Are you inside? Should you be?

  • Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Darrell Green

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Darrell Green
  • City/Place: New York City
  • Country: United States
  • Hometown: Oakland, California

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Music is definitely part of Darrell Green’s family pedigree — his father was a bass player — but this jazz drummer also has his own preternatural sense of groove. Over a career that’s spanned more than two decades, Green has become a master technician and prolific sideman, sharing stages with everyone from Blue Note vibraphonist Stefon Harris to saxophonist Red Holloway. Though jazz is his primary focus, Green is conversant in every genre from straight-ahead jazz to Latin and West African music.

    Oakland-raised Green has been playing drums for as long as he can remember. In fact, his first birthday present was a toy drum. When he was 7 years old, Green landed his first professional gig at Cosmopolitan Baptist Church. Four years later he matriculated in the Young Musicians Program at UC Berkeley and apprenticed under Kent Reed. “He would take me to his gigs. I would help him set up so I got exposed to the real life of a musician,” says Green. During high school Green was a section leader in both the Young People’s Symphony Orchestra and the Bay Area Wind Symphony. Additionally, he played drums in the Castlemont High School Jazz Band and backed the Castleers choir. After high school, Green attended the California Institute of the Arts on a scholarship, where he majored in jazz studies with an emphasis on African percussion.

    Throughout college Green drove up to the Bay Area every weekend to play a trio gig at San Francisco’s Club Deluxe, which featured Marcus Shelby on bass and Howard Wiley on saxophone. In 2001 he began touring with Lavay Smith and Her Red Hot Skillet Lickers, and also formed a trio with guitarist Julian Lage and bassist David Ewell. Two years later, Green joined the Dave Ellis Quintet and performed at the Monterey Jazz Festival. He consolidated his career as a gun-for-hire, and started getting calls from heavyweights like Harris and Dr. Lonnie Smith whenever they came to town. He developed a style that’s rooted in modern post-bop, but retains elements of his gospel and classical lineage. As a soloist, Green became known for his bedrock groove and inexhaustible creativity.

    In 2005 Green landed a scholarship at the Manhattan School of Music, where he began a comprehensive study of jazz performance. Shortly thereafter he began working with David Weiss, saxophonists JD Allen and Sherman Irby, and the Myron Waldon/Daron Barrett Quartet. He became a sought-after musician for both session work and live shows.

    Green has toured with James Hurt, James Zollar, Brad Leali, Jesse Davis, and Stacy Dillard. And with Pharoah Sanders, Dr. Lonnie Smith, Sherman Irby, Steve Turre, Faye Carol, Lavay Smith and the Red Hot Skillet Lickers, and Jeremy Pelt. He is one of the most in-demand drummers in New York , Europe, and Japan.

Contact Information

  • Contact by Webpage: http://www.darrellgreen.net/contact-me

Media | Markets

  • ▶ Instagram: darrellgreendrummer

Clips (more may be added)

  • 5:13
    Camille Thurman and Darrell Green: Alone Together Duets | JAZZ NIGHT IN AMERICA
    By Darrell Green
    296 views
  • 0:54:16
    Camille Thurman & Darrell Green - Millennium Stage (January 3, 2018)
    By Darrell Green
    242 views
Previous
Next

Darrell Green Curated
pathways in

  • 2 Composer
  • 2 Drums
  • 2 Jazz
  • 2 New York City

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Darrell Green
    Julian Lage → San Francisco Conservatory of Music Faculty has been recommended via Darrell Green.
    • September 16, 2020
  • Darrell Green
    Julian Lage → Jazz has been recommended via Darrell Green.
    • September 16, 2020
  • Darrell Green
    Julian Lage → Guitar has been recommended via Darrell Green.
    • September 16, 2020
  • Darrell Green
    Julian Lage → Composer has been recommended via Darrell Green.
    • September 16, 2020
  • Darrell Green
    Julian Lage → Blues has been recommended via Darrell Green.
    • September 16, 2020
  • Darrell Green
    Julian Lage → Americana has been recommended via Darrell Green.
    • September 16, 2020
  • Darrell Green
    A video was posted re Darrell Green:
    Camille Thurman and Darrell Green: Alone Together Duets | JAZZ NIGHT IN AMERICA
    Six weeks ago, we launched this video series to give us a glimpse of some fabulous creative partnerships manifesting in isolation. But at this moment, as America slowly opens up, our nation has found itself in the midst of a vital discussion on race and e...
    • September 16, 2020
  • Darrell Green
    A video was posted re Darrell Green:
    Camille Thurman & Darrell Green - Millennium Stage (January 3, 2018)
    DownBeat Magazine rising star saxophonist and vocalist Camille Thurman joins the incomparable drummer Darrell Green for a collaborative performance debuting music from their latest Horace Silver Tribute project.
    • September 16, 2020
  • Darrell Green
    A category was added to Darrell Green:
    Jazz
    • September 16, 2020
  • Darrell Green
    A category was added to Darrell Green:
    Composer
    • September 16, 2020
  • Darrell Green
    A category was added to Darrell Green:
    New York City
    • September 16, 2020
  • Darrell Green
    A category was added to Darrell Green:
    Drums
    • September 16, 2020
  • Darrell Green
    Darrell Green is matrixed!
    • September 16, 2020
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

