Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Nelson Faria
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Nelson Faria
  • City/Place: Rio de Janeiro
  • Country: Brazil
  • Hometown: Belo Horizonte, Minas Gerais

Life & Work

  • Bio: One of the most important musicians in Brazil, Nelson Faria has released 12 CDs, 6 books (2 in the EUA, Japan and Italy), one DVD w/ NOSSO TRIO and one Video-lesson “Toques de Mestre” He has also recorded as guitar player and/or arranger or producer on over 200 CDs by Brazilian and international artists.

    He has performed in more then 30 different countries and has worked with artists like João Bosco, Till Broenner, Ivan Lins, Gonzalo Rubalcaba, Milton Nascimento, Lars Jansson, Paulo Moura, Leila Pinheiro, Leny Andrade, Wagner Tiso among others.

    Nelson Faria taught for 12 years at the Universidade Estácio de Sá (Brazil) and in 2010 he moved to Sweden working as a guest professor at Örebro University.

    He has taught clinics at the Berklee College of Music (USA), IAJE (USA); University of Southern California, San Francisco State University, GIT (USA), Göteborgs Universitet, (Sweden) Manhattan School of Music (USA), Codarts Conservatory (NL), Amsterdam Conservatory (NL), Malmo Universitet (Sweden), KMH (Sweden) and others.

    In 2001 he joined the BMI Jazz workshops studying with Manny Albam, Jim McNeely and Michael Abene.

    He has worked as arranger for The Orquestra Jazz Sinfonica (SP), KMH Jazz Orchestra (Sweden), CODARTS Jazz Orchestra (NL), Orquestra Bons Fluidos, UMO Jazz Orchestra (Finland), Hr-Bigband (Germany), Frost Jazz Orchestra (USA), Amsterdam Conservatory Big Band and others.

Media | Markets

  • ▶ Twitter: nfbrazilianjazz
  • ▶ Instagram: nelsonfariaoficial
  • ▶ Website: http://www.nelsonfaria.com
  • ▶ YouTube Channel: http://www.youtube.com/c/umcafelaemcasa
  • ▶ YouTube Music: http://music.youtube.com/channel/UC-L6jAUL5KwD7ngXwElheFQ
  • ▶ Spotify: http://open.spotify.com/album/1S83kxKHPXIOBb9bnIZXda
  • ▶ Spotify 2: http://open.spotify.com/album/0DO6YpOR2Chz6mGcsP7WNF
  • ▶ Spotify 3: http://open.spotify.com/album/30wuSctMLBlarJJT0JsYx8
  • ▶ Spotify 4: http://open.spotify.com/album/3JXfhNCEMwwIsohPkAzLbA
  • ▶ Spotify 5: http://open.spotify.com/album/7wY180TsbE9lQEumS7EMET
  • ▶ Spotify 6: http://open.spotify.com/album/4q6oBTeIFPom7R3d0lD52P

My Instruction

  • Instruction: http://www.ficaadicapremium.com.br/blog/author/nelson-faria/instructing-courses/

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Nelson Faria:

  • 2 Author
  • 2 Brazilian Jazz
  • 2 Composer
  • 2 Guitar
  • 2 Guitar Instruction, Master Classes
  • 2 YouTuber

Nodes below are randomly generated. Reload for a different stack.

  • Django Bates Theater Composer
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  • Dadá do Trombone MPB
  • Roy Nathanson Composer
  • Arto Tunçboyacıyan Multi-Instrumentalist
  • Yotam Silberstein Composer
  • Meddy Gerville Jazz
  • Luke Daniels Melodeon
  • Casa Preta Espaço de Cultura, Cultural Space
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  • Herbie Hancock Keyboards
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  • Matt Glaser Composer
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  • Clint Mansell Television Scores
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  • Henrique Cazes Viola Caipira
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  • Mickalene Thomas Video Artist
  • Carlos Blanco Guitarra, Violão, Guitar
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  • Johnny Vidacovich Funk
  • Lynn Nottage Pulitzer Prize
  • Abel Selaocoe Contemporary African Classical Music
  • Jazzmeia Horn Singer-Songwriter
  • Christopher Seneca Diplomat
  • Daniil Trifonov Piano
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  • Marco Pereira Classical Guitar
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  • Chief Xian aTunde Adjuah Composer
  • Dorian Concept Keyboards
  • Barney McAll Piano
  • Steve Lehman CalArts Music Faculty
  • Nduduzo Makhathini Composer
  • Yvette Holzwarth Theater Sound Design
  • Garvia Bailey Writer
  • Ivo Perelman São Paulo
  • Burhan Öçal Tanbur
  • Casa PretaHub Cachoeira Bahia
  • Judith Hill Singer-Songwriter
  • Caetano Veloso Bahia
  • H.L. Thompson Rio de Janeiro
  • Jonathan Scales New York City
  • Roque Ferreira Author
  • Melvin Gibbs Record Producer
  • Beth Bahia Cohen Kabak Kemane
  • Badi Assad Guitar
  • Lauranne Bourrachot Movie Producer
  • Imani Winds Multi-Cultural
  • Magda Giannikou Composer
  • Eliane Elias Piano
  • Masao Fukuda Music
  • Mário Pam AFROBIZ Salvador
  • Martyn Drum and Bass
  • Matt Parker Author
  • Margareth Menezes Afropop
  • Antônio Pereira Singer-Songwriter
  • Jakub Knera Poland
  • Ben Okri Nigeria
  • Nabih Bulos Foreign Correspondent
  • Moses Boyd Record Label Owner
  • Keita Ogawa Brooklyn, NY
  • Casey Benjamin Jazz
  • Antonio García Piano
  • Donnchadh Gough Irish Traditional Music
  • Chris Speed Clarinet
  • Guto Wirtti Bass
  • Orlando Costa Salvador
  • Saul Williams Writer
  • Saileog Ní Cheannabháin Viola
  • Philip Sherburne DJ
  • Jussara Silveira Bahia
  • Orrin Evans Jazz
  • Willy Schwarz Multi-Cultural
  • Rayendra Sunito Songwriter
  • Bule Bule Brazil
  • Yo La Tengo Film Scores
  • Rick Beato Record Producer
  • Papa Mali Reggae
  • Maia Sharp Nashville, Tennessee
  • Philip Glass New York City
  • Bukassa Kabengele Guitar
  • Jonga Cunha Record Producer
  • Geovanna Costa Brasil, Brazil
  • Echezonachukwu Nduka Writer
  • Howard Levy Latin Jazz
  • Jason Reynolds Young People's Literature
  • Mike Marshall Mandolin
  • Marcus Miller R&B
  • Tom Bergeron Brazilian Jazz
  • Shemekia Copeland Singer
  • Gabriel Geszti Piano
  • Oscar Bolão Photographer
  • Max ZT Brooklyn, NY
  • Tomo Fujita Jazz
  • Ronaldo do Bandolim Rio de Janeiro
  • Pedro Aznar Buenos Aires
  • Yoron Israel Berklee College of Music Faculty
  • Ben Allison Music Writer
  • Wadada Leo Smith Composer
  • Elif Şafak Essayist
  • Gab Ferruz Bahia
  • Alana Gabriela Cantora, Singer
  • Nêgah Santos New York City
  • Negra Jhô Brazil
  • Guinga Composer
  • Victor Wooten Singer
  • Nahre Sol Contemporary Classical Music
  • Estrela Brilhante do Recife Maracatu
  • Liberty Ellman Brooklyn, NY
  • Virgínia Rodrigues Bahia
  • Monty's Good Burger Southern California
  • Jimmy Greene Composer
  • Tommy Peoples Donegal Fiddle
  • Lucio Yanel Guitar
  • Jessie Reyez Hip-Hop
  • Bob Bernotas Writer
  • Michael Peha Guitar
  • Carl Allen New York City
  • Michael Janisch London
  • David Castillo Actor
  • Jorge Washington AfroChef
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  • Lokua Kanza African Music
  • Henry Cole Multi-Cultural
  • Wilson Simoninha MPB
  • Vivien Schweitzer Music Critic
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  • Andrew Dickson London
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  • Cécile McLorin Salvant New York City
  • Ênio Bernardes Samba
  • Brian Stoltz Songwriter
  • Yazz Ahmed Flugelhorn
  • John Donohue Journalist
  • Michael Pipoquinha Brazil
  • Frank Beacham Playwright
  • Eliane Elias Singer-Songwriter
  • Adonis Rose Jazz
  • Jorge Aragão Percussion
  • Brandee Younger New York University Faculty
  • Corey Henry Trombone
  • Amit Chatterjee Sitar
  • Dan Tepfer Piano
  • John Boutté Blues
  • Darol Anger Record Producer
  • Cécile McLorin Salvant Composer
  • Merima Ključo Accordion
  • Gary Clark Jr. R&B
  • Joshue Ashby Composer
  • Philip Glass Film Scores
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  • Walmir Lima Singer
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  • Brett Kern West Virginia
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  • Richard Galliano Choro
  • Hopkinson Smith Basel
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  • Nicolas Krassik MPB
  • Gino Sorcinelli DJ Culture
  • Marcos Suzano Rio de Janeiro
  • Nicholas Payton Record Label Owner
  • 小野リサ Lisa Ono Bossa Nova
  • Wayne Shorter Composer
  • Marcus Miller Multi-Instrumentalist
  • Matthew Guerrieri Music Writer
  • Christian Sands Composer
  • Arto Lindsay Brazil
  • Donna Leon Crime Novels
  • André Becker Saxophone
  • Hélio Delmiro Composer
  • Ron Miles Jazz
  • Jupiter Bokondji Congo
  • Curly Strings Estonia
  • Serginho Meriti Samba
  • Robi Botos Piano
  • Gui Duvignau São Paulo
  • Ta-Nehisi Coates Writer
  • Vijay Gupta Contemporary Classical Music
  • Harish Raghavan Bass
  • Mahsa Vahdat Persian Classical Music
  • Cláudio Badega Salvador
  • Bianca Gismonti Piano
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  • Larissa Luz Actor
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  • Chris Boardman Film Scores
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  • Richard Bona Multi-Cultural
  • Aditya Prakash Singer
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  • Burhan Öçal Divan-Saz
  • Nancy Ruth Vocal Instruction
  • Miguel Atwood-Ferguson Los Angeles
  • Ben Okri London
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  • Curtis Hasselbring Jazz
  • Cinho Damatta Guitarra, Guitar
  • Miguel Atwood-Ferguson Multi-Instrumentalist
  • Steve Cropper Soul
  • Etan Thomas Poet
  • Joshue Ashby Timba
  • Bejun Mehta Countertenor
  • Andy Romanoff Writer
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  • Aditya Prakash Carnatic Music
  • Oleg Fateev Amsterdam
  • THE ROOM Shibuya Music Venue
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  • Ricky (Dirty Red) Gordon Washboard
  • Larnell Lewis Composer
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  • Liron Meyuhas Composer
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  • Kehinde Wiley New York City
  • Liz Dany Colombia
  • Arturo Sandoval Timbales
  • David Bruce Multi-Cultural
  • Robert Randolph Funk
  • David Sedaris Writer
  • Buck Jones Salvador
  • Dumpstaphunk Funk
  • PATRICKTOR4 Produtor Musical, Music Producer
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  • Ajeum da Diáspora Restaurant
  • Curtis Hasselbring Brooklyn, NY
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  • Richard Galliano Musette
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  • Jane Ira Bloom Saxophone
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  • Anouar Brahem Tunis
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  • Miguel Atwood-Ferguson Violin
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  • John Harle Author
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  • Tatiana Eva-Marie Gypsy Jazz
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  • Robb Royer Country
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  • Renata Flores Rapper
  • Rob Garland Guitar Instruction
  • Deborah Colker Rio de Janeiro
  • Lalah Hathaway Soul
  • Omar Sosa Cuba
  • The Bayou Mosquitos Netherlands
  • Kendrick Scott Drums

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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