• Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Molly Tuttle

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Molly Tuttle
  • City/Place: Nashville, Tennessee
  • Country: United States

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: A virtuosic, award-winning guitarist with a gift for insightful songwriting, Molly Tuttle established herself as a new artist to watch with her boundary-breaking debut album, WHEN YOU’RE READY. What followed were dates at Telluride, Newport Folk Fest, an appearance on CBS Saturday Morning, and an enthusiastic reception both by critics and her fellow musicians.

    In March 2020, the Nashville-based artist experienced the devastating tornado that tore through much of East Nashville, followed by the global pandemic. Tuttle, who grew up in California and has toured as a solo artist for years, suddenly found herself – along with the rest of the musician community – sheltering at home. She found solace in revisiting favorite songs from throughout her life in an attempt to “remind myself why I love music.” She conceptualized an idea for a record with renowned LA producer Tony Berg (Phoebe Bridgers, Andrew Bird) to be recorded over 2,000 miles apart.

    Tuttle taught herself how to use ProTools, recorded and engineered all of her parts alone before sending them to Berg in Los Angeles. Berg proceeded to enlist legendary session musicians including drummer, Matt Chamberlain and keys player, Patrick Warren to add instrumentation in their respective home studios. Guest vocalists include Dawes’ Taylor Goldsmith and Old Crow Medicine Show’s Ketch Secor.. “This is how the astronauts do it!” she recalls Berg saying as they sent the files back and forth.

    The result is 10 tracks that cross the musical spectrum and the decades, from FKA Twigs to Cat Stevens, from Rancid to Karen Dalton, that will be released as …but i'd rather be with you on Compass Records.

    The songs range from a shimmering version of The National’s “Fake Empire,” to her version of the Rolling Stones “She’s a Rainbow,” all united by Tuttle’s clear, true voice, astonishing range and incredible musicianship.

    “I love so many types of music, and it’s exciting to be a part of different musical worlds,” she says, “but when I’m creating, I don’t think about genres or how it will fit into any particular format – it’s just music.”

    Since moving to Nashville in 2015, the native Californian has been welcomed into the Americana, folk and bluegrass communities, winning “Instrumentalist of the Year” at the 2018 Americana Music Awards. Her debut, the Ryan Hewitt-produced WHEN YOU’RE READY, stretched the boundaries of those genres and introduced her to a wider audience both here and abroad. Tuttle has continued to accumulate accolades, winning Folk Alliance International’s honor for Song of the Year for “You Didn’t Call My Name” and taking home consecutive trophies for the International Bluegrass Music Association’s Guitar Player of the Year (the first woman in the history of the IBMA to win that honor).

    By the age of 11, Tuttle was attending jam sessions, and as she matured, her musical tastes soon ranged from Bob Dylan and Gillian Welch to The Smiths and Neko Case. Nowadays Tuttle is influencing and inspiring her own legion of young fans.

    “I love seeing any young person trying to play one of my songs or just learning something from me,” she says. “One of my goals is to inspire the next generation, especially young girls, to play guitar. I think if girls see a woman doing something, it helps them think, ‘I can do that, too.’”

    But something she’s quick to point out is that it all has to come from a lot of hard work and focus.

    “I still concentrate on getting a better understanding of the fingerboard, so that I have
    the freedom to play more of what I hear in my head. There are endless possibilities for learning and growth on the instrument.”

    That pursuit of freedom and accomplishment continues to be explored and developed on …but i'd rather be with you, which conveys a further progression of her distinctive talent and musical ambition and gives an indication of the broad scope of her talent.

    “I have been working on writing for another original album and am still planning to record that this year,” Tuttle says, “but in the meantime I wanted to share these covers that have lifted my spirits, in hopes that you’ll find some much-needed joy as well.”