THE MATRIX BEGAN IN AFRICAN BRAZIL BUT NOW ENCOMPASSES THE WORLD

Explore above a complete (and vast) list of artists and other members of the global creative economy interconnected by matrix. If you fit, join them (from the top of any page) and create your own matrix page.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene below — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

O MATRIX COMEÇOU NO BRASIL AFRICANO MAS AGORA ENGLOBA O MUNDO

Explore acima uma lista completa (e vasta) de artistas e outros membros da economia criativa global interconectados por matrix. Se você se encaixar, junte-se a nós (do topo de qualquer página) e cria sua própria página matrix.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Steve Bailey Multi-Instrumentalist
  • Reena Esmail Hindustani Classical Music
  • Lenine Singer-Songwriter
  • Kenyon Dixon Soul
  • Liberty Ellman Record Producer
  • Gilmar Gomes Guitar
  • Romulo Fróes São Paulo
  • Arismar do Espírito Santo Guitar
  • David Kirby Journalist
  • Arany Santana Ativista do Movimento Negro, Black Power Movement Activist
  • Luíz Paixão Forró
  • Jas Kayser London
  • Wayne Escoffery New York City
  • Cimafunk Havana
  • RAM Port-au-Prince
  • Luizinho do Jêje Percussion
  • Tony Kofi Saxophone
  • Bill Charlap Concert Producer
  • Mike Marshall Violin
  • Lauren Martin New York City
  • Alicia Keys New York City
  • Sara Gazarek Singer
  • Fantastic Negrito Oakland, California
  • Jerry Douglas Guitar
  • Joe Newberry Bluegrass
  • Maia Sharp Multi-Instrumentalist
  • Courtney Pine Saxophone
  • Júlio Caldas Violão, Guitar
  • Yotam Silberstein Composer
  • Bianca Gismonti Singer
  • Keshav Batish North Indian Classical Music
  • Darcy James Argue Big Band
  • Maladitso Band Lilongwe
  • Jean-Paul Bourelly Avant-Blues-Rock
  • Fernando César Violão de Sete
  • Derrick Adams Multidisciplinary Artist
  • James Andrews Trumpet
  • Rissi Palmer Country
  • Dani Deahl Writer
  • Luke Daniels Scottish Traditional Music
  • Ariel Reich New York City
  • Arto Tunçboyacıyan New York City
  • Lorna Simpson Filmmaker
  • Antônio Pereira Amazonas
  • Leo Nocentelli Funk
  • Taylor Ashton Brooklyn, NY
  • Miguel Atwood-Ferguson Composer
  • Louis Marks Apparel & Fashion
  • Danilo Caymmi Television Scores
  • Congahead World Music
  • Tigran Hamasyan Armenia
  • Carlos Prazeres Bahia
  • Flying Lotus Songwriter
  • Dorian Concept Synthesizer
  • David Byrne Film Scores
  • Lucinda Williams Singer-Songwriter
  • Anna Mieke Irish Folk Music
  • Philip Sherburne Photographer
  • Fantastic Negrito Blues
  • Elizabeth LaPrelle Singer-Songwriter
  • Osvaldo Golijov Composer
  • Swizz Beatz Rapper
  • Ray Angry Brooklyn, NY
  • Chris Dingman Composer
  • Iara Rennó Cantora-Compositora, Singer-Songwriter
  • Vânia Oliveira Salvador
  • Iara Rennó São Paulo
  • Caetano Veloso MPB
  • Yelaine Rodriguez Multimedia Art
  • Miles Okazaki Guitar
  • Zachary Richard Accordion
  • Vijay Iyer Composer
  • Lilli Lewis Louisiana Red Hot Records
  • Fábio Luna Violão, Guitar
  • King Britt Computer Music
  • Abhijith P. S. Nair Violin
  • Molly Jong-Fast Podcaster
  • David Virelles Piano
  • Lynn Nottage Pulitzer Prize
  • Flora Purim Jazz
  • Paulo Aragão Samba
  • Maria de Xindó Bahia
  • Tarus Mateen Jazz
  • Jared Sims Ropeadope
  • Glória Bomfim Chula
  • Paolo Fresu Sardinia
  • MonoNeon Composer
  • Leonard Pitts, Jr Writer
  • Robertinho Silva Choro
  • Antonio García Singer
  • Marco Lobo Rio de Janeiro
  • Jon Lindsay Theater Scores
  • Hamid El Kasri Guembri
  • Luis Paez-Pumar Writer
  • Matt Ulery Bass
  • Jonathan Finlayson Composer
  • Niwel Tsumbu Africa
  • Ajeum da Diáspora Restaurant
  • Marcus Rediker Writer
  • Afrocidade Dub
  • Luedji Luna Bahia
  • Brett Orrison Record Producer
  • Pierre Onassis Samba Reggae
  • James Martins Bahia
  • Robby Krieger Los Angeles
  • Simon Shaheen Composer
  • Anna Mieke Wicklow
  • Paulinho Fagundes Composer
  • Dafnis Prieto Jazz
  • Wouter Kellerman Bansuri
  • Mario Ulloa Bahia
  • Billy Strings Singer
  • McIntosh County Shouters Ring Shouts
  • Maurício Massunaga Samba
  • Carlos Lyra Brazil
  • Miles Mosley Film Scores
  • Adriano Giffoni Composer
  • Raynald Colom Trumpet
  • Philip Cashian Contemporary Classical Music
  • Shirazee Singer-Songwriter
  • OVANA Africa
  • Julian Lage Guitar
  • Lokua Kanza African Music
  • Tero Saarinen Finland
  • John Francis Flynn Tin Whistle
  • Horacio Hernández Havana
  • Thiago Trad Bahia
  • James Brady Glasgow
  • Paulo Costa Lima Brasil, Brazil
  • Sharay Reed Bass
  • John Edwin Mason Writer
  • Alex Mesquita Salvador
  • Missy Mazolli Opera
  • Billy O'Shea Ireland
  • Charlie Bolden New Orleans
  • Ivan Bastos Jazz Brasileiro, Brazilian Jazz
  • Carlinhos Brown Percussion
  • Leo Genovese Composer
  • Muri Assunção New York City
  • Wadada Leo Smith Composer
  • Arturo Sandoval Cuba
  • Christopher Wilkinson Guitar
  • Sérgio Machado São Paulo
  • Sahba Aminikia Composer
  • Cinho Damatta MPB
  • Adenor Gondim Salvador
  • Sam Wasson Author
  • Richard Galliano Classical Music
  • Christopher Nupen Filmmaker
  • Brazil Afro Symphonic Brasil, Brazil
  • Rudresh Mahanthappa New York City
  • Phineas Harper Documentary Filmmaker
  • Guto Wirtti Brazil
  • Chano Domínguez Piano
  • Anthony Hervey Singer
  • Dudu Reis Bahia
  • Gabriel Geszti Jazz Brasileiro, Brazilian Jazz
  • Richie Stearns Tenor Guitar
  • David Sacks Washington, D.C.
  • Cimafunk Cuban Funk
  • Alan Williams Architectural Installations
  • Asa Branca Samba de Roda
  • Hugo Linns Recife
  • Dudu Reis Cavaquinho
  • Patty Kiss Compositora, Songwriter
  • Alexandre Vieira Compositor, Composer
  • Jam no MAM Bahia
  • Issa Malluf Udu
  • Brian Lynch Jazz
  • John McEuen Singer-Songwriter
  • Evgeny Kissin Short Stories
  • Ben Cox Cinematographer
  • Gal Costa Singer
  • Nelson Latif Viola Caipira
  • Tonho Matéria Gestor Cultural, Cultural Director
  • Cainã Cavalcante Choro
  • Leandro Afonso Screenwriter
  • Brian Stoltz R&B
  • Tim Hittle Director
  • Aloísio Menezes Bahia
  • Robin Eubanks Trombone
  • Echezonachukwu Nduka Nigeria
  • Vinson Cunningham Writer
  • Antonio García Film Scores
  • Askia Davis Sr. Educational Consultant
  • Jerry Douglas Nashville, Tennessee
  • Roque Ferreira Chula
  • Asa Branca Choro
  • Cláudio Jorge Arranger
