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  • Ricardo Herz

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Ricardo Herz
  • City/Place: São Paulo
  • Country: Brazil

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Ricardo Herz reinventou o violino brasileiro. Sua técnica leva ao instrumento o resfolego da sanfona, o ronco da rabeca e as belas melodias do choro tradicional e moderno. Com a influência de Dominguinhos, Luiz Gonzaga, Egberto Gismonti, Jacob do Bandolim entre outros, o violinista mistura ritmos brasileiros, africanos e o sentido de improvisação do jazz.

    Graduado em violino erudito pela USP, sua sólida formação começou aos 6 anos, tendo passado pela escola Fukuda em São Paulo. Estudou na renomada Berklee College of Music, nos Estados Unidos, e no Centre des Musiques Didier Lockwood, escola do violinista francês, uma lenda do violino jazz.

    De volta ao Brasil desde 2010, Herz tem participado de muitos projetos e colaborado com músicos e se apresentando como solista com orquestras de todo o país, como Yamandú Costa, Dominguinhos, Nelson Ayres, Proveta, Orquestra Jazz Sinfônica, Orquestra Sinfonica de João Pessoa, Orquestra Municipal de Jundiaí, Grupos de Referência do Projeto Guri, Orquestra Filarmônica de Violas, Orquestra Breusil entre outros.

    Herz tem dez albúns lançados. Além dos dois do Ricardo Herz Trio e dois gravados solo, Herz gravou diversos CDs em duo: com o vibrafonista Antonio Loureiro, com Samuca do Acordeon, com o pianista, maestro e arranjador Nelson Ayres e com Yamandú Costa. Em 2019, Ricardo lançou seu décimo trabalho: Nova Música Brasileira para Cordas, este com a orquestra feminina de cordas cubana Camerata Romeu.

    Ricardo tem realizado diversas lives e gravado vídeos em duo com a violinista e rabequeira Vanille Goovaerts, sua companheira, com quem tem um duo desde 2019.

    Ricardo também tem dedicado parte de seu tempo no ensino e difusão do violino popular, tendo ministrado diversos cursos em festivais e recentemente lançou o primeiro método online de violino popular brasileiro.

Contact Information

  • Management/Booking: Herz Produções Artísticas
    Rua Fradique Coutinho 795, ap. 97
    São Paulo, SP, Brasil 05416/011

    Ricardo Herz
    Booking Geral e Contato Direto
    +55 11 99249 2930
    [email protected]

    Marina Herz
    Produção, Booking e Infos
    +55 11 36726668
    +55 11 99259 9146
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://shop.ricardoherz.com.br
  • ▶ Charts/Scores: http://ricardoherz.com.br/partituras/
  • ▶ Twitter: ricardoherz
  • ▶ Instagram: ricardoherz
  • ▶ YouTube Channel: http://www.youtube.com/c/RicardoHerzViolinoPopularBrasileiro
  • ▶ YouTube Music: http://music.youtube.com/channel/UCLTWTWtPNnBTCQotcFRyTEA
  • ▶ Spotify: http://open.spotify.com/album/70QLa02zm19XEJAWUwNk4R
  • ▶ Spotify 2: http://open.spotify.com/album/1PGdnirGYaTP2DlI7wiC64
  • ▶ Spotify 3: http://open.spotify.com/album/5AhRPfiD4MOGsVzXdjfwGo
  • ▶ Spotify 4: http://open.spotify.com/album/2gzrcrvj3YMHL93mRK44hE
  • ▶ Spotify 5: http://open.spotify.com/album/0fldbNwvVQd7BnAScQipRf
  • ▶ Spotify 6: http://open.spotify.com/album/0zkZ4Z2uKBk5EISPfzsY9O

My Instruction

  • Instruction: http://ricardoherz.com.br/curso-violino-popular/

Clips (more may be added)

  • 0:08:27
    Maracatúngaro - Quarteto da Cidade de São Paulo e Ricardo Herz - quarteto de cordas e rabeca
    By Ricardo Herz
    137 views
  • 0:45:35
    Palestra: Concerto com Nelson Ayres e Ricardo Herz
    By Ricardo Herz
    252 views
  • 4:52
    Yamandú Costa e Ricardo Herz | Mourinho
    By Ricardo Herz
    254 views
  • 0:47:52
    Ricardo Herz | Programa Instrumental Sesc Brasil
    By Ricardo Herz
    227 views
Previous
Next

Ricardo Herz Curated
pathways in

  • 3 Brazil
  • 3 Brazilian Jazz
  • 3 Choro
  • 3 Composer
  • 3 Forró
  • 3 Jazz
  • 3 MPB
  • 3 Rabeca
  • 3 São Paulo
  • 3 Violin

What's Been Happening?

