Are you inside? Should you be?

  • Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Hugues Mbenda

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Hugues Mbenda
  • City/Place: Marseille
  • Country: France
  • Hometown: Kinshasa, Congo
  • Location & Map: 6 place de Rome 13006 Marseille [open map]

CURATION

  • from this node by: Criador acima/Creator above

Current News

  • What's Up? Du lundi au vendredi, de 11h à 15h

Life & Work

  • Bio: Hugues Mbenda moved at 9 years of age from Kinshasa in the Democratic Republic of the Congo to Paris. He attended a French culinary school and trained in Michelin-star restaurants before striking out on his own.

    His Libala in Marseille is a unique experience in Congolese and west African ingredients, cuisine and street-stall type food, and Hugues’s French background and training.

Contact Information

  • Email: [email protected]
  • Telephone: 09 81 78 73 03

Media | Markets

  • ▶ Instagram: hugues.mbenda
  • ▶ Website: http://www.libalapretamanger.com
  • ▶ Article: http://www.theguardian.com/travel/2022/mar/21/mouthwatering-marseille-france-culinary-revolution

Clips (more may be added)

  • 4:44
    Cuisines africaines - RD Congo : recette de gnocchis de bananes plantain • FRANCE 24
    By Hugues Mbenda
    131 views
  • 0:14:11
    Témoignage - Hugues Mbenda
    By Hugues Mbenda
    139 views
Previous
Next

Hugues Mbenda Curated
pathways in

  • 0 African Cuisine
  • 0 Chef
  • 0 Congo
  • 0 Congolese Cuisine
  • 0 Experimental French, African Cuisine
  • 0 France
  • 0 Marseille

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Hugues Mbenda
    Tam-Ky → Vietnamese Foods has been recommended via Hugues Mbenda.
    • March 21, 2022
  • Hugues Mbenda
    Tam-Ky → Supermarket has been recommended via Hugues Mbenda.
    • March 21, 2022
  • Hugues Mbenda
    Tam-Ky → Marseille has been recommended via Hugues Mbenda.
    • March 21, 2022
  • Hugues Mbenda
    Tam-Ky → France has been recommended via Hugues Mbenda.
    • March 21, 2022
  • Hugues Mbenda
    Tam-Ky → Asian-African Foods has been recommended via Hugues Mbenda.
    • March 21, 2022
  • Hugues Mbenda
    A category was added to Hugues Mbenda:
    Congo
    • March 21, 2022
  • Hugues Mbenda
    A category was added to Hugues Mbenda:
    France
    • March 21, 2022
  • Hugues Mbenda
    A category was added to Hugues Mbenda:
    Marseille
    • March 21, 2022
  • Hugues Mbenda
    A category was added to Hugues Mbenda:
    Experimental French, African Cuisine
    • March 21, 2022
  • Hugues Mbenda
    A category was added to Hugues Mbenda:
    Congolese Cuisine
    • March 21, 2022
  • Hugues Mbenda
    A category was added to Hugues Mbenda:
    African Cuisine
    • March 21, 2022
  • Hugues Mbenda
    A category was added to Hugues Mbenda:
    Chef
    • March 21, 2022
  • Hugues Mbenda
    A video was posted re Hugues Mbenda:
    Cuisines africaines - RD Congo : recette de gnocchis de bananes plantain • FRANCE 24
    Les Cuisines Africaines, temps fort culinaire de la Saison Africa2020, nous emmènent à la découverte de la richesse gastronomique du continent. À cette occasion, Hugues Mbenda, chef du Jardin de l'Orphéon, à Marseille, nous livre sa recette de bananes pla...
    • March 21, 2022
  • Hugues Mbenda
    A video was posted re Hugues Mbenda:
    Témoignage - Hugues Mbenda
    5 chefs marseillais issus de la diaspora africaine (Nadjatie Bacar, Hugues Mbenda, Siradji Rachadi, Gagny Sissoko et Georgiana Viou) partagent avec nous leurs souvenirs, réflexions et représentations à propos des cuisines africaines.
    • March 21, 2022
  • Hugues Mbenda
    Hugues Mbenda is matrixed!
    • March 21, 2022
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

THE MATRIX BEGAN IN AFRICAN BRAZIL BUT NOW ENCOMPASSES THE WORLD

Explore above a complete (and vast) list of artists and other members of the global creative economy interconnected by matrix. If you fit, join them (from the top of any page) and create your own matrix page.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene below — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

