• Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • As Ganhadeiras de Itapuã

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: As Ganhadeiras de Itapuã
  • City/Place: Salvador, Bahia
  • Country: Brazil

CURATION

  • from this node by: Criador acima/Creator above

Life & Work

  • Bio: A "ganhadeira" is (was) a female earner, specifically a slave working either for herself or for her master.

    The Ganhadeiras of Itapuã (Itapuã is a seaside neighborhood to the north of Salvador) is a group of women which sings the styles of music which were sung by ganhadeiras, the Afro-Brazilian sambas-de-roda and cantigas (songs) in general.

Contact Information

  • Email: [email protected]
  • Telephone: Salviano Filho: (71) 99405-6238 / 3375-1350 Jenner Salgado: (71) 99958-8672 / 3249-5508 Edvaldo Borges: (71) 98620-3247 / 3249-4185

Media | Markets

  • ▶ Twitter: ganhadeiras
  • ▶ Instagram: asganhadeirasdeitapua
  • ▶ YouTube Channel: http://www.youtube.com/user/ganhadeirasdeitapua
  • ▶ YouTube Music: http://music.youtube.com/channel/UC0hav1Nyk-EiY0oViWJNAoQ
  • ▶ Spotify: http://open.spotify.com/album/27ChqDrlwMZKkx0B5BcCYz
  • ▶ Spotify 2: http://open.spotify.com/album/3EMxPQl9Fpfyl2slSDzBOW

Clips (more may be added)

  • DVD AS GANHADEIRAS DE ITAPUÃ 15 ANOS - UMA HISTORIA CANTADA
    By As Ganhadeiras de Itapuã
    437 views
  • TV UFBA .DOC - As Ganhadeiras de Itapuã
    By As Ganhadeiras de Itapuã
    382 views
  • As Ganhadeiras de Itapuã
    By As Ganhadeiras de Itapuã
    399 views
Previous
Next

As Ganhadeiras de Itapuã Curated
pathways in

  • 3 Bahia
  • 3 Brazil
  • 3 Folk & Traditional
  • 3 Salvador
  • 3 Samba de Roda

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • As Ganhadeiras de Itapuã
    Yayá Massemba → Vale do Capão has been recommended via As Ganhadeiras de Itapuã.
    • June 3, 2022
  • As Ganhadeiras de Itapuã
    Yayá Massemba → Samba de Roda has been recommended via As Ganhadeiras de Itapuã.
    • June 3, 2022
  • As Ganhadeiras de Itapuã
    Yayá Massemba → Brasil, Brazil has been recommended via As Ganhadeiras de Itapuã.
    • June 3, 2022
  • As Ganhadeiras de Itapuã
    Yayá Massemba → Bahia has been recommended via As Ganhadeiras de Itapuã.
    • June 3, 2022
  • As Ganhadeiras de Itapuã
    Raymundo Sodré → Ropeadope has been recommended via As Ganhadeiras de Itapuã.
    • January 18, 2022
  • As Ganhadeiras de Itapuã
    Leci Brandão → Surdo has been recommended via As Ganhadeiras de Itapuã.
    • April 23, 2021
  • As Ganhadeiras de Itapuã
    Leci Brandão → Singer-Songwriter has been recommended via As Ganhadeiras de Itapuã.
    • April 23, 2021
  • As Ganhadeiras de Itapuã
    Leci Brandão → Samba has been recommended via As Ganhadeiras de Itapuã.
    • April 23, 2021
  • As Ganhadeiras de Itapuã
    Leci Brandão → Rio de Janeiro has been recommended via As Ganhadeiras de Itapuã.
    • April 23, 2021
  • As Ganhadeiras de Itapuã
    Leci Brandão → Pandeiro has been recommended via As Ganhadeiras de Itapuã.
    • April 23, 2021
  • As Ganhadeiras de Itapuã
    Leci Brandão → Brazil has been recommended via As Ganhadeiras de Itapuã.
    • April 23, 2021
  • As Ganhadeiras de Itapuã
    A video was posted re As Ganhadeiras de Itapuã:
    DVD AS GANHADEIRAS DE ITAPUÃ 15 ANOS - UMA HISTORIA CANTADA
    DVD - As Ganhadeiras de Itapuã - 15 anos - Uma História Cantada - Show gravado ao vivo em 31 de julho de 2019 - no palco principal do Teatro Castro Alves, Sa...
    • April 26, 2020
  • As Ganhadeiras de Itapuã
    Samba de Nicinha → Santo Amaro has been recommended via As Ganhadeiras de Itapuã.
    • December 15, 2019
  • As Ganhadeiras de Itapuã
    Samba de Nicinha → Samba de Roda has been recommended via As Ganhadeiras de Itapuã.
    • December 15, 2019
  • As Ganhadeiras de Itapuã
    Samba de Nicinha → Samba has been recommended via As Ganhadeiras de Itapuã.
    • December 15, 2019
  • As Ganhadeiras de Itapuã
    Samba de Nicinha → Maculelê has been recommended via As Ganhadeiras de Itapuã.
    • December 15, 2019
  • As Ganhadeiras de Itapuã
    Samba de Nicinha → Chula has been recommended via As Ganhadeiras de Itapuã.
    • December 15, 2019
  • As Ganhadeiras de Itapuã
    Samba de Nicinha → Brazil has been recommended via As Ganhadeiras de Itapuã.
    • December 15, 2019
  • As Ganhadeiras de Itapuã
    Samba de Nicinha → Bahia has been recommended via As Ganhadeiras de Itapuã.
    • December 15, 2019
  • As Ganhadeiras de Itapuã
    Barlavento → Samba de Roda has been recommended via As Ganhadeiras de Itapuã.
    • December 15, 2019
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

