Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Parker Ighile
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Parker Ighile
  • City/Place: London
  • Country: United Kingdom

Life & Work

  • Bio: Parker Ighile (Parker Oseomwan Ibrahim Ighile-Peters) is the son of Nigerian immigrants to the UK. He's worked with Quincy Jones, G-Eazy, Nicki Minaj, Rihanna, Jessie J, Ariana Grande, Grace, Delta Goodrem, Rita Ora, N-Dubz, Chipmunk, and Livvi Franc.

Contact Information

  • Management/Booking: [email protected]

    +44 (0) 203 145 0809

Media | Markets

  • ▶ Twitter: parkerighile
  • ▶ Instagram: parkerighile
  • ▶ Website: http://www.parkerighile.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCn8lSR-npTVwN1tUp7YNp_A
  • ▶ YouTube Music: http://music.youtube.com/channel/UCfTlqvqodtva5OHeGdhYkEw
  • ▶ Spotify: http://open.spotify.com/album/6RyRmmgRFxlH1Vx2arS1OK
  • ▶ Spotify 2: http://open.spotify.com/album/23zIqo38wgACnPslDUOwvd
  • ▶ Spotify 3: http://open.spotify.com/album/5YtnUioO5V38bJ3IQiYrkQ
  • ▶ Spotify 4: http://open.spotify.com/album/4IhDmlPuZpbUcJxG312PSu
  • ▶ Spotify 5: http://open.spotify.com/album/1s4B2EzSRS1QUGGZfdn8DG

Clips (more may be added)

  • 0:06:12
    Parker Ighile - A Film By Yasha Malekzad
    By Parker Ighile
    113 views
  • 3:09
    Reekado Banks & Parker Ighile - Options (Official Music Video)
    By Parker Ighile
    106 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Parker Ighile:

  • 1 Africa
  • 1 Contemporary R&B
  • 1 Hip-Hop
  • 1 London
  • 1 Multi-Cultural
  • 1 NIgeria
  • 1 Progressive Afro Pop
  • 1 Rapper
  • 1 Record Producer
  • 1 Singer-Songwriter

Nodes below are randomly generated. Reload for a different stack.

