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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Sharay Reed
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Sharay Reed
  • City/Place: Chicago, Illinois
  • Country: United States

Life & Work

  • Bio: Sharay Reed is a bassist, writer and entrepreneur from Chicago, Illinois. He is a proficient player on the upright, electric, and synth bass, reads music fluently, and is a writer, arranger, and producer. Sharay has performed in the bands of Patti LaBelle, Kirk Franklin, Yolanda Adams, R. Kelly, CeCe Winans, Boys II Men, Ramsey Lewis, Aretha Franklin, and Chaka Khan, to name a few.

    Sharay Reed graduated from DePaul University in Chicago, where he earned a Bachelor's Degree in Music and a Master’s Degree (with Distinction) in Composition. He currently plays bass with keyboardist Cory Henry, and does freelance bass playing for a wide variety of artists and projects.

    Sharay plays Fodera and Fender basses, and he endorses Gallien Krueger Amplifiers/Speakers and Dean Markley Strings.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://store.cdbaby.com/Artist/SharayReed
  • ▶ Twitter: shayray
  • ▶ Instagram: sharayreed
  • ▶ Website: http://www.sharayreed.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCqaoA9Ss851qdw4vFtffoQQ
  • ▶ Spotify: http://open.spotify.com/album/11wBe2xZG3utgvQxMcQ5Qq
  • ▶ Spotify 2: http://open.spotify.com/album/1T9rVeAuY2UMgM9IH7DB63
  • ▶ Spotify 3: http://open.spotify.com/album/1ms8ExphFByZMWsSTDwYAW

My Writing

  • Publications: Audio book at CD Baby: https://store.cdbaby.com/cd/sharayreed19

My Instruction

  • Lessons/Workshops: Lessons via Skype

Clips (more may be added)

  • Sharing the Wealth: Sharay Reed
    By Sharay Reed
    268 views
  • Bass Legend Vs “The SBL Session Challenge”
    By Sharay Reed
    279 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Sharay Reed:

