• Sign in
  • Be a Node
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • AFROBIZ Salvador
  • Questions?
  • IMPORTANT →
  • Recommendations In(3)
  • What's Up
  • Why a "Matrix"?
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • From Harlem to Bahia

IMPORTANT →

Recommendations In


Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Julian Lloyd Webber:

  • 0 Cello
  • 0 Classical Music
  • 0 London

What's Up

The post was not added to the feed. Please check your privacy settings.
  • Julian Lloyd Webber
    Benjamin Grosvenor → United Kingdom has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Benjamin Grosvenor → Piano has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Benjamin Grosvenor → London has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Benjamin Grosvenor → Classical Music has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Alma Deutscher → Violin has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Alma Deutscher → Piano has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Alma Deutscher → Composer has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Alma Deutscher → Classical Music has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Daniil Trifonov → Russia has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Daniil Trifonov → Piano has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Daniil Trifonov → New York City has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Daniil Trifonov → Composer has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Daniil Trifonov → Classical Music has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Rebeca Omordia → Romania has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Rebeca Omordia → Piano has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Rebeca Omordia → Nigeria has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Rebeca Omordia → London has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Rebeca Omordia → Classical Music has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Philip Glass → Piano has been recommended via Julian Lloyd Webber.
    • March 31, 2021
  • Julian Lloyd Webber
    Philip Glass → New York City has been recommended via Julian Lloyd Webber.
    • March 31, 2021
View More
Loading ...

Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Julian Lloyd Webber
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Julian Lloyd Webber
  • City/Place: London
  • Country: United Kingdom

Life & Work

  • Bio: Julian Lloyd Webber enjoys one of the most creative careers in music today. As a solo cellist he has performed with many of the world’s greatest orchestras and conductors including the Berlin Philharmonic Orchestra, Czech Philharmonic Orchestra, London Symphony Orchestra and every leading symphony and chamber orchestra in the UK in partnership with such conductors as Sir Georg Solti, Lorin Maazel, Lord Yehudi Menuhin, Sir Neville Marriner, Yevgeny Svetlanov, Esa-Pekka Salonen, Sir Mark Elder and Sir Andrew Davis. He has also collaborated with a wide range of legendary musicians from pianists Sir Clifford Curzon and Murray Perahia to jazz artists Stephane Grappelli and Dame Cleo Laine and rock musician Sir Elton John.

    Julian’s many recordings include his BRIT Award-winning Elgar Cello Concerto conducted by Yehudi Menuhin – chosen as the ‘finest ever version’ by BBC Music Magazine, the Dvorak Cello Concerto with Vaclav Neumann and the Czech Philharmonic, Tchaikovsky’s Rococo Variations with the London Symphony Orchestra under Maxim Shostakovich, a coupling of Britten’s Cello Symphony and Walton’s Cello Concerto with Sir Neville Marriner and the Academy of St Martin in the Fields which was described as ‘beyond any rival’ in Gramophone magazine and ‘Variations’, famous as the theme to ITV’s long running ‘South Bank Show’. Julian has also inspired more than fifty new works for cello from composers as varied as Malcolm Arnold, Joaquín Rodrigo, Andrew Lloyd Webber, James MacMillan, Philip Glass and Eric Whitacre.

    In 2007, at the invitation of the Secretary of State for Education, Julian founded the UK Government’s In Harmony programme and he continues to Chair Sistema England. The two programmes combined have introduced the power of music to more than sixty thousand school children from the least privileged parts of England. Julian was made a Fellow of the Royal College of Music in 1994 and is the recipient of a Crystal Award from the World Economic Forum (1998) the Classic FM Red Award (2005) and the Incorporated Society of Musician’s Distinguished Musician of the Year Award (2014). Julian has represented the music education sector on BBC1’s Question Time and The Andrew Marr Show, BBC2’s Newsnight and BBC Radio 4’s Today, The World at One, PM, Front Row, and The World Tonight.

