Salvador Bahia Brazil Matrix
  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Fidelis Melo
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Fidelis Melo
  • City/Place: Salvador, Bahia
  • Country: Brazil

Life & Work

  • Bio: Sou Soteropolitano formado em Comunicação Social - Jornalismo pela Estácio/FIB. Músico e diretor de produção/produtor cultural - SATED-BA/DRT. 448-BA. E criador da Zazueira Produções (MEI).

    Produção - Atuo como produtor executivo do Samba Chula João do Boi, da cantora Dinha Dórea, da banda Forro dos Vizin e do grupo ABC do Samba, realizo freela em projetos na área de Patrimônio, Cultura Popular e Identitária, também de Formação e Qualificação em Cultura. Coordenei o Viva núcleo de produção cultural da Biblioteca Pública do Estado da Bahia, unidade da Fundação Pedro Calmon, vinculada à Secretaria de Cultura do Estado da Bahia. Estive produtor da Sanbone Pagode Orquestra (2014) e da banda Pali Original Jamaican Covers (2014), produzi outros artistas e bandas. Também escrevo e produzo projetos culturais e voltados para a música.

    Comunicação - Estou coordenador da Assessoria de Comunicação da Secretaria de Cultura do Estado da Bahia. Possuo ainda experiência em Jornalismo Online, Jornalismo Impresso, Assessoria de Comunicação e de Imprensa - para empresas, bandas e grupos musicais. Atuei na cobertura jornalistica do Carnaval Ouro Negro e Carnaval do Pelô, da Secretaria de Cultura do Estado da Bahia.

    Enquanto músico tive bandas, hoje, toco violão e guitarra como hobby.

Contact Information

  • Email: [email protected] / [email protected]
  • Whatsapp: +55 71 99929-1185

Media | Markets

  • ▶ Twitter: fidelistmelo
  • ▶ Instagram: fidelistm
  • ▶ Website: http://fideltmelo.wixsite.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCQbpcEv8aazdNgSw-yxlrdw

Clips (more may be added)

  • 0:11:45
    BERENICES Episódio 3 Sambadeira
    By Fidelis Melo
    36 views
  • 0:06:52
    BERENICES Episódio 2 - Mãe de Santo
    By Fidelis Melo
    35 views
  • 0:06:10
    BERENICES Episódio 1 Marisqueira
    By Fidelis Melo
    30 views
  • 0:17:26
    João do Boi Gritador de Chula
    By Fidelis Melo
    26 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Fidelis Melo:

  • 4 Assessor de Comunicação, Public Relations
  • 4 Bahia
  • 4 Brasil, Brazil
  • 4 Jornalista, Journalist
  • 4 Produtor Cultural, Cultural Producer
  • 4 Salvador
  • Léo Rugero Música Nordestina
  • Melanie Charles Brooklyn, NY
  • Run the Jewels Rap
  • MicroTrio de Ivan Huol Carnaval, Carnival
  • Glória Bomfim Brazil
  • Asa Branca Chula
  • Chris Acquavella Classical Music
  • Greg Kot Writer
  • Courtney Pine Keyboards
  • Tessa Hadley Non-Fiction
  • Pasquale Grasso New York City
  • Henrique Cazes Rio de Janeiro
  • Khruangbin Houston, Texas
  • Muri Assunção LGBTQ
  • Cécile Fromont Art Historian
  • Anders Osborne New Orleans
  • Paulinho da Viola Brazil
  • Raynald Colom Composer
  • Peter Evans Composer
  • Sérgio Mendes MPB
  • Bing Futch Singer-Songwriter
  • Taylor Ashton Brooklyn, NY
  • Nelson Latif Viola Caipira
  • Olga Mieleszczuk Jerusalem
  • Les Filles de Illighadad Tende
  • Pedro Abib Salvador
  • Berta Rojas Paraguay
  • Luke Daniels Singer-Songwriter
  • Cécile Fromont Yale Faculty
  • John Donohue Journalist
  • Shamarr Allen R&B
  • Maria Drell Produtora Musical, Music Producer
  • Jake Webster Indiana
  • Simon Singh Author
  • Hermeto Pascoal Multi-Instrumentalist
  • Nilze Carvalho Choro
  • Stanton Moore Funk
  • Manuel Alejandro Rangel Caracas
  • Ivo Perelman Brooklyn, NY
  • Rogério Caetano Choro
  • Cinho Damatta Bahia
  • Stephen Guerra Choro
  • Ronaldo do Bandolim Rio de Janeiro
  • Badi Assad Brazil
  • Luques Curtis Bass
  • Mike Compton Old-Time Music
  • Ari Rosenschein Indie Pop
  • Teresa Cristina Songwriter
  • James Gadson R&B
  • Yazz Ahmed Audio Manipulation
  • Chris Thile Multi-Instrumentalist
  • Nahre Sol YouTuber
  • Tito Jackson R&B
  • Siba Veloso Brazil
  • Nego Álvaro Percussion
  • Marília Sodré Salvador
  • Joe Newberry Raleigh
  • Tiganá Santana Diretor Artístico, Artistic Director
  • Jeff Tang Creative Producer
  • Caoimhín Ó Raghallaigh Theater Composer
  • Stomu Takeishi Bass
  • Melvin Gibbs Bass
  • Horácio Reis Violão Clássico Brasileiro, Brazilian Classical Guitar
  • Carlinhos 7 Cordas Guitar
  • Ron McCurdy Jazz
  • Dudu Reis Choro
  • Thomas Àdes Opera
  • Ricardo Herz Jazz
  • Maia Sharp Record Producer
  • Psoy Korolenko Псой Короленко Russia
  • Peter Dasent Sydney
  • Sombrinha Brazil
  • Darol Anger Fiddle
  • Jeff Preiss Producer
  • Jess Gillam Radio Presenter
  • Chris Boardman University of Miami Frost School of Music Faculty
  • Mark Turner Saxophone
  • Carlinhos 7 Cordas Violão de Sete
  • Cashmere Cat Songwriter
  • Wayne Shorter Composer
  • Beth Bahia Cohen Kabak Kemane
  • Marquis Hill Hip-Hop
  • Rosângela Silvestre Bahia
  • Ben Paris New York City
  • Walter Ribeiro, Jr. Samba
  • Ken Avis Documentary Filmmaker
  • Ceumar Coelho MPB
  • Jovino Santos Neto Record Producer
  • Şener Özmen Video Artist
  • Gord Sheard Jazz
  • Jeff Tang Brooklyn, NY
  • Avner Dorman Conductor
  • Veronica Swift New York City
  • Judith Hill R&B
  • Gui Duvignau Jazz
  • H.L. Thompson Brazilian Funk
  • The Bayou Mosquitos Zydeco
  • Banning Eyre African Guitar
  • Jack Talty University College Cork Faculty
  • Tony Austin Recording Engineer
  • Ivan Lins Rio de Janeiro
  • Ofer Mizrahi Singer-Songwriter
  • Colson Whitehead Literary Critic
  • Walmir Lima Samba
  • Itiberê Zwarg Composer
  • Tommy Orange Novelist
  • Filhos de Nagô Samba
  • Ian Hubert VFX Artist
  • Pallett Iran
  • George Garzone Author
  • Steve Coleman Composer
  • Ethan Iverson Jazz
  • Egberto Gismonti Guitar
  • Luíz Paixão Ciranda
  • Asali Solomon Essayist
  • Michael Kiwanuka Record Producer