  • Curtis Hasselbring Jazz
  • Mary Stallings San Francisco
  • Jeffrey Boakye Educator
  • Bebê Kramer Rio Grande do Sul
  • Clint Smith Writer
  • Soweto Kinch Rapper
  • Zoran Orlić Photographer
  • Gamelan Sekar Jaya Indonesia
  • André Vasconcellos Produtor Musical, Music Producer
  • Spider Stacy Singer-Songwriter
  • Paquito D'Rivera Cuba
  • Deborah Colker Dancer
  • Joel Best Character Artist
  • Jovino Santos Neto Piano
  • Urânia Munzanzu Bahia
  • Magary Lord Salvador
  • Elza Soares Singer
  • Ethan Iverson Jazz
  • Brett Kern Ceramic Artist
  • Gui Duvignau Brazilian Jazz
  • Jorge Glem New York City
  • Cédric Villani Mathematics
  • Andrés Beeuwsaert Argentina
  • Wouter Kellerman Flute
  • Zebrinha Salvador
  • Tessa Hadley Non-Fiction
  • Lula Moreira Maracatu
  • Marta Sánchez Composer
  • Jonathon Grasse Guitar
  • Gonzalo Rubalcaba Havana
  • Michael Garnice Mento
  • Marcus Teixeira Brazilian Jazz
  • Susana Baca Afro-Peruvian Music
  • Gêge Nagô Samba de Roda
  • Adriana L. Dutra Director
  • Anoushka Shankar Journalist
  • Keyon Harrold Singer
  • Sahba Aminikia Contemporary Classical Music
  • Nath Rodrigues Belo Horizonte
  • John Waters Ireland
  • Yola R&B
  • Vivien Schweitzer Writer
  • Marília Sodré Violão, Guitar
  • Tony Austin Recording Engineer
  • Roy Nathanson Brooklyn, NY
  • Diosmar Filho Bahia
  • Eric Alexander Saxophone Instruction
  • Maria Drell Bahia
  • Yvette Holzwarth Composer
  • Ryan Keberle Melodica
  • Aruán Ortiz Composer
  • Siba Veloso Rabeca
  • Nic Hard Audio Engineer
  • Kenyon Dixon Singer-Songwriter
  • Ray Angry Songwriter
  • Simone Sou Record Producer
  • Fernando César Choro
  • Tito Jackson Guitar
  • Betsayda Machado Venezuela
  • Rudy Royston Classical Music
  • Michael Janisch London
  • Martin Fondse Contemporary Music
  • Karla Vasquez Food Writer
  • John Edward Hasse Author
  • Maria Nunes Photographer
  • Gabriel Geszti Multi-Cultural
  • Plamen Karadonev Balkan Music
  • Sebastian Notini Produtor Musical, Music Producer
  • Justin Brown Drums
  • Guga Stroeter Candomblé
  • Eliane Elias São Paulo
  • Mika Mutti Los Angeles
  • Miles Okazaki Author
  • Lazzo Matumbi Brazil
  • Ricardo Bacelar Jazz Brasileiro, Brazilian Jazz
  • Tom Bergeron Choro
  • Pasquale Grasso Jazz
  • Plinio Oyò Brasil, Brazil
  • Siphiwe Mhlambi Visual Story Teller
  • Glória Bomfim Brazil
  • Nate Smith Television Scores
  • Stephen Guerra Choro
  • Cristiano Nogueira Travel Writer
  • Ron Wyman Photographer
  • Thundercat Composer
  • Elie Afif Lebanon
  • Christopher James Musicologist
  • Julien Libeer Classical Music
  • Hendrik Meurkens Harmonica
  • Darren Barrett Jazz
  • Sunna Gunnlaugs Reykjavik
  • Robi Botos Piano
  • Capitão Corisco Flute
  • Billy O'Shea Denmark
  • Zé Katimba Brazil
  • Yilian Cañizares Singer-Songwriter
  • Nelson Cerqueira Escritor, Writer
  • Ayrson Heráclito Set Designer
  • George Porter Jr. Bass
  • María Grand Composer
  • Adriano Souza Choro
  • Carwyn Ellis Brazil
  • Karim Ziad Multi-Instrumentalist
  • Will Vinson Jazz
  • Carlos Henriquez Northwestern University Faculty
  • Serginho Meriti Composer
  • Alicia Hall Moran New York City
  • ANNA Brazil
  • Lorna Simpson Filmmaker
  • John Patrick Murphy Saxophone
  • Raynald Colom Barcelona
  • Béla Fleck Songwriter
  • 小野リサ Lisa Ono Japan
  • Ben Monder New York City
  • Jerry Douglas Dobro
  • Alex Conde Piano Instruction
  • Felipe Guedes Brazil
  • Steve McKeever Los Angeles
  • Mona Lisa Saloy Dillard University Faculty