Contact Information

  • Management/Booking: MANAGEMENT
    Vector Management
    [email protected]

    BOOKING
    William Morris Endeavor
    Jay Williams
    [email protected]
    Chris Hrovat
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://mollytuttle.colortestmerch.com
  • ▶ Buy My Vinyl: http://mollytuttle.colortestmerch.com
  • ▶ Buy My Merch: http://mollytuttle.colortestmerch.com
  • ▶ Twitter: mollytuttle
  • ▶ Instagram: mollytuttle
  • ▶ Website: http://www.mollytuttlemusic.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCyHRqAJCC5jXtnHg8j7_ynQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UClesF4c2ZsAN1_sSJ_S7KoA
  • ▶ Spotify: http://open.spotify.com/album/1w0K4edsnTTxo2p6ZCErUV
  • ▶ Spotify 2: http://open.spotify.com/album/2SQSDn4DW7yR4ijrXe3BiB
  • ▶ Spotify 3: http://open.spotify.com/album/396OTSPq4V7Rxw6y8RmvGA
  • ▶ Spotify 4: http://open.spotify.com/album/3fGkeEQzewLT3Xvw5U50LH
  • ▶ Spotify 5: http://open.spotify.com/album/46negsjk9mq5mXpjWW7Me5
  • ▶ Spotify 6: http://open.spotify.com/album/3zHgggm4WYyFje6OYrszEB

More

  • Quotes, Notes & Etc. “Between her expressive, crystalline voice and astounding flat picking guitar skills, Tuttle has made history…”
    — Rolling Stone Country

    “The person that I’m interested in is what Molly Tuttle is doing. I think she has a tremendous sensitivity for the music and there’s something about her spirit, it has a gentleness and strength in it. I like her vibe and her musicality. I performed with her and got to hear her perform at the IBMAs in Raleigh just last month. She did my favorite thing of the night. She did a version of “Rain And Snow” that was really lovely.”
    — Gillian Welch

    “[Molly Tuttle] sings with the gentle authority of Gillian Welch, yet plays astoundingly fleet flat-picking guitar like Chet Atkins on superdrive.”
    — American Songwriter Magazine

    “Her songs, singing and solos, much like her demeanor, tend to have an inward-looking elegance to them; they’re the outward expressions of a searching mind and a longtime dedication to cultivating her craft”
    — Jewly Hight, NPR

    “Among the most brilliant guitarists in this new generation is Molly Tuttle, who seems as effortlessly conversant when flatpicking as when playing in the clawhammer style, and who is equally gifted as a singer-songwriter.”
    — Premier Guitar

Clips (more may be added)

  • 0:06:08
    Molly Tuttle - White Freightliner Blues and Rhythm Lead Switching
    By Molly Tuttle
    290 views
  • 4:10
    Molly Tuttle: "Sleepwalking" Official Music Video
    By Molly Tuttle
    332 views
  • 3:37
    Molly Tuttle and Billy Strings, "Sittin On Top Of The World," Grey Fox 2019
    By Molly Tuttle
    315 views
  • 4:55
    Learning the Art of Clawhammer Guitar - with Molly Tuttle
    By Molly Tuttle
    343 views
Previous
Next

Molly Tuttle Curated
pathways in

  • 1 Americana
  • 1 Banjo
  • 1 Bluegrass
  • 1 Guitar
  • 1 Nashville, Tennessee
  • 1 Singer-Songwriter

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Molly Tuttle
    A video was posted re Molly Tuttle:
    Molly Tuttle - White Freightliner Blues and Rhythm Lead Switching
    Molly Tuttle's right hand technique is a melding of several uniquely virtuosic picking approaches: the forearm anchor of her rhythm comping, and the palm anchor she uses for crosspicked lead lines. "White Freightliner Blues" is a showcase for her ability ...
    • June 28, 2020
  • Molly Tuttle
    A video was posted re Molly Tuttle:
    Molly Tuttle: "Sleepwalking" Official Music Video
    "'Sleepwalking' is one of the more personal songs on the album," says Tuttle. "I wrote it by myself, digging into the anxiety I have felt for many years about the effects of climate change and the ever-rising cost of living in the San Francisco Bay Area (...
    • June 28, 2020
  • Molly Tuttle
    A video was posted re Molly Tuttle:
    Molly Tuttle and Billy Strings, "Sittin On Top Of The World," Grey Fox 2019
    Molly Tuttle and Billy Strings perform "Sitting On Top Of The World" at Grey Fox Bluegrass Festival 2019 in Oak Hill, NY. Brought to you by Less Than Face Productions. Audio by Bill K.
    • June 28, 2020
  • Molly Tuttle
    A video was posted re Molly Tuttle:
    Learning the Art of Clawhammer Guitar - with Molly Tuttle
    For tabs and text of this video lesson, see the August 2020 issue of Guitar World THE CLAW In the first of her series of monthly lessons, Molly Tuttle demonstrates a style of fingerpicking known as clawhammer guitar, in a tuning that is similar to a ban...
    • June 28, 2020
  • Molly Tuttle
    A category was added to Molly Tuttle:
    Bluegrass
    • June 28, 2020
  • Molly Tuttle
    A category was added to Molly Tuttle:
    Americana
    • June 28, 2020
  • Molly Tuttle
    A category was added to Molly Tuttle:
    Nashville, Tennessee
    • June 28, 2020
  • Molly Tuttle
    A category was added to Molly Tuttle:
    Guitar
    • June 28, 2020
  • Molly Tuttle
    A category was added to Molly Tuttle:
    Banjo
    • June 28, 2020
  • Molly Tuttle
    A category was added to Molly Tuttle:
    Singer-Songwriter
    • June 28, 2020
  • Molly Tuttle
    Molly Tuttle is matrixed!
    • June 28, 2020
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

