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Who I Am & Where I Live

  • Name: Béla Fleck
  • City: Nashville, Tennessee
  • Country: United States

My Life

  • Biographical: Béla was born on July 10,1958 and raised in New York City. While watching The Beverly Hillbillies as a young boy, the bluegrass sounds of Flatt & Scruggs flowed out of the TV set and into his young brain. Earl Scruggs’s banjo style hooked Béla’s interest immediately. “It was like sparks going off in my head,” he later said.

    The banjo didn’t become a full time passion until ’73, when his grandfather coincidentally bought him one. That week, Béla entered New York City’s, High School of Music and Art. He began studies on the French horn but was soon demoted to the chorus, due to his lack of musical aptitude. Since the banjo wasn’t an offered elective at Music and Art, Béla sought lessons through outside sources: Erik Darling, Marc Horowitz, and Tony Trischka stepped up and filled the job.

    During this period, Béla played in his first bands: Brownstone Holler and Wicker’s Creek. Living in NYC, Béla was exposed to a wide variety of musical experiences. One of the most impressive was a concert by Return to Forever, featuring Chick Corea and Stanley Clarke. This concert encouraged further experimenting with rock and jazz on the banjo, signs of things to come.In 1976, he started his professional career, playing with Boston-based Tasty Licks.

    In 1979, he moved to the bluegrass heartland, Lexington, KY, where he co-founded Spectrum with Jimmy Gaudreau, Glen Lawson, and Mark Schatz.

    In 1981, Béla was invited to join the progressive bluegrass band New Grass Revival, lead by Sam Bush on mandolin, fiddle and vocals. With the addition of Pat Flynn on guitar and NGR veteran John Cowan on bass and vocals, New Grass Revival took bluegrass music to new heights, exciting audiences and critics alike. Through the course of five albums, they charted new territory with their blend of bluegrass, rock and country music. The relentless national and international touring by NGR exposed Béla’s banjo playing to the bluegrass/acoustic music world.

    During the eight and a half years Béla spent with NGR, he continued to record a series of solo albums for Rounder, including the ground breaking 1988 album Drive. He also collaborated with Sam Bush, Jerry Douglas, Edgar Meyer and Mark O’Connor in an acoustic super-group called Strength in Numbers. Their MCA release, The Telluride Session is considered an evolutionary statement by the acoustic music community.

    Now living in Nashville, TN, he found himself invited to record on albums by Garth Brooks, Dolly Parton, Randy Travis, The Oak Ridge Boys, The Gatlin Brothers, and many others.

    In 1988, for the PBS Lonesome Pine Series, Béla put several musical sounds together with his banjo, a string quartet, his Macintosh computer and an experimental, jazz-based combo. Howard Levy and Victor Lemonte Wooten signed on for the concert, but the group still lacked a drummer. The search was on for an unusual drummer/percussionist. Victor suggested his brother Roy Wooten, later to become known as FutureMan. Roy was developing the “Drumitar” (drum / guitar), then in its infancy. A MIDI trigger device, the Drumitar allowed FutureMan to play the drums with his fingers triggering various sampled sounds. The first rehearsal was hampered by a strong thunderstorm that knocked the electricity out for hours. The four continued on with an acoustic rehearsal and the last slot on the TV show became the first performance of Béla Fleck and the Flecktones.

    Next came the self-titled CD, which Béla financed himself. The recordingattracted the attention of the folks at Warner Bros. Records. Dubbed a “blu-bop” mix of jazz and bluegrass, the Grammy-nominated album became a commercial and critical success.

    The Flecktones’ second recording Flight of the Cosmic Hippo followed suit and hit #1 on the Billboard Jazz Chart.

    Howard Levy toured and recorded with the Flecktones till the end of 1992. After several years as a trio and touring with special guests, saxophonist Jeff Coffin joined the ‘Tones. Famed for a non-stop touring schedule, from 2001 onward, the Flecktones performed for more than 500,000 people per year.

    (In 1996, Béla revisited the forward-leaning bluegrass sound of Drive, to record Bluegrass Sessions. He added Earl Scruggs, Vassar Clements and John Hartford to the original Drive lineup of Tony Rice, Sam Bush, Jerry Douglas, Stuart Duncan, and Mark Schatz).

