Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Darrell Green
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Darrell Green
  • City/Place: New York City
  • Country: United States
  • Hometown: Oakland, California

Life & Work

  • Bio: Music is definitely part of Darrell Green’s family pedigree — his father was a bass player — but this jazz drummer also has his own preternatural sense of groove. Over a career that’s spanned more than two decades, Green has become a master technician and prolific sideman, sharing stages with everyone from Blue Note vibraphonist Stefon Harris to saxophonist Red Holloway. Though jazz is his primary focus, Green is conversant in every genre from straight-ahead jazz to Latin and West African music.

    Oakland-raised Green has been playing drums for as long as he can remember. In fact, his first birthday present was a toy drum. When he was 7 years old, Green landed his first professional gig at Cosmopolitan Baptist Church. Four years later he matriculated in the Young Musicians Program at UC Berkeley and apprenticed under Kent Reed. “He would take me to his gigs. I would help him set up so I got exposed to the real life of a musician,” says Green. During high school Green was a section leader in both the Young People’s Symphony Orchestra and the Bay Area Wind Symphony. Additionally, he played drums in the Castlemont High School Jazz Band and backed the Castleers choir. After high school, Green attended the California Institute of the Arts on a scholarship, where he majored in jazz studies with an emphasis on African percussion.

    Throughout college Green drove up to the Bay Area every weekend to play a trio gig at San Francisco’s Club Deluxe, which featured Marcus Shelby on bass and Howard Wiley on saxophone. In 2001 he began touring with Lavay Smith and Her Red Hot Skillet Lickers, and also formed a trio with guitarist Julian Lage and bassist David Ewell. Two years later, Green joined the Dave Ellis Quintet and performed at the Monterey Jazz Festival. He consolidated his career as a gun-for-hire, and started getting calls from heavyweights like Harris and Dr. Lonnie Smith whenever they came to town. He developed a style that’s rooted in modern post-bop, but retains elements of his gospel and classical lineage. As a soloist, Green became known for his bedrock groove and inexhaustible creativity.

    In 2005 Green landed a scholarship at the Manhattan School of Music, where he began a comprehensive study of jazz performance. Shortly thereafter he began working with David Weiss, saxophonists JD Allen and Sherman Irby, and the Myron Waldon/Daron Barrett Quartet. He became a sought-after musician for both session work and live shows.

    Green has toured with James Hurt, James Zollar, Brad Leali, Jesse Davis, and Stacy Dillard. And with Pharoah Sanders, Dr. Lonnie Smith, Sherman Irby, Steve Turre, Faye Carol, Lavay Smith and the Red Hot Skillet Lickers, and Jeremy Pelt. He is one of the most in-demand drummers in New York , Europe, and Japan.

Contact Information

  • Contact by Webpage: http://www.darrellgreen.net/contact-me

Media | Markets

  • ▶ Instagram: darrellgreendrummer

Clips (more may be added)

  • 5:13
    Camille Thurman and Darrell Green: Alone Together Duets | JAZZ NIGHT IN AMERICA
    By Darrell Green
    162 views
  • 0:54:16
    Camille Thurman & Darrell Green - Millennium Stage (January 3, 2018)
    By Darrell Green
    140 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Darrell Green:

  • 2 Composer
  • 2 Drums
  • 2 Jazz
  • 2 New York City

Nodes below are randomly generated. Reload for a different stack.