WHO IS INSIDE THIS GLOBAL MATRIX?

Explore above for a complete list of artists and other members of the creative economy.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

QUEM ESTÁ DENTRO DESTE MATRIX?

Explore acima para uma lista completa de artistas e outros membros da economia criativa global.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Darcy James Argue Conductor
  • Mike Compton Mandolin
  • Towa Tei テイ・トウワ DJ
  • Susana Baca Peru
  • Thundercat Los Angeles
  • Helado Negro Avant-Pop Music
  • Celino dos Santos Bahia
  • Swami Jr. Cuban Music
  • James Martins Locutor de Rádio, Radio Presenter
  • Robby Krieger Jazz
  • Walter Pinheiro Frevo
  • Nublu Brazilian Music
  • Xenia França São Paulo
  • Myles Weinstein Agent
  • Ed Roth Music Producer
  • Mestre Nelito Salvador
  • Jeff Coffin Vanderbilt University Blair School of Music Faculty
  • François Zalacain Record Label Owner
  • Michael Olatuja Bass
  • Alfredo Del-Penho Samba
  • Duane Benjamin Bass
  • Seu Regi de Itapuã Salvador
  • Áurea Martins Rio de Janeiro
  • Kimmo Pohjonen Finland
  • David Greely Author
  • Antonio Adolfo Compositor, Composer
  • Zeca Pagodinho Samba
  • Leo Nocentelli New Orleans
  • Gel Barbosa Luthier
  • Kimberlé Crenshaw Civil Rights Advocate
  • Sérgio Mendes MPB
  • Mingo Araújo Rio de Janeiro
  • Tia Surica Rio de Janeiro
  • Joyce Moreno Violão, Guitar
  • Marcelo Caldi Forró
  • Merima Ključo Sephardic Music
  • Walmir Lima Singer
  • Alisa Weilerstein Berlin
  • Shirazee New York City
  • Devin Naar University of Washington Faculty
  • Marcel Camargo Cavaquinho
  • Susheela Raman Multi-Cultural
  • Forrest Hylton Brazil
  • Gino Sorcinelli Journalist
  • Renato Braz Drums
  • Sam Eastmond Bandleader
  • Michael League Multi-Cultural
  • Yola Americana
  • Manu Chao Multi-Cultural
  • Tia Fuller Jazz
  • Ravi Coltrane Brooklyn, NY
  • Tero Saarinen Helsinki
  • Roque Ferreira Chula
  • Luiz Santos Multi-Instrumentalist
  • Peter Erskine Author
  • Júlio Caldas Bandolim, Mandolin
  • As Ganhadeiras de Itapuã Folk & Traditional
  • David Chesky New York City
  • Mike Moreno Guitar
  • Tomoko Omura Jazz
  • Maracatu Ventos de Ouro Maracatu
  • Warren Wolf Percussion
  • Bodek Janke Multi-Cultural
  • Karim Ziad Paris, France
  • Julian Lloyd Webber London
  • Jack Talty Composer
  • Gino Banks Drums
  • Yosvany Terry Saxophone
  • LaTasha Lee Soul
  • Nicholas Daniel England
  • Harish Raghavan Jazz
  • Gian Correa Composer
  • Mona Lisa Saloy Writer
  • Jimmy Cliff Rocksteady
  • Lavinia Meijer Classical Music
  • Luíz Paixão Forró
  • Bob Bernotas Jazz Historian
  • Justin Brown Drums
  • Olivia Trummer Singer
  • Dale Barlow New York City
  • Calida Rawles Painter
  • Tony Trischka Author
  • Luiz Brasil Samba
  • Renell Medrano Photographer
  • Berkun Oya Turkey
  • Jeff Parker Los Angeles, California
  • Bruno Monteiro Ativista Cultural, Cultural Activist
  • Steven Isserlis Cello
  • Inaicyra Falcão Faculdade da UNICAMP/UNICAMP Faculty
  • Clint Mansell Singer-Songwriter
  • Larry Grenadier Basel Music Academy Faculty
  • Ben Wolfe Composer