O MATRIX COMEÇOU NO BRASIL AFRICANO MAS AGORA ENGLOBA O MUNDO

Explore acima uma lista completa (e vasta) de artistas e outros membros da economia criativa global interconectados por matrix. Se você se encaixar, junte-se a nós (do topo de qualquer página) e cria sua própria página matrix.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Clint Smith Poet
  • Rez Abbasi Jazz
  • Aditya Prakash Singer
  • Lalah Hathaway R&B
  • Musa Okwonga Rapper
  • Carlos Prazeres Oboé, Oboe
  • Guilherme Kastrup São Paulo
  • Jurandir Santana Viola Caipira
  • Luíz Paixão Côco
  • Walter Ribeiro, Jr. Singer-Songwriter
  • Nilze Carvalho Rio de Janeiro
  • Jeremy Pelt Jazz
  • Laércio de Freitas Brasil, Brazil
  • Siobhán Peoples County Clare
  • Johnathan Blake Composer
  • Nailor Proveta Compositor, Composer
  • Carl Allen New York City
  • Intisar Abioto Portland, Oregon
  • Dadá do Trombone Salvador
  • Simone Sou Brazil
  • RAM Port-au-Prince
  • Simon McKerrell Scottish Traditional Music
  • Ron Wyman Documentary Filmmaker
  • Derek Sivers Singer-Songwriter
  • Nguyên Lê Vietnam
  • Jonny Geller Writer
  • Anthony Coleman Klezmer
  • Ariane Astrid Atodji African Cinema
  • Flying Lotus Electronic Music
  • Tom Wilcox Record Producer
  • Peter Mulvey Americana
  • Riley Baugus Old-Time Music
  • Nicholas Daniel Oboe
  • Capitão Corisco Folk & Traditional
  • The Assad Brothers Brazil
  • Nego Álvaro Brazil
  • Nancy Viégas Bahia
  • Michael W. Twitty Culinary Historian
  • Dan Nimmer Piano
  • Márcio Valverde Samba
  • Cláudio Jorge Samba
  • Ahmad Sarmast Afghanistan
  • Mingo Araújo Composer
  • Flying Lotus Record Label Owner
  • Arismar do Espírito Santo Bass
  • Walter Pinheiro São Paulo
  • McCoy Mrubata Saxophone
  • Michael League Multi-Instrumentalist
  • James Andrews Singer
  • Gregory Hutchinson Drumming Instruction
  • Dafnis Prieto University of Miami Frost School of Music Faculty
  • Fred Dantas Trombone
  • Jonga Cunha Bahia
  • Ann Hallenberg Opera Singer
  • Felipe Guedes Brazil
  • Tele Novella Texas
  • Marisa Monte MPB
  • Kenyon Dixon Soul
  • Trombone Shorty Second Line
  • Choronas São Paulo
  • Rachel Aroesti England
  • Jason Marsalis Vibraphone
  • Bodek Janke Berlin
  • Cinho Damatta Brasil, Brazil
  • Joe Fiedler Composer
  • Margareth Menezes Afropop
  • Glória Bomfim Rio de Janeiro
  • Maria Struduth Cantora-Compositora, Singer-Songwriter
  • Seckou Keita Percussion
  • Daniel Gonzaga Brasil, Brazil
  • Terri Hinte Music Writer
  • Mestre Nelito Chula
  • Camilla A. Hawthorne Critical Human Geographer
  • Merima Ključo Composer
  • Linda Sikhakhane Johannesburg
  • António Zambujo Fado
  • Becca Stevens Multi-Instrumentalist
  • Giorgi Mikadze გიორგი მიქაძე Composer
  • Manassés de Souza Brazil
  • Georgia Anne Muldrow Neo-Soul
  • Kiko Souza Jazz Brasileiro, Brazilian Jazz
  • Mateus Aleluia Brasil, Brazil
  • A-KILL Graffiti Artist
  • Nicholas Daniel England
  • Rosa Cedrón Composer
  • Sarz Nigeria
  • Danilo Caymmi Flute
  • Muireann Nic Amhlaoibh Fiddle
  • Otto Recife
  • Joshua Abrams Guimbri
  • Eric Roberson Keyboards
  • Muhsinah Hip-Hop
  • David Fiuczynski Multi-Cultural