  • Musa Okwonga Berlin
  • Richie Barshay Klezmer
  • Tatiana Eva-Marie Swing
  • Brian Lynch Composer
  • Flora Purim Jazz
  • Ben Okri Novelist
  • Dhafer Youssef ظافر يوسف Singer
  • Utar Artun Composer
  • Ethan Iverson Jazz
  • Angel Bat Dawid Jazz
  • Amy K. Bormet Singer
  • Osvaldo Golijov College of the Holy Cross Faculty
  • Horácio Reis Faculdade da Ucsal, Catholic University of Salvador Faculty
  • Yuja Wang Piano
  • Martín Sued Buenos Aires
  • Kyle Poole New York City
  • Laura Cole Singer-Songwriter
  • Mika Mutti Brazil
  • Asali Solomon Essayist
  • Ricardo Bacelar Brasil, Brazil
  • Alicia Keys Actor
  • Afel Bocoum Mali
  • Luques Curtis Double Bass
  • Paulo Costa Lima Música Clássica Contemporânea, Contemporary Classical Music
  • Aubrey Johnson Composer
  • Manu Chao Multi-Instrumentalist
  • Jaimie Branch Composer
  • Allen Morrison Piano
  • Rez Abbasi Microtonal
  • Yasushi Nakamura Japan
  • Niwel Tsumbu Singer
  • Richie Pena Writer
  • Scotty Apex Composer
  • Mickalene Thomas Sculptor
  • Rez Abbasi Composer
  • Kaveh Rastegar Songwriter
  • Ryuichi Sakamoto Electronic Music
  • Huey Morgan DJ
  • Chad Taylor Jazz
  • Horace Bray Singer-Songwriter
  • Hélio Delmiro Samba
  • Paulinho do Reco Samba
  • Adam Cruz Jazz
  • Elodie Bouny Venezuela
  • Sebastian Notini Brasil, Brazil
  • Eliane Elias New York City
  • Julien Libeer Classical Music
  • Arismar do Espírito Santo Brazilian Jazz
  • Nabih Bulos Classical Music
  • Isaac Julien London
  • Larry McCray Keeping the Blues Alive Records
  • Dan Tepfer Jazz
  • Andra Day Actor
  • Marc Ribot Composer
  • Antônio Queiroz Bahia
  • Roberto Fonseca Cuba
  • Avishai Cohen אבישי כה Razdaz Recordz
  • Fábio Peron Multi-Cultural
  • Echezonachukwu Nduka Singer
  • Ben Allison Radio Program Scores
  • Raphael Saadiq Neo Soul
  • Marcus Strickland Jazz
  • Isaak Bransah Salvador
  • Wynton Marsalis Bandleader
  • Jon Faddis Manhattan School of Music Faculty
  • Gavin Marwick Edinburgh
  • Áurea Martins Cantora, Singer
  • Patricia Janečková Soprano
  • Thiago Amud Singer-Songwriter
  • Kronos Quartet String Quartet
  • Mestre Barachinha Caboclo de Lança
  • Cedric Watson Zydeco
  • Iuri Passos Ethnomusicologist
  • Richard Rothstein Historian
  • Isaias Rabelo Composer
  • Horace Bray Funk
  • Dave Weckl Drums
  • Daedelus Los Angeles
  • Melanie Charles Singer-Songwriter
  • Anna Webber Composer
  • Muireann Nic Amhlaoibh Celtic
  • Mohini Dey India
  • Tommy Orange Short Stories
  • Bonerama R&B
  • Alicia Keys Art Collector
  • 小野リサ Lisa Ono Guitar
  • Arto Tunçboyacıyan Jazz
  • Nana Nkweti Short Stories
  • Alessandro Penezzi Composer
  • Anouar Brahem Tunisia
  • Chris Cheek Saxophone
  • Sombrinha Guitar
  • Steve Cropper Recording Studio Owner
  • Philipp Meyer Writer
  • Armandinho Macêdo Frevo
  • Lula Moreira Documentary Filmmaker
  • Oscar Bolão Rio de Janeiro
  • Carwyn Ellis Alternative Indie
  • Larisa Wiegant Graphic Design
  • Cécile Fromont Yale Faculty
  • Kiya Tabassian كيا طبسيان Iran
  • Sam Harris Jazz
  • Ben Allison New School for Jazz and Contemporary Music Faculty
  • Christopher James Composer
  • Restaurante Axego Brazil
  • Edu Lobo Brazil
  • Aubrey Johnson Berklee Faculty
  • Dale Barlow New York City
  • Mayra Andrade Lisbon
  • Paulinho Fagundes Composer
  • Christopher Wilkinson Guitar
  • Chau do Pife Maceió
  • Robertinho Silva Choro
  • Rodrigo Amarante Brazil
  • Maciel Salú Singer
  • John Archibald Journalist
  • Nate Smith Composer