  • Rita Batista Apresentadora de Televisão, Television Presenter
  • Luciana Souza New York City
  • Karsh Kale कर्ष काळे EDM
  • Gabriel Policarpo Rio de Janeiro
  • Jeff Tweedy Singer-Songwriter
  • Ben Hazleton Tabla
  • Yazz Ahmed Audio Manipulation
  • Alexandre Leão MPB
  • Anouar Brahem Composer
  • Samuel Organ Experimental Rock
  • Angel Bat Dawid Piano
  • Edsel Gomez Piano
  • Scott Yanow Jazz Journalist
  • Patty Kiss Multi-Instrumentista, Multi-Instrumentalist
  • Marisa Monte Record Producer
  • Chris McQueen Record Producer
  • Miguel Zenón Composer
  • Arifan Junior Cantor-Compositor, Singer-Songwriter
  • Derek Sivers Entrepreneur
  • Cashmere Cat Record Producer
  • Gabriel Policarpo Brazil
  • Bob Bernotas Writer
  • Paulinho do Reco Percussion
  • China Moses R&B
  • Chris McQueen Songwriter
  • Shemekia Copeland Blues
  • Roy Nathanson Brooklyn, NY
  • Issa Malluf Middle Eastern Percussion
  • Gêge Nagô Brazil
  • Otto Drums
  • Marc Ribot Guitar
  • Alberto Pitta Bahia
  • Marisa Monte Singer-Songwriter
  • Lucía Fumero Spain
  • Peter Dasent Television Scores
  • Djamila Ribeiro Filósofa, Philosopher
  • Matt Glaser Berklee College of Music Faculty
  • Bongo Joe Records Record Shop
  • Ceumar Coelho Minas Gerais
  • Stephen Guerra Arranger
  • Marcus J. Moore Music Journalist
  • Nei Lopes Writer
  • Shahzad Ismaily Brooklyn, NY
  • Scott Devine United Kingdom
  • McCoy Mrubata Flute
  • Cedric Watson Fiddle
  • Louis Michot Singer-Songwriter
  • Ramita Navai Writer
  • Jonga Cunha Percussion
  • Booker T. Jones R&B
  • Arthur L.A. Buckner Minneapolis, MN
  • Jim Beard Piano
  • Hopkinson Smith Schola Cantorum Basiliensis Faculty
  • Etienne Charles Cuatro
  • Celsinho Silva Pandeiro Instruction
  • Jonathan Scales Jazz Fusion
  • Wolfgang Muthspiel Guitar
  • Alegre Corrêa Guitar
  • Burkard Polster Mathematics
  • Vijay Iyer Piano
  • John Zorn Multi-Instrumentalist
  • Tal Wilkenfeld Los Angeles
  • Scotty Barnhart Florida State University College of Music Faculty
  • Alex Conde Piano Instruction
  • Henrique Araújo Mandolin
  • Mariene de Castro Brazil
  • Pedrão Abib Bahia
  • Stephan Crump Bass
  • Jim Hoke Saxophone
  • Yamandu Costa Samba
  • Adriana L. Dutra Screenwriter
  • Regina Carter Multi-Cultural
  • Dale Farmer Old-Time Music
  • Mônica Salmaso Singer
  • Flora Gil Produtora de Filmes, Film Producer
  • Maria Struduth Produtora Cultural, Cultural Producer
  • Roque Ferreira Samba
  • Pasquale Grasso Guitar
  • Dermot Hussey Broadcaster
  • Miroslav Tadić Guitar
  • Ron Miles Trumpet
  • Carlinhos Brown Record Producer
  • Donnchadh Gough Waterford
  • Nelson Latif Brazil
  • Munir Hossn Multi-Cultural
  • Simon Singh YouTuber
  • Immanuel Wilkins New York City
  • Lina Lapelytė Multi-Instrumentalist
  • Walmir Lima Songwriter
  • Chico Buarque Samba
  • Ali Jackson Composer
  • Alexandre Gismonti Composer
  • Gian Correa Composer
  • Jim Lauderdale Bluegrass
  • Hugo Rivas Buenos Aires
  • Andra Day Actor
  • Robert Glasper R&B
  • Nabihah Iqbal Radio Presenter
  • Vincent Valdez Houston, Texas
  • LaTasha Lee Texas
  • Gui Duvignau Brazil
  • Eddie Kadi Comedian