  • Yelaine Rodriguez Bronx, NY
  • Caroline Shaw Record Producer
  • Seu Jorge Singer-Songwriter
  • Gilberto Gil Bahia
  • Ben Williams New York City
  • Gino Sorcinelli Journalist
  • Dan Trueman Composer
  • Ken Avis Radio Presenter
  • Willy Schwarz Singer
  • Amy K. Bormet Composer
  • Frank Beacham Journalist
  • Jubu Smith Bass
  • Donny McCaslin Brooklyn, NY
  • Susheela Raman London
  • Oscar Bolão Percussion
  • George Garzone Jazz
  • James Strauss Contemporary Classical Music
  • Camille Thurman Composer
  • Joshue Ashby Violin Instruction
  • Richard Galliano Composer
  • Simon Singh Physics
  • Warren Wolf Composer
  • Andrés Prado Composer
  • Biréli Lagrène Composer
  • Mingo Araújo Brazil
  • Jim Farber Music Critic
  • Kareem Abdul-Jabbar Basketball
  • Daniel Jobim Piano
  • Hopkinson Smith Basel
  • Yuja Wang Classical Music
  • Michael Janisch Double Bass
  • Caoimhín Ó Raghallaigh Uilleann Pipes
  • Nomcebo Zikode House Music
  • Nicholas Daniel Oboe
  • Ryan Keberle Composer
  • Brandon J. Acker Baroque Guitar
  • Conrad Herwig Rutgers University Faculty
  • Marcus Teixeira Brazilian Jazz
  • Cashmere Cat DJ
  • Bob Lanzetti Educator
  • Keith Jarrett Multi-Instrumentalist
  • Vanessa Moreno São Paulo
  • Tony Trischka Bluegrass
  • Alegre Corrêa Brazilian Jazz
  • John Doyle Guitar
  • Cláudio Badega Pandeiro
  • Carwyn Ellis Experimental Music
  • Brandee Younger New York University Faculty
  • John Santos Afro-Latin Music
  • Robin Eubanks Trombone
  • Mayra Andrade Singer
  • Lynn Nottage Columbia University Faculty
  • Malin Fezehai Eritria
  • Júlio Caldas Viola Machete
  • Uli Geissendoerfer Piano
  • Ivan Huol Percussion
  • Lazzo Matumbi Singer-Songwriter
  • Gearóid Ó hAllmhuráin Ireland
  • Hercules Gomes MPB
  • Del McCoury Old-Time Music
  • Antibalas Pan-Africana
  • Cory Wong Songwriter
  • Fantastic Negrito Guitar
  • Nação Zumbi Pernambuco
  • Robertinho Silva Brazil
  • Babau Santana Bahia
  • David Sedaris Essayist
  • Milton Nascimento Brazil
  • Bobby Vega R&B
  • Thiago Trad Bateria, Drums
  • Brian Lynch Latin Jazz
  • Aindrias de Staic Galway
  • Trombone Shorty Songwriter
  • Pedrito Martinez Cuba
  • Bhi Bhiman Americana
  • Carwyn Ellis Record Producer
  • Diana Fuentes Havana
  • RAM Port-au-Prince
  • Adam Cruz Jazz
  • Etienne Charles Trumpet
  • Thomas Àdes Contemporary Classical Music
  • Guto Wirtti Brazil
  • Fabian Almazan Composer
  • John Francis Flynn Ireland
  • Stefano Bollani Composer
  • Cashmere Cat Songwriter
  • Monk Boudreaux New Orleans
  • Philip Cashian Royal Academy of Music Staff
  • Keshav Batish Santa Cruz, California
  • Cristovão Bastos Composer
  • Lenna Bahule MPB
  • Cristovão Bastos Brazil
  • Sabine Hossenfelder Physicist
  • Craig Ross Guitar
  • Dadá do Trombone Trombone
  • Shannon Ali Writer
  • MonoNeon Singer-Songwriter
  • Tab Benoit Singer-Songwriter
  • Hugo Rivas Composer
  • Nicholas Gill Food Writer
  • Lalah Hathaway Record Producer
  • Robb Royer Pop
  • Grant Rindner Journalist
  • Nicholas Daniel Music Director
  • Jason Reynolds Lesley University Faculty
  • Jason Moran Piano
  • Nelson Ayres Arranger
  • Spok Frevo Orquestra Frevo
  • Edil Pacheco Songwriter
  • Leci Brandão Surdo
  • Cristovão Bastos Samba
  • Terreon Gully Composer
  • Papa Mali Guitar
  • Darrell Green New York City
  • Damon Albarn Record Producer
  • Zeca Pagodinho Rio de Janeiro
  • Mark Bingham Guitar
  • Dafnis Prieto Composer
  • Brandon Coleman Los Angeles
