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  • The Birth of the Matrix →
  • No princípio...
  • In the beginning...

The Birth of the Matrix →

No princípio...

Imagine um Facebook que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem.

 

Imagine uma versão atualizada do antigo Myspace Music, que incluiria não apenas músicos, mas todos da economia criativa global da humanidade.

 

E imagine que ao invés de ter "amigos", recomendaria as pessoas pelo que fazem...

 

E que, por alguma mágica fantástica, todos nessa rede imaginária tenderiam a estar a poucos passos de todos os outros, o que significa que todos em nossa rede seriam potencialmente encontrados por todos os outros na rede, e no planeta.

 

Você está imaginando o Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a Facebook that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did.

 

Imagine an updated version of old Myspace Music, which would include not just musicians but all in humanity's global creative economy.

 

And imagine that rather than having "friends", one would recommend people for what they do...

 

And that by some fantastic magic everybody in this imaginary network would tend to be within scant steps of everybody else, meaning that everybody in our network would be potentially findable by everybody else in the network, and on the planet.

 

You are imagining the Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

  • ALL IS CLOSER THAN WE IMAGINE
    (Imagine Daniil Trifonov)
    I RECOMMEND
    You can recommend Daniil Trifonov from below when logged in ←

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Daniil Trifonov
  • City/Place: New York City
  • Country: United States
  • Hometown: Nizhny Novgorod, Russia

Life & Work

  • Bio: Grammy Award winning Russian pianist Daniil Trifonov (dan-EEL TREE-fon-ov) – winner of Musical America’s 2019 Artist of the Year award – has made a spectacular ascent of the classical music world as a solo artist, champion of the concerto repertoire, chamber and vocal collaborator, and composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe. “He has everything and more … tenderness and also the demonic element. I never heard anything like that,” marveled pianist Martha Argerich. Trifonov recently added a first Grammy Award to his already considerable string of honors, winning Best Instrumental Solo Album of 2018 with Transcendental, a Liszt collection that marked his third title as an exclusive Deutsche Grammophon artist. As The Times of London notes, he is “without question the most astounding pianist of our age.”

    This fall brings the release of Destination Rachmaninov: Arrival. Featuring the composer’s First and Third Concertos, this is the third volume of the Deutsche Grammophon series Trifonov recorded with the Philadelphia Orchestra and Yannick Nézet-Séguin, following Destination Rachmaninov: Departure, named BBC Music’s 2019 Concerto Recording of the Year, and Rachmaninov: Variations, a 2015 Grammy nominee. Later this fall, Trifonov inaugurates his multi-faceted, season-long tenure as 2019-20 Artist-in-Residence of the New York Philharmonic with accounts of Scriabin’s Piano Concerto under Jaap van Zweden. The residency also sees him take part in the New York premiere of his own Piano Quintet, and rejoin the music director and orchestra for Mozart’s 25th Piano Concerto, first in New York and then on a European tour that includes a stop at London’s Barbican. The Scriabin concerto is the vehicle for the pianist’s return to the New World Symphony under Michael Tilson Thomas, with whom he reunites for Tchaikovsky’s Piano Concerto with the Los Angeles Philharmonic and for Rachmaninov’s Fourth with the San Francisco Symphony, both at the orchestra’s home and on tour in Europe. Other upcoming orchestral highlights include Alexander Mosolov’s First Piano Concerto with the Nashville Symphony and Beethoven’s First and Fifth Piano Concertos with the Philadelphia Orchestra and Nézet-Séguin, as heard on the pianist’s DG Rachmaninov series. In recital this season, Trifonov tours a solo program of Bach transcriptions and The Art of Fugue to New York’s Lincoln Center, Chicago’s Orchestra Hall, Boston’s Celebrity Series, and destinations in Europe, besides partnering his mentor and fellow pianist Sergei Babayan at Carnegie Hall, Cornell University, Eastman School of Music, and in Dortmund, Germany.

    Trifonov launched the New York Philharmonic’s 2018-19 season with back-to-back performances, playing Ravel’s G-major Concerto at the opening-night gala and Beethoven’s “Emperor” Concerto the following night. He revisited the Ravel on tour with the London Symphony and Sir Simon Rattle, and during a residency at Vienna’s Musikverein, where he appeared with the Vienna Philharmonic and gave the Austrian premiere of his own Piano Concerto. The “Emperor” also took him to the London Symphony, National Symphony, Cincinnati Symphony, and Cleveland Orchestra, with which he toured Asia. Other orchestral highlights included performances of Scriabin’s concerto during a season-long residency with the Berlin Philharmonic, Prokofiev’s Third with the Chicago Symphony, Rachmaninov’s Third with the Boston Symphony, and Schumann’s concerto with longtime collaborator Valery Gergiev and the Met Orchestra at Carnegie Hall. Trifonov gave solo recitals of Beethoven, Schumann, and Prokofiev on Carnegie’s mainstage and in Berlin, where his Berlin Philharmonic residency featured multiple solo and chamber performances. These included accounts of his own Piano Quintet, of which he also gave the Cincinnati premiere with the Ariel Quartet, and a duo recital with German baritone Matthias Goerne, with whom he also appeared at New York’s 92nd Street Y.

    Other highlights of recent seasons include a seven-concert, season-long Carnegie Hall “Perspectives” series, crowned by a performance of Trifonov’s own piano concerto with Gergiev and the Mariinsky Orchestra; curating similar series at the Vienna Konzerthaus and in San Francisco, where the pianist gave a season-closing performance with the San Francisco Symphony; playing Tchaikovsky’s First under Riccardo Muti in the historic gala finale of the Chicago Symphony’s 125th anniversary celebrations; headlining complete Rachmaninoff concerto cycles at the New York Philharmonic’s Rachmaninoff Festival, with London’s Philharmonia Orchestra, and on tour with the Munich Philharmonic; undertaking Asian tours with the Czech Philharmonic and Rome’s Orchestra dell’Accademia Nazionale di Santa Cecilia and European tours with the London Philharmonic, Royal Concertgebouw Orchestra, and La Scala Orchestra; and making debuts at London’s BBC Proms and with the Chicago Symphony, Boston Symphony, Cleveland Orchestra, Philadelphia Orchestra, Montreal Symphony, Rome’s Orchestra dell’Accademia Nazionale di Santa Cecilia, London’s Royal Philharmonic Orchestra, the Royal Stockholm Philharmonic, the Berlin Staatskapelle, and the Berlin Philharmonic, where he headlined the orchestra’s famous New Year’s Eve concert under Sir Simon Rattle. Since making solo recital debuts at Carnegie Hall, London’s Wigmore Hall, Vienna’s Musikverein, Japan’s Suntory Hall, and Paris’s Salle Pleyel in 2012-13, Trifonov has given solo recitals at venues including the Kennedy Center in Washington D.C., Boston’s Celebrity Series, London’s Barbican and Royal Festival and Queen Elizabeth halls, Amsterdam’s Concertgebouw (Master Piano Series), Berlin’s Philharmonie, Munich’s Herkulessaal, Bavaria’s Schloss Elmau, Zurich’s Tonhalle, the Lucerne Piano Festival, the Palais des Beaux-Arts in Brussels, the Théâtre des Champs Élysées and Auditorium du Louvre in Paris, Barcelona’s Palau de la Musica, Tokyo’s Opera City, the Seoul Arts Center, and Melbourne’s Recital Centre.

    The 2013-14 season saw the release of Trifonov: The Carnegie Recital, the pianist’s first recording as an exclusive Deutsche Grammophon artist; captured live at his sold-out 2013 Carnegie Hall recital debut, the album scored a Grammy nomination. Besides the Grammy Award-winning Transcendental, Destination Rachmaninov: Departure, and the Grammy-nominated Rachmaninov Variations, Deutsche Grammophon has also issued Chopin Evocations, which pairs the composer’s works with those by the 20th-century composers he influenced. Trifonov’s discography also features a Chopin album for Decca and a recording of Tchaikovsky’s First Piano Concerto with Gergiev and the Mariinsky Orchestra on the ensemble’s own label.

    It was during the 2010-11 season that Trifonov won medals at three of the music world’s most prestigious competitions, taking Third Prize in Warsaw’s Chopin Competition, First Prize in Tel Aviv’s Rubinstein Competition, and both First Prize and Grand Prix – an additional honor bestowed on the best overall competitor in any category – in Moscow’s Tchaikovsky Competition. In 2013 he was awarded the prestigious Franco Abbiati Prize for Best Instrumental Soloist by Italy’s foremost music critics, and in 2016 he was named Gramophone’s Artist of the Year.

    Born in Nizhny Novgorod in 1991, Trifonov began his musical training at the age of five, and went on to attend Moscow’s Gnessin School of Music as a student of Tatiana Zelikman, before pursuing his piano studies with Sergei Babayan at the Cleveland Institute of Music. He has also studied composition, and continues to write for piano, chamber ensemble, and orchestra. When he premiered his own Piano Concerto in 2014, the Cleveland Plain Dealer marveled: “Even having seen it, one cannot quite believe it. Such is the artistry of pianist-composer Daniil Trifonov.”

Contact Information

  • Management/Booking: General Management, Global
    Opus 3 Artists
    David Foster, President
    212-584-7520
    [email protected]artists.com
    Patricia Winter, Sr. Vice President
    212-584-7525
    [email protected]

    Germany, Austria, Switzerland, and Eastern Europe
    Opus 3 Artists Berlin
    Katharina Ronnefeld
    + 49 30 88 91 01 50
    [email protected]

    Russia & Israel
    Opus 3 Artists
    Robert Berretta
    +1 (212) 584-7513
    [email protected]

    UK, Holland, Belgium, Luxembourg, France, Scandinavia, Australia, New Zealand
    Intermusica
    Bridget Emmerson
    +44 20 7608 9916
    [email protected]
    Lucy Saunders
    +44 20 7608 9936
    [email protected]

    Poland
    Andrzej Haluch
    [email protected]

    Italy
    Lorenzo Baldrighi Artists Management
    Lorenzo Baldrighi
    Piazza Gnecchi Ruscone n. 2
    23879 – Verderio (LC)
    +39 039 9281416
    www.baldrighi.com

    Spain/Portugal
    Agencia Camera
    Mónica Lorenzo, Director
    +34 933 179 181
    [email protected]

    Asia
    KAJIMOTO
    Sylvie Bouchard
    +81 3 3574 0969
    [email protected]

    Press and Media Inquiries
    21C Media Group
    Glenn Petry
    212-245-2110
    [email protected]
    Katie Griffin
    212-245-2110
    [email protected]

Media | Markets

  • ▶ Twitter: daniil_trifonov
  • ▶ Instagram: daniiltrifonov
  • ▶ Website: http://daniiltrifonov.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCfydyXaxKhRMzY9kCPIZqgw
  • ▶ YouTube Music: http://music.youtube.com/channel/UCwPEvcNpy2b4qxn34wKKBnA
  • ▶ Spotify: http://open.spotify.com/album/0LFLVKZWC2vqicqaBiN7zg
  • ▶ Spotify 2: http://open.spotify.com/album/1U7BErPHxIgtzsq05Wfj5E
  • ▶ Spotify 3: http://open.spotify.com/album/5APLziXSFb85q5SZP9kQwQ
  • ▶ Spotify 4: http://open.spotify.com/album/3EGoexkD9hH8H2waAigsqT
  • ▶ Spotify 5: http://open.spotify.com/album/7lj4fT2SzKOFw8rvSrVivF
  • ▶ Spotify 6: http://open.spotify.com/album/1CjlWmQhGgkAKFiikkzEqL
  • ▶ Article: http://www.nytimes.com/2020/03/04/arts/music/yuja-wang-daniil-trifonov.html

Clips (more may be added)