    In 2014 Julian was forced to retire from playing the cello due to a neck injury which reduced the power of his bowing arm. In July 2015 he was appointed principal of Birmingham Conservatoire. During his five-year tenure he oversaw the move to a new £57 million building and the merging of the existing Conservatoire with the Birmingham School of Acting. In September 2017 the Conservatoire was awarded the Royal status by Her Majesty the Queen.

    Julian is married to fellow cellist Jiaxin Cheng. A lifelong Leyton Orient supporter, he was the London Underground’s first official busker and the only classical musician to perform at the Closing Ceremony of Olympics 2012.

Contact Information

  • Email: [email protected]
  • Management/Booking: Contact for Press enquiries:
    Karen Pitchford
    KHJ Communications Limited
    [email protected]
    Mob: +44 (0) 7785 733561

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.julianlloydwebber.com/recordings/
  • ▶ Charts/Scores: http://www.julianlloydwebber.com/editions/
  • ▶ Twitter: JLloydWebber
  • ▶ Website: http://www.julianlloydwebber.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCPpvNqI5CcegDio-NilH2Ng
  • ▶ Spotify: http://open.spotify.com/album/7i83TEHhrYpSdiemOVqajE
  • ▶ Spotify 2: http://open.spotify.com/album/7IGpz1SC0t2GXI3C5vXKc2
  • ▶ Spotify 3: http://open.spotify.com/album/2ON9RWOd0bND7OE02f2Eh8
  • ▶ Spotify 4: http://open.spotify.com/album/3TFMFweNZJtS7cnbyXWvIX
  • ▶ Spotify 5: http://open.spotify.com/album/4WTWcO5ZJtpR8rWxlnaRFa
  • ▶ Spotify 6: http://open.spotify.com/album/4JAw3UiFPCatwR8yiroyaq
  • ▶ Articles: http://www.julianlloydwebber.com/articles/
  • ▶ Articles 2: http://www.julianlloydwebber.com/recordings-reviews/

My Instruction

  • Lessons/Workshops: Enquiries about consultation lessons with Julian should be sent to Maggie Lawrence: [email protected]

Clips (more may be added)