  • 1 Bass
  • 1 Chicago
  • 1 Composer
  • 1 Gospel
  • 1 Jazz
  • Teddy Swims Singer-Songwriter
  • Frank London Klezmer
  • Sunna Gunnlaugs Reykjavik
  • Lilli Lewis Folk Rock
  • Marc Ribot Guitar
  • Shaun Martin Jazz
  • Yacouba Sissoko Griot
  • Cédric Villani Mathematics
  • Woody Mann Blues
  • Swizz Beatz Rapper
  • Caroline Shaw Composer
  • Bobby Vega San Francisco, California
  • Germán Garmendia Los Angeles
  • Arthur L.A. Buckner Drum Instruction
  • Gui Duvignau Brazilian Jazz
  • Wilson Simoninha Samba
  • Brett Kern Ceramic Artist
  • Kenyon Dixon Singer-Songwriter
  • David Hoffman Documentary Filmmaker
  • Donald Vega Nicaragua
  • Colm Tóibín Novelist
  • Woz Kaly African Music
  • Tero Saarinen Choreographer
  • Cimafunk Havana
  • Inaicyra Falcão Candomblé
  • Jonathan Scales Ropeadope
  • George Garzone Berklee College of Music Faculty
  • Paulo Costa Lima Música Clássica Contemporânea, Contemporary Classical Music
  • Pururu Mão no Couro Salvador
  • Patricia Janečková Opera
  • David Fiuczynski Berklee College of Music Faculty
  • Nara Couto Atriz, Actor
  • Catherine Bent Classical Music
  • Arturo Sandoval Jazz
  • Gerônimo Santana Salvador
  • David Sacks Washington, D.C.
  • Riley Baugus Singer
  • Sam Yahel Hammond B-3
  • Bongo Joe Records Geneva, Switzerland
  • Michel Camilo Piano
  • Flying Lotus Record Label Owner
  • Billy O'Shea Ireland
  • Júlio Caldas Produtor de Discos, Record Producer
  • Paulão 7 Cordas Guitar
  • Jan Ramsey Funk
  • Richie Pena Programmer
  • Sabine Hossenfelder Physicist
  • Kurt Rosenwinkel Guitar
  • Kirk Whalum R&B
  • Tshepiso Ledwaba Clarinet
  • Walter Blanding Composer
  • Negra Jhô Tranças, Braids
  • Flying Lotus Rapper
  • Ubiratan Marques Salvador
  • Mingo Araújo Rio de Janeiro
  • Adonis Rose Percussion
  • Shannon Ali New York City
  • Hilary Hahn Classical Music
  • Kareem Abdul-Jabbar Writer
  • Celino dos Santos Terra Nova
  • Mike Compton Old-Time Music
  • Bill Hinchberger Brazil Expert
  • Paddy Groenland Guitar
  • Joshua Redman Jazz
  • Tommy Orange Novelist
  • Thiago Espírito Santo Educador, Educator
  • Manassés de Souza Ceará
  • Allen Morrison Writer
  • Jeff Coffin Vanderbilt University Blair School of Music Faculty
  • Larnell Lewis Jazz, Funk, R&B, Soul
  • Nublu Brazilian Music
  • Shamarr Allen Funk
  • Aderbal Duarte Bahia
  • Natan Drubi São Paulo
  • Daniil Trifonov Classical Music
  • Felipe Guedes Salvador
  • Gabrielzinho do Irajá Versador
  • Avishai Cohen אבישי כה Jazz
  • Regina Carter Violin
  • Colm Tóibín Novelist
  • Brentano String Quartet Classical Music
  • Liron Meyuhas Percussion Instruction
  • Asali Solomon Haverford College Faculty
  • Serginho Meriti Brazil
  • Amitava Kumar Literary Critic
  • Marcelinho Oliveira Music Producer
  • Ken Dossar Bahia
  • Nguyên Lê Guitar
  • Orrin Evans Jazz
  • Mulatu Astatke Vibraphone
  • Lucian Ban Piano
  • Laura Beaubrun Haitian Dance Instruction
  • Julian Lage Americana
  • Mark Turner New York City
  • Adriana L. Dutra Director
  • Adam Rogers Composer
  • Paulo Martelli Alto Guitar
  • Charles Munka Collage
  • Damon Albarn Theater Composer
  • Fred P Record Producer
  • Randy Lewis Writer
  • Caroline Shaw New York City
  • Jay Mazza Writer
  • Zé Luíz Nascimento Paris
  • Cedric Watson Zydeco
  • Cara Stacey Composer
  • Jim Hoke Multi-Instrumentalist
  • The Umoza Music Project Senga Bay
  • Samuca do Acordeon Bossa Nova
  • Natalia Contesse Guitar
  • Stacy Dillard Composer
  • Nelson Cerqueira Academia de Letras da Bahia, Bahian Academy of Letters
  • Tom Moon MPB
  • Vijith Assar Writer
  • Tarus Mateen New York City
  • Yoko Miwa Composer
  • Flor Jorge Rio de Janeiro