  • Rachmaninoff : Piano Concerto No. 3 (Daniil Trifonov)
    By Daniil Trifonov
    245 views
  • Daniil Trifonov plays Trifonov - Piano Concerto (Detroit, 2017)
    By Daniil Trifonov
    224 views
  • Daniil Trifonov: NPR Music Tiny Desk Concert
    By Daniil Trifonov
    234 views
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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 2 Classical Music
  • 2 Composer
  • 2 New York City
  • 2 Piano
  • 2 Russia

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
  • Adriano Souza Brazil
  • Victor Gama Multimedia Opera
  • Warren Wolf Vibraphone
  • Jason Moran Film Scores
  • Ricardo Herz São Paulo
  • Ricardo Bacelar Jazz Brasileiro, Brazilian Jazz
  • Daymé Arocena Santeria
  • Joe Newberry Bluegrass
  • Louis Michot Fiddle
  • Adriano Souza MPB
  • Alexandre Leão Violão, Guitar
  • David Bragger Fiddle Instruction
  • André Vasconcellos Brasil, Brazil
  • Chief Xian aTunde Adjuah New Orleans
  • Scott Kettner Drums
  • Marcos Portinari Rio de Janeiro
  • Tero Saarinen Finland
  • Mark Turner Composer
  • George Garzone Author
  • Sophia Deboick Historian
  • Capitão Corisco Salvador
  • Jimmy Dludlu Mozambique
  • Paulão 7 Cordas Music Director
  • Larissa Fulana de Tal Roteirista, Screenwriter
  • Helado Negro Singer-Songwriter
  • Hamilton de Holanda Mandolin
  • Aindrias de Staic Actor
  • Oscar Peñas Guitar
  • Nathan Amaral Classical Music
  • David Sacks Washington, D.C.
  • Henrique Cazes Samba
  • Fernando Brandão Composer
  • Celino dos Santos Chula
  • Manu Chao Singer-Songwriter
  • Norah Jones New York City
  • Jeffrey Boakye Radio Presenter
  • Jaimie Branch Free Jazz
  • James Gadson R&B
  • William Parker New York City
  • Tigran Hamasyan Singer
  • Garth Cartwright DJ
  • Michael Formanek Composer
  • Bobby Fouther Portland, Oregon
  • Nahre Sol Canada
  • Aaron Goldberg Composer
  • Celso de Almeida Brazil
  • Daniel Owoseni Ajala Dance Instructor
  • ANNA Brazil
  • Diosmar Filho Brasil, Brazil
  • Ashley Pezzotti New York City
  • Utar Artun Percussion
  • Lilli Lewis Americana
  • Ramita Navai Journalist
  • Şener Özmen Turkey
  • Germán Garmendia Los Angeles
  • Marvin Dunn Educator
  • Chano Domínguez Composer
  • Scott Devine YouTuber
  • Erika Goldring New Orleans
  • Michael W. Twitty Washington, D.C.
  • Ofer Mizrahi Multi-Cultural
  • Otmaro Ruiz Venezuela
  • Hugues Mbenda African Cuisine
  • Randy Lewis Journalist
  • Gino Sorcinelli Journalist
  • George Cables Composer
  • Veronica Swift Singer
  • Luê Soares Cantora-Compositora, Singer-Songwriter
  • Bruce Molsky Guitar
  • George Porter Jr. Funk
  • David Bruce Composer
  • Paulinho do Reco Bahia
  • Ana Moura Singer
  • Vivien Schweitzer Opera
  • Marcus Miller Bass
  • Julie Fowlis Scottish Gaelic
  • Kiko Freitas Drums
  • John Donohue New York City
  • Onisajé Salvador
  • Parker Ighile NIgeria
  • Morgan Page EDM
  • Mandla Buthelezi South Africa
  • Seckou Keita Senegal
  • Booker T. Jones Songwriter
  • Léo Brasileiro Salvador