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  • Ricardo Herz
    Romulo Fróes → Violão, Guitar has been recommended via Ricardo Herz.
    • July 15, 2022
  • Ricardo Herz
    Romulo Fróes → São Paulo has been recommended via Ricardo Herz.
    • July 15, 2022
  • Ricardo Herz
    Romulo Fróes → Samba has been recommended via Ricardo Herz.
    • July 15, 2022
  • Ricardo Herz
    Romulo Fróes → MPB has been recommended via Ricardo Herz.
    • July 15, 2022
  • Ricardo Herz
    Romulo Fróes → Cantor-Compositor, Singer-Songwriter has been recommended via Ricardo Herz.
    • July 15, 2022
  • Ricardo Herz
    Romulo Fróes → Brasil, Brazil has been recommended via Ricardo Herz.
    • July 15, 2022
  • Ricardo Herz
    André Vasconcellos → São Paulo has been recommended via Ricardo Herz.
    • June 12, 2022
  • Ricardo Herz
    André Vasconcellos → Produtor Musical, Music Producer has been recommended via Ricardo Herz.
    • June 12, 2022
  • Ricardo Herz
    André Vasconcellos → Jazz Brasileiro, Brazilian Jazz has been recommended via Ricardo Herz.
    • June 12, 2022
  • Ricardo Herz
    André Vasconcellos → Jazz has been recommended via Ricardo Herz.
    • June 12, 2022
  • Ricardo Herz
    André Vasconcellos → Compositor, Composer has been recommended via Ricardo Herz.
    • June 12, 2022
  • Ricardo Herz
    André Vasconcellos → Brasil, Brazil has been recommended via Ricardo Herz.
    • June 12, 2022
  • Ricardo Herz
    André Vasconcellos → Baixo, Bass has been recommended via Ricardo Herz.
    • June 12, 2022
  • Ricardo Herz
    Samuca do Acordeon → Tango has been recommended via Ricardo Herz.
    • September 6, 2021
  • Ricardo Herz
    Samuca do Acordeon → Samba has been recommended via Ricardo Herz.
    • September 6, 2021
  • Ricardo Herz
    Samuca do Acordeon → Milonga has been recommended via Ricardo Herz.
    • September 6, 2021
  • Ricardo Herz
    Samuca do Acordeon → Forró has been recommended via Ricardo Herz.
    • September 6, 2021
  • Ricardo Herz
    Samuca do Acordeon → Composer has been recommended via Ricardo Herz.
    • September 6, 2021
  • Ricardo Herz
    Samuca do Acordeon → Choro has been recommended via Ricardo Herz.
    • September 6, 2021
  • Ricardo Herz
    Samuca do Acordeon → Chamamé has been recommended via Ricardo Herz.
    • September 6, 2021
View More
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  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

THE MATRIX BEGAN IN AFRICAN BRAZIL BUT NOW ENCOMPASSES THE WORLD

Explore above a complete (and vast) list of artists and other members of the global creative economy interconnected by matrix. If you fit, join them (from the top of any page) and create your own matrix page.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene below — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

