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  • Parker Ighile

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Parker Ighile
  • City/Place: London
  • Country: United Kingdom

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Parker Ighile (Parker Oseomwan Ibrahim Ighile-Peters) is the son of Nigerian immigrants to the UK. He's worked with Quincy Jones, G-Eazy, Nicki Minaj, Rihanna, Jessie J, Ariana Grande, Grace, Delta Goodrem, Rita Ora, N-Dubz, Chipmunk, and Livvi Franc.

Contact Information

  • Management/Booking: [email protected]

    +44 (0) 203 145 0809

Media | Markets

  • ▶ Twitter: parkerighile
  • ▶ Instagram: parkerighile
  • ▶ Website: http://www.parkerighile.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCn8lSR-npTVwN1tUp7YNp_A
  • ▶ YouTube Music: http://music.youtube.com/channel/UCfTlqvqodtva5OHeGdhYkEw
  • ▶ Spotify: http://open.spotify.com/album/6RyRmmgRFxlH1Vx2arS1OK
  • ▶ Spotify 2: http://open.spotify.com/album/23zIqo38wgACnPslDUOwvd
  • ▶ Spotify 3: http://open.spotify.com/album/5YtnUioO5V38bJ3IQiYrkQ
  • ▶ Spotify 4: http://open.spotify.com/album/4IhDmlPuZpbUcJxG312PSu
  • ▶ Spotify 5: http://open.spotify.com/album/1s4B2EzSRS1QUGGZfdn8DG

Clips (more may be added)

  • 0:06:12
    Parker Ighile - A Film By Yasha Malekzad
    By Parker Ighile
    238 views
  • 3:09
    Reekado Banks & Parker Ighile - Options (Official Music Video)
    By Parker Ighile
    213 views
Previous
Next

Parker Ighile Curated
pathways in

  • 1 Africa
  • 1 Contemporary R&B
  • 1 Hip-Hop
  • 1 London
  • 1 Multi-Cultural
  • 1 NIgeria
  • 1 Progressive Afro Pop
  • 1 Rapper
  • 1 Record Producer
  • 1 Singer-Songwriter

What's Been Happening?

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  • Parker Ighile
    A category was added to Parker Ighile:
    Africa
    • April 20, 2021
  • Parker Ighile
    A category was added to Parker Ighile:
    NIgeria
    • April 20, 2021
  • Parker Ighile
    A category was added to Parker Ighile:
    Multi-Cultural
    • April 20, 2021
  • Parker Ighile
    Angelique Kidjo → Singer-Songwriter has been recommended via Parker Ighile.
    • April 20, 2021
  • Parker Ighile
    Angelique Kidjo → New York City has been recommended via Parker Ighile.
    • April 20, 2021
  • Parker Ighile
    Angelique Kidjo → Multi-Cultural has been recommended via Parker Ighile.
    • April 20, 2021
  • Parker Ighile
    Angelique Kidjo → Benin has been recommended via Parker Ighile.
    • April 20, 2021
  • Parker Ighile
    Angelique Kidjo → Africa has been recommended via Parker Ighile.
    • April 20, 2021
  • Parker Ighile
    A video was posted re Parker Ighile:
    Parker Ighile - A Film By Yasha Malekzad
    After a late night exchange of ideas with my friend Parker Ighile it became clear to me that further exploration of his creative process needed to be expressed and preserved. Filmed solely on the Panasonic Lumix S1H camera along side the Panasonic Lumi...
    • April 20, 2021
  • Parker Ighile
    A video was posted re Parker Ighile:
    Reekado Banks & Parker Ighile - Options (Official Music Video)
    • April 20, 2021
  • Parker Ighile
    A category was added to Parker Ighile:
    Progressive Afro Pop
    • April 20, 2021
  • Parker Ighile
    A category was added to Parker Ighile:
    London
    • April 20, 2021
  • Parker Ighile
    A category was added to Parker Ighile:
    Contemporary R&B
    • April 20, 2021
  • Parker Ighile
    A category was added to Parker Ighile:
    Hip-Hop
    • April 20, 2021
  • Parker Ighile
    A category was added to Parker Ighile:
    Rapper
    • April 20, 2021
  • Parker Ighile
    A category was added to Parker Ighile:
    Singer-Songwriter
    • April 20, 2021
  • Parker Ighile
    A category was added to Parker Ighile:
    Record Producer
    • April 20, 2021
  • Parker Ighile
    Parker Ighile is matrixed!
    • April 20, 2021
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  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 