WHO IS INSIDE THIS GLOBAL MATRIX?

Explore above for a complete list of artists and other members of the creative economy.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

QUEM ESTÁ DENTRO DESTE MATRIX?

Explore acima para uma lista completa de artistas e outros membros da economia criativa global.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Leandro Afonso Film Producer
  • Sam Eastmond Record Producer
  • Marcelo Caldi Accordion
  • Cleber Augusto Poet
  • Kendrick Scott New York City
  • Cécile McLorin Salvant Composer
  • Donald Harrison Mardi Gras Indian
  • Isaac Julien Filmmaker
  • Reza Filsoofi Percussion
  • Gel Barbosa Sanfona
  • Tatiana Campêlo Bahia
  • Virgínia Rodrigues Bahia
  • Robertinho Silva Samba
  • Jovino Santos Neto Seattle
  • Tom Wilcox London
  • Elisa Goritzki Salvador
  • Donny McCaslin Brooklyn, NY
  • Itamar Vieira Júnior Short Stories
  • Thiago Espírito Santo Baixo, Bass
  • Siba Veloso Brazil
  • Bill Callahan Americana
  • Bertram Ethnomusicologist
  • Lydia R. Diamond Playwright
  • Edgar Meyer Multi-Cultural
  • Jimmy Dludlu South Africa
  • Jay Mazza Writer
  • Ron McCurdy USC Thornton School of Music Faculty
  • Edmar Colón Composer
  • Dani Deahl Journalist
  • VJ Gabiru Videógrafo, Videographer
  • Ivan Lins Rio de Janeiro
  • Mikki Kunttu Finland
  • Sombrinha Bandolim
  • Damon Albarn Record Producer
  • Antonio Adolfo Choro
  • Thundercat Record Producer
  • Jovino Santos Neto Brazil
  • Jeremy Pelt Composer
  • Ben Wolfe Double Bass
  • Oriente Lopez Arreglista, Arranger
  • Nêgah Santos New York City
  • Chico Buarque Singer-Songwriter
  • Alexandre Leão Violão, Guitar
  • Kaia Kater Singer-Songwriter
  • Soweto Kinch MC
  • Mazz Swift Composer
  • Otto Recife
  • Andy Romanoff Writer
  • Anoushka Shankar Indian Classical Music
  • Philip Ó Ceallaigh Romania
  • Shannon Sims New Orleans
  • Michel Camilo Dominican Republic
  • Sammy Britt Artist
  • Nelson Faria Guitar Instruction, Master Classes
  • Zé Luíz Nascimento Percussion
  • Les Thompson Folk & Traditional
  • Khruangbin Houston, Texas
  • Bule Bule Repente
  • Kim Hill DJ
  • Dafnis Prieto Percussion
  • Maria Drell Chicago, Illinois
  • Kaveh Rastegar Bass
  • John Santos Composer
  • Deborah Colker Rio de Janeiro
  • Martín Sued Argentina
  • Marc Johnson Record Producer
  • Jorge Aragão Rio de Janeiro
  • Tshepiso Ledwaba Johannesburg
  • Jared Jackson Columbia Faculty
  • Roy Nathanson Brooklyn, NY
  • Criolo São Paulo
  • Mauro Senise Composer
  • Michael League Bass
  • Glenn Patscha Keyboards
  • Msaki Record Label Owner
  • Maria Calú Cantora-Compositora, Singer-Songwriter
  • Tyshawn Sorey Wesleyan University Faculty
  • Matias Traut Jazz Brasileiro, Brazilian Jazz
  • James Poyser New York City
  • Mike Moreno Jazz
  • Aditya Prakash Carnatic Music
  • Di Freitas Violin
  • Ibrahim Maalouf Trumpet
  • Ian Hubert VFX Artist
  • Jess Gillam Saxophone
  • Merima Ključo Composer
  • Maracatu Ventos de Ouro Bahia
  • Weedie Braimah Drums
  • Laura Beaubrun Haiti
  • Rudresh Mahanthappa Multi-Cultural