  • Will Vinson Jazz
  • Bernardo Aguiar Rio de Janeiro
  • Jonathan Scales Composer
  • Simon Singh YouTuber
  • Beeple Short Films
  • Kaveh Rastegar Record Producer
  • Oscar Bolão Percussion
  • Jon Batiste New York City
  • Anouar Brahem Multi-Cultural
  • Uli Geissendoerfer Jazz
  • Jimmy Duck Holmes Mississippi
  • Lalá Evangelista Samba
  • Léo Rugero Film Scores
  • Immanuel Wilkins Composer
  • Jeff Ballard Percussion
  • Shemekia Copeland Singer
  • Kengo Kuma Japan
  • Nancy Viégas Produtora Áudiovisual, Audiovisual Producer
  • Julian Lloyd Webber Classical Music
  • Demond Melancon Louisiana
  • Lucio Yanel Singer
  • Katuka Africanidades Bahia
  • Vik Sohonie Ostinato Records
  • Mono/Poly Experimental Music
  • Billy Strings Americana
  • Norah Jones Singer-Songwriter
  • Masao Fukuda Choro
  • Henry Cole Drumming Instruction
  • Chico César Poet
  • Tom Bergeron Niterói, Rio de Janeiro
  • Maracatu Ventos de Ouro Salvador
  • Marília Sodré Instrução de Violão, Guitar Instruction
  • Steve Lehman Saxophone
  • Jamel Brinkley Short Stories
  • Roy Ayers Film Scores
  • Anna Mieke Irish Folk Music
  • Stephanie Foden Bahia
  • Jacám Manricks Composer
  • Vivien Schweitzer Photographer
  • Stefan Grossman Folk & Traditional
  • Luizinho do Jêje Candomblé
  • Rob Garland Guitar
  • Gretchen Parlato Singer
  • Márcia Short Brazil
  • Thalma de Freitas Rio de Janeiro
  • Amanda Tropicana Fotógrafa, Photographer
  • Tiganá Santana Diretor Artístico, Artistic Director
  • Gilad Hekselman Jazz
  • Natalia Contesse Chilean Folk Music
  • Ed O'Brien Brazil
  • Pedrão Abib Brasil, Brazil
  • Menelaw Sete Salvador
  • Nêgah Santos Pandeiro
  • Carrtoons Multi-Instrumentalist
  • Cashmere Cat Songwriter
  • Dadá do Trombone Brasil, Brazil
  • Rebeca Tárique Cantora-Compositora, Singer-Songwriter
  • Nailor Proveta Choro
  • Danilo Pérez Panama
  • Lauren Martin New York City
  • Victor Gama Experimental Music
  • Tray Chaney Rapper
  • Nora Fischer Classical Music
  • Daymé Arocena Cuba
  • Sameer Gupta Tabla
  • Marco Pereira Choro
  • Keshav Batish Santa Cruz, California
  • Sarah Hanahan New York City
  • Martin Koenig Balkan Dance
  • Alegre Corrêa Violin
  • Michael Cleveland Folk & Traditional
  • Alana Gabriela Brasil, Brazil
  • Casey Benjamin Keyboards
  • Daniil Trifonov New York City
  • Cristiano Nogueira Travel Writer
  • Sunn m'Cheaux Singer-Songwriter
  • Keb' Mo' Guitar
  • Lô Borges Belo Horizonte
  • Jeff 'Tain' Watts Jazz
  • Casa Preta Teatro, Theater
  • Keyon Harrold Composer
  • H.L. Thompson Festival Producer
  • Paulão 7 Cordas Brazil
  • Léo Rodrigues Pandeiro
  • Martin Shore Music Producer
  • Olga Mieleszczuk Jerusalem
  • Yelaine Rodriguez Wearable Art
  • Arthur Jafa Multidisciplinary Artist
  • Wadada Leo Smith Composer
  • João do Boi Chula
  • Orrin Evans Philadelphia, Pennsylvania
  • Sunna Gunnlaugs Piano
  • Casey Driessen Fiddle
  • Áurea Martins MPB
  • Louis Marks Writer
  • Alisa Weilerstein Contemporary Classical Music
  • Pierre Onassis Música AFRO
  • Kim Hill Songwriter
  • Wolfgang Muthspiel Vienna, Austria
  • Emily Elbert Singer-Songwriter