O MATRIX COMEÇOU NO BRASIL AFRICANO MAS AGORA ENGLOBA O MUNDO

Explore acima uma lista completa (e vasta) de artistas e outros membros da economia criativa global interconectados por matrix. Se você se encaixar, junte-se a nós (do topo de qualquer página) e cria sua própria página matrix.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Tom Bergeron Bossa Nova
  • Nduduzo Makhathini Record Producer
  • Sam Eastmond Composer
  • James Brandon Lewis Jazz
  • Gerald Albright Songwriter
  • Richie Barshay Drums
  • Mário Santana Bahia
  • Avner Dorman Contemporary Classical Music
  • Jane Cornwell Journalist
  • Brad Mehldau Jazz
  • Steve Cropper Songwriter
  • Melissa Aldana New York City
  • Gabriel Policarpo Rio de Janeiro
  • Louis Marks Apparel & Fashion
  • Gilson Peranzzetta Brazil
  • Adriano Souza Bossa Nova
  • Gord Sheard Piano
  • Jimmy Duck Holmes Mississippi
  • PATRICKTOR4 Recife
  • Eric Galm Samba
  • J. Velloso Salvador
  • Sérgio Pererê Belo Horizonte
  • Matt Glaser Bluegrass
  • Berta Rojas Classical Guitar
  • Marquis Hill Composer
  • Joyce Moreno MPB
  • Munir Hossn Multi-Cultural
  • Papa Mali Swamp
  • Sam Reider Brooklyn, NY
  • Lauren Martin New York City
  • Dónal Lunny Multi-Instrumentalist
  • Giba Conceição Bahia
  • Stormzy Grime
  • David Simon Television Producer
  • Jim Farber Writer
  • Tyshawn Sorey Composer
  • Plamen Karadonev Berklee College of Music Faculty
  • Sophia Deboick Writer
  • Orlando 'Maraca' Valle Cuba
  • Nara Couto Brasil, Brazil
  • Thomas Àdes London
  • Trombone Shorty Trumpet
  • Bill Frisell Brooklyn, NY
  • Júlio Caldas Bandolim, Mandolin
  • Sergio Krakowski Choro
  • Tigran Hamasyan Piano
  • Jared Jackson Short Stories
  • Daedelus Hip-Hop
  • Endea Owens Jazz
  • Intisar Abioto Journalist
  • Kirk Whalum R&B
  • Edward P. Jones Novelist
  • Raymundo Sodré Ropeadope
  • Christopher Wilkinson Movie Producer
  • Will Holshouser Folk & Traditional
  • Lilli Lewis Louisiana Red Hot Records
  • Richie Barshay Afro-Latin Percussion
  • Andy Kershaw DJ
  • James Martin Singer-Songwriter
  • Anissa Senoussi Matte Painter
  • Eric Galm Ethnomusicologist
  • Musa Okwonga Writer
  • Ênio Bernardes Pandeiro
  • Beats Antique Multi-Cultural
  • Itamar Borochov Composer
  • Marcelinho Oliveira Artistic Director
  • Les Thompson Performance Center Technical Director
  • Iuri Passos Bahia
  • Raelis Vasquez Afro-Latinx Art
  • Lula Galvão MPB
  • Luis Paez-Pumar Journalist
  • Zakir Hussain Hindustani Classical Music
  • Azi Schwartz החזן עזי שוורץ Jewish Liturgical Music
  • Nailor Proveta Compositor, Composer
  • Lalah Hathaway R&B
  • Johnathan Blake Jazz
  • Jack Talty Irish Traditional Music
  • Jill Scott Singer-Songwriter
  • Marc-André Hamelin Composer
  • Alana Gabriela Brasil, Brazil
  • Nels Cline Composer
  • Gregory Tardy Jazz
  • Tom Schnabel DJ
  • Julian Lage Composer
  • Jeremy Danneman New York City
  • Paul McKenna Scotland
  • Arismar do Espírito Santo São Paulo
  • Chris Dave Gospel
  • Dani Deahl Public Speaker
  • Marcel Powell Brazil
  • Corey Ledet Zydeco
  • Guto Wirtti Guitar
  • Mandisi Dyantyis Music Director
  • Yotam Silberstein New York City
  • Rumaan Alam Short Stories
  • Paulão 7 Cordas Guitar
  • Luis Perdomo Composer
  • Art Rosenbaum Muralist
  • Nana Nkweti Writer
  • Warren Wolf Marimba
  • The Weeknd Record Producer
  • Nicholas Gill Writer
  • Adam O'Farrill Trumpet
  • As Ganhadeiras de Itapuã Folk & Traditional
  • Kirk Whalum Jazz
  • Garvia Bailey Toronto
  • Archie Shepp Playwright
  • Bill Summers Batá Drums
  • Serginho Meriti Rio de Janeiro
  • Varijashree Venugopal Jazz
  • Carrtoons Brooklyn, NY