  • Bill Pearis Journalist
  • Azadeh Moussavi Iran
  • Anthony Hervey Singer
  • Jared Sims Ropeadope
  • Etienne Charles Jazz
  • Igor Osypov Jazz Fusion
  • Nancy Viégas Produtora Áudiovisual, Audiovisual Producer
  • Alicia Keys R&B
  • Victor Gama Composer
  • Dan Tyminski Mandolin
  • Carwyn Ellis Wales
  • Johnny Vidacovich Second Line
  • Tab Benoit Louisiana
  • Joatan Nascimento Trumpet
  • Marcos Suzano Pandeiro
  • Bisa Butler Pan-African Culture
  • Anthony Coleman Klezmer
  • Emily Elbert Los Angeles, California
  • Judith Hill R&B
  • Sarah Hanahan Composer
  • Jeff Ballard Drums
  • Gustavo Caribé Compositor, Composer
  • Antônio Pereira Amazonas
  • Luê Soares MPB
  • Vincent Herring Composer
  • Tommy Orange Short Stories
  • James Strauss Brazil
  • Fabiana Cozza São Paulo
  • Fernando César Brasília
  • Orquestra Afrosinfônica Brasil, Brazil
  • Richard Galliano Musette
  • Jas Kayser Composer
  • Martin Fondse Composer
  • Tessa Hadley Non-Fiction
  • Pharoah Sanders Composer
  • Richard Bona Bass
  • Terri Hinte Liner Notes
  • Gregory Tardy Composer
  • Maladitso Band Africa
  • Garth Cartwright Music Promoter
  • Demond Melancon Mardi Gras Indian
  • Leigh Alexander Video Game Story Designer
  • Carlinhos Brown Bahia
  • Danilo Pérez Jazz
  • Dr. Lonnie Smith Jazz
  • Alyn Shipton Bass
  • Gêge Nagô Samba de Roda
  • Meklit Hadero Multi-Cultural
  • Immanuel Wilkins Saxophone
  • Congahead Jazz
  • Bob Bernotas Liner Notes
  • Roberto Mendes Guitar
  • Mario Ulloa Salvador
  • Nara Couto MPB
  • Jon Cowherd Composer
  • Paulo César Pinheiro Lyricist
  • Katuka Africanidades Editora de Livros, Book Publisher
  • Lynn Nottage Film Producer
  • Mingo Araújo Composer
  • Eric Galm Trinity College Faculty
  • Brad Mehldau Jazz
  • Parker Ighile Hip-Hop
  • Alexandre Vieira Brasil, Brazil
  • Menelaw Sete Escultor, Sculptor
  • Laércio de Freitas Arranger
  • Bobby Vega Rock 'n' Roll
  • Bule Bule Chula
  • John Waters Writer
  • Danilo Caymmi Singer-Songwriter
  • Dhafer Youssef ظافر يوسف Tunis
  • Hermeto Pascoal Alagoas
  • Adriano Giffoni Brazilian Jazz
  • Ed Roth Music Producer
  • Restaurante Axego Brazil
  • Vik Sohonie DJ
  • Louis Marks Podcaster
  • Mike Compton Mandolin
  • Edmar Colón Berklee College of Music Faculty
  • Tony Trischka Bluegrass
  • André Becker Música Clássica, Classical Music
  • Arturo Sandoval Afro-Cuban Jazz
  • Rogério Caetano Rio de Janeiro
  • Jim Hoke Composer
  • Sam Wasson Cultural Historian
  • Roque Ferreira Samba de Roda
  • Amit Chatterjee Sitar
  • Ranky Tanky South Carolina
  • Kurt Andersen Novelist
  • Zé Luíz Nascimento Barcelona
  • Carlos Lyra Singer-Songwriter
  • Saileog Ní Cheannabháin Theater Composer
  • Kenny Barron New York City
  • Cashmere Cat Norway
  • 9th Wonder Hip-Hop
  • Glória Bomfim Bahia
  • Mulatu Astatke Vibraphone
  • Arto Tunçboyacıyan Multi-Cultural
  • Pururu Mão no Couro Bahia
  • Marcus Miller Multi-Instrumentalist
  • Luiz Antônio Simas Historiador, Historian
  • Seth Swingle Old-Time Music
  • Rebeca Omordia Piano