  • Niwel Tsumbu Africa
  • Congahead World Music
  • Richie Barshay Percussion
  • Nação Zumbi Brazil
  • THE ROOM Shibuya DJs
  • Marcus Miller Bass
  • Quincy Jones Arranger
  • Leo Nocentelli New Orleans
  • Matt Ulery Bass
  • Lionel Loueke Composer
  • João Luiz Hunter College Faculty
  • Richard Bona Africa
  • John McLaughlin Guitar
  • Los Muñequitos de Matanzas Cuba
  • Marcel Powell Choro
  • Casey Driessen Bluegrass
  • Ricky (Dirty Red) Gordon Zydeco
  • Carlinhos 7 Cordas Samba
  • Sarah Hanahan Saxophone
  • Roberto Mendes Santo Amaro
  • Béco Dranoff Record Producer
  • Little Dragon Sweden
  • Siphiwe Mhlambi Visual Story Teller
  • Jimmy Greene Composer
  • Warren Wolf Drums
  • Jean-Paul Bourelly Jazz
  • Bing Futch Mountain Dulcimer
  • Lucio Yanel Brazil
  • Alan Brain Journalist
  • Papa Mali Swamp
  • Lucio Yanel Gaucho Culture
  • Albin Zak Musicologist
  • Andrés Prado Latin Jazz
  • Brentano String Quartet Yale School of Music
  • Luciano Calazans Bahia
  • Arturo O'Farrill Piano
  • Fernando César Violão de Sete
  • Anat Cohen Israel
  • Casa da Mãe Chula
  • Guinha Ramires Florianópolis
  • Jorge Ben Rio de Janeiro
  • Daedelus Los Angeles
  • Ivan Bastos MPB
  • Caetano Veloso Bahia
  • Irmandade da Boa Morte Brasil, Brazil
  • Caroline Shaw Contemporary Classical Music
  • Tonynho dos Santos Guitarra, Violão, Guitar
  • Richie Pena Programmer
  • Gel Barbosa Acordeon, Accordion
  • Matt Garrison Composer
  • Marcus Teixeira EMESP Tom Jobim Faculty
  • Donnchadh Gough Irish Traditional Music
  • Negrizu Afoxé
  • Samba de Nicinha Samba
  • A-KILL Street Artist
  • Andra Day Los Angeles
  • Etienne Charles Composer
  • Yvette Holzwarth Multi-Cultural
  • Michel Camilo Piano
  • Paulão 7 Cordas Brazil
  • Biréli Lagrène Manouche
  • Olga Mieleszczuk Singer
  • VJ Gabiru Videógrafo, Videographer
  • Lucian Ban Transylvania
  • Paul Mahern Bloomington, Indiana
  • Jason Moran Theater Composer
  • Marquis Hill Chicago
  • Derrick Adams Performance Artist
  • Fernando Brandão Berklee College of Music Faculty
  • J. Pierre Artist
  • Alexandre Vieira Baixo, Bass
  • Márcia Short Cantora, Singer
  • Huey Morgan BBC
  • Danilo Caymmi Film Scores
  • Nardis Jazz Club Galata
  • Ray Angry Record Producer
  • John Patrick Murphy Brazilian Music
  • James Martins Brasil, Brazil
  • Laura Beaubrun Choreographer
  • Siba Veloso Pernambuco
  • Felipe Guedes Multi-Instrumentalist
  • Yunior Terry Havana
  • June Yamagishi Guitar
  • Eli Degibri אלי דג'יברי Composer
  • Louis Marks Music Producer
  • Shaun Martin Multi-Instrumentalist
  • Celso de Almeida Brazilian Jazz
  • Dan Trueman Composer
  • Anders Osborne New Orleans
  • Frank Beacham Playwright
  • Joshue Ashby Violin
  • Carol Soares Brazil
  • Yelaine Rodriguez Site-Specific Installations
  • James Martin Saxophone
  • Dafnis Prieto University of Miami Frost School of Music Faculty
  • Mateus Aleluia Salvador
  • Alan Bishop Egypt
  • Dwayne Dopsie Zydeco
  • Shanequa Gay Poet
  • Grégoire Maret Harmonica
  • Rachael Price Singer-Songwriter
  • Serginho Meriti Composer
  • Guga Stroeter Vibraphone
  • Chris Thile Classical Music
  • Samuel Organ Composer
  • Marcus Miller Clarinet
  • Pharoah Sanders Multi-Cultural
  • Massimo Biolcati Brooklyn, NY
  • Varijashree Venugopal India
  • Miguel Atwood-Ferguson Composer
  • Benny Benack III New York City
  • Alexandre Vieira Jazz
  • John Francis Flynn Irish Traditional Music
  • Cécile McLorin Salvant Jazz
  • Afel Bocoum Singer-Songwriter
  • Steve Bailey Multi-Instrumentalist
  • Jim Hoke Arranger
  • ANNA Brazil
  • Alessandro Penezzi Violão de Sete
