This is a matrix in the original sense of "source". It is a "small-world" network, meaning that the nodes (people) inside it are — mirroring human society — within a few steps of everybody else inside it. The matrix was built to allow regional Brazilian musicians to be discoverable steps away from everybody else in the arts world, and by logical necessity this m.o. requires not only that the great Brazilians be matrixed, but so far as possible, all working artists in our time. Ergo:
THIS MATRIX, THOUGH BRAZIL-BORN, IS UNIVERSAL
This Tom Piazza matrix node is steps away from the entire planet by the well-known small-world ("6 degrees") phenomenon dictating that in human society you yourself are within several degrees of Tom Piazza.
1 DEGREE FORWARD: Tom Piazza (node) ROUTES TO THESE ARTIST NODES
Are these Tom Piazza's personal recommendations?
CURATION STATUS
- → Routes by The Matrix via ↴
Who & Where
- Name: Tom Piazza
- City/Place: New Orleans, Louisiana
- Country: United States
Life & Work
-
Bio:
Tom Piazza is celebrated as a novelist and a writer on American music. His twelve books include the novels A Free State and City Of Refuge, the post-Katrina manifesto Why New Orleans Matters, and the essay collection Devil Sent The Rain. He was a principal writer for the innovative HBO drama series TREME, and the winner of a Grammy Award for his album notes to Martin Scorsese Presents The Blues: A Musical Journey. His writing has appeared in The New York Times, The Atlantic, Bookforum, The Oxford American, Columbia Journalism Review, and many other periodicals. He lives in New Orleans.
In both his fiction and his nonfiction, Tom Piazza explores themes of cultural and personal identity, often using music as a prism through which to view American life. His 2015 novel A Free State, set in Virginia and Philadelphia just before the Civil War, explores the difficult, many-layered relationship between blackface minstrelsy and slavery, and the deep, painful, and still-contemporary riddles of race and society.
His novel City of Refuge follows the stories of two New Orleans families, one black and one white, during and after Hurricane Katrina; it was a One Book, One New Orleans selection and won the Willie Morris Award for Southern Fiction. His novel My Cold War won the Faulkner Society Award for the Novel, and his debut short-story collection Blues and Trouble won the James Michener Award. His book-length essay Why New Orleans Matters, published two and a half months after Hurricane Katrina in 2005, won the Louisiana Endowment for the Humanities’ Humanities Book of the Year Award.
His writing on American music, including jazz, blues, country, and bluegrass, has been similarly recognized. He is a three-time winner of the ASCAP-Deems Taylor Award for Music Writing (for his books The Guide to Classic Recorded Jazz and Understanding Jazz, and for his Oxford American column on Southern Music), and he won won a Grammy Award for his album notes to the five-CD set Martin Scorsese Presents The Blues: A Musical Journey. His music pieces have been widely anthologized, appearing in Best Music Writing 2000, The Oxford American Book of Great Music Writing, Studio A: The Bob Dylan Reader, and many other collections.
Tom is a graduate of Williams College, and he holds an MFA in Fiction from the Iowa Writers’ Workshop. He has held the Eudora Welty Chair for Southern Studies at Millsaps College and has been the Visiting Writer in Residence at Loyola University, the Trias Visiting Writer at Hobart & William Smith Colleges, a Teaching-Writing Fellow at the University of Iowa, and a core faculty member at the Bennington Writing Seminars. He has delivered lectures and readings at Yale University, Harvard Divinity School, Columbia University, Middlebury College, Williams College, the University of California at Berkeley, the University of North Carolina, the Chautauqua Institute, the National Arts Club, and the Library of Congress. In 2015. he received the Louisiana Writer Award from the Louisiana Center for the Book and the State Library of Louisiana, awarded annually to a writer “whose published body of work represents a distinguished and enduring contribution to the literary and intellectual heritage of Louisiana.”
Contact Information
- Email: tpiazz@gmail.com
-
Management/Booking:
Tom Piazza is represented by Amy Williams, at The Williams Company
amy@williamsliterary.com.
Media & Markets
- ▶ Book Purchases: http://www.amazon.com/Tom-Piazza/e/B001HD37P4/
- ▶ Website: http://www.tompiazza.com
- ▶ Article: http://faulknersociety.org/tom-piazza/
- ▶ Article 2: http://www.npr.org/books/authors/138142944/tom-piazza
- ▶ Articles: http://www.tompiazza.com/words.html
More
-
Quotes, Notes & Etc.
“Tom Piazza’s writing pulsates with nervous electrical tension – reveals the emotions that we can’t define.”
- Bob Dylan
My Writing
-
Publications:
A Free State opens on eve of the Civil War in 1855. Blackface minstrelsy is the most popular form of entertainment in a nation about to be torn apart by the battle over slavery. Henry Sims, a fugitive slave and a brilliant musician, has escaped to Philadelphia, where he earns money living by his wits and performing on the street. He is befriended by James Douglass, leader of a popular minstrel troupe struggling to compete with dozens of similar ensembles, who imagines that Henry’s skill and magnetism might restore his troupe’s sagging fortunes.
The problem is that black and white performers are not allowed to appear together onstage. Together, the two concoct a masquerade to protect Henry’s identity, and Henry creates a sensation in his first appearances with the troupe. Yet even as their plan begins to reverse the troupe’s decline, a brutal slave hunter named Tull Burton has been employed by Henry’s former master to track down the runaway and retrieve him, by any means necessary.
Bursting with narrative tension and unforgettable characters, shot through with unexpected turns and insight, A Free State is a thrilling reimagining of the American story by a novelist at the height of his powers.
This rich novel about minstrelsy, slavery, and the dream of escape shows that our demons and our angels haven’t changed much. But the portrait of the struggle is so insightful that it becomes its own strong vision of hope.
— Zachary Lazar, author of I Pity the Poor Immigrant and Sway
A Free State has great kinetic energy, a gripping central narrative, and a host of indelible characters. And, in the current age of identity politics, it speaks to the prevailing cultural obsession with ‘authenticity’ by exposing the fragility of that very notion. A hugely rewarding novel.
— Monica Ali, author of Brick Lane
Clips (more may be added)
THE MATRIX WAS BUILT HERE, inspired in (the kabbalah-inspired fiction of) Borges' El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone... The Brazilian "aleph" doesn't hum...it sings!
Sprawled across broad equatorial latitudes
Stoked and steamed and sensual in the widest sense of the word
Limned in prosody and cadenced song
brəˈzɪl / from "brasa" / Latin for "ember"
w/ David Dye for U.S. National Public Radio
Given the immense untapped power of the small-world phenomenon, from Brazilians the matrix was expanded to include nodes per jazz artists, given jazz's common roots with Brazilian music (nodes based in publicly available information; some artists we informed — Bob Mintzer, Kamasi Washington, David "Fuse" Fiuczynski, Vijay Iyer, Greg Osby — and got thumbs up, others we'll get to), and moved on from there. Artists/academics/"creative people" are welcome to create their own nodes and curate (connect to other artist nodes, so that others may follow). BTW, our logo is a cortador de cana, cane cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specializes in.
MUCH MORE on all of this in the window below (which, if you are logged in, will instead contain instructions on recommending), and in the window within that window (which includes a "radio" called by The Guardian one of "10 of the best music radio stations around the world"):