  • Luciano Salvador Bahia Bahia
  • Angel Bat Dawid Singer
  • Tigran Hamasyan Singer
  • Ronald Bruner Jr. Singer
  • Di Freitas Rabeca
  • Noam Pikelny Bluegrass
  • Shez Raja Bass
  • Carlos Malta Clarinet
  • Ronald Angelo Jackson Haiti
  • Emmet Cohen Composer
  • Lorna Simpson Filmmaker
  • Tom Oren Tel Aviv
  • Omar Sosa Vibraphone
  • Run the Jewels Rap
  • Elodie Bouny Composer
  • Dave Smith Percussion
  • Alex Hargreaves Jazz
  • Edu Lobo Rio de Janeiro
  • Mark Stryker Author
  • Jam no MAM Jam Sessions
  • Siba Veloso Singer
  • Curly Strings Folk & Traditional
  • Fernanda Bezerra Bahia
  • Luciano Matos Produtor Musical, Music Producer
  • Jau Bahia
  • Eduardo Kobra Muralista, Muralist
  • Jamie Dupuis Singer
  • Muireann Nic Amhlaoibh Television Presenter
  • André Vasconcellos Baixo, Bass
  • Zachary Richard Guitar
  • Guillermo Klein Piano
  • Courtney Pine Podcaster
  • Kurt Andersen Journalist
  • Neymar Dias Classical Music
  • Toby Gough Writer
  • Maria Marighella Salvador
  • Roberto Fonseca Havana
  • Marília Sodré Bahia
  • Hugo Linns Multi-Instrumentalist
  • BaianaSystem Música Alternativa, Alternative Music
  • Jared Jackson Writer
  • Gaby Moreno Singer-Songwriter
  • Mahsa Vahdat Singer
  • Martyn Drum and Bass
  • Chris Thile Jazz
  • Olga Mieleszczuk Warsaw
  • Jan Ramsey Second Line
  • Jan Ramsey Louisiana
  • Ubiratan Marques Brasil, Brazil
  • Banning Eyre Guitar
  • Sônia Guajajara Brasil, Brazil
  • Zeca Baleiro Música para Teatro Infantil, Music for Children's Theater
  • Anderson Lacerda Bahia
  • Neo Muyanga Writer
  • Jelly Green England
  • Germán Garmendia Record Producer
  • Ryan Keberle Trombone
  • John Boutté Singer
  • João Teoria Brasil, Brazil
  • Papa Mali Reggae
  • William Skeen USC Thornton School of Music Faculty
  • Walter Mariano Desenho, Design
  • Román Díaz Santeria
  • Orquestra Afrosinfônica Brasil, Brazil
  • David Kirby Journalist
  • Jonathan Griffin Manchester
  • Christopher Wilkinson Guitar
  • Doug Wamble Record Producer
  • Chris Speed Clarinet
  • Shana Redmond Columbia University Faculty
  • Joshue Ashby Panama
  • Nicolas Krassik MPB
  • Estação Primeira de Mangueira Escola de Samba, Samba School
  • Jubu Smith Singer-Songwriter
  • Andrew Huang Record Producer
  • Gel Barbosa Sanfona
  • Anthony Hervey Singer
  • Little Simz Photographer
  • Nelson Cerqueira Bahia
  • Rema Namakula Uganda
  • Paulo Aragão Violão
  • Berta Rojas Paraguay
  • Martin Koenig Ethnomusicologist
  • Jeff Tang Brooklyn, NY
  • Fabrício Mota IFBA Faculdade, Federal Institute of Education, Science and Technology of Bahia Faculty
  • Papa Mali Swamp
  • Ray Angry Keyboards
  • David Bragger Record Label Owner
  • Regina Carter Manhattan School of Music Faculty
  • Gino Banks Drumming Instruction
  • Carlinhos Pandeiro de Ouro Rio de Janeiro
  • Joshue Ashby Violin
  • Philip Ó Ceallaigh Romania
  • MARO Singer-Songwriter
  • Fatoumata Diawara Singer-Songwriter
  • Meena Karimi Contemporary Classical Music
  • Julia Alvarez Middlebury College Faculty
  • João Luiz Brazil
  • Hendrik Meurkens Brazilian Music
  • Jas Kayser Afrobeat