  • 0:31:00
    Julian Lloyd Webber plays Glass Cello Concerto live
    By Julian Lloyd Webber
    120 views
  • 2:53
    Julian Lloyd Webber plays Bach's 'Arioso'
    By Julian Lloyd Webber
    98 views
Previous
Next
  • Gabi Guedes Salvador
  • Magary Lord AFROBIZ Salvador
  • Julian Lloyd Webber Cello
  • Hermeto Pascoal Multi-Instrumentalist
  • Chief Xian aTunde Adjuah New Orleans
  • Robert Glasper Hip-Hop
  • Bobby Sanabria Manhattan School of Music Faculty
  • Caetano Veloso Salvador
  • Gal Costa Salvador
  • Jay Mazza Journalist
  • Lauranne Bourrachot Movie Producer
  • Taj Mahal Blues
  • Darius Mans Economist
  • Margareth Menezes Salvador
  • João do Boi Samba de Roda
  • Nduduzo Makhathini South Africa
  • Yosvany Terry Harvard University Faculty
  • Airto Moreira Brazil
  • Paulinho da Viola Samba
  • Armandinho Macêdo Salvador
  • Iuri Passos AFROBIZ Salvador
  • Toby Gough Musical Theater
  • Juliana Ribeiro Salvador
  • Mestre Nenel AFROBIZ Salvador
  • Pedrito Martinez Congas
  • Raymundo Sodré Bahia
  • Alicia Svigals Klezmer Fiddle
  • Simon Brook Filmmaker
  • Mário Pam AFROBIZ Salvador
  • Christopher Wilkinson Screenwriter
  • Lazzo Matumbi Salvador
  • Kareem Abdul-Jabbar Writer
  • Luedji Luna Salvador
  • Jau Salvador
  • Bob Mintzer USC Thornton School of Music Faculty
  • Ilê Aiyê Salvador
  • Kurt Rosenwinkel Guitar
  • Vijay Iyer Harvard University Faculty
  • Gilberto Gil Salvador
  • Jorge Washington AFROBIZ Salvador
  • Mateus Aleluia Candomblé
  • Herbie Hancock Jazz
  • Kamasi Washington Saxophone
  • Louis Marks Ropeadope
  • Joachim Cooder Singer-Songwriter
  • John Harle Composer
  • Joshua Abrams Multi-Instrumentalist
  • Bob Mintzer USC Thornton School of Music Faculty
  • Helen Shaw New York City
  • Nate Chinen Music Critic
  • John Schaefer New York City
  • Barney McAll Composer
  • Neo Muyanga Composer
  • Wouter Kellerman African Music
  • Peter Mulvey Folk & Traditional
  • Richie Pena New York City
  • Margareth Menezes Bahia
  • Arthur Jafa Video Artist
  • Jason Treuting Princeton University Faculty
  • Luizinho do Jêje Brazil
  • Eric Galm Ethnomusicologist
  • Mona Lisa Saloy Louisiana
  • Damion Reid Hip-Hop
  • Airto Moreira Brazil
  • Amilton Godoy Brazilian Jazz
  • Tommy Peoples Ireland
  • Lucinda Williams Americana
  • Toby Gough Producer
  • Corey Ledet Singer-Songwriter
  • Ben Allison Jazz
  • Tedy Santana Brazil
  • Bob Reynolds Los Angeles
  • Adriano Souza Rio de Janeiro
  • Zara McFarlane London
  • Nara Couto Diretora/Director
  • Dafnis Prieto Composer
  • Mike Marshall Bluegrass
  • Kendrick Scott Jazz
  • Orrin Evans Record Label Owner
  • Keshav Batish Jazz
  • Zé Katimba Cavaquinho
  • Ronell Johnson Jazz
  • Gamelan Sekar Jaya Gamelan
  • Matt Ulery Record Label Owner
  • Laura Marling Singer-Songwriter
  • Elio Villafranca Jazz
  • Gilmar Gomes Singer-Songwriter
  • Allen Morrison Jazz
  • Dwayne Dopsie New Orleans
  • Arto Tunçboyacıyan Armenian Folk Music
  • Nelson Faria Guitar Instruction/Master Classes
  • Nicole Mitchell Composer
  • Mauro Diniz Brazil
  • Joan Chamorro Barcelona
  • Karla Vasquez El Salvador
  • Tommy Orange Novelist
  • Aindrias de Staic Ireland
  • Hamilton de Holanda Bandolim
  • Fábio Zanon Classical Guitar
  • Howard Levy Composer
  • Brenda Navarrete Composer
  • Ramita Navai Documentary Filmmaker
  • Wayne Escoffery New York City
  • Juçara Marçal Brazil
  • Woody Mann Folk & Traditional