  • Speech Rap
  • MonoNeon Composer
  • Don Moyer Graphic Design
  • Ray Angry Keyboards
  • Jeremy Danneman Klezmer
  • Chris Dingman Vibraphone
  • Musa Okwonga Essayist
  • Maria Bethânia MPB
  • Léo Rugero Composer
  • Andrés Prado Composer
  • Terri Lyne Carrington Drums
  • Tiganá Santana Poeta, Poet
  • Eddie Palmieri Puerto Rico
  • Christian McBride Jazz
  • Matias Traut Argentina
  • Léo Rodrigues Pandeiro
  • Keshav Batish Tabla
  • Anthony Coleman Jewish Music
  • Georgia Anne Muldrow Singer-Songwriter
  • Ron Blake Composer
  • Thiago Trad Berimbau
  • Edivaldo Bolagi Bahia
  • Jen Shyu Vocalist
  • Anthony Hervey Jazz
  • Tommy Peoples Irish Traditional Music
  • Ronald Angelo Jackson Writer
  • Nomcebo Zikode South Africa
  • Bertram Educator
  • Riley Baugus Fiddle
  • Doug Wamble Jazz
  • Fernanda Bezerra Brasil, Brazil
  • Shanequa Gay Southern Black Tradition
  • Paddy Groenland Ireland
  • Jared Sims Flute
  • Virgínia Rodrigues Bahia
  • Márcio Valverde Samba de Roda
  • Scott Yanow Writer
  • Larissa Luz Actor
  • Oksana Zabuzhko Hryhori Skovoroda Faculty
  • Yotam Silberstein Composer
  • Larissa Fulana de Tal Roteirista, Screenwriter
  • Jared Sims Saxophone
  • Andrew Gilbert Jazz
  • Germán Garmendia Comedian
  • Phineas Harper Architecture Critic
  • Lucian Ban Romania
  • Ajurinã Zwarg Samba
  • Perumal Murugan Poet
  • Victor Wooten Bass
  • Nação Zumbi Rock
  • Kathy Chiavola Singer
  • Adam Neely Bass
  • Spok Frevo Orquestra Brazil
  • Alexandre Vieira Compositor, Composer
  • Leci Brandão Singer-Songwriter
  • Oren Levine Composer
  • Antonio Adolfo Bossa Nova
  • Allen Morrison Press Releases
  • Paulinho da Viola Choro
  • Elizabeth LaPrelle Educator
  • Mateus Aleluia Brasil, Brazil
  • Tomo Fujita Songwriter
  • Carol Soares Samba de Roda
  • Jamberê Cerqueira Instrução de Tuba, Tuba Instruction
  • Jason Moran Piano
  • Lauren Martin Radio Presenter
  • Logan Richardson Jazz
  • Ronald Bruner Jr. Record Producer
  • Guiga de Ogum Bahia
  • Ferenc Nemeth Drumming Instruction
  • Reza Filsoofi Percussion
  • Chano Domínguez Cádiz
  • Ari Hoenig Author
  • Los Muñequitos de Matanzas Rumba
  • Itamar Borochov Composer
  • Marília Sodré Cantora, Singer
  • David Chesky Composer
  • Tia Surica Singer
  • Questlove Songwriter
  • Guiga de Ogum Cantor-Compositor, Singer-Songwriter
  • Daphne A. Brooks Black American Culture & History
  • Brazil Afro Symphonic Multi-Cultural
  • Eric Harland Drums
  • Super Chikan Delta Blues
  • Joshua White San Diego, California
  • Cory Henry Funk
  • Jorge Pita Candomblé
  • Gary Clark Jr. Singer-Songwriter
  • Musa Okwonga Writer
  • Bill Summers Afro-Cuban Music
  • David Mattingly New York City
  • Aruán Ortiz Contemporary Classical Music
  • Rogério Caetano Rio de Janeiro
  • Steve Lehman CalArts Music Faculty
  • Edivaldo Bolagi Cineasta Documentarista, Documentary Filmmaker
  • Sanjay K Roy Television Producer
  • Maciel Salú Fiddle
  • Celsinho Silva Record Producer
  • Nara Couto Afropop
  • Dafnis Prieto Author
  • Beth Bahia Cohen Hardingfele
  • Isaiah Sharkey Chicago