  • Nooriyah نوريّة North African Music
  • Jorge Washington Afro-Bahian Cuisine
  • James Gadson Funk
  • Michelle Burford Collaborative Writer
  • Alex de Mora London
  • Kehinde Wiley New York City
  • Rosa Cedrón Galicia
  • Luedji Luna Singer-Songwriter
  • Ivan Huol Bahia
  • Horacio Hernández Percussion
  • Art Rosenbaum Folklorist
  • Munir Hossn Multi-Instrumentalist
  • Nahre Sol Contemporary Classical Music
  • James Elkington Guitar
  • Luiz Inácio Lula da Silva Metalúrgico, Metal Worker
  • Adam Shatz Literary Critic
  • Luiz Antônio Simas Poeta, Poet
  • Cédric Villani Mathematics
  • Cássio Nobre Bahia
  • Geraldo Azevedo Forró
  • Chief Xian aTunde Adjuah Trumpet
  • Tia Surica Rio de Janeiro
  • Burhan Öçal Divan-Saz
  • Issac Delgado Havana
  • Yola Bristol
  • Anthony Hervey Trumpet Instruction
  • Diosmar Filho Salvador
  • Nic Hard Audio Engineer
  • Tigran Hamasyan Jazz
  • Derrick Hodge Film Scores
  • Gord Sheard Piano
  • Psoy Korolenko Псой Короленко Jewish Music
  • Aditya Prakash Los Angeles
  • Carwyn Ellis Singer-Songwriter
  • Avishai Cohen אבישי כה Record Label Owner
  • Monty's Good Burger Vegan Burgers
  • Eric Harland Composer
  • Martin Fondse Composer
  • Larissa Luz Salvador
  • Tab Benoit Guitar
  • Antônio Pereira Brazil
  • Johnny Vidacovich Drums
  • Jay Blakesberg Filmmaker
  • Leo Genovese Argentina
  • Vânia Oliveira Candomblé
  • Jorge Washington Brazil
  • Gerald Albright Flute
  • Dexter Story Music Director
  • James Brandon Lewis New York City
  • Babau Santana Partido Alto
  • Ana Luisa Barral Composer
  • Mino Cinélu New York City
  • Arthur Jafa Multidisciplinary Artist
  • Orlando 'Maraca' Valle Flute
  • Ravi Coltrane Saxophone
  • Turtle Island Quartet San Francisco, California
  • Michael Janisch London
  • Romero Lubambo Brazilian Jazz
  • David Bragger Mandolin Instruction
  • Makaya McCraven Chicago, Illinois
  • Mykia Jovan Blues
  • Guga Stroeter Bandleader
  • Ben Hazleton Indian Classical Music
  • Chris Boardman Composer
  • Bruce Molsky Old-Time Music
  • Gary Clark Jr. R&B
  • Burkard Polster Author
  • Fred Hersch Jazz
  • Little Dragon Electronic Music
  • Mingus Big Band New York City
  • Jonga Cunha Salvador
  • Ilê Aiyê Bahia
  • Anthony Hamilton Los Angeles
  • Amitava Kumar India
  • Jeremy Danneman New York City
  • Elza Soares Brazil
  • Teodor Currentzis Russia
  • Ben Williams New York City
  • Hanif Abdurraqib Music Critic
  • Lionel Loueke Singer
  • Herbie Hancock Composer
  • Dadá do Trombone Samba
  • Jon Batiste R&B
  • Martin Shore Educator
  • Nettrice R. Gaskins Afro-Futurist
  • Kathy Chiavola Bluegrass
  • Gerald Albright Saxophone
  • Oleg Fateev Accordion
  • Asma Khalid Washington, D.C.
  • Guiga de Ogum Salvador
  • Obed Calvaire Drums
  • Aperio Chamber Music
  • Joe Lovano Flute
  • Chris McQueen Austin, Texas
  • Dani Deahl Record Producer
  • Adam Cruz Jazz
  • Super Chikan Blues
  • Rebeca Omordia London
  • Carlos Blanco Brasil, Brazil
  • Ken Dossar Philadelphia
  • Papa Mali Swamp
  • Mehdi Rajabian Arranger
  • Muireann Nic Amhlaoibh Radio Presenter
  • Talita Avelino Pandeiro
  • Robert Everest Percussion