  • Dave Eggers Painter
  • Romero Lubambo New York City
  • Mateus Aleluia Filho Cantor-Compositor, Singer-Songwriter
  • Mauro Refosco Compositor de Shows da Moda, Fashion Show Music
  • Alexandre Leão MPB
  • Karla Vasquez Los Angeles
  • Roy Nathanson Film Scores
  • David Braid England
  • Myles Weinstein Jazz
  • Luedji Luna Brazil
  • Stormzy UK
  • Charles Munka Drawings
  • Little Dragon Sweden
  • Bruno Monteiro Salvador
  • Nigel Hall Soul
  • Ashley Page Music Management
  • Sérgio Pererê Belo Horizonte
  • Lalah Hathaway Singer-Songwriter
  • Dhafer Youssef ظافر يوسف Tunis
  • Bodek Janke Composer
  • Mark Bingham Guitar
  • Django Bates Theater Composer
  • Buck Jones Música Afro-Baiana, Afro-Bahian Music
  • Timothy Jones Violin
  • Jamie Dupuis Singer
  • Milton Primo Chula
  • Nomcebo Zikode South Africa
  • Lucian Ban Jazz
  • Zachary Richard Accordion
  • Gamelan Sekar Jaya Indonesia
  • Peter Slevin Journalist
  • Aruán Ortiz Composer
  • Alex Mesquita Guitar
  • James Carter Blue Note Records
  • Jen Shyu Vocalist
  • Terell Stafford Trumpet
  • Leo Genovese Piano
  • Alex de Mora London
  • Nailor Proveta Samba
  • Gabriel Geszti Brasil, Brazil
  • Romero Lubambo Brazilian Jazz
  • Jane Ira Bloom Saxophone
  • Chris Dingman Composer
  • Onisajé Candomblé
  • Lívia Mattos Accordion
  • William Skeen Baroque Cello
  • Andrés Prado Jazz
  • Cacá Diegues Brasil, Brazil
  • Gui Duvignau São Paulo
  • Norah Jones Jazz
  • Menelaw Sete Bahia
  • André Becker Jazz
  • Damon Krukowski Cambridge, Massachusetts
  • Christone 'Kingfish' Ingram Guitar
  • Demond Melancon Mardi Gras Indian
  • Bruce Molsky Guitar
  • Egberto Gismonti Rio de Janeiro
  • Flor Jorge Rio de Janeiro
  • Jeff Tweedy Poet
  • Robi Botos Film Scores
  • Cayenna Ponchione-Bailey Marimba
  • Kim André Arnesen Classical Music
  • Elisa Goritzki Choro
  • Carol Soares Bahia
  • Paul Mahern Singer-Songwriter
  • Donny McCaslin Jazz
  • Susan Rogers Berklee Faculty
  • Eli Teplin Los Angeles
  • Nei Lopes Rio de Janeiro
  • Nikole Hannah -Jones Writer
  • Regina Carter Violin
  • Yoron Israel Drums
  • Gringo Cardia Set Designer
  • Arto Tunçboyacıyan Armenian Folk Music
  • Tom Schnabel Music Salon
  • Grégoire Maret Composer
  • Steve Cropper Nashville, Tennessee
  • Vijay Iyer Jazz
  • Dale Barlow Saxophone
  • Donald Vega Jazz
  • Dieu-Nalio Chery Photojournalist
  • Ivan Bastos Música Afro-Baiana, Afro-Bahian Music
  • Ricky (Dirty Red) Gordon Washboard
  • Jeff Parker Jazz
  • Luizinho Assis Brasil, Brazil
  • Nailor Proveta Jazz
  • Nádia Taquary Escultura, Sculptor
  • Ayrson Heráclito Multimedia Artist
  • Felipe Guedes Brazil
  • Galactic Funk
  • Swizz Beatz DJ
  • Alphonso Johnson CalArts Music Faculty
  • Guillermo Klein New York City
  • Adriana L. Dutra Brazil
  • Daedelus Hip-Hop
  • Walter Mariano Bahia
  • Jon Otis Drums
  • Rhiannon Giddens Fiddle
  • Randy Lewis Journalist
  • Babau Santana Bahia
  • Guilherme Varella Autor, Author
  • Abel Selaocoe South Africa
  • Rebeca Omordia Piano
