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  • Recommendations In(8)
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  • Why a "Matrix"?
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • From Harlem to Bahia

IMPORTANT STUFF →

Recommendations In


Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Alicia Keys:

  • 1 Actor
  • 1 Art Collector
  • 1 Author
  • 1 New York City
  • 1 Piano
  • 1 R&B
  • 1 Record Producer
  • 1 Singer-Songwriter

What's Up

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  • Alicia Keys
    Lakecia Benjamin → Ropeadope has been recommended via Alicia Keys.
    • Jan 20
  • Alicia Keys
    Ryan Keberle → Trombone has been recommended via Alicia Keys.
    • December 21, 2021
  • Alicia Keys
    Ryan Keberle → R&B has been recommended via Alicia Keys.
    • December 21, 2021
  • Alicia Keys
    Ryan Keberle → Piano has been recommended via Alicia Keys.
    • December 21, 2021
  • Alicia Keys
    Ryan Keberle → MPB has been recommended via Alicia Keys.
    • December 21, 2021
  • Alicia Keys
    Ryan Keberle → Melodica has been recommended via Alicia Keys.
    • December 21, 2021
  • Alicia Keys
    Ryan Keberle → Manhattan School of Music Faculty has been recommended via Alicia Keys.
    • December 21, 2021
  • Alicia Keys
    Ryan Keberle → Jazz has been recommended via Alicia Keys.
    • December 21, 2021
  • Alicia Keys
    Ryan Keberle → Hunter College Faculty has been recommended via Alicia Keys.
    • December 21, 2021
  • Alicia Keys
    Ryan Keberle → Composer has been recommended via Alicia Keys.
    • December 21, 2021
  • Alicia Keys
    Tierra Whack → Singer-Songwriter has been recommended via Alicia Keys.
    • September 20, 2020
  • Alicia Keys
    Tierra Whack → Rapper has been recommended via Alicia Keys.
    • September 20, 2020
  • Alicia Keys
    Tierra Whack → Philadelphia has been recommended via Alicia Keys.
    • September 20, 2020
  • Alicia Keys
    Tierra Whack → Hip-Hop has been recommended via Alicia Keys.
    • September 20, 2020
  • Alicia Keys
    Camille Thurman → Singer has been recommended via Alicia Keys.
    • September 15, 2020
  • Alicia Keys
    Camille Thurman → Saxophone has been recommended via Alicia Keys.
    • September 15, 2020
  • Alicia Keys
    Camille Thurman → Piccolo has been recommended via Alicia Keys.
    • September 15, 2020
  • Alicia Keys
    Camille Thurman → New York City has been recommended via Alicia Keys.
    • September 15, 2020
  • Alicia Keys
    Camille Thurman → Jazz has been recommended via Alicia Keys.
    • September 15, 2020
  • Alicia Keys
    Camille Thurman → Flute has been recommended via Alicia Keys.
    • September 15, 2020
View More
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Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Alicia Keys
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Alicia Keys
  • City/Place: Englewood, NJ
  • Country: United States

Life & Work

  • Bio: Alicia Keys is a 15-time Grammy® Award-winning singer/songwriter/producer, an accomplished actress, a New York Times best-selling author, an entrepreneur and a powerful force in the world of philanthropy and in the global fight against HIV and AIDS.

    On November 4th, 2016, Keys released her powerful and critically-acclaimed new sixth studio album, HERE, on RCA Records. Offering an honest glimpse into what matters most to Keys, the artist shines a light on the sonic soulfulness and stories from New York, the city that raised her. As an accompanying visual story to HERE, Keys also released a short-film entitled “The Gospel” inspired by the genesis of songs written by Alicia Keys.

    Keys became a Coach on NBC’s “The Voice” for its 11th season, alongside Miley Cyrus, Adam Levine, and Blake Shelton. Keys returned as a Coach on the hit show’s 12th season with Gwen Stefani, Adam Levine and Blake Shelton.

    As a devoted and influential activist, in September 2014, Keys launched We Are Here, a movement that empowers the global community around a host of issues and initiatives building a better world where all people are heard, respected, equal, and treated with dignity.

    Alicia is also the co-founder of Keep a Child Alive (KCA), a non-profit organization that partners with grass-roots organizations to combat the physical, social, and economic impact of HIV on children, their families and their communities in Africa and India.

    Keys made her directorial debut for Lifetime’s Five and most recently served as Executive Producer of the critically-acclaimed film The Inevitable Defeat of Mister & Pete. In 2011, she made her producorial debut with Lydia R. Diamond’s play Stick Fly for the Cort Theater, which Keys also composed the original music for.