João had something priceless to offer the world.
But he was impossible for the world to find.
✅—João do Boi

✅—Pardal/Sparrow
Royalty work in NYC for
Aretha Franklin, Gilberto Gil
Mongo Santamaria, Airto Moreira
Astrud Gilberto, Barbra Streisand
Led Zeppelin, Philip Glass
Carlinhos Brown, Richie Havens
Jim Hall, Cat Stevens (Yusuf Islam)
Ray Barretto, Wah Wah Watson
The Cadillacs, The Flamingos...
I've been screamed at by Aretha Franklin,
and harangued by Allen Klein over
royalties for the estate of Sam Cooke.
I built this matrix beginning with João do Boi.
Please link to, tell others about, join us!
[email protected]
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per the bottom of this section) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington



Bahia is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 

PORTUGUÊS (to English →)

 


João tinha algo inestimável a oferecer ao mundo.
Mas ele era impossível pro mundo encontrar.
✅—João do Boi

✅—Pardal/Sparrow
Trabalho de royalties para
Aretha Franklin, Gilberto Gil
Mongo Santamaria, Airto Moreira
Astrud Gilberto, Barbra Streisand
Led Zeppelin, Philip Glass
Carlinhos Brown, Richie Havens
Jim Hall, Cat Stevens (Yusuf Islam)
Ray Barretto, Wah Wah Watson
The Cadillacs, The Flamingos...
Fui gritado por Aretha Franklin,
e arengado por Allen Klein sobre
royalties para o patrimônio de Sam Cooke.
Eu construi este matrix a partir de João do Boi.
Por favor, faça um link para, conte aos outros, junte-se a nós!
[email protected]
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme o final desta seção) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