  • Ricky (Dirty Red) Gordon Zydeco
  • Márcio Valverde Guitar
  • Omari Jazz Electronic Futurism
  • China Moses Singer
  • Cécile Fromont Martinique
  • Justin Kauflin Jazz
  • Lina Lapelytė Lithuania
  • Carol Soares Samba de Roda
  • Tom Moon Writer
  • Dafnis Prieto Master Classes/Clinics/Workshops
  • John Doyle Singer-Songwriter
  • Susheela Raman Multi-Cultural
  • Carl Allen Music Director
  • Andrés Beeuwsaert Piano
  • John Archibald Journalist
  • Victor Wooten Bass
  • The Umoza Music Project Malawi
  • Luciana Souza Brazil
  • Yamandu Costa Brazil
  • Lavinia Meijer Contemporary Classical Music
  • Mary Stallings San Francisco
  • Michael Pipoquinha MPB
  • Maria Bethânia Singer
  • Obed Calvaire Jazz
  • Patrice Quinn Los Angeles
  • Dan Trueman Violin
  • Bobby Vega Funk
  • Garth Cartwright Poet
  • McCoy Mrubata Flute
  • Stephen Guerra Arranger
  • 小野リサ Lisa Ono Guitar
  • Sahba Aminikia Iran
  • Raymundo Sodré Samba de Roda
  • Tessa Hadley Writer
  • J. Velloso Record Producer
  • Lucian Ban Jazz
  • Tommy Orange Native American Literature
  • Andrew Finn Magill Composer
  • Linda May Han Oh Composer
  • Plamen Karadonev Berklee College of Music Faculty
  • Márcio Valverde MPB
  • David Sedaris Writer
  • Jonga Cunha Brazil
  • Rodrigo Caçapa São Paulo
  • Martin Hayes Fiddle
  • Karsh Kale कर्ष काळे Record Producer
  • Edsel Gomez Multi-Cultural
  • David Braid London
  • Tony Trischka Country
  • James Brandon Lewis Poet
  • Raymundo Sodré Samba
  • Aaron Goldberg New York City
  • Lazzo Matumbi Salvador
  • Ben Wendel Brooklyn, NY
  • Xenia França Brazil
  • Nabihah Iqbal Guitar
  • Elie Afif Dubai
  • Greg Osby Jazz
  • Leon Bridges Singer-Songwriter
  • Jon Faddis Trumpet
  • Tigran Hamasyan Armenian Folk Music
  • Booker T. Jones Record Producer
  • Mika Mutti Composer
  • Eric Galm Percussion
  • Cássio Nobre Chula
  • Tony Kofi London
  • Nduduzo Makhathini Piano
  • Hendrik Meurkens Vibraphone
  • Corey Henry Funk
  • Utar Artun Microtonal
  • Woody Mann Writer
  • Missy Mazolli Piano
  • Oswaldo Amorim Escola de Música de Brasília Faculty
  • Ryuichi Sakamoto New York City
  • Jacob Collier Songwriter
  • Casey Benjamin Jazz
  • David Bragger Guitar Instruction
  • Julie Fowlis Singer
  • Questlove Hip-Hop
  • Sam Reider Piano
  • David Sánchez Afro-Caribbean Music
  • Ajurinã Zwarg Choro
  • Rez Abbasi Microtonal
  • Lakecia Benjamin Saxophone
  • Mary Norris Writer
  • Lenine Singer-Songwriter
  • Tigran Hamasyan Piano
  • Mestre Nelito Capoeira Angola
  • Dave Smith England
  • The Umoza Music Project Multi-Cultural
  • Joel Best Sculptor
  • Tele Novella Texas
  • Negra Jhô Pelourinho
  • Burhan Öçal Percussion
  • Swami Jr. Cuban Music
  • Ben Allison Double Bass
  • Tony Kofi Flute
  • Paulinho do Reco Salvador
  • Fred P DJ
  • Wayne Escoffery Saxophone
  • Mary Halvorson Brooklyn, NY
  • As Ganhadeiras de Itapuã Salvador
  • Egberto Gismonti Composer
  • Fabian Almazan New York City
  • Munir Hossn Record Producer
  • Guto Wirtti Guitar
  • Muhsinah Piano
  • Robin Eubanks Jazz
  • Frank Beacham Film/Television Producer
  • Matt Glaser Author
  • Tierra Whack Philadelphia
  • Celino dos Santos Bahia
  • Pierre Onassis Bahia
  • Hercules Gomes Composer
  • Shanequa Gay Installation
  • Terri Lyne Carrington Drums
  • Arto Lindsay Composer
  • Mike Marshall Author
  • John McWhorter Linguist
  • Michel Camilo Dominican Republic
  • Keola Beamer Slack Key Guitar