    Keys currently resides in the New York City area with her husband, producer Swizz Beatz, and their children.

Media | Markets

  • ▶ Buy My Merch: http://shop.aliciakeys.com/
  • ▶ Twitter: aliciakeys
  • ▶ Instagram: aliciakeys
  • ▶ Website: http://aliciakeys.com
  • ▶ YouTube Channel: http://www.youtube.com/user/aliciakeys
  • ▶ Spotify: http://open.spotify.com/album/6TqRKHLjDu5QZuC8u5Woij
  • ▶ Spotify 2: http://open.spotify.com/album/6KlxyxhXEDo1LdheFulN7h
  • ▶ Spotify 3: http://open.spotify.com/album/0Rxab8t0y7GlaTJTHX2wEN
  • ▶ Spotify 4: http://open.spotify.com/album/3zZSz5VOYSu0jE4MkPCOvN
  • ▶ Spotify 5: http://open.spotify.com/album/6VbLR1kOlmC5pIqnFbNZ0T

Clips (more may be added)

  • Alicia Keys Live Concert 2017
    By Alicia Keys
    213 views
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  • Pedrito Martinez Congas
  • Ilê Aiyê Salvador
  • Bob Mintzer USC Thornton School of Music Faculty
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  • Louis Marks Ropeadope
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  • Tab Benoit Guitar
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  • Allen Morrison Songwriter
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  • Mestrinho Singer-Songwriter
  • Leela James R&B
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  • Vincent Herring Flute
  • Eli Degibri אלי דג'יברי Tel Aviv
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  • Steve Earle Actor
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  • Jeremy Pelt Composer
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  • John Patrick Murphy Author
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  • Gabriel Grossi Brazil
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  • Michael Cuscuna Jazz
  • The Rheingans Sisters Sheffield
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  • Itamar Vieira Júnior Short Stories
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  • Tele Novella Psych Pop
  • Gilad Hekselman Guitar Instruction
  • Karla Vasquez Cooking Classes
  • NIcholas Casey International Correspondent
  • Monk Boudreaux Mardi Gras Indian
  • Richie Barshay Drums
  • Horace Bray Los Angeles
  • Shamarr Allen Singer-Songwriter
  • Grégoire Maret New York City
  • Gregory Tardy Saxophone
  • Martin Koenig Ethnomusicologist
  • Donald Harrison Jazz
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  • Itamar Vieira Júnior Writer
  • Tom Schnabel Author
  • Gringo Cardia Set Designer
  • Art Rosenbaum Muralist
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  • Keshav Batish Percussion
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  • Sarah Jarosz Guitar
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  • James Poyser New York City
  • Miroslav Tadić Film/Theater/Dance Scores
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  • Berkun Oya Actor
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  • Joachim Cooder Drums
  • Adam Rogers Classical Guitar
  • Philip Cashian Composer
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  • Afel Bocoum Mali
  • Cedric Watson Zydeco
  • Andra Day Pop
  • Ricardo Herz Violin
  • Marcus J. Moore Music Journalist
  • Irma Thomas Soul
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  • Patricia Janečková Soprano
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  • Henry Cole Puerto Rico
  • Nate Smith Ropeadope
  • Michael Janisch Record Label Owner
  • Cássio Nobre Viola Brasileira
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  • Zachary Richard Guitar
  • David Kirby Novelist
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  • Brandon Seabrook Banjo
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  • Rez Abbasi Pakistani Music
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  • Alicia Hall Moran Singer
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  • Şener Özmen Kurdish Culture
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  • Errollyn Wallen Singer-Songwriter
  • Deesha Philyaw Columnist
  • Paulo César Pinheiro Lyricist
  • Nicole Mitchell Jazz
  • Jessie Montgomery New York City
  • Mike Moreno Manhattan School of Music Faculty
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  • Fabiana Cozza Writer
  • David Ngwerume Sculptor
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  • Jaleel Shaw Jazz
  • Raelis Vasquez Painter
  • Tito Jackson R&B
  • Donald Vega Nicaragua
  • Dan Nimmer Composer
  • Noam Pikelny Bluegrass
  • Marcel Camargo MPB
  • Leandro Afonso Screenwriter
  • Ron Miles Jazz
  • Şener Özmen Multimedia Art
  • Romero Lubambo Choro
  • Jaques Morelenbaum Arranger
  • Brian Stoltz New Orleans

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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