  • Jovino Santos Neto Rio de Janeiro
  • João do Boi Bahia
  • Mino Cinélu New York City
  • Stanton Moore Funk
  • Chico César Paraíba
  • Benoit Fader Keita Africa
  • Tito Jackson Singer-Songwriter
  • Diosmar Filho Rio de Janeiro
  • Gevorg Dabaghyan Yerevan State Conservatory Faculty
  • Tom Moon Writer
  • Chris Potter Saxophone
  • Marcus Teixeira Brazilian Jazz
  • Jan Ramsey Culture Journalist
  • Arismar do Espírito Santo Brazil
  • Mick Goodrick Author
  • Muireann Nic Amhlaoibh Flute
  • Matt Ulery Loyola University Faculty
  • Natan Drubi Violão, Guitar
  • Bisa Butler Pan-African Culture
  • Geraldo Azevedo Pernambuco
  • David Chesky New York City
  • Jon Batiste New York City
  • Robert Randolph Gospel
  • Molly Tuttle Guitar
  • ANNA Brazil
  • Yazhi Guo 郭雅志 Microtonal
  • Brandon Coleman Los Angeles
  • Joshua Redman Composer
  • Gilad Hekselman Israel
  • Justin Kauflin Piano
  • Rodrigo Caçapa Pernambuco
  • Riley Baugus Fiddle
  • Jimmy Duck Holmes Mississippi
  • Johnathan Blake Jazz
  • Alexandre Vieira Baixo, Bass
  • Jimmy Dludlu Jazz
  • Sam Eastmond London
  • Johnny Lorenz Translator
  • Bodek Janke World Music
  • Lianne La Havas Singer-Songwriter
  • Alex Conde Spain
  • Brian Blade Jazz
  • Mateus Aleluia Brazil
  • Avishai Cohen אבישי כה Singer
  • Wynton Marsalis Composer
  • J. Period Remixer
  • Yazz Ahmed Bahrain
  • Luizinho do Jêje Bahia
  • Kamasi Washington Composer
  • Rogério Caetano Rio de Janeiro
  • Toninho Ferragutti Brazil
  • Irma Thomas Singer
  • Django Bates Jazz
  • Vivien Schweitzer Writer
  • Martyn House
  • André Becker MPB
  • Andra Day Pop
  • Pat Metheny Jazz
  • Inaicyra Falcão Opera
  • Elif Şafak Turkey
  • Alfredo Del-Penho Samba
  • MicroTrio de Ivan Huol Brasil, Brazil
  • Cláudio Jorge Samba
  • Jane Ira Bloom New School for Jazz and Contemporary Music Faculty
  • Yayá Massemba Brasil, Brazil
  • Oded Lev-Ari New York City
  • Aditya Prakash India
  • Orlando 'Maraca' Valle Flute
  • The Bayou Mosquitos Tex-Mex
  • Joey Baron Composer
  • Derron Ellies Singer
  • Yilian Cañizares Jazz
  • Guto Wirtti Composer
  • Ricardo Bacelar Advogado, Lawyer
  • Lula Moreira Samba de Coco
  • Brigit Katz Canada
  • Carrtoons Songwriter
  • Ben Harper Reggae
  • Lilli Lewis Singer-Songwriter
  • Peter Dasent Songwriter
  • OVANA Homemade Instruments
  • Joshua Abrams Multi-Instrumentalist
  • João Camarero Rio de Janeiro
  • Ari Rosenschein Writer
  • Arto Tunçboyacıyan New York City
  • Snigdha Poonam Delhi
  • Walter Ribeiro, Jr. Samba
  • Laura Cole R&B
  • Bai Kamara Jr. Brussels, Belgium
  • Toninho Horta Minas Gerais
  • Eduardo Kobra Brasil, Brazil
  • Burhan Öçal Singer
  • Beeple Short Films
  • Lokua Kanza Singer-Songwriter
  • Flora Purim Brazil
  • Lydia R. Diamond University of Illinois at Chicago School of Theater & Music Faculty
  • Stefano Bollani Brazilian Music
  • Tiganá Santana Salvador
  • Chris Acquavella Germany
  • Ben Paris Writer
  • Darren Barrett Flugelhorn
  • Serginho Meriti Rio de Janeiro
  • Kermit Ruffins New Orleans
  • Missy Mazolli Opera
  • Şener Özmen Video Artist
  • Justin Brown Jazz
  • Christian Sands Composer
  • Yotam Silberstein New York City
  • Chris Cheek Composer
  • Demond Melancon Young Seminole Hunters
  • Paul Mahern Audio Preservation
  • Catherine Bent Berklee College of Music Faculty
  • Jon Batiste Funk
  • Flora Purim Brazilian Jazz
  • Caroline Shaw Singer
  • Nelson Ayres Brazil
  • Moacyr Luz Brazil
  • María Grand New York City
  • Jonathan Scales New York City