  • Dadi Carvalho Multi-Instrumentalist
  • Serginho Meriti Composer
  • Dan Tepfer Classical Music
  • Ben Wendel New School for Jazz and Contemporary Music Faculty
  • Leo Nocentelli Guitar
  • Aderbal Duarte Bossa Nova
  • Gabriel Geszti Rio de Janeiro
  • Daphne A. Brooks Black American Culture & History
  • Duane Benjamin Composer
  • Mick Goodrick Berklee College of Music Faculty
  • Márcia Short Salvador
  • Bebê Kramer Samba
  • Samuel Organ Composer
  • Asanda Mqiki Singer-Songwriter
  • Milton Primo Singer-Songwriter
  • Ellie Kurttz Photographer
  • Robertinho Silva Brazil
  • Kiya Tabassian كيا طبسيان Multi-Cultural
  • Beth Bahia Cohen Middle Eastern Music
  • Keola Beamer Composer
  • Horácio Reis Bahia
  • Damion Reid Drums
  • Varijashree Venugopal Brazilian Music
  • Geraldine Inoa Playwright
  • Marcus Strickland Jazz
  • Richard Bona Singer
  • Adriano Souza Samba
  • Eddie Palmieri Bandleader
  • Ibram X. Kendi Historian
  • Howard Levy Latin Jazz
  • Thiago Trad Bateria, Drums
  • Tom Green Writer
  • NIcholas Casey Spain
  • Kiko Souza R&B
  • Sharita Towne Portland, Oregon
  • Jaques Morelenbaum Arranger
  • Frank Negrão MPB
  • Helado Negro Brooklyn, NY
  • Bob Bernotas Radio Presenter
  • João Bosco Brazil
  • Jovino Santos Neto Brazil
  • Darren Barrett Jazz
  • Keita Ogawa Japan
  • Omar Sosa Piano
  • Lula Moreira Sculptor
  • Ray Angry Songwriter
  • Mino Cinélu Percussion
  • Kiya Tabassian كيا طبسيان Composer
  • Nabihah Iqbal Singer-Songwriter
  • Snigdha Poonam Delhi
  • Nigel Hall Soul
  • Marta Sánchez Piano
  • Robert Glasper R&B
  • Missy Mazolli Mannes School of Music Faculty
  • Wilson Simoninha Samba
  • Miles Mosley Los Angeles
  • Dave Smith Multi-Cultural
  • Jimmy Cliff Reggae
  • Fatoumata Diawara Paris
  • Jorge Aragão Percussion
  • Bob Telson Film Scores
  • Antônio Queiroz Repente
  • Luciano Salvador Bahia Bahia
  • Serwah Attafuah NFTs
  • Carl Allen Music Director
  • Burhan Öçal Percussion
  • Curtis Hasselbring Trombone
  • Rosa Cedrón Spain
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  • Melanie Charles Singer-Songwriter
  • Geraldo Azevedo Singer-Songwriter
  • Omar Sosa Composer
  • David Mattingly Artist
  • Jimmy Greene Jazz
  • Gui Duvignau São Paulo
  • Terell Stafford Temple University Boyer College of Music & Dance Faculty
  • Jill Scott R&B
  • Yuja Wang Classical Music
  • Ana Luisa Barral MPB
  • Gretchen Parlato Jazz
  • Paulo Costa Lima Bahia
  • Bianca Gismonti Piano
  • Berkun Oya Director
  • Kenyon Dixon Singer-Songwriter
  • Lilli Lewis Louisiana Red Hot Records
  • Nego Álvaro Brazil
  • Jaleel Shaw Jazz
  • Asa Branca Choro
  • Nabih Bulos Violin
  • Marco Pereira Samba
  • Will Holshouser Musette
  • Dermot Hussey Pan-Africana
  • Nic Hard Record Producer
  • Djuena Tikuna Tikuna
  • Myron Walden Flute
  • James Gadson Soul
  • Mestre Nelito Capoeira Angola
  • Joshue Ashby Afro-Panamanian
  • Casa Preta Teatro, Theater
  • Questlove Hip-Hop
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