  • Adriano Giffoni Brazil
  • Carlos Henriquez Jazz
  • Burhan Öçal Percussion
  • Ivan Lins MPB
  • Cory Henry R&B
  • Béla Fleck Bluegrass
  • Michael Olatuja Composer
  • Michael Garnice Reggae
  • Moses Boyd Jazz
  • Alex de Mora Documentary Filmmaker
  • Yelaine Rodriguez Site-Specific Installations
  • Pretinho da Serrinha Rio de Janeiro
  • Martin Fondse Contemporary Music
  • Joey Alexander Indonesia
  • Raul Midón Guitar
  • Rita Batista Podcaster
  • Gabrielzinho do Irajá Partideiro
  • Brian Jackson Brooklyn, NY
  • Mino Cinélu Percussion
  • Renato Braz Guitar
  • Frank Negrão MPB
  • Yilian Cañizares Violin
  • Caroline Shaw Contemporary Classical Music
  • Marilda Santanna Salvador
  • Marc Ribot Brooklyn, NY
  • Siphiwe Mhlambi Visual Story Teller
  • Louis Marks Music Producer
  • Steve Lehman Saxophone
  • Tom Oren Jazz
  • Léo Rugero São Paulo
  • David Bragger Mandolin Instruction
  • Miles Mosley Singer
  • Edgar Meyer Double Bass
  • Nathan Amaral Rio de Janeiro
  • Parker Ighile NIgeria
  • Mark Bingham Record Producer
  • Léo Rugero Música Nordestina
  • Marcos Portinari Produtor Multimídea, Multimedia Producer
  • Jorge Washington Cultural Producer
  • Flora Purim Jazz Fusion
  • G. Thomas Allen Gospel
  • Jessie Reyez Hip-Hop
  • Hercules Gomes MPB
  • Alegre Corrêa Berimbau
  • Bruce Molsky Old-Time Music
  • Terri Lyne Carrington Drums
  • Elza Soares Singer
  • Lazzo Matumbi Singer-Songwriter
  • Paulo César Pinheiro Brazil
  • Neymar Dias São Paulo
  • Ari Hoenig Drum Instruction
  • Jared Jackson New York City
  • Jimmy Dludlu AfroJazz
  • Leigh Alexander Journalist
  • Mart'nália Rio de Janeiro
  • Ned Sublette Writer
  • Greg Ruby Composer
  • João Luiz Brazil
  • Chano Domínguez Flamenco
  • Casa da Mãe Música ao Vivo, Live Music
  • Julie Fowlis Scotland
  • John McLaughlin Jazz Fusion
  • Daniel Jobim Brazil
  • Ivan Huol Percussion
  • Hercules Gomes Brazil
  • Christopher James New York City
  • Samba de Nicinha Maculelê
  • Mary Stallings San Francisco
  • Archie Shepp Singer
  • Dale Farmer Film Director
  • Ricky (Dirty Red) Gordon Drums
  • Monk Boudreaux Louisiana
  • Jovino Santos Neto Seattle
  • John Patrick Murphy Forró
  • Larry Achiampong Composer
  • Kurt Andersen Writer
  • Luiz Santos Contemporary Classical Music
  • Steve McKeever Record Label Owner
  • Abhijith P. S. Nair Indian Fusion
  • Marc-André Hamelin Boston
  • Fábio Zanon Royal Academy of Music Visiting Professor
  • Cécile McLorin Salvant Jazz
  • Neo Muyanga Composer
  • Bob Reynolds Jazz
  • Abel Selaocoe Cello
  • Nguyên Lê Record Producer
  • Zebrinha Cineasta Documentarista, Documentary Filmmaker
  • Fábio Peron Multi-Cultural
  • Lula Moreira Pernambuco
  • Lionel Loueke Guitar
  • Rogério Caetano Violão de Sete
  • Marcos Suzano Brazil
  • David Bragger UCLA Herb Alpert School of Music Faculty
  • Sam Eastmond Record Producer
  • Urânia Munzanzu Cultura Afro-Baiana, Afro-Bahian Culture
  • Lakecia Benjamin R&B
  • Loli Molina Piano
  • Igor Levit Classical Music
  • Aubrey Johnson Queens College Faculty
  • Kaia Kater Folk & Traditional
  • Ron Miles Composer
  • Célestin Monga Harvard University Faculty
  • Ben Paris Brazil
  • Nicholas Daniel Guildhall School of Music Staff
  • Johnathan Blake Jazz
  • Caoimhín Ó Raghallaigh Hardanger d'Amoré 10-string Fiddle
  • Hermeto Pascoal Composer
  • Jau Salvador
  • Yvette Holzwarth Film, Television Recording
  • Andrés Beeuwsaert Buenos Aires
  • Paulo César Figueiredo Produtor Cultural, Cultural Producer
  • Rob Garland Los Angeles
  • Elizabeth LaPrelle Actor
  • Gabriel Geszti MPB
  • Bongo Joe Records Record Label
  • Cláudio Jorge MPB