A Bahia é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

Por que Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 

  • Tomo Fujita Funk
  • Jeremy Pelt New York City
  • Cláudia Leitão Brasil, Brazil
  • Aderbal Duarte Bossa Nova
  • Hercules Gomes São Paulo
  • Edil Pacheco Salvador
  • Wolfgang Muthspiel Record Label Owner
  • Zakir Hussain Multi-Cultural
  • Bill T. Jones Theater Director
  • Ali Jackson Jazz
  • Ubiratan Marques Bahia
  • Philipp Meyer Austin, Texas
  • Jeff Tweedy Poet
  • Azi Schwartz החזן עזי שוורץ Cantor
  • Oriente Lopez New York City
  • Tedy Santana Salvador
  • Otmaro Ruiz Piano
  • Nublu Turkish Music
  • Steve Cropper Soul
  • Luizinho Assis Jazz Brasileiro, Brazilian Jazz
  • Muhsinah R&B
  • Sabine Hossenfelder Author
  • Edgar Meyer Classical Music
  • Guto Wirtti Rio de Janeiro
  • Jeff Tang Brooklyn, NY
  • Giba Gonçalves Brazil
  • Philip Glass New York City
  • Jeremy Danneman Ropeadope
  • Aindrias de Staic Ireland
  • Beth Bahia Cohen Hardingfele
  • Rayendra Sunito Jakarta
  • Intisar Abioto Writer
  • Duane Benjamin Trombone
  • Lula Moreira Samba de Coco
  • Maladitso Band Singers-Songwriters
  • Zulu Araújo Militante do Movimento Negro, Militant Black Activist
  • Zeca Freitas Saxophone
  • Swami Jr. Violão de Sete
  • Shamarr Allen R&B
  • Wynton Marsalis New York City
  • Vadinho França Bahia
  • Louis Marks Writer
  • Maurício Massunaga Multi-Instrumentista, Multi-Instrumentalist
  • Mandisi Dyantyis Trumpet
  • Jay Mazza Writer
  • Barbara Paris Multi-Media Artist
  • Steve Earle Radio Presenter
  • Carlos Blanco Brasil, Brazil
  • Casa PretaHub Cachoeira Bahia
  • Gustavo Caribé Brasil, Brazil
  • Danilo Brito São Paulo
  • Luíz Paixão Ciranda
  • Nancy Ruth Singer-Songwriter
  • Monty's Good Burger Vegan Chicken Sandwiches
  • Nancy Viégas Country
  • Lazzo Matumbi Brazil
  • Angel Bat Dawid Composer
  • Bing Futch Singer-Songwriter
  • Michel Camilo Classical Music
  • Brian Stoltz New Orleans
  • Orrin Evans Philadelphia, Pennsylvania
  • Logan Richardson Kansas City, Missouri
  • Hugo Rivas Buenos Aires
  • Steve Abbott Concert Promoter
  • Guto Wirtti Composer
  • Nelson Cerqueira Academia de Letras da Bahia, Bahian Academy of Letters
  • Clarice Assad Brazil
  • Victor Gama Experimental Music
  • Dan Weiss New York City
  • Lorna Simpson Brooklyn, NY
  • Casa da Mãe Espaço Cultural/Cultural Space
  • Capitão Corisco Salvador
  • Alegre Corrêa Percussion
  • Patrice Quinn Actor
  • Ken Coleman Black American Culture & History
  • Yoron Israel Berklee College of Music Faculty
  • Muireann Nic Amhlaoibh Celtic
  • Tom Piazza Writer
  • Yelaine Rodriguez Fashion Design
  • Kathy Chiavola Singer
  • Terrace Martin Jazz
  • Flor Jorge Los Angeles
  • Dexter Story Music Director
  • Duane Benjamin UCLA Herb Alpert School of Music Faculty
  • Virgínia Rodrigues Singer
  • Eddie Kadi Comedian
  • Scott Devine YouTuber
  • Lionel Loueke Jazz
  • Plamen Karadonev Balkan Music
  • Richard Rothstein Author
  • Alexandre Vieira Baixo, Bass
  • Rolando Herts Singer
  • Miroslav Tadić Contemporary Classical Music
  • Angelique Kidjo Singer-Songwriter
  • Cashmere Cat DJ
  • Nooriyah نوريّة Writer
  • Calida Rawles Los Angeles
  • Flora Purim Guitar
  • Nelson Cerqueira Escritor, Writer
  • Martin Koenig Liner Notes
  • Mestre Barachinha Pernambuco
  • Orlando Costa Bahia
  • Woody Mann Folk & Traditional
  • Tito Jackson R&B
  • Sátyra Carvalho Guitarra, Violão, Guitar
  • Carwyn Ellis Experimental Music
  • Paulão 7 Cordas Choro
  • Siobhán Peoples County Clare
  • Richard Galliano Tango
  • Wadada Leo Smith Composer
  • André Muato 8 String Guitar
  • Cristiano Nogueira Rio de Janeiro
  • Stephanie Foden Brazil
  • Oksana Zabuzhko Writer
  • Mary Stallings Jazz
  • Bebê Kramer Rio de Janeiro
  • Fred Hersch Classical Music
  • Paulo Aragão Arranger
  • Oleg Fateev Amsterdam
  • Eric Roberson Drum Machine
  • Michel Camilo Dominican Republic
  • Antonio Sánchez Composer
  • Jimmy Dludlu Jazz
  • Shuya Okino Radio Presenter
  • Hendrik Meurkens Vibraphone
  • Run the Jewels Hip-Hop
  • Chris McQueen Video Producer
  • Bruno Monteiro Produtor Musical, Music Producer
  • Gringo Cardia Rio de Janeiro
  • Manolo Badrena Afro-Latin Music
  • Adriene Cruz Textile Artist
  • Gregory Hutchinson Drumming Instruction
  • Shane Parish Athens, Georgia
  • Sunna Gunnlaugs Iceland
  • David Wax Museum Charlottesville, Virgina
  • Zara McFarlane Singer-Songwriter
  • Art Rosenbaum Folklorist
  • Glenn Patscha Composer
  • MicroTrio de Ivan Huol Brasil, Brazil
  • Dermot Hussey Broadcaster
  • Soweto Kinch Jazz
  • Sebastian Notini Brasil, Brazil
  • Rogê Samba
  • Nigel Hall Soul
  • Curtis Hasselbring Guitar
  • As Ganhadeiras de Itapuã Samba de Roda
  • Adriano Giffoni Rio de Janeiro
  • Peter Mulvey Milwaukee, Wisconsin
  • Andrew Dickson London
  • Michael Pipoquinha Brazil
  • Djamila Ribeiro Filósofa, Philosopher
  • Kiko Souza Jazz Brasileiro, Brazilian Jazz
  • Hilton Schilder Multi-Instrumentalist
  • David Castillo Theatrical Producer
  • Vik Sohonie Record Producer
  • Ron McCurdy Jazz
  • Caoimhín Ó Raghallaigh Theater Composer
  • Mateus Aleluia Filho Candomblé
  • Leon Bridges Singer-Songwriter
  • Merima Ključo Sevdalinka
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