  • Ann Hallenberg Opera Singer
  • Ubiratan Marques Bahia
  • Lionel Loueke Singer
  • Greg Ruby Author
  • Cyro Baptista New York City
  • Wouter Kellerman Fife
  • Glenn Patscha Singer
  • Shamarr Allen Singer-Songwriter
  • Karim Ziad Paris, France
  • Shanequa Gay Installation
  • Mickalene Thomas Painter
  • Duane Benjamin Bass
  • Wouter Kellerman Composer
  • Andrew Finn Magill Appalachian Music
  • Denzel Curry Hip-Hop
  • Garth Cartwright Poet
  • João Teoria Cantor, Singer
  • Jon Batiste Piano
  • Yamandu Costa Samba
  • Şener Özmen Kurdish Culture
  • Art Rosenbaum Multi-Instrumentalist
  • Mark Bingham Guitar
  • Isaac Julien Filmmaker
  • Milton Nascimento Brazil
  • Rick Beato Author
  • Shoshana Zuboff Social Psychology
  • Leonardo Mendes Brasil, Brazil
  • Brian Q. Torff Writer
  • Luciano Calazans Salvador
  • Joe Chambers New York City
  • Luíz Paixão Pernambuco
  • Nelson Cerqueira Ensaísta, Essayist
  • Capinam Bahia
  • Eduardo Kobra Grafiteiro, Graffiti Artist
  • Amy K. Bormet Washington, D.C.
  • Shez Raja London
  • James Brady Multi-Instrumentalist
  • Jeremy Danneman Jazz
  • Rosa Cedrón Cello
  • Little Dragon Sweden
  • Will Holshouser Jazz
  • Donald Vega Jazz
  • Daymé Arocena Cuba
  • Lizz Wright Singer
  • Conrad Herwig Afro-Caribbean Jazz
  • Don Byron Klezmer
  • Yvette Holzwarth Los Angeles
  • Ivan Bastos Música Afro-Baiana, Afro-Bahian Music
  • Sameer Gupta Composer
  • Dale Barlow New York City
  • Elizabeth LaPrelle Folk & Traditional
  • Mestre Barachinha Nazaré da Mata
  • Howard Levy Keyboards
  • Jovino Santos Neto Brazilian Jazz
  • Ali Jackson Percussion
  • Silas Farley Dance Teacher
  • Doug Adair Singer-Songwriter
  • Mickalene Thomas Brooklyn, NY
  • Karsh Kale कर्ष काळे Indian Classical Music
  • Yazhi Guo 郭雅志 Microtonal
  • A-KILL Graffiti Artist
  • Paul Cebar Milwaukee
  • Orrin Evans Neo Soul, Acid Jazz
  • Eric Galm Caribbean Studies
  • Sam Eastmond Trumpet
  • Leci Brandão Pandeiro
  • Leonardo Mendes Samba
  • Banning Eyre African Guitar
  • Marcus Strickland Brooklyn, NY
  • Camille Thurman Flute
  • Bob Mintzer USC Thornton School of Music Faculty
  • Johnny Vidacovich Funk
  • Martyn DJ
  • Yoron Israel R&B
  • Jerry Douglas Record Producer
  • Bodek Janke Berlin
  • Nublu Record Label
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  • Shannon Alvis Chicago
  • Woz Kaly African Music
  • Eric Alexander Saxophone
  • Abderrahmane Sissako Film Producer
  • Paul Anthony Smith Picotage
  • Linda May Han Oh Double Bass
  • Ben Wolfe Bass
  • Jeff Tang Creative Producer
  • Tiganá Santana Salvador
  • Sônia Guajajara Enfermeira, Nurse
  • Katuka Africanidades AFROBIZ Salvador
  • Zulu Araújo Bahia
  • Sebastian Notini Bahia
  • Karsh Kale कर्ष काळे Multi-Cultural
  • Willie Jones III New York City
  • José Antonio Escobar Barcelona
  • Catherine Russell Singer
  • Aneesa Strings Composer
  • James Brandon Lewis Composer
  • Abel Selaocoe Classical Music
  • Gab Ferruz Bahia
  • Jill Scott Jazz
  • Alex de Mora Documentary Filmmaker
  • Bule Bule Repente
  • Lívia Mattos Singer-Songwriter
  • Derrick Hodge Hip-Hop
  • Shabaka Hutchings Composer
  • Cara Stacey Piano
  • Joshua White San Diego, California
  • Catherine Bent Boston
  • Missy Mazolli Composer
  • Dan Tyminski Mandolin
  • Mário Santana Brazil
  • Miles Mosley Television Scores
  • Alain Pérez Bass
  • Bebê Kramer Samba
  • Patrice Quinn Actor
  • Arthur L.A. Buckner Gospel
  • Muhsinah Washington, D.C.
  • Philip Sherburne Music Producer
  • Will Holshouser Musette
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  • Rebeca Tárique Brasil, Brazil