  • Lucía Fumero Spain
  • Djuena Tikuna São Luís, Maranhão
  • Henrique Cazes Brazil
  • Camille Thurman Singer
  • Guiga de Ogum Samba
  • Carlos Blanco Salvador
  • Gonzalo Rubalcaba Cuba
  • Bill Frisell Composer
  • Stanton Moore R&B
  • Daniel Owoseni Ajala Lagos
  • Arthur Verocai Arranger
  • Jim Farber Writer
  • Sierra Hull Americana
  • Little Dragon Sweden
  • J. Velloso Record Producer
  • Adam Shatz Cultural Critic
  • Nettrice R. Gaskins STEAM Advocate
  • Kenny Barron New York City
  • Little Simz Singer-Songwriter
  • Rogê Rio de Janeiro
  • Maia Sharp Record Producer
  • Abderrahmane Sissako Mali
  • Cory Wong Funk
  • Tony Austin Jazz
  • Matt Garrison Record Producer
  • Igor Levit Piano
  • Corey Harris Singer-Songwriter
  • Kengo Kuma Tokyo
  • Mono/Poly Glitch
  • Lula Galvão Brasília
  • Willy Schwarz Jewish Music
  • Carlinhos 7 Cordas Brazil
  • Archie Shepp Playwright
  • G. Thomas Allen Gospel
  • Jamel Brinkley Novelist
  • Woz Kaly Senegal
  • Steve Cropper Guitar
  • Etienne Charles Trinidad
  • Cedric Watson Zydeco
  • Ron Mader Writer
  • Goran Krivokapić Classical Guitar
  • Saul Williams Writer
  • Matt Dievendorf Composer
  • Eliane Elias Singer-Songwriter
  • Maria Calú Brasil, Brazil
  • Della Mae Folk & Traditional
  • Logan Richardson Kansas City, Missouri
  • Ken Avis Documentary Filmmaker
  • Pedrito Martinez Congas
  • Alex Conde Madrid
  • Peter Erskine Drums
  • Zé Katimba Cavaquinho
  • Lucio Yanel Guitar
  • Lucio Yanel Singer
  • Elio Villafranca Juilliard Faculty
  • Yazz Ahmed Ropeadope
  • Doca 1 Salvador
  • Mokhtar Samba Morocco
  • Dhafer Youssef ظافر يوسف Tunis
  • Joe Chambers New York City
  • Shannon Sims Rio de Janeiro
  • Nathan Amaral Salzburg
  • Mateus Aleluia Filho Bahia
  • Eric Bogle Australia
  • Caroline Shaw Contemporary Classical Music
  • Giorgi Mikadze გიორგი მიქაძე Composer
  • Maria de Xindó Brasil, Brazil
  • Kiko Souza Bahia
  • Carl Joe Williams Painter
  • Fábio Luna Samba
  • Nelson Faria Brazilian Jazz
  • Clint Smith Essayist
  • Carlos Lyra Singer-Songwriter
  • Endea Owens New York City
  • Reggie Ugwu Pop Culture Reporter
  • Camille Thurman Saxophone
  • Jared Sims Ropeadope
  • Liam Farrell 'Dr L' DJ
  • Nêgah Santos Pandeiro
  • Cláudio Jorge Guitar
  • Miroslav Tadić Classical, Baroque Music
  • Nonesuch Records Americana
  • Arifan Junior Portela
  • Bodek Janke Composer
  • Babau Santana Percussão, Percussion
  • Lolis Eric Elie Journalist
  • Wilson Simoninha Samba
  • Liron Meyuhas Tel Aviv
  • Mateus Alves Bass
  • Ofer Mizrahi Singer-Songwriter
  • Ariel Reich Director
  • Jerry Douglas Music Director
  • Lydia R. Diamond Playwright
  • Andrew Finn Magill Jazz
  • Matthew F Fisher Brooklyn, NY
  • Amaro Freitas Frevo
  • Joatan Nascimento Federal University of Bahia Faculty
  • Omari Jazz Brainfeeder
  • Oteil Burbridge Bass
  • Case Watkins Cultural-Environmental Geographer
  • Mykia Jovan Funk
  • Lula Moreira Composer
  • Samuca do Acordeon Choro
  • Larry Grenadier Composer
  • Jon Batiste Jazz
  • Shez Raja London
  • Marc Cary Keyboards