  • Kalani Pe'a Hawaiian Music
  • Cinho Damatta Bahia
  • Yasushi Nakamura Bass
  • Taj Mahal Multi-Cultural
  • Woody Mann Americana
  • Casa da Mãe Brasil, Brazil
  • Kiko Loureiro Progressive Metal
  • Gord Sheard Ethnomusicologist
  • Etan Thomas Basketball
  • Simon Shaheen Oud
  • Tessa Hadley Short Stories
  • Jared Sims Saxophone
  • James Shapiro Columbia University Faculty
  • Nigel Hall R&B
  • João Parahyba Percussion
  • Lakecia Benjamin Saxophone
  • Rhiannon Giddens Banjo
  • Swami Jr. Brazilian Jazz
  • Albin Zak Author
  • Kaveh Rastegar Music Director
  • David Bragger Fiddle
  • Dieu-Nalio Chery Haiti
  • Utar Artun Turkey
  • Madhuri Vijay Novelist
  • Tito Jackson Guitar
  • Nicholas Daniel Music Director
  • Thiago Trad Berimbau
  • Sam Eastmond Trumpet
  • Fred Dantas Samba
  • Dave Eggers Painter
  • Adenor Gondim Brazil
  • Jurandir Santana Salvador
  • Nelson Latif Violão de Sete
  • Yilian Cañizares Afro-Cuban Music
  • Kiko Freitas Educator
  • James Andrews Second Line
  • John Harle Saxophone
  • J. Pierre Painter
  • Doug Wamble Record Producer
  • Thiago Amud Brazil
  • Woody Mann Writer
  • Chris Potter Multi-Instrumentalist
  • Shemekia Copeland Gospel
  • Arifan Junior Cantor-Compositor, Singer-Songwriter
  • Hamilton de Holanda Choro
  • João Luiz Guitar
  • Alana Gabriela Percussão, Percussion
  • Safy-Hallan Farah Somalia
  • Jimmy Greene Saxophone
  • Phakama Mbonambi Journalist
  • Alexandre Vieira Compositor, Composer
  • Chris Dave Gospel
  • Huey Morgan Songwriter
  • Gabi Guedes Salvador
  • Isaias Rabelo Brazil
  • Beeple VJ Loops
  • Samba de Nicinha Chula
  • Şener Özmen Photographer
  • Angel Deradoorian Music Producer
  • Darrell Green Drums
  • Herbie Hancock Piano
  • Alexandre Leão Brasil, Brazil
  • Cássio Nobre Chula
  • Thana Alexa New York City
  • George Cables Composer
  • Ivan Huol Bahia
  • Anissa Senoussi Matte Painter
  • Cécile McLorin Salvant New York City
  • Gilberto Gil Brazil
  • Matt Garrison Jazz Fusion
  • Larry McCray Arkansas
  • Tank and the Bangas Spoken Word
  • Aneesa Strings Composer
  • Igor Osypov Ukraine
  • Antonio García University of KwaZulu-Natal Faculty
  • Avishai Cohen אבישי כה Multi-Cultural
  • Ariel Reich Dance for PD®
  • Billy O'Shea Science Fiction
  • Paddy Groenland Guitar
  • Germán Garmendia Record Producer
  • Frank Beacham Writer
  • Taylor Ashton Brooklyn, NY
  • Renata Flores Rapper
  • Asali Solomon Writer
  • Steve Lehman Saxophone
  • Siphiwe Mhlambi South Africa
  • Danilo Pérez Multi-Cultural
  • Bombino Multi-Cultural
  • Brandee Younger New School College of Performing Arts Faculty
  • Bianca Gismonti Piano
  • Karim Ziad Percussion
  • Omar Sosa Piano
  • Priscila Castro Brasil, Brazil
  • Hisham Mayet Filmmaker
  • Raymundo Sodré Ropeadope
  • António Zambujo Fado
  • Paul McKenna Scottish Traditional Music
  • Angel Deradoorian Los Angeles
  • Moreno Veloso Rio de Janeiro
  • Manassés de Souza Composer
  • Michael Pipoquinha Brazil
  • PATRICKTOR4 Recife
  • James Gadson Blues
  • Nabihah Iqbal Radio Presenter
  • Shez Raja Tabla
  • Raynald Colom Flamenco
  • Georgia Anne Muldrow Hip-Hop
  • Luiz Santos Contemporary Classical Music
  • Gabrielzinho do Irajá Samba
  • Ed Roth Los Angeles
  • César Camargo Mariano Composer
  • Ashley Pezzotti Singer-Songwriter
  • João Teoria Bandlíder, Bandleader
  • Arifan Junior Produtor Cultural, Cultural Producer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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