  • Bonerama R&B
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  • Gui Duvignau Bass
  • Jessie Montgomery Violin
  • Parker Ighile Progressive Afro Pop
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  • Jerry Douglas Music Director
  • TaRon Lockett Los Angeles
  • Luizinho Assis Brasil, Brazil
  • Al Kooper Record Producer
  • Caroline Shaw Record Producer
  • Júlio Caldas Produtor de Discos, Record Producer
  • Luíz Paixão Fiddle
  • Bobby Sanabria Afro-Cuban Jazz
  • Imani Winds New York City
  • John Zorn Composer
  • Jeff Parker Film Scores
  • Tito Jackson Pop
  • Joel Ross Composer
  • Sarah Jarosz Mandolin
  • Leigh Alexander Public Speaker
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  • Adriano Souza Piano
  • Ana Luisa Barral MPB
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  • Carlos Prazeres Diretor Artístico, Artistic Director
  • Olga Mieleszczuk Warsaw
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  • Derrick Adams Brooklyn, NY
  • Alberto Pitta Carnivalesco
  • Nooriyah نوريّة DJ
  • Sierra Hull Americana
  • Jim Hoke Session Musician
  • Bebê Kramer Tango
  • Amaro Freitas Frevo
  • Dhafer Youssef ظافر يوسف Composer
  • John Harle Television Scores
  • Geraldo Azevedo Frevo
  • Neo Muyanga African Music
  • Alex Clark Director
  • Maracatu Ventos de Ouro Brasil, Brazil
  • Meddy Gerville Jazz
  • James Martins Locutor de Rádio, Radio Presenter
  • Gonzalo Rubalcaba Afro-Cuban Jazz
  • Jason Moran Theater Composer
  • João Camarero Brazil
  • Lina Lapelytė Composer
  • Jovino Santos Neto Cornish College of the Arts Faculty
  • Orquestra Afrosinfônica Bahia
  • Edu Lobo Rio de Janeiro
  • Russell Malone Jazz
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  • Jorge Glem Composer
  • John Patrick Murphy Sanfona
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  • Jim Farber Music Critic
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  • Arto Tunçboyacıyan New York City
  • Aruán Ortiz Film Scores
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  • Marcus J. Moore Brooklyn, NY
  • Stephan Crump Jazz
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  • Joanna Majoko Germany
  • Mario Ulloa Federal University of Bahia Faculty
  • Andrew Gilbert Writer
  • Irma Thomas Soul
  • Molly Tuttle Nashville, Tennessee
  • Leela James Soul
  • Monk Boudreaux New Orleans
  • Iara Rennó Atriz, Actor
  • Guilherme Kastrup Drums
  • Sam Yahel New York City
  • Berkun Oya Playwright
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  • Miguel Zenón New York City
  • Anouar Brahem Arabic Music
  • Saul Williams Poet
  • Grégoire Maret Composer
  • Mahsa Vahdat Iran
  • Joe Newberry Guitar
  • Guinha Ramires Florianópolis
  • James Brandon Lewis New York City
  • David Sacks Latin Jazz
  • June Yamagishi Blues
  • Rez Abbasi Composer
  • Celino dos Santos Viola Machete
  • Saileog Ní Cheannabháin Sean-Nós Singer
  • Jeremy Danneman Composer
  • Rhiannon Giddens Americana
  • Jubu Smith Singer-Songwriter
  • Otmaro Ruiz Venezuela
  • Mateus Alves Film Scores
  • Yuja Wang Classical Music
  • Yamandu Costa Choro
  • Ukrainian Freedom Orchestra Класична музика, Classical Music
  • Joe Newberry Singer-Songwriter
  • David Sánchez Georgia State University School of Music Faculty
  • Carlos Henriquez Composer
  • Tom Green Glasgow
  • Loli Molina Piano
  • Roque Ferreira Bahia
  • Gevorg Dabaghyan Duduk
  • Ben Monder New York City
  • Michelle Mercer Radio Producer
  • Shane Parish Guitar
  • Evgeny Kissin Composer
  • Intisar Abioto Portland, Oregon
  • Andrew Huang Canada
  • Nêgah Santos MPB
  • Imani Winds Chamber Music
  • Daniel Gonzaga Violão, Guitar