  • Soweto Kinch Saxophone
  • Joyce Moreno MPB
  • Gino Banks Drums
  • Scotty Apex Rapper
  • Ricardo Bacelar Piano
  • Archie Shepp Paris, France
  • Charlie Bolden Jazz
  • Adam Rogers Guitar
  • Itamar Borochov Multi-Cultural
  • Dónal Lunny Bouzouki
  • Thundercat Record Producer
  • Dieu-Nalio Chery Haiti
  • Simon McKerrell Composer
  • Daniil Trifonov Composer
  • Sara Gazarek Vocal Instruction
  • Jeffrey Boakye England
  • Ryuichi Sakamoto Composer
  • David Sedaris Essayist
  • Leonardo Mendes Bahia
  • Steve Cropper Guitar
  • Carwyn Ellis Multi-Instrumentalist
  • Cashmere Cat DJ
  • Berkun Oya Director
  • McIntosh County Shouters Spirituals
  • Aditya Prakash Ropeadope
  • Sátyra Carvalho Cantora, Singer
  • Zebrinha Candomblé
  • Eduardo Kobra São Paulo
  • MonoNeon Gospel
  • Moses Boyd Jazz
  • Cory Wong Minneapolis, Minnesota
  • Greg Osby Saxophone
  • Laércio de Freitas Piano
  • Gregory Tardy University of Tennessee Knoxville School of Music Faculty
  • Helder Barbosa Dono de Site de Cultura, Cultural Website Owner
  • Aindrias de Staic Ireland
  • Willy Schwarz Multi-Instrumentalist
  • Hercules Gomes São Paulo
  • Colm Tóibín Writer
  • Angel Bat Dawid Singer
  • Marília Sodré Bahia
  • Jon Lindsay Record Producer
  • Fernando César Educator
  • Terrace Martin Hip-Hop
  • Priscila Castro Carimbó
  • Heriberto Araujo China
  • Hugo Linns Pernambuco
  • Niwel Tsumbu Guitar
  • Dorian Concept Electronic Music
  • Paulinha Cavalcanti Contadora de Histórias, Storyteller
  • Cara Stacey Composer
  • Luis Delgado Qualtrough Photographer
  • Wilson Simoninha Singer-Songwriter
  • Amaro Freitas Recife
  • McCoy Mrubata Cape Town
  • Immanuel Wilkins Saxophone
  • Jamz Supernova Radio Presenter
  • Leon Bridges Fort Worth, Texas
  • Mandla Buthelezi Jazz
  • Léo Brasileiro MPB
  • Alain Mabanckou UCLA Faculty
  • Roberta Sá MPB
  • Paulo Aragão Choro
  • Richie Stearns Old-Time Music
  • Margaret Renkl Journalist
  • Nei Lopes Singer-Songwriter
  • Bernardo Aguiar Percussion
  • Georgia Anne Muldrow Multi-Instrumentalist
  • Ashley Page Music Management
  • Vanessa Moreno Brazil
  • Colson Whitehead Writer
  • Ayrson Heráclito Visual Artist
  • Teodor Currentzis Conductor
  • Gabriel Grossi Harmonica
  • Bill Callahan Singer-Songwriter
  • Jorge Pita Percussion
  • Joachim Cooder Singer-Songwriter
  • César Orozco Cuba
  • Pharoah Sanders Saxophone
  • Alana Gabriela Cantora, Singer
  • Gabriel Geszti Piano
  • Intisar Abioto Dancer
  • Nancy Viégas Fotógrafa, Photographer
  • Juca Ferreira Salvador
  • David Virelles Cuba
  • Darol Anger Fiddle
  • Djuena Tikuna Amazonas
  • Laércio de Freitas Choro
  • MonoNeon Bass
  • Anthony Hervey New York City
  • Carlos Prazeres Orquestra Sinfônica da Bahia
  • Nicole Mitchell Flute
  • Arismar do Espírito Santo Choro
  • Gabriel Grossi Brazilian Jazz
  • Raymundo Sodré Brasil, Brazil
  • Celsinho Silva Brazil
  • Jim Farber Journalist
  • Stormzy Rapper
  • Stanton Moore Funk
  • Philip Sherburne Essayist
  • Bob Bernotas Liner Notes
  • Kiko Loureiro Jazz Fusion
  • Alicia Keys Author
  • Nelson Latif Cavaquinho

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share