  • VJ Gabiru VJ
  • Jonathon Grasse Contemporary Music
  • Myron Walden Flute
  • Lokua Kanza Paris
  • Quatuor Ebène Classicalized Crossover
  • Daphne A. Brooks Journalist
  • Ed O'Brien Singer-Songwriter
  • Yamandu Costa Composer
  • Martin Hayes County Clare
  • Oscar Bolão Samba
  • Fábio Luna Samba
  • Seth Swingle Banjo
  • Lavinia Meijer Harp
  • Ana Luisa Barral Bahia
  • Martin Koenig Balkan Music
  • Joel Guzmán Tex-Mex
  • Eric Bogle Australia
  • Lynn Nottage Columbia University Faculty
  • Garvia Bailey Toronto
  • Paulão 7 Cordas Guitar
  • Marvin Dunn Writer
  • João Camarero Composer
  • Renato Braz São Paulo
  • Etienne Charles Trinidad
  • Shirazee Africa
  • Tank and the Bangas Funk
  • Caetano Veloso Salvador
  • Chelsea Kwakye UK
  • Nego Álvaro Singer-Songwriter
  • Christone 'Kingfish' Ingram Guitar
  • Henry Cole New York City
  • Yasmin Williams Alexandria, Virginia
  • Oriente Lopez Piano
  • Quincy Jones Trumpet
  • Camille Thurman Singer
  • Katuka Africanidades Brasil, Brazil
  • Gonzalo Rubalcaba Afro-Cuban Jazz
  • Bill Pearis Music Critic
  • Andrew Dickson Writer
  • Fabian Almazan Jazz
  • Ronaldo do Bandolim Mandolin
  • James Brandon Lewis Composer
  • Richard Bona Multi-Instrumentalist
  • Bhi Bhiman Los Angeles
  • Ryuichi Sakamoto Multi-Cultural
  • Stephen Guerra Samba
  • Lucio Yanel Argentina
  • Walter Ribeiro, Jr. Guitar
  • Tobias Meinhart Brooklyn, NY
  • A-KILL India
  • Simon McKerrell Writer
  • Sebastião Salgado Fotógrafo, Photographer
  • Otmaro Ruiz Piano
  • Regina Carter Violin
  • Celsinho Silva Brazil
  • Marcela Valdes Writer
  • Nicholas Payton Record Label Owner
  • Aurino de Jesus Samba de Roda
  • Celino dos Santos Bahia
  • Trilok Gurtu Jazz
  • Orlando Costa Rio de Janeiro
  • Marcus Teixeira Brazil
  • Jerry Douglas Bluegrass
  • Rhiannon Giddens Fiddle
  • China Moses Jazz
  • Varijashree Venugopal Multi-Cultural
  • Anat Cohen Tel Aviv
  • Theo Bleckmann Singer
  • Caoimhín Ó Raghallaigh Violin
  • Ibrahim Maalouf Classical Music
  • Kiko Souza Bahia
  • Paulo César Pinheiro Brazil
  • Cara Stacey Radio Presenter
  • Joshue Ashby Timba
  • Antonio García Latin Music
  • Paulinha Cavalcanti Rio de Janeiro
  • Martin Fondse Multi-Cultural
  • Dadi Carvalho Rio de Janeiro
  • Tal Wilkenfeld Jazz
  • Luciano Matos Jornalista, Journalist
  • Matt Garrison App Developer
  • Theo Bleckmann Composer
  • Tom Schnabel Music Salon
  • Vadinho França Samba
  • Wilson Café Bahia
  • Quatuor Ebène String Quartet
  • Romero Lubambo Samba
  • Maria Calú Atriz, Actor
  • Arthur Verocai MPB
  • Bruce Williams Jazz
  • Tom Green Contemporary Classical Music
  • Ballaké Sissoko Kora
  • Paulo Aragão Brazil
  • Bai Kamara Jr. Guitar
  • Negra Jhô Salvador
  • André Becker Salvador
  • Kirk Whalum Jazz
  • Eric Alexander New York City
  • Michael Olatuja Bass
  • Mohini Dey Bass
  • Antonio García Piano
  • Shez Raja Multi-Cultural
  • Alexa Tarantino Composer
  • Hilton Schilder Composer
  • David Sánchez Saxophone
  • Wilson Simoninha Singer-Songwriter
  • Gregory Hutchinson Drums
  • Christopher Silver Montreal
  • Lucinda Williams Americana