  • Caetano Veloso Salvador
  • Sérgio Mendes MPB
  • Hugues Mbenda African Cuisine
  • Miguel Zenón Composer
  • Adriene Cruz Portland, Oregon
  • Cathal McNaughton Ireland
  • Mou Brasil Bahia
  • Marc Maron Writer
  • G. Thomas Allen Columbia College Chicago Faculty
  • Jacám Manricks Composer
  • Moacyr Luz Songwriter
  • Arifan Junior Samba
  • Jessie Reyez Canada
  • James Gadson Funk
  • Luiz Santos Percussion
  • 小野リサ Lisa Ono Multi-Cultural
  • Casey Benjamin R&B
  • Demond Melancon Black Masker
  • Martín Sued Accordion
  • Laura Beaubrun Choreographer
  • Alain Mabanckou Writer
  • Walter Ribeiro, Jr. Salvador
  • Rodrigo Caçapa Guitar
  • Adam Shatz Brooklyn, NY
  • Lula Gazineu Bahia
  • Mauro Senise Brazil
  • Orrin Evans Record Label Owner
  • Gilsons Salvador
  • Sanjay K Roy Arts Festival Producer
  • David Ngwerume Sculptor
  • Jeremy Pelt Trumpet
  • Armandinho Macêdo Guitarra Baiana
  • Capinam Poeta, Poet
  • Milford Graves Jazz
  • Alan Bishop Egypt
  • Herlin Riley Jazz
  • Peter Serkin Piano
  • Joanna Majoko Zimbabwe
  • Ed Roth Keyboards
  • Richie Stearns Composer
  • Marcelinho Oliveira Salvador
  • Ivan Huol Bahia
  • Gary Clark Jr. Singer-Songwriter
  • Arany Santana Educadora, Educator
  • Anna Webber Composer
  • Monty's Good Burger Vegan Restaurant
  • Jim Beard Arranger
  • Inon Barnatan New York City
  • Dudu Reis Samba
  • Speech Record Producer
  • Zeca Pagodinho Rio de Janeiro
  • Luciana Souza Bossa Nova
  • Pharoah Sanders Saxophone
  • Miles Okazaki Author
  • Brandee Younger New York University Faculty
  • Aaron Diehl Jazz
  • Nguyên Lê Paris
  • Christopher Silver McGill University Faculty
  • Mauro Senise MPB
  • Ajeum da Diáspora AFROBIZ Salvador
  • Armandinho Macêdo Bandolim
  • Eric Coleman Documentary Filmmaker
  • Bob Mintzer Composer
  • Yotam Silberstein Guitar
  • Toninho Horta Minas Gerais
  • Talita Avelino Salvador
  • Jeff Coffin Record Label Owner
  • Gail Ann Dorsey Multi-Instrumentalist
  • Brandon Seabrook Guitar
  • Marco Pereira Samba
  • Maria de Xindó Cantora, Singer
  • Johnny Vidacovich Jazz
  • Lula Galvão Arranger
  • Patrice Quinn Los Angeles
  • David Greely Author
  • Onisajé Educadora, Educator
  • Arismar do Espírito Santo Choro
  • Zebrinha Candomblé
  • Ferenc Nemeth New York City
  • Carol Soares Samba de Roda
  • Archie Shepp Poet
  • Eric Galm Berimbau
  • Geraldo Azevedo Pernambuco
  • Eli Saslow Writer
  • Jamel Brinkley Novelist
  • Gab Ferruz Salvador
  • Alisa Weilerstein Cello
  • João Teoria Bahia
  • Walter Mariano Universidade Federal do Recôncavo da Bahia Faculdade, Federal University of the Recôncavo of Bahia Faculty
  • Raynald Colom Trumpet
  • Robb Royer Pop
  • Los Muñequitos de Matanzas Rumba
  • Vanessa Moreno Guitar
  • Karla Vasquez Chef
  • Martín Sued Argentina
  • Avishai Cohen אבישי כה Jazz
  • Laura Beaubrun Haiti
  • Theo Bleckmann Germany
  • Domingos Preto Brazil
  • Ben Allison Multi-Cultural
  • Allen Morrison Songwriter
  • Al Kooper Multi-Instrumentalist
  • Turtle Island Quartet String Quartet
  • Matt Glaser Jazz
  • Jim Lauderdale Singer-Songwriter
  • Chau do Pife Alagoas
  • Questlove Music Journalist
  • Jonny Geller Public Speaker
  • Linda Sikhakhane Johannesburg
  • Tia Surica Rio de Janeiro
  • Neymar Dias Viola Caipira
  • Juca Ferreira Servidor Público, Public Servant
  • Reza Filsoofi Santoor
  • The Umoza Music Project Rap
  • Luê Soares Brasil, Brazil
  • Chucho Valdés Piano
  • Restaurante Axego Brazil
  • Jonathon Grasse Brazilian Music
  • Brazil Afro Symphonic Multi-Cultural
  • Tom Bergeron Jazz

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