  • Dan Weiss Drumming Instruction
  • Alan Brain Screenwriter
  • Leela James Singer-Songwriter
  • Sierra Hull Bluegrass
  • Pedrão Abib Bahia
  • Patty Kiss Compositora, Songwriter
  • H.L. Thompson Rio de Janeiro
  • Oscar Bolão Brazil
  • Guiga de Ogum Poeta, Poet
  • Anat Cohen Tel Aviv
  • Brad Mehldau Piano
  • Eduardo Kobra São Paulo
  • Rita Batista Jornalista, Journalist
  • Sarah Jarosz New York City
  • Gonzalo Rubalcaba Composer
  • Márcio Bahia Rio de Janeiro
  • Şener Özmen Video Artist
  • Gustavo Caribé Brasil, Brazil
  • Eric Alper Radio Presenter
  • Louis Michot Fiddle
  • The Rheingans Sisters Folk & Traditional
  • Paulo César Pinheiro Poet
  • Martin Fondse Vibrandeon
  • Nubya Garcia England
  • Luciana Souza New York City
  • Bob Reynolds Composer
  • Cláudio Badega Bahia
  • Casey Driessen Fiddle
  • Tom Wilcox Music & Arts Consultant
  • Anders Osborne R&B
  • Masao Fukuda Brazil
  • Ilya Kaminsky Ukraine
  • David Sacks Vocals
  • Nêgah Santos Jazz
  • Casa PretaHub Cachoeira Bahia
  • Ken Avis Washington, D.C.
  • Wouter Kellerman Composer
  • Chris Speed Jazz
  • Ricardo Bacelar Advogado, Lawyer
  • Darol Anger Composer
  • Biréli Lagrène Jazz
  • Adonis Rose New Orleans
  • Gunter Axt Produtor Cultural, Cultural Producer
  • Joanna Majoko Toronto
  • Paulão 7 Cordas Choro
  • Ron Mader Photographer
  • Jon Madof Record Label Owner
  • Chris McQueen Austin, Texas
  • Nooriyah نوريّة Filmmaker
  • Yasushi Nakamura New York City
  • Asali Solomon Essayist
  • Hamid El Kasri Morocco
  • Kiko Freitas Drum Instruction
  • Nancy Viégas Indie Experimental
  • Sarah Jarosz Texas
  • Henry Cole Multi-Cultural
  • Zisl Slepovitch Multi-Instrumentalist
  • Mestre Barachinha Nazaré da Mata
  • Arifan Junior Cavaquinho
  • Caridad De La Luz New York City
  • Donny McCaslin Saxophone
  • Joey Baron New York City
  • Nancy Viégas Produtora Áudiovisual, Audiovisual Producer
  • Roy Nathanson Jazz
  • Brian Q. Torff Fairfield University Faculty
  • John Archibald Journalist
  • Musa Okwonga Berlin
  • Melissa Aldana Saxophone
  • Melvin Gibbs Jazz Fusion
  • Emily Elbert Los Angeles, California
  • Mateus Alves Composer
  • Andrés Prado Guitar
  • Archie Shepp Record Label Owner
  • Geraldo Azevedo Frevo
  • Stefano Bollani Italy
  • Edsel Gomez Latin Jazz
  • Reza Filsoofi Tehran
  • Karsh Kale कर्ष काळे Brooklyn, NY
  • Phineas Harper Writer
  • Sarz Africa
  • Ethan Iverson Piano
  • Luciano Salvador Bahia Guitar
  • Michael Sarian Trumpet Instruction
  • Djamila Ribeiro Colunista, Columnist
  • Logan Richardson Kansas City, Missouri
  • Kim André Arnesen Choral Works
  • Kris Davis Piano
  • César Orozco Cuba
  • Los Muñequitos de Matanzas Rumba
  • Mestre Barachinha Pernambuco
  • Darol Anger Record Producer
  • Igor Osypov Composer
  • Tal Wilkenfeld Singer-Songwriter
  • Delbert Anderson Navajo
  • Alessandro Penezzi Violão de Sete
  • Ariel Reich Actor
  • Lucio Yanel Argentina
  • Alyn Shipton Writer
  • Lauranne Bourrachot Movie Producer
  • Muri Assunção LGBTQ
  • Lula Moreira Sculptor