  • Dadi Carvalho Multi-Instrumentalist
  • Jim Beard Piano
  • Zé Luíz Nascimento Percussion
  • Horacio Hernández Drums
  • Anoushka Shankar Tanpura
  • Guga Stroeter Record Producer
  • Hélio Delmiro Composer
  • Logan Richardson New York City
  • Karla Vasquez Journalist
  • Nicholas Daniel Trossingen Musikhochschule Staff
  • The Umoza Music Project Multi-Cultural
  • Martin Koenig Photographer
  • Andrew Gilbert International Music
  • Keshav Batish Drums
  • Djamila Ribeiro Escritora, Writer
  • Fred P Berlin
  • Bertram Educator
  • Echezonachukwu Nduka Musicologist
  • Lakecia Benjamin Saxophone
  • Guga Stroeter Candomblé
  • Lô Borges Cantor-Compositor, Singer-Songwriter
  • Steve Lehman Experimental Music
  • Marcos Sacramento Samba
  • Pedrito Martinez Percussion
  • Nate Chinen Journalist
  • Justin Stanton Sound Design
  • Rissi Palmer Singer-Songwriter
  • Angel Deradoorian Singer-Songwriter
  • Abel Selaocoe South Africa
  • Henrique Cazes Composer
  • Jared Sims Flute
  • Bianca Gismonti Singer
  • Christopher Nupen Classical Music
  • John Luther Adams Composer
  • John Patrick Murphy Forró
  • Jas Kayser Panama City
  • Aindrias de Staic Fiddle
  • Lauranne Bourrachot Paris
  • Jonathan Scales Multi-Cultural
  • Turíbio Santos Classical Music
  • Benny Benack III New York City
  • Oleg Fateev Accordion
  • Plínio Fernandes Brazilian Classical Guitar
  • Júlio Lemos Brazil
  • Ivan Huol Drums
  • Sebastião Salgado Paris, França
  • Nonesuch Records Classical Music
  • Fernanda Bezerra Salvador
  • James Andrews Jazz
  • Fabiana Cozza Writer
  • Jorge Ben Brazil
  • Cláudio Jorge Brazil
  • Bombino Blues
  • Stacy Dillard Jazz
  • Anouar Brahem Jazz
  • Antonio García University of KwaZulu-Natal Faculty
  • Rory Marx Anderson Cinematographer
  • Lolis Eric Elie Journalist
  • Darcy James Argue New School Faculty
  • Mateus Alves Composer
  • Joshue Ashby Composer
  • Bill Laurance Jazz
  • Arany Santana Bahia
  • Patricia Janečková Soprano
  • Merima Ključo Accordion
  • Marcus Strickland Composer
  • Pururu Mão no Couro Percussão, Percussion
  • Joan Chamorro Composer
  • Ivo Perelman Brazil
  • Cécile McLorin Salvant Singer
  • Omari Jazz Composer
  • Adam Cruz Composer
  • Carlos Paiva Bahia
  • Horacio Hernández Afro-Cuban Jazz
  • Luizinho Assis Brasil, Brazil
  • Nikki Yeoh Composer
  • Marcel Powell Brazil
  • Nikole Hannah -Jones Writer
  • Rissi Palmer Durham, North Carolina
  • Pretinho da Serrinha Cavaquinho
  • J. Velloso Brazil
  • Joel Best Character Artist
  • Oteil Burbridge Bass
  • Barney McAll Bulbul Tarang
  • Tom Bergeron Ethnomusicologist
  • Leonardo Mendes Brasil, Brazil
  • Chucho Valdés Composer
  • Marc Cary Composer
  • Maurício Massunaga Director de Musica, Music Director
  • Ricardo Herz Violin
  • Asali Solomon Haverford College Faculty
  • Adriana L. Dutra Screenwriter
  • João Jorge Rodrigues Advogado, Lawyer
  • Nate Smith Music Producer
  • Jeff Parker Experimental Music
  • Paul Anthony Smith Brooklyn, NY
  • Maria Nunes Photographer
  • G. Thomas Allen Columbia College Chicago Faculty

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share