  • Jim Lauderdale Nashville, Tennessee
  • Horacio Hernández Havana
  • António Zambujo Lisbon
  • Edivaldo Bolagi Candomblé
  • João Rabello Choro
  • Byron Thomas Keyboards
  • Inaicyra Falcão Bahia
  • Fábio Peron Compositor, Composer
  • Stephen Guerra New York City
  • Keyon Harrold R&B
  • Diedrich Diederichsen Academy of Fine Arts Vienna Faculty
  • Mike Moreno Jazz
  • Nigel Hall Soul
  • Michel Camilo Latin Music
  • Alfredo Rodriguez Piano
  • Christopher Wilkinson Movie Director
  • Jared Sims Saxophone
  • Chris Boardman Television Scores
  • Henrique Cazes Viola Caipira
  • Steve Cropper Soul
  • Helen Shaw New York City
  • Kehinde Wiley Portrait Painter
  • Albin Zak Record Producer
  • Carl Allen Record Producer
  • Renato Braz Brazil
  • Pharoah Sanders Composer
  • Lokua Kanza Congo
  • Marcus J. Moore Brooklyn, NY
  • Sergio Krakowski Pandeiro
  • John Waters Playwright
  • Capitão Corisco Folk & Traditional
  • Avner Dorman Gettysburg College Faculty
  • Ben Wolfe Composer
  • Sparrow Roberts Bahia
  • Mischa Maisky Classical Music
  • Sarz Afrobeat
  • Jeff Tweedy Americana
  • Marko Djordjevic Berklee College of Music Faculty
  • Ken Coleman Detroit, Michigan
  • King Britt University of San Diego Faculty
  • Isaac Julien England
  • Miroslav Tadić Guitar
  • Afrocidade Hip-Hop
  • Loli Molina Argentina
  • Congahead Photographer
  • Greg Ruby Guitar
  • Jon Batiste Classical Music
  • Joshue Ashby Composer
  • Dwayne Dopsie Accordion
  • Nicolas Krassik Samba
  • Luiz Brasil Guitar
  • Rebeca Omordia London
  • Larry Achiampong Multidisciplinary Artist
  • Joatan Nascimento Brazilian Jazz
  • Lydia R. Diamond University of Illinois at Chicago School of Theater & Music Faculty
  • John Harle Composer
  • Zachary Richard Accordion
  • Casa da Mãe MPB
  • Fantastic Negrito R&B
  • Howard Levy Keyboards
  • Ajeum da Diáspora Brazil
  • Bertram Recording Artist
  • Darryl Hall Composer
  • Paulão 7 Cordas Cavaquinho
  • Eric R. Danton Writer
  • Gilsons Salvador
  • Mestre Barachinha Maracatu
  • Orlando 'Maraca' Valle Cuba
  • Quatuor Ebène France
  • Elie Afif Dubai
  • Bob Bernotas Rutgers Faculty
  • Francisco Mela Composer
  • Rita Batista Apresentadora de Televisão, Television Presenter
  • Anouar Brahem Tunisia
  • Charles Munka Hong Kong
  • Jan Ramsey New Orleans
  • Ben Wendel Composer
  • Mehdi Rajabian Arranger
  • Jess Gillam Contemporary Classical Music
  • Paulo Costa Lima Compositor, Composer
  • Allen Morrison Piano
  • Ian Hubert VFX Artist
  • Simon Shaheen Oud
  • Luke Daniels Scottish Traditional Music
  • Lô Borges Belo Horizonte
  • Romero Lubambo New York City
  • Carlos Malta Brazil
  • Susana Baca Singer-Songwriter
  • Yamandu Costa Brazil
  • Banning Eyre African Guitar
  • Dave Weckl Multi-Cultural
  • Joanna Majoko Toronto
  • G. Thomas Allen Singer-Songwriter
  • John Patrick Murphy Ethnomusicologist
  • H.L. Thompson Brazilian Funk
  • Ari Rosenschein Seattle
  • Issa Malluf Riq
  • Roberta Sá Brazil
  • Daedelus DJ
  • Nettrice R. Gaskins Cultural Critic
  • Nardis Jazz Club Galata
  • Kiko Horta Accordion
  • Asanda Mqiki South Africa
  • Daphne A. Brooks Liner Notes
  • Welson Tremura University of Florida Faculty
  • Jonga Cunha Author
  • Carol Soares Santo Amaro
  • Giba Conceição Bahia
  • Ron McCurdy Writer
  • Magary Lord Bahia
  • Dave Weckl Los Angeles
  • Thomas Àdes Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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