  • Sammy Britt Delta State University Faculty
  • Towa Tei テイ・トウワ DJ
  • Instituto Oyá Brasil, Brazil
  • Eddie Kadi London
  • Max ZT Brooklyn, NY
  • Melanie Charles Actress
  • Oren Levine St. Croix
  • Henrique Araújo Composer
  • Diosmar Filho Rio de Janeiro
  • Asa Branca Samba
  • PATRICKTOR4 Global Bass
  • Christian McBride Composer
  • Alex de Mora Documentary Filmmaker
  • Lionel Loueke Singer
  • Walmir Lima Songwriter
  • Quincy Jones Arranger
  • Samuca do Acordeon Milonga
  • Ricardo Herz MPB
  • Les Thompson Old-Time Music
  • Clint Smith Writer
  • Babau Santana Pandeiro
  • Darol Anger Fiddle
  • Africania Bahia
  • John McWhorter Columbia University Faculty
  • Mohini Dey Bass
  • Ariane Astrid Atodji African Cinema
  • Filhos da Pitangueira Bahia
  • Hermeto Pascoal Composer
  • Dudu Reis Bahia
  • Alicia Hall Moran Jazz
  • David Chesky Jazz
  • Carlinhos Brown Brazil
  • Nooriyah نوريّة Writer
  • Jim Hoke Composer
  • Nancy Ruth Composer
  • Terell Stafford Jazz
  • Adenor Gondim Photographer
  • Milad Yousufi Composer
  • Paulo Paulelli Brazil
  • Bill Summers R&B, Soul
  • Carlos Henriquez Composer
  • Mandisi Dyantyis South Africa
  • Benoit Fader Keita Techno
  • Brigit Katz Writer
  • Oksana Zabuzhko Poet
  • Shannon Alvis Choreographer
  • Paul Mahern Indiana University Jacobs School of Music Faculty
  • Shez Raja London
  • Kirk Whalum Jazz
  • Fernando Brandão Composer
  • Alicia Svigals Composer
  • Byron Thomas Music Director
  • Dónal Lunny Bouzouki
  • Taylor Ashton Banjo
  • Maia Sharp Record Producer
  • Adriano Giffoni Author
  • Nancy Viégas Salvador
  • Jane Cornwell Music Critic
  • Lakecia Benjamin Ropeadope
  • Germán Garmendia YouTuber
  • Loli Molina Guitar
  • Roots Manuva London
  • Andrés Prado Lima
  • Brian Cross aka B+ Filmmaker
  • Tshepiso Ledwaba South Africa
  • Mike Marshall Choro
  • James Brandon Lewis Jazz
  • McCoy Mrubata Flute
  • Wynton Marsalis Composer
  • Jeff 'Tain' Watts Composer
  • David Wax Museum Folk Roots Rock
  • Etienne Charles Jazz
  • Alexandre Leão Compositor de Filmes, Film Scores
  • Jill Scott Poet
  • Jorge Ben Brazil
  • Nabihah Iqbal London
  • John McEuen Mandolin
  • Congahead Afro-Cuban Jazz
  • Ben Monder New York City
  • Yunior Terry Havana
  • Darren Barrett Jazz
  • Toninho Horta Composer
  • Alexandre Gismonti Composer
  • Anthony Wilson Arranger
  • Mário Pam Percussion Classes & Workshops
  • Felipe Guedes Bahia
  • Ari Rosenschein Seattle
  • Zé Luíz Nascimento Salvador
  • Eliane Elias Piano
  • Mandla Buthelezi Jazz
  • Bernardo Aguiar Pandeiro
  • Carl Allen Jazz
  • Ricardo Herz Jazz
  • Antonio Adolfo Escritor, Writer
  • Shane Parish Composer
  • Vik Sohonie Journalist
  • Bonerama R&B
  • Jeff Preiss Producer
  • Ivan Bastos Compositor, Composer
  • Concha Buika Equatorial Guinea
  • Chris Acquavella Mandolin
  • Ben Allison Concert Producer
  • Massimo Biolcati App Developer
  • Nabih Bulos Classical Music
  • Gui Duvignau Brooklyn, NY
  • Lula Galvão MPB
  • David Braid Lute
  • VJ Gabiru Fotógrafo, Photographer
  • Natan Drubi Samba