  • Curly Strings Americana
  • Arto Lindsay Record Producer
  • Courtney Pine London
  • Arturo O'Farrill Piano
  • Alexa Tarantino Saxophone
  • Nilze Carvalho Brazil
  • Mohini Dey Bass
  • Bob Telson Piano
  • Sebastian Notini Percussão/Percussion
  • Colm Tóibín Journalist
  • Aditya Prakash Ropeadope
  • Walter Pinheiro Samba
  • Itamar Vieira Júnior Bahia
  • Ned Sublette Singer-Songwriter
  • Deborah Colker Brazil
  • Manolo Badrena Jazz
  • Cláudio Jorge Brazil
  • Philip Watson Writer
  • Nigel Hall R&B
  • Béco Dranoff Cultural Producer
  • Pretinho da Serrinha Singer
  • Michel Camilo Composer
  • Wadada Leo Smith Flugelhorn
  • Makaya McCraven Chicago, Illinois
  • Germán Garmendia Comedian
  • Romero Lubambo Samba
  • Alê Siqueira Composer
  • Wynton Marsalis Trumpet
  • Casey Driessen Composer
  • Jorge Ben Rio de Janeiro
  • Stan Douglas Vancouver
  • Tobias Meinhart Jazz
  • Scott Kettner Percussion
  • Avishai Cohen אבישי כה Jazz
  • Marcela Valdes Journalist
  • Jess Gillam Saxophone
  • Jane Ira Bloom Composer
  • Célestin Monga Harvard University Faculty
  • Damion Reid Drums
  • Meklit Hadero San Francisco
  • Antônio Queiroz Repente
  • Mehdi Rajabian Iran
  • Nardis Jazz Club Jazz Club
  • Oteil Burbridge Bass
  • Welson Tremura Singer
  • Alegre Corrêa Violin
  • Joshue Ashby Jazz
  • Mike Marshall Guitar
  • Chris Boardman Composer
  • Yazhi Guo 郭雅志 Suona
  • Lucio Yanel Brazil
  • Teresa Cristina Singer
  • Joe Chambers Vibraphone
  • MARO Portugal
  • Joel Best London
  • Bertram Drum Set Performance
  • John Boutté Blues
  • Jeff Tang Creative Producer
  • Alicia Hall Moran Mezzo-Soprano
  • Mario Ulloa Brazil
  • Pasquale Grasso Guitar
  • Jack Talty Composer
  • Steve Lehman CalArts Music Faculty
  • David Greely University of Louisiana at Lafayette Faculty
  • John Medeski Keyboards
  • Léo Rodrigues Samba
  • The Bayou Mosquitos Tex-Mex
  • Elizabeth LaPrelle Virginia
  • James Andrews Trumpet
  • Bill Hinchberger Journalist
  • Yunior Terry Afro-Cuban Jazz
  • Chau do Pife Maceió
  • Jim Lauderdale Nashville, Tennessee
  • Stanton Moore Second Line
  • Adanya Dunn Toronto
  • Armandinho Macêdo Bandolim
  • Ray Angry Record Producer
  • Nancy Ruth Spain
  • Mariene de Castro Samba
  • Yola R&B
  • Etienne Charles Trumpet
  • Brenda Navarrete Percussion
  • Joatan Nascimento Federal University of Bahia Faculty
  • Warren Wolf Singer
  • Seu Jorge Rio de Janeiro
  • Caridad De La Luz Actor
  • Tony Austin Film Scores
  • Derrick Hodge Composer
  • Aneesa Strings Jazz
  • Joatan Nascimento Choro
  • Jim Hoke Nashville, TN
  • Orrin Evans Composer
  • Mingo Araújo Brazil
  • Miho Hazama New York City
  • Christian Sands Composer
  • Keith Jarrett Piano
  • Jeff Ballard New York City
  • Stephen Kurczy Journalist
  • Carlos Henriquez Composer
  • Herlin Riley New Orleans
  • Zachary Richard Cajun Music
  • Lina Lapelytė Installation Artist
  • Aubrey Johnson Jazz
  • Kiko Loureiro Rio de Janeiro
  • Mart'nália Percussion
  • Samba de Nicinha Chula
  • Doug Adair Singer-Songwriter
  • Ben Wendel New School for Jazz and Contemporary Music Faculty
  • Ivo Perelman Multi-Instrumentalist
  • Khruangbin Houston, Texas
  • Lula Moreira Cultural Producer
  • Adam Cruz Composer
  • Antibalas Pan-Africana
  • Turíbio Santos Classical Music
  • Jubu Smith R&B
  • Lula Moreira Percussion
  • Daru Jones Jazz
  • Stephen Guerra Author

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share