    Still releasing albums and touring, the Flecktones have garnered a strong and faithful following among jazz and new acoustic fans. They have shared the stage with the Dave Mathews Band, Sting, Bonnie Raitt and the Grateful Dead, among many others, made several appearances on The Tonight Show, both the Johnny Carson and the Jay Leno days, as well as Arsenio Hall, and Conan O’Brian. Béla also appeared on Saturday Night Live and The Late Show with David Letterman. The Flecktones went on tour with Dave Matthews Band in 1996 and 1997, and Fleck is featured on several tracks on DMB’s 1998 album Before These Crowded Streets.

    In 2003, Béla Fleck and the Flecktones simultaneously released the landmark three-disc Little Worlds with a highlights disc entitled Ten From LittleWorlds.

    In 2006 the band released The Hidden Land, which won the Grammy for BestContemporary Jazz Album in 2007. In 2008, the band’s holiday album Jingle All The Way was released, and took home the Grammy for Best Pop Instrumental Album in 2009.

    Béla went to Africa in 2006 to film and record Throw Down Your Heart, a sprawling project that included an award-winning documentary and two Grammy winning albums, Throw Down Your Heart, Tales from the Acoustic Planet Vol. 3 (2010), and Throw Down Your Heart – The Africa Sessions, Vol. 2 (2011). Both earned Grammys for Best Contemporary World Music Album.

    The journey explored the African roots of the banjo and featured collaborations with incredible African musicians. It led to extensive tours in North America and Europe with Oumou Sangare, Toumani Diabate, Bassekou Kouyate and N’Goni Ba, among many others.

    Any world-class musician born with the names Béla (for Bartok), Anton (for Weburn) and Léos (for Janacek) would seem destined to play classical music.

    Already a powerfully creative force in bluegrass, jazz, pop, rock and world music, Béla made the classical connection with Perpetual Motion, his critically acclaimed 2001 Sony Classical recording that went on to win a pair of Grammys, including Best Classical Crossover Album, in the 44th annual Grammy Awards.

    Collaborating and co-producing Perpetual Motion was his longtime friend andcolleague, Edgar Meyer, an acclaimed composer and bassist whose virtuosity defies labels. Béla and Edgar co-wrote and performed a double concerto for banjo and bass, which they debuted with the Nashville Symphony Orchestra in 2003. They also co-wrote The Melody of Rhythm with world renowned tabla virtuoso Zakir Hussain, a triple concerto for banjo, bass and tabla. They recorded it with the Detroit Symphony Orchestra, and played trio and concerto shows around the world.

    2008 found Bela recording The Enchantment, a duet record with his hero, Chick Corea. This album won a Latin Grammy and has led to a fruitful ongoing duo tour, and recently a double live album, Two (2015).

    In 2011, through a commission with the Nashville Symphony Orchestra, Béla wrote and premiered his first stand-alone banjo concerto, The Impostor, accompanied by the documentary film, How to Write a Banjo Concerto. This work, along with his new quintet for banjo and string quartet, Night Flight Over Water, was released on the prestigious Deutche Gramophone label. Dedicated to Earl Scruggs, who attended the Nashville premiere, Fleck has performed the concerto worldwide over 40 times. In 2016, Fleck premiered The Juno Concerto with the Canton Symphony Orchestra, with a third banjo concerto planned for 2018.

    In 2013, he joined forces with his wife, clawhammer banjoist and singer Abigail Washburn for a very banjo-centric recording and touring project. The impetus was the birth of their son Juno. Along with the obvious musical chemistry, this family band would keep their family together – on tour. Their debut album Béla Fleck and Abigail Washburn took home the 2016 Grammy for Best Folk album.

    In recent years he’s found himself bouncing between various intriguing touring situations, such as duos with Chick Corea, Chris Thile and Abigail Washburn, in a trio with Zakir Hussain and Edgar Meyer, performing his concertos with symphonies, concerts with the Brooklyn Rider string quartet, performances with African artists such as Oumou Sangare and Toumani Diabate, in jazz collaboration with The Marcus Roberts Trio, rare solo concerts and doing bluegrass with his old friends. And after nearly 30 years, the Flecktones are still performing together.

    The recipient of multiple Grammy Awards and nominations going back to 1998, Béla Flecks’ total Grammy count is 15 Grammys won, with 30 nominations. He has been nominated in more categories than any instrumentalist in Grammy history.