  • Turíbio Santos Classical Music
  • Shannon Sims Writer
  • Diedrich Diederichsen Academy of Fine Arts Vienna Faculty
  • Sebastian Notini Brasil, Brazil
  • Nic Adler Live Music Venue Owner
  • Gabriel Grossi Brazil
  • Devin Naar Sephardic Studies
  • Dezron Douglas Bass
  • Natalia Contesse Singer-Songwriter
  • Cassie Kinoshi Theater Composer
  • Kareem Abdul-Jabbar Essayist
  • Elizabeth LaPrelle Virginia
  • Ivan Sacerdote Salvador
  • Justin Kauflin Jazz
  • Domingos Preto Samba de Roda
  • Jubu Smith R&B
  • Olivia Trummer Classical Guitar
  • Inaicyra Falcão Candomblé
  • Immanuel Wilkins Saxophone
  • Lakecia Benjamin Ropeadope
  • Casey Driessen Composer
  • James Sullivan Journalist
  • Mauro Refosco Compositor de Filmes, Film Scores
  • Alexandre Leão Compositor de Televisão, Television Scores
  • Billy O'Shea Science Fiction
  • Antônio Pereira Brazil
  • Barney McAll Australia
  • Lula Moreira Arcoverde
  • Flying Lotus DJ
  • Vijay Gupta Los Angeles Philharmonic
  • Lina Lapelytė Contemporary Classical Music
  • Julien Libeer Classical Music
  • Rogério Caetano Guitar
  • John McLaughlin Jazz Fusion
  • Bill T. Jones Theater Director
  • Nubya Garcia DJ
  • Chris Acquavella Mainz
  • Celsinho Silva Pandeiro Instruction
  • Terri Hinte Music Writer
  • John Edward Hasse Piano
  • THE ROOM Shibuya Jazz
  • Gringo Cardia Architect
  • Duncan Chisholm Fiddle
  • Olga Mieleszczuk Jewish Music
  • Ricardo Bacelar Piano
  • Cécile McLorin Salvant Composer
  • Jubu Smith Guitar
  • Tonynho dos Santos Salvador
  • Yotam Silberstein Multi-Cultural
  • Ambrose Akinmusire Trumpet
  • Questlove Author
  • Munir Hossn Multi-Instrumentalist
  • Ana Luisa Barral Mandolin
  • Dudu Reis Bahia
  • Bisa Butler Quilts
  • Lucio Yanel Argentina
  • Rudy Royston Photographer
  • Kurt Rosenwinkel Composer
  • Leela James Blues
  • Joshue Ashby Afro-Panamanian
  • Edu Lobo Rio de Janeiro
  • Angel Bat Dawid Chicago
  • Tommy Orange Writer
  • Orlando 'Maraca' Valle Composer
  • Asa Branca Federal University of Bahia Faculty
  • Quatuor Ebène Contemporary Classical Music
  • Guilherme Kastrup Percussion
  • Negra Jhô Bahia
  • James Carter Jazz
  • Abhijith P. S. Nair India
  • James Poyser Songwriter
  • Dale Farmer Screenwriter
  • Diosmar Filho Geógrafo, Geographer
  • Carlos Blanco Guitarra, Violão, Guitar
  • Henrique Cazes Bandolim
  • Lakecia Benjamin Jazz
  • Lívia Mattos Bahia
  • LaTasha Lee Singer-Songwriter
  • Rosângela Silvestre Brazil
  • Luizinho do Jêje Salvador
  • Abderrahmane Sissako Mali
  • Dee Spencer Piano
  • Itiberê Zwarg Multi-Instrumentalist
  • Philip Ó Ceallaigh Romania
  • Jerry Douglas Resonator Guitar
  • Gearóid Ó hAllmhuráin Ethnomusicologist
  • Oscar Bolão Samba
  • César Orozco Cuba
  • Lizz Wright Gospel
  • Eduardo Kobra Artista da Rua, Street Artist
  • Greg Osby Saxophone
  • Del McCoury Guitar
  • Gerald Clayton Blue Note Records
  • Michael Pipoquinha MPB
  • Dwandalyn Reece Singer
  • Otto Manguebeat
  • Daphne A. Brooks Yale Faculty
  • Capinam Poeta, Poet
  • John Francis Flynn Ireland
  • Marcus Printup New York City
  • China Moses Actor
  • Joshua Abrams Composer
  • Adenor Gondim Photographer
  • Anna Mieke Singer-Songwriter
  • Julian Lage Composer
  • Asma Khalid Washington, D.C.
  • Howard Levy Keyboards
  • Michael Kiwanuka Singer-Songwriter
  • Gringo Cardia Set Designer
  • The Umoza Music Project Malawi
  • Carwyn Ellis Brazil
  • Celso Fonseca Record Producer
  • Vânia Oliveira Educadora, Educator
  • Chris McQueen App Developer
  • Guto Wirtti Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share