  • Glenn Patscha Jazz
  • Duane Benjamin Composer
  • Larissa Fulana de Tal Salvador
  • Siobhán Peoples Irish Traditional Music
  • Antonio Adolfo Choro
  • Gearóid Ó hAllmhuráin Ireland
  • Seth Rogovoy Jewish Music
  • Paquito D'Rivera Afro-Cuban Jazz
  • Victor Gama Angola
  • Tatiana Eva-Marie Singer
  • Carlos Prazeres Salvador
  • Clint Smith Poet
  • Martyn Drum and Bass
  • Roosevelt Collier Songwriter
  • Eduardo Kobra Grafiteiro, Graffiti Artist
  • Dorian Concept Electronic Music
  • Mark Markham Classical Music
  • THE ROOM Shibuya Cocktail Bar
  • Arifan Junior Cavaquinho
  • Rodrigo Caçapa Guitar
  • Henry Cole Multi-Cultural
  • Bruce Molsky Guitar
  • Inon Barnatan Piano
  • Moacyr Luz Rio de Janeiro
  • Sunn m'Cheaux Singer-Songwriter
  • Yacouba Sissoko Kora
  • Marc Johnson MPB
  • Manassés de Souza Composer
  • César Orozco Violin
  • Will Holshouser Composer
  • Jess Gillam London
  • Papa Grows Funk Funk
  • Sam Harris Piano
  • Jill Scott Hip-Hop
  • André Becker Brasil, Brazil
  • Richard Galliano Paris, France
  • Dani Deahl Record Producer
  • John Patitucci Jazz
  • Bill Laurance Dance Scores
  • Dwandalyn Reece Museum Professional
  • Maladitso Band Singers-Songwriters
  • Dónal Lunny Irish Traditional Music
  • Diedrich Diederichsen Writer
  • Shalom Adonai Bahia
  • Hilton Schilder Cape Town
  • Stan Douglas Vancouver
  • Richard Galliano Bandoneon
  • Jeffrey Boakye Radio Presenter
  • Joachim Cooder Record Producer
  • Jim Hoke Multi-Instrumentalist
  • Nana Nkweti Fiction
  • Stephen Guerra Brazil
  • James Strauss Brazil
  • Burhan Öçal Tanbur
  • David Kirby Journalist
  • Anoushka Shankar Tanpura
  • Kirk Whalum Memphis, Tennessee
  • João Bosco Singer-Songwriter
  • Germán Garmendia Record Producer
  • Zé Katimba GRES Imperatriz Leopoldinense
  • Jessie Reyez Canada
  • Marília Sodré Brasil, Brazil
  • Marilda Santanna Bahia
  • Nancy Viégas Indie Experimental
  • Gustavo Di Dalva Bahia
  • China Moses Soul
  • Thundercat Multi-Instrumentalist
  • Victoria Sur Bogotá
  • Jonathon Grasse Ethnomusicologist
  • Milford Graves Jazz
  • Tomoko Omura Composer
  • David Greely Songwriter
  • Carla Visi Brazil
  • Arany Santana Bahia
  • Zigaboo Modeliste Drums
  • Mauro Senise Brazilian Jazz
  • Ivan Bastos Brasil, Brazil
  • Paulinho do Reco Samba
  • Gustavo Caribé Santo Amaro
  • Kurt Andersen Writer
  • Orlando Costa Salvador
  • Varijashree Venugopal Composer
  • Fred Dantas Ethnomusicologist
  • Gevorg Dabaghyan Yerevan State Conservatory Faculty
  • João Luiz Classical Guitar
  • John Patrick Murphy Saxophone
  • Siphiwe Mhlambi Johannesburg
  • Nels Cline Jazz, Rock, Country, Experimental
  • Vincent Herring Flute
  • Ivan Sacerdote Choro
  • Roberta Sá Brazil
  • Dumpstaphunk Funk
  • Gilsons Bahia
  • Danilo Brito Bandolim
  • Karla Vasquez Journalist
  • Yosvany Terry Composer
  • Amitava Kumar Screenwriter
  • Olivia Trummer Jazz
  • Gabriel Grossi MPB
  • Vijay Gupta Violin
  • Shahzad Ismaily Composer
  • Cláudio Badega Pandeiro
  • Welson Tremura Latin American Classical Guitar
  • Brandon Wilner DJ
  • Gretchen Parlato Jazz
  • André Vasconcellos Brasil, Brazil
  • Nicole Mitchell Jazz
  • Sam Yahel Organ Instruction
  • Guilherme Varella Autor, Author
  • Samba de Nicinha Brazil
  • Dan Trueman Composer
  • Lívia Mattos Accordion
  • Luíz Paixão Brazil
  • Miles Mosley Multi-Instrumentalist
  • Ryan Keberle Manhattan School of Music Faculty
  • Ricardo Markis Cantor, Singer
  • Nailor Proveta Brasil, Brazil
  • Stuart Duncan Banjo
  • Esteban Sinisterra Paz Cali
  • Jay Blakesberg Filmmaker
  • James Brady Trumpet
  • Taylor McFerrin Beatboxer
  • Stomu Takeishi New York City
  • Jon Batiste Melodica
  • Wynton Marsalis Trumpet
  • Lokua Kanza Congo
  • Ajeum da Diáspora Restaurant
  • Elizabeth LaPrelle Singer-Songwriter
  • Celso Fonseca MPB
  • Clint Smith Black American Culture & History
  • Vanessa Moreno Guitar
  • John Morrison Writer
  • Mônica Salmaso Brazil
  • Theo Bleckmann Singer
  • Marcus Strickland Brooklyn, NY
  • Loli Molina Argentina
  • Ayrson Heráclito Multimedia Artist
  • Larisa Wiegant Illustrator
  • Luizinho Assis Brasil, Brazil
  • Sarz Record Producer
  • Nikki Yeoh Piano
  • Thana Alexa Music Producer
  • Fred Dantas Choro
  • Leci Brandão Surdo
  • Taylor McFerrin Record Producer
  • PATRICKTOR4 Tropical Hardcore
  • John Francis Flynn Singer-Songwriter
  • Sandro Albert Record Producer
  • Rebeca Omordia Nigeria
  • Miles Mosley Television Scores
  • Giovanni Russonello New York City
  • Joe Chambers Piano
  • Jura Margulis Musik und Kunst Privatuniversität der Stadt Wien Faculty
  • Adriana L. Dutra Director
  • Marc Cary Multi-Cultural
  • André Vasconcellos Baixo, Bass
  • Arturo O'Farrill Latin Jazz
  • Oriente Lopez Bandas Sonoras de Películas y Televisión, Film & Television Scores
  • Tonho Matéria Gestor Cultural, Cultural Director
  • Billy Strings Americana
  • Maria Drell Brasil, Brazil
  • Chris Acquavella Classical Music
  • Fred P Record Producer
  • Joel Best Character Artist
  • Celsinho Silva Pandeiro Instruction
  • Herbie Hancock Jazz
  • Maciel Salú Composer
  • Mark Bingham Record Producer
  • Pasquale Grasso Italy
  • Alexia Arthurs New York City
  • Jerry Douglas Lap Steel Guitar
  • Marcus Rediker Historian
  • Muireann Nic Amhlaoibh Fiddle
  • Kiko Freitas Brazil
  • Issac Delgado Singer
  • Tony Allen Drums
  • Yazhi Guo 郭雅志 Boston, Massachusetts
  • Bing Futch Mountain Dulcimer
  • Philip Glass Composer
  • Ana Moura Singer
  • Luiz Antônio Simas Escritor, Writer
  • Wadada Leo Smith Composer
  • Marcos Portinari Produtor Multimídea, Multimedia Producer
  • Roberto Martins Irará
  • Henry Cole Manhattan School of Music Faculty
  • Joyce Moreno Compositora, Songwriter
  • Adrian Younge Music Producer
  • Tomoko Omura Japan
  • Thiago Amud Rio de Janeiro
  • Demond Melancon Mardi Gras Indian
  • Max ZT Hammered Dulcimer
  • Moses Sumney Singer-Songwriter
  • Ron McCurdy Writer
  • Seckou Keita Composer
  • Corey Harris Reggae
  • Robi Botos Toronto
  • Lalá Evangelista Pandeiro
  • Márcio Valverde Singer-Songwriter
  • Geraldo Azevedo Guitar

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share