  • Benjamin Grosvenor Classical Music
  • Kris Davis Composer
  • Myles Weinstein Drums
  • John Francis Flynn Irish Traditional Music
  • Matt Parker Author
  • André Muato Rio de Janeiro
  • Rachael Price Jazz
  • Nduduzo Makhathini Record Producer
  • Paulão 7 Cordas Cavaquinho
  • Psoy Korolenko Псой Короленко Moscow
  • Andrew Gilbert International Music
  • Mauro Refosco Compositor de Teatro, Theater Scores
  • Eric Roberson Record Producer
  • Cinho Damatta Guitarra, Guitar
  • Eddie Palmieri Latin Funk
  • Luiz Inácio Lula da Silva Presidente do Brasil, President of Brazil
  • Orlando 'Maraca' Valle Cuba
  • Marcel Camargo Jazz
  • Aruán Ortiz Jazz
  • Danilo Caymmi Brasil, Brazil
  • Brandon Seabrook Composer
  • Carlos Prazeres Orquestra Sinfônica da Bahia
  • Darol Anger Americana
  • Christian Sands Jazz
  • Paulo Costa Lima Salvador
  • Thiago Trad Bateria, Drums
  • Camille Thurman Saxophone
  • Shalom Adonai Brazil
  • Kurt Andersen Radio Presenter
  • Greg Ruby Author
  • Arturo O'Farrill Brooklyn College Conservatory of Music Faculty
  • Bhi Bhiman Americana
  • David Hoffman Documentary Filmmaker
  • Muireann Nic Amhlaoibh County Kerry
  • Mark Markham Piano
  • Dona Dalva Cachoeira
  • Lauren Martin Music Journalist
  • Zigaboo Modeliste New Orleans
  • Matthew Guerrieri Washington, D.C.
  • Paulo Paulelli Brazilian Jazz
  • Lucía Fumero Singer
  • Mario Caldato Jr. Brazil
  • Cláudio Jorge Samba
  • Eli Degibri אלי דג'יברי Composer
  • Chris Dave Gospel
  • Rogério Caetano Rio de Janeiro
  • Merima Ključo Sephardic Music
  • Laura Marling London
  • Avishai Cohen Composer
  • Márcio Valverde Singer-Songwriter
  • Caoimhín Ó Raghallaigh Uilleann Pipes
  • Jeff Coffin Author
  • João Callado Choro
  • Charles Munka Hong Kong
  • Kenny Garrett Multi-Cultural
  • Laércio de Freitas MPB
  • Nooriyah نوريّة London
  • Antonio García Composer
  • Tiganá Santana Violão, Guitar
  • Alex de Mora Director
  • Aaron Diehl Jazz
  • Adrian Younge Multi-Instrumentalist
  • Mauro Diniz Rio de Janeiro
  • Irma Thomas Blues
  • Christone 'Kingfish' Ingram Singer
  • David Chesky Piano
  • Oscar Bolão MPB
  • Astrig Akseralian Cambridge, England
  • J. Velloso MPB
  • Joatan Nascimento Brazil
  • Tiganá Santana Brasil, Brazil
  • João Luiz Composer
  • Berkun Oya Turkey
  • Luê Soares MPB
  • Casey Benjamin Funk
  • Guillermo Klein Jazz
  • Cassie Kinoshi London
  • Wynton Marsalis New Orleans
  • Keb' Mo' Americana
  • Donna Leon Writer
  • James Gavin Journalist
  • Robby Krieger Rock 'n' Roll
  • Ajurinã Zwarg Saxophone
  • Mazz Swift Brooklyn, NY
  • Orrin Evans Philadelphia, Pennsylvania
  • Márcio Bahia Percussion
  • Omari Jazz Electronic Futurism
  • Gel Barbosa Bahia
  • Wilson Simoninha São Paulo
  • Nailor Proveta Jazz Brasileiro, Brazilian Jazz
  • Thana Alexa Jazz
  • Tero Saarinen Dancer
  • Meena Karimi Cello
  • Roberto Fonseca Cuba
  • Missy Mazolli Mannes School of Music Faculty
  • Eric Harland Drums
  • Simone Sou São Paulo

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share