  • Gel Barbosa Bahia
  • Sheryl Bailey Composer
  • Albin Zak Author
  • Adriano Giffoni MPB
  • Corey Henry Songwriter
  • Guilherme Kastrup Brazil
  • Corey Ledet Zydeco
  • Celso de Almeida Brazil
  • Gerônimo Santana Trombone
  • Eli Teplin Singer-Songwriter
  • Richie Stearns Banjo
  • Tal Wilkenfeld Singer-Songwriter
  • Simone Sou Percussion
  • Quatuor Ebène String Quartet
  • Michael Doucet Cajun Fiddle
  • THE ROOM Shibuya Tokyo
  • Mateus Alves Recife
  • Azi Schwartz החזן עזי שוורץ New York City
  • Joe Chambers Vibraphone
  • Jaques Morelenbaum Rio de Janeiro
  • Rowney Scott Jazz
  • John Harle Television Scores
  • João Callado Choro
  • Kiko Freitas Drum Instruction
  • Bernardo Aguiar Percussion
  • Thundercat Record Producer
  • Noam Pikelny Banjo Instruction
  • Ariel Reich Mark Morris Dance Group Teaching Artist Faculty
  • Robert Glasper Songwriter
  • Cainã Cavalcante Brazilian Jazz
  • Stephan Crump Brooklyn, NY
  • Brian Jackson Keyboards
  • Patricia Janečková Soprano
  • Bruce Williams Jazz
  • Meddy Gerville Jazz
  • Kathy Chiavola Folk & Traditional
  • Nilze Carvalho Brazil
  • Béco Dranoff Brazilian Music
  • Maria Bethânia Singer
  • Sharita Towne Pacific Northwest College of Art Faculty
  • Adonis Rose Drums
  • Leela James Soul
  • Roy Germano Author
  • Malin Fezehai Visual Reporter
  • Mazz Swift Composer
  • Quincy Jones Composer
  • Marko Djordjevic Composer
  • Marcus Miller Jazz
  • Monk Boudreaux Singer
  • Mauro Refosco Compositor de Televisão, Television Scores
  • Michael League Composer
  • Frank Negrão Funk
  • Maladitso Band African Music
  • Sam Eastmond Jazz, Klezmer, Jewish, World, Downtown
  • Tonynho dos Santos Bahia
  • Peter Erskine Record Producer
  • Alyn Shipton Writer
  • Lilli Lewis Singer-Songwriter
  • Maria Drell Produtora Musical, Music Producer
  • Kevin Burke Fiddle
  • Orlando Costa Rio de Janeiro
  • Julien Libeer Brussels
  • Merima Ključo Los Angeles
  • Oswaldo Amorim Brasília
  • Casa da Mãe Samba
  • Caroline Keane County Kerry
  • Luciano Salvador Bahia Theater Composer
  • Tero Saarinen Dancer
  • Edgar Meyer Curtis Institute of Music Faculty
  • Virgínia Rodrigues MPB
  • Marcel Camargo Cavaquinho
  • Nate Chinen Jazz
  • Nelson Faria Author
  • Louis Michot Western Swingbilly Cajun Punk
  • Glória Bomfim Candomblé
  • Avishai Cohen Composer
  • Mart'nália Singer-Songwriter
  • J. Cunha Designer Gráfico, Graphic Designer
  • McCoy Mrubata Saxophone
  • João Callado Brazilian Jazz
  • Ravi Coltrane Composer
  • Will Holshouser Musette
  • Owen Williams Writer
  • Mauro Senise Brazilian Jazz
  • Abhijith P. S. Nair Violin
  • Judith Hill Singer-Songwriter
  • Fatoumata Diawara Paris
  • Tambay Obenson Writer
  • Shankar Mahadevan Bollywood
  • Susana Baca Peru
  • Iuri Passos Ethnomusicologist
  • Chucho Valdés Havana
  • Keshav Batish Jazz
  • Hermeto Pascoal Brazil
  • Bebel Gilberto Brazil
  • Fábio Peron Choro
  • Milford Graves New York City
  • Marcus Teixeira EMESP Tom Jobim Faculty
  • Negra Jhô Salvador
  • Casa da Mãe Restaurante-Bar, Restaurant-Bar
  • Liberty Ellman Composer
  • Paul Mahern Singer-Songwriter
  • Mingus Big Band Big Band
  • Flora Purim Percussion
  • Hugo Rivas Buenos Aires
  • Saul Williams Writer
  • Sarah Jarosz Folk & Traditional
  • Eric Galm Berimbau
  • Alicia Keys Actor
  • Geraldo Azevedo Pernambuco
  • Utar Artun Microtonal
  • Kiko Souza Bahia
  • Arto Tunçboyacıyan Jazz
  • Dwayne Dopsie Louisiana
  • Margaret Renkl Writer
  • Elif Şafak Women's Rights Activist
  • Yilian Cañizares Singer-Songwriter

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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