Bio:
André Mehmari is considered one of Brazil's most talented musicians. His activities as pianist, composer, and arranger are highly regarded in both popular and classical music. As his compositions have been performed by leading orchestras such as Orquestra Sinfônica do Estado de São Paulo and chamber ensembles such as the São Paulo String Quartet, his career in jazz and Brazilian popular music has attained wide attention with performances in all of Brazil's major jazz festivals and abroad at Umbria Jazz in Italy and Juan Les-Pins in France.
Born in 1977 in Niteroi (RJ), he began to study music with his mother at the age of five, and completed an organ course in the Conservatory of Ribeirao Preto (SP). At age ten, having taught himself jazz improvisation, he wrote his first compositions; and, at 15, while teaching organ in the Conservatory, he was invited to compose a method for keyboard beginners. The result was a 20-piece collection, a work greatly appreciated by young musicians and their teachers. Mehmari’s precociousness as a composer and multi-instrumentalist was well documented by the media.
He began study at São Paulo State University (USP) in 1995 and, in the same year, won the University’s competition for original Brazilian popular music (MPB). Two years later, the same honor was awarded to him for classical music. Both his performing schedule and composing activity grew busier as he began touring and writing orchestral arrangements for major musical events in São Paulo. In 1998, he won the first national Prêmio VISA de MPB competition, the most important award for popular music in Brazil. The competition's prize is the recording of a new CD, which became Mehmari's first release and brought him concert opportunities throughout Brazil.
More than twenty albums have followed, including Lachrimae (2004), featuring two different piano trios and singer Mônica Salmaso; Piano e Voz (2006) with singer Ná Ozzetti; De Árvores e Valsas (2008), devoted entirely to André's compositions; Miramari (2009), a collaboration with clarinet master Gabriele Mirabassi; Gismontipascoal (2010), with mandolin virtuoso Hamilton de Holanda and winner of the 2011 Prêmio da Música Brasileira; Afetuoso (2011), a return to his dynamic piano trio music; Canteiro (2011), a two-CD set with performances by thirteen of his favorite Brazilian singers; Triz (2012), with Chico Pinheiro and Sérgio Santos; André Mehmari e Mário Laginha ao vivo no Auditório Ibirapuera (2012), a concert recording with Portuguese pianist Mário Laginha; Angelus (2013), a collection of Mehmari's chamber music works for several Brazilian ensembles; Tokyo Solo (2014), a solo piano concert recording; Miramari (2014), a DVD of performances by Mehmari's duo with clarinetist Gabriele Mirabassi; Ouro sobre azul (2014), a solo piano recording devoted to interpretations of the works of composer Ernesto Nazareth, known as the inventor of modern Brazilian piano; As Estações na Cantareira (2015), a new album for piano trio. In 2017, he has collaborated with Nailor “Proveta” Azevedo, Rodolfo Stroeter, and Tutty Moreno to create Dorival, a tribute to composer Dorival Caymmi. While each of these works offers musicians distinct from the others, they share Mehmari's blend of lyricism, dynamism, and elegance.
In 2006, he won the Carlos Gomes award for classical music revelation of the year, and was appointed resident composer for the São Paulo State Wind Band. The Pan American Games commissioned him in 2007 to compose music based on themes by Villa-Lobos, Jobim, and Chico Buarque for ceremonies at Rio de Janeiro's Maracanã Stadium; and for her Spanish Schubertiade, pianist Maria João Pires commissioned him to write Viagem de Verão. In 2008, he premiered his Jazz Concerto for piano trio and strings with Orquestra Sinfônica do Estado de São Paulo as well his double concerto for jazz piano, clarinet, and winds with clarinetist Gabriele Mirabassi and the São Paulo State Wind Band. The following year brought forth more premieres including Ballo, a full scale ballet commissioned and performed by São Paulo Companhia de Dança with choreography by Ricardo Scheir. The German network Deutsche Welle commissioned him in 2010 to create a new work for the Sinfônica Heliópolis, an orchestra organized in one of São Paulo's poorest slums and now one of the world's finest youth orchestras. Mehmari composed Cidade do Sol (City of Sun), a portrait of the orchestra itself, which it premiered at Beethovenfest in Bonn and Berlin. The Miami Symphony Orchestra commissioned to compose and perform a new concerto for two pianos and orchestra, which he premiered with pianist Christopher O'Riley in May 2015. Orquestra Filarmônica de Minas Gerais commissioned him to write Divertimento, which was premiered in December 2015. The São Paulo String Quartet commissioned Re: Cordare and premiered it in May 2016. He has been commissioned to write arrangements for the closing ceremony of the 2016 Olympic Games in Rio de Janeiro. A new work commissioned by Orquestra Sinfônica do Estado de São Paulo, Variações Concertantes sobre um tema de Ernesto Nazareth, was premiered by the orchestra in 2017 at the Festival Internacional de Inverno de Campos do Jordão.
His active performing calendar includes his trio, duos with singer Mônica Salmaso, mandolinist Danilo Brito, clarinetist Gabriele Mirabassi, vibraphonist-percussionist Antonio Loureiro, and pianist Mário Laginha, as well as solo piano concerts. He continues to be one of the most sought-after composers in Brazil.
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).