CURATION
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from this page:
by Augmented Matrix
Network Node
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Name:
Bob Reynolds
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City/Place:
Los Angeles, California
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Country:
United States
Life
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Bio:
Bob Reynolds is an American jazz tenor saxophonist and Grammy Award-winning member of the band Snarky Puppy. Widely known for his work with both Snarky and John Mayer, he is a prolific composer and recording artist with 9 top-selling solo albums to his credit. The New York Times called him “a self-assured saxophonist and an unassuming yet effective composer.” An independent recording artist, Bob’s albums showcase his melodic improvisational style, tuneful songwriting, and, as the LA Times put it: “hip-swiveling” grooves. His 2013 album Somewhere In Between, a seamless blend of jazz, blues, rock and pop, reached #1 on iTunes’ jazz charts, and in 2017 he released the albums Guitar Band and Hindsight, both of which landed in the top ten on the Billboard Jazz charts. His latest release, Quartet, features his working band and debuted at #3 on Billboard’s Contemporary Jazz chart. They recently completed their first tour to sold-out audiences across Europe.
Born in Morristown, New Jersey in 1977, Reynolds grew up in Jacksonville, Florida, where he started playing saxophone at age 13. Although he listened to a range of music as a kid, by his late teens he was a dedicated jazz student. After high school he honed his skills at Boston’s Berklee College of Music, where he mentored with George Garzone, Hal Crook, and others. Bob is a passionate educator and in-demand clinician. He co-founded an annual retreat for saxophonists and, through his Virtual Studio, he helps musicians become confident improvisers. Bob lives in Los Angeles and shares insights on balancing a music career with raising a family through his popular YouTube vlog.
It's a rare saxophonist who's as comfortable in an arena full of rock fans as in an intimate jazz club. Bob Reynolds is a rare saxophonist.
Reynolds spent years touring the world in John Mayer's band, winning new fans with his solos on crowd favorites like “Vultures,” “Wheel,” “Gravity” and “Covered in Rain.” Watch his performances on YouTube and you'll see hundreds of accolades from admiring fans—not a normal occurrence for a saxophonist in a rock band. Reynolds' partnership with Mayer reminds many of Sting's collaborations with Branford Marsalis in the 1980s. Both he and Mayer are big fans of that band.
Reynolds has recorded and performed with everyone from Usher, Josh Groban and the Jonas Brothers to Amos Lee, Willie Nelson and Nellie McKay. He calls himself a "melody architect" and refuses to be boxed in by conventional genre labels. A child of the 80s, Reynolds' music is a blend of his early influences (Sting, Bruce Hornsby, Tears for Fears), R&B and soul (Michael Jackson, Marvin Gaye, Stevie Wonder), and jazz (Stan Getz, Joshua Redman, Chris Potter).
At the same time as he's been touring the world to packed stadiums and playing with A-list superstars, Reynolds has stayed true to his jazz roots with performances in clubs across the U.S. Three of his five albums were recorded live with a who's who of the jazz and rock worlds, including keyboardist Aaron Goldberg, guitarist Mike Moreno, bassist Reuben Rogers, and drummer Keith Carlock, who's toured with both Sting and Mayer. Reynolds' records reflect his affinity for the jazz tradition at the same time as they display his skill with pop music. He makes the music he wants without compromise.
For Reynolds, music is about communication with the listeners. One of his album titles, Somewhere in Between, suggests his ability to cross genres. The album features jazz heavyweights Eric Harland on drums and Aaron Parks on piano, along with keyboardist Oli Rockberger of Mister Barrington and, on two tracks, John Mayer. It's a seamless and fearless blend of jazz, blues, rock and pop.
Inventive. Unconventional. An instantly recognizable player with his own musical vision who still finds a way to fit in no matter what the situation. As a leader or a band member, Reynolds is focused on melody, connection, and emotion.
Bob Reynolds is a rare saxophonist.
Contact Information
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Management/Booking:
Booking – US
Gunter Schroder
Music Works International
Phone: +1 781-300-7580
[email protected]
Booking – Europe
Bella Concerts
Otterkringerstrasse 132/1
1160 Vienna
Austria
+43 1 9974253
[email protected]
UID: ATU68957006
More
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Quotes, Notes & Etc.
“A self-assured saxophonist and an unassuming yet effective composer…”
NEW YORK TIMES
"...Reynolds flexes an assured hand with melding hip-swiveling jazz and funk as a bandleader."
LA TIMES
“Some of the freshest, most compelling, and most soulful music I have heard recently. Bob Reynolds is an amazing musician, with something very exciting and original to say.”
Joshua Redman, Grammy-nominated saxophonist
“Bob is one hell of a saxophonist! His sound is rich and his execution is effortless.”
Michael Brecker, Grammy-winning saxophonist
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
This technological matrix, originating in Bahia, Brazil and positioning creators around the world within reach of each other and the entire planet, is able to do so because it is small-world (see Wolfram).
Bahia itself, final port-of-call for more enslaved human beings than any other place on earth throughout all of human history, refuge for Lusitanian Sephardim fleeing the Inquisition, Indigenous both apart and subsumed into a brilliant sociocultural matrix comprised of these three peoples and more, is small-world.
Human society, the billions of us in all the complexity of our relationships, is small-world. Neural structures for human memory are small-world. Neural structures in artificial intelligence are small-world...
In a small world great things are possible. In a matrix they can be created.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,
Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Nduduzo Makhathini
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX