thornton School of Music Faculty
  • Michael Formanek Jazz
  • Lalah Hathaway Jazz
  • Rodrigo Amarante MPB
  • Rogério Caetano Choro
  • Gringo Cardia Rio de Janeiro
  • Sergio Krakowski Pandeiro Instruction
  • Bernardo Aguiar Percussion
  • Andrew Gilbert Jazz
  • Gui Duvignau Brooklyn, NY
  • Márcio Valverde Santo Amaro
  • Nels Cline Composer
  • Scotty Barnhart Big Band Leader
  • Kareem Abdul-Jabbar Journalist
  • King Britt Electronic Music
  • Kimmo Pohjonen Composer
  • Egberto Gismonti Composer
  • Vincent Valdez Houston, Texas
  • Jorge Pita Percussion
  • Askia Davis Sr. Educational Consultant
  • Paul Mahern Indiana University Jacobs School of Music Faculty
  • Bombino Blues
  • Wolfgang Muthspiel Jazz
  • Thundercat Multi-Instrumentalist
  • Cassie Kinoshi Composer
  • Cláudio Jorge Record Producer
  • Derrick Adams Installation Artist
  • Michael League Bandleader
  • Frank Negrão Jazz
  • Intisar Abioto Portland, Oregon
  • Cassie Kinoshi Saxophone
  • Lina Lapelytė Composer
  • Samuel Organ Composer
  • Tomo Fujita Berklee College of Music Faculty
  • Karim Ziad Composer
  • Kaveh Rastegar Multi-Instrumentalist
  • Darren Barrett Record Producer
  • Jean-Paul Bourelly Educator
  • Kimmo Pohjonen Accordion
  • Brian Lynch Composer
  • Hugo Rivas Argentina
  • Edgar Meyer Multi-Cultural
  • Sarah Jarosz Mandolin
  • Warren Wolf Vibraphone

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share