My Media

  • Website: http://www.belafleck.com
  • Instagram: belafleckbanjo

Listen on Spotify

  • Spotify: http://open.spotify.com/album/58VJzBF0hLb6ylVHdn1XB0
  • Spotify 2: http://open.spotify.com/album/4rH9VV4BP2CU8otrd3uXQQ
  • Spotify 3: http://open.spotify.com/album/5AjD7hY9hMWVC5ZWGerBv4
  • Spotify 4: http://open.spotify.com/album/3iIBAbZkNYkvyEXdRe6pIZ
  • Spotify 5: http://open.spotify.com/album/0KclPgeyUzBKU4pic1to9z
  • Spotify 6: https://open.spotify.com/album/34rQGJXHlECil6fZUIHm7q

Contact Information

  • Management/Booking: Artist Management
    David Bendett, Artists, Inc.
    (310) 278-5657
    artistsinc@aol.com

    Booking
    Béla Fleck, Béla Fleck & The Flecktones, Béla Fleck & Abigail Washburn, Chick Corea & Béla Fleck, Béla Fleck & Marcus Roberts Trio
    Jamie Ziefert
    Ted Kurland Agency
    (617) 254-0007
    jamie@thekurlandagency.com

    Classical
    Rob Berretta
    Opus 3 Artists
    (212) 584-7513
    rberretta@opus3artists.com

    Samantha Cortez
    (212) 584-7571
    scortez@opus3artists.com

    Edgar Meyer, Béla Fleck, and Zakir Hussain
    Dean Schultz
    IMG Artists
    (212) 994-3500
    (212) 994-3550 fax
    Press

    Carla Parisi
    Kid Logic Media
    (973) 563-8204
    kidlogicmedia@gmail.com
    Production

    Richard Battaglia
    (615) 9693877
    chardstuff@aol.com

Instructions

 

The matrix is a small world curation network.

 

It is designed to be coursed through, from node (person/entity) to node to node in a voyage of discovery.

 

This is universal open curation in series. A 21st century twist on the oldest and most effective means of publicity of all: word-of-mouth.

 

Curations in series form worldlines, which enter pages via the THEY CURATE ME tabs and exit via the I CURATE THEM tabs (per above).

 

The totality of worldlines taken together make up the matrix...a matrix in the original sense of "source", from "mater", Latin for "mother".

 

All are welcome to curate, and all may decide for themselves whose judgement to trust. One aspect of open curation is that it allows us to see the curations of performing experts in their area, no matter how obscure this area might be, areas where perhaps there are no professional curators.

 

After a page has been created (it can be as simple or as complex as you like) you create arts-related categories for which you can be recommended. Examples can be seen at the bottom of every member page, including your own.

 

Categories for which you can be recommended are created on your "THEY CURATE ME" tab. Then when somebody clicks on one of your categories, their image and a link back to their own page will appear there. You will appear on their "I CURATE THEM" tab.

 

When YOU click on somebody else's category on their "THEY CURATE ME" tab on their page, your image and a link back to your own page will appear there. THEY will appear on YOUR "I CURATE THEM" tab.

 

If wish merely to curate (recommend), simply don't create categories for yourself. Whatever the case, people getting to your page can see who you think is great. The people you think are great can see you think they are great!

 

You can put Spotify album or artist links in the Spotify fields; people on your page can click on these links and the Spotify web player will open up to your music.

 

You can put your music into your own Matrix player by clicking on the Add Music button at the top of your (or any) page.

 

You can embed YouTube videos into your own video page by clicking on the Add Videos button at the top of your (or any) page.

 

Join from the top of any page.

They Curate Me

I am curated in these categories by these people. Further info by clicking on curation category buttons.
  • 1 Americana
  • 1 Banjo
  • 1 Bluegrass
  • 1 Multi-Ethnic
  • 1 Songwriter

I Curate Them

  • I am curatable in: 5 categories
  • I have received: 5 curations
  • I CURATE THESE PEOPLE IN THESE CATEGORIES > 0 curations

Clips

  • NPR Music Tiny Desk Concert
    By Béla Fleck
    34 views
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If you find yourself sufficiently moved by this artist, open their THEY CURATE ME tab above and click on categories for which they may be recommended. The artist, together with the categories for which you are recommending them, will then appear on your own I CURATE THEM tab. While you, when the page is reloaded, will conversely appear on their THEY CURATE