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  • Márcio Bahia

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Márcio Bahia
  • City/Place: Rio de Janeiro
  • Country: Brazil
  • Hometown: Niterói, Rio de Janeiro

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Márcio Bahia is a Brazilian drummer who has worked with Hermeto Pascoal, Carlos Malta, Hamilton de Holanda, Marco Pereira, Vittor Santos, Leny Andrade, Johnny Alf, Marcos Valle, João Donato, Carlos Lyra, Roberto Menescal, Wanda Sá, Joyce, Gilson Peranzetta, João Bosco, Maria Bethania, Leila Pinheiro, Eliane Elias, David Friedman, Thijs Van Leer, Baden Powell, Toquinho, Ednardo, Fagner, and others.

Clips (more may be added)

  • 1:32:43
    Márcio Bahia Quarteto - 6º Festival Choro Jazz (Jericoacoara)
    By Márcio Bahia
    221 views
  • 0:24:31
    Marcio Bahia | Programa Passagem de Som
    By Márcio Bahia
    276 views
  • 4:09
    Hermeto Pascoal | Solo Márcio Bahia (Márcio Bahia) | Instrumental Sesc Brasil
    By Márcio Bahia
    242 views
Previous
Next

Márcio Bahia Curated
pathways in

  • 3 Brazil
  • 3 Brazilian Jazz
  • 3 Drums
  • 3 MPB
  • 3 Percussion
  • 3 Rio de Janeiro
  • 3 Samba

What's Been Happening?

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  • Márcio Bahia
    Hermeto Pascoal → Multi-Instrumentalist has been recommended via Márcio Bahia.
    • June 16, 2021
  • Márcio Bahia
    Hermeto Pascoal → Composer has been recommended via Márcio Bahia.
    • June 16, 2021
    • Márcio Bahia
      Sparrow Roberts O Mago!
      • March 11, 2022
  • Márcio Bahia
    Hermeto Pascoal → Brasil, Brazil has been recommended via Márcio Bahia.
    • June 16, 2021
    • Márcio Bahia
      Sparrow Roberts In Brazil he's known as "O Bruxo", "The Sorcerer".
      • October 23, 2019
  • Márcio Bahia
    Hermeto Pascoal → Alagoas has been recommended via Márcio Bahia.
    • June 16, 2021
  • Márcio Bahia
    Itiberê Zwarg → Rio de Janeiro has been recommended via Márcio Bahia.
    • June 16, 2021
  • Márcio Bahia
    Itiberê Zwarg → Composer has been recommended via Márcio Bahia.
    • June 16, 2021
  • Márcio Bahia
    Itiberê Zwarg → Multi-Instrumentalist has been recommended via Márcio Bahia.
    • June 16, 2021
  • Márcio Bahia
    Itiberê Zwarg → Brazil has been recommended via Márcio Bahia.
    • June 16, 2021
  • Márcio Bahia
    A video was posted re Márcio Bahia:
    Márcio Bahia Quarteto - 6º Festival Choro Jazz (Jericoacoara)
    Apresentação de Márcio Bahia Quarteto no 6º Festival Choro Jazz (Jericoacoara)
    • June 16, 2021
  • Márcio Bahia
    A video was posted re Márcio Bahia:
    Marcio Bahia | Programa Passagem de Som
    MARCIO BAHIA bateria DANIELA RENNÓ vibrafone e percussão GUSTAVO FIGUEIREDO piano FREDERICO HELIODORO baixo THIAGO NUNNES guitarra
    • June 16, 2021
  • Márcio Bahia
    A video was posted re Márcio Bahia:
    Hermeto Pascoal | Solo Márcio Bahia (Márcio Bahia) | Instrumental Sesc Brasil
    Criado em Lagoa da Canoa, Alagoas, o pequeno Hermeto fazia um pífano com um cano de mamona de "gerimum" e ficava tocando para os passarinhos. De sete para oito anos resolveu experimentar o 8 baixos de seu pai e não parou mais. Em 1958, mudou-se para o Rio...
    • June 16, 2021
  • Márcio Bahia
    A category was added to Márcio Bahia:
    Samba
    • June 16, 2021
  • Márcio Bahia
    A category was added to Márcio Bahia:
    MPB
    • June 16, 2021
  • Márcio Bahia
    A category was added to Márcio Bahia:
    Brazilian Jazz
    • June 16, 2021
  • Márcio Bahia
    A category was added to Márcio Bahia:
    Rio de Janeiro
    • June 16, 2021
  • Márcio Bahia
    A category was added to Márcio Bahia:
    Brazil
    • June 16, 2021
  • Márcio Bahia
    A category was added to Márcio Bahia:
    Percussion
    • June 16, 2021
  • Márcio Bahia
    A category was added to Márcio Bahia:
    Drums
    • June 16, 2021
  • Márcio Bahia
    Márcio Bahia is matrixed!
    • June 16, 2021
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  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find.
So for him, for incandescent Brazil, for the entire creative world, new ways...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per the bottom of this section) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington



Bahia is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 

PORTUGUÊS (to English →)

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar.
Aí para ele, para o Brasil incandescente, pro mundo criativo inteiro, novos caminhos...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme o final desta seção) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


A Bahia é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

Por que Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 

  • Nonesuch Records Jazz
  • Tom Green Contemporary Classical Music
  • Michael Janisch Record Label Owner
  • Maladitso Band Lilongwe
  • Kurt Andersen Essayist
  • Siba Veloso Recife
  • Rosa Passos Guitar
  • Marcelo Caldi Rio de Janeiro
  • Anthony Hervey New York City
  • Steven Isserlis Classical Music
  • Horace Bray Guitar
  • Bukassa Kabengele Actor
  • Fred P Techno
  • Paulo César Pinheiro Rio de Janeiro
  • Questlove Clive Davis Institute of Recorded Music Faculty
  • Adam Shatz Editor
  • Andy Kershaw Journalist
  • Kiya Tabassian كيا طبسيان Film Scores
  • Branford Marsalis Classical Music
  • John Patrick Murphy Forró
  • Jorge Ben Singer-Songwriter
  • James Sullivan Journalist
  • Regina Carter Multi-Cultural
  • Luê Soares MPB
  • VJ Gabiru Brasil, Brazil
  • Brian Jackson Jazz
  • Jericho Brown Emory University Faculty
  • Spok Frevo Orquestra Frevo
  • Mazz Swift Composer
  • Don Moyer Graphic Design
  • Tom Oren Piano
  • João Jorge Rodrigues Salvador
  • Omer Avital North African Music
  • Flying Lotus Hip-Hop
  • Juca Ferreira Sociologista, Sociologist
  • Sérgio Machado São Paulo
  • Bill Frisell Jazz
  • Cimafunk Cuban Funk
  • Gavin Marwick Edinburgh
  • Germán Garmendia Comedian
  • Mestre Barachinha Nazaré da Mata
  • Steve Lehman Saxophone
  • Marcus Rediker University of Pittsburgh Faculty
  • Germán Garmendia Chile
  • Zakir Hussain Tabla
  • Bai Kamara Jr. Singer-Songwriter
  • Justin Kauflin Piano
  • Dale Farmer Folk & Traditional
  • Carlos Prazeres Oboé, Oboe
  • Eli Teplin Piano
  • Nancy Ruth Vocal Instruction
  • Fantastic Negrito Oakland, California
  • Samba de Lata Bahia
  • NEOJIBA Música Clássica, Classical Music
  • J. Velloso Bahia
  • Lilli Lewis Louisiana Red Hot Records
  • Leon Bridges Soul
  • Marcus Miller Bass
  • Nic Adler Festival Promoter
  • Wouter Kellerman Fife
  • Chris Cheek Brooklyn, NY
  • Dieu-Nalio Chery Photojournalist
  • Gabriel Grossi Brazilian Jazz
  • Dumpstaphunk New Orleans
  • Meena Karimi Classical Music
  • Matt Ulery Composer
  • Guillermo Klein Piano
  • Antonio García Jazz
  • Robb Royer Pop
  • Derrick Adams Multidisciplinary Artist
  • Kevin Burke Irish Traditional Music
  • Eli Degibri אלי דג'יברי Israel
  • Yotam Silberstein Israel
  • Marcel Camargo MPB
  • Sérgio Pererê Brazil
  • Casey Benjamin Saxophone
  • Jonny Geller Writer
  • Johnathan Blake Jazz
  • Jim Hoke Nashville, TN
  • Scotty Barnhart Composer
  • Celino dos Santos Viola Machete
  • Rema Namakula Singer
  • Marcelo Caldi Choro
  • Aurino de Jesus Viola Machete
  • Chucho Valdés Piano
  • Clint Mansell Singer-Songwriter
  • Ashley Page Aukland
  • Luiz Santos Contemporary Classical Music
  • Harold López-Nussa Piano
  • Donny McCaslin Brooklyn, NY
  • Reena Esmail Piano
  • Peter Serkin Classical Music
  • Kiko Horta Accordion
  • Marcus J. Moore DJ
  • Bisa Butler Black American Culture & History
  • Isaias Rabelo Bahia
  • Léo Brasileiro Produtor Musical, Music Producer
  • Kendrick Scott Jazz
  • Nathan Amaral Violin
  • Adam Shatz Music Critic
  • David Hoffman Documentary Filmmaker
  • John Patitucci Composer
  • Scott Yanow Writer
  • Tab Benoit Music Venue Owner
  • Regina Carter Americana
  • Paul McKenna Glasgow
  • Lenine MPB
  • Siba Veloso Ciranda
  • Stanton Moore New Orleans
  • J. Velloso Record Producer
  • Alyn Shipton Writer
  • Ilya Kaminsky Translator
  • Yasushi Nakamura New York City
  • Jorge Washington Brazil
  • David Simon Baltimore, Maryland
  • Wadada Leo Smith Multi-Instrumentalist
  • Lazzo Matumbi Reggae
  • Aderbal Duarte Bahia
  • Toninho Horta Minas Gerais
  • King Britt Computer Music
  • Denzel Curry Hip-Hop
  • Dave Jordan Roots Rock
  • Noam Pikelny Bluegrass
  • MonoNeon Composer
  • Jazzmeia Horn Jazz
  • Karim Ziad Multi-Instrumentalist
  • Matias Traut Salvador
  • Marc Cary New York City
  • Jazzmeia Horn Singer-Songwriter
  • Della Mae Nashville, Tennessee
  • Emily Elbert Los Angeles, California
  • Stacy Dillard Saxophone
  • Lauren Martin Radio Presenter
  • Keith Jarrett Jazz
  • Rick Beato YouTuber
  • Flora Gil Produtora Musical, Music Producer
  • Lazzo Matumbi Singer-Songwriter
  • Dave Smith Drums
  • Guilherme Varella Gestor Cultural, Cultural Director
  • Malin Fezehai Africa
  • Jane Ira Bloom Composer
  • Robby Krieger Rock 'n' Roll
  • Angelique Kidjo Africa
  • Diego Figueiredo Brasil, Brazil
  • Jeremy Danneman Film Scores
  • Jonga Lima Samba
  • Miroslav Tadić Jazz
  • Liberty Ellman Audio Engineer
  • Ryuichi Sakamoto Composer
  • Thiago Espírito Santo Jazz Brasileiro, Brazilian Jazz
  • Yasmin Williams Alexandria, Virginia
  • Jorge Washington Salvador
  • Wynton Marsalis New York City
  • Jeff Coffin Author
  • Mingo Araújo Brazil
  • Molly Jong-Fast Writer
  • Adam O'Farrill Jazz
  • Alicia Svigals Composer
  • Yotam Silberstein New York City
  • Jan Ramsey Louisiana
  • Brian Q. Torff Writer
  • Michael League Record Label Owner
  • Carwyn Ellis Alternative Indie
  • Jeremy Danneman Composer
  • Gabriel Grossi Samba
  • Brenda Navarrete Composer
  • Stephan Crump Bass Instruction
  • Kiya Tabassian كيا طبسيان Composer
  • Luiz Antônio Simas Poeta, Poet
  • Ivo Perelman São Paulo
  • Seckou Keita Africa
  • Cédric Villani Author
  • Ravi Coltrane Jazz
  • Stephen Guerra Brazilian Classical Guitar
  • Nicholas Daniel Trossingen Musikhochschule Staff
  • Nelson Sargento Rio de Janeiro
  • Renato Braz MPB
  • Magary Lord Bahia
  • Kenyon Dixon R&B
  • Rosa Passos Bahia
  • Karim Ziad North African Music
  • Igor Osypov Berlin
  • Parker Ighile London
  • Zisl Slepovitch Singer
  • Sarah Hanahan Jazz
  • Bobby Sanabria Manhattan School of Music Faculty
  • Richie Barshay Afro-Latin Percussion
  • Damion Reid Hip-Hop
  • Shoshana Zuboff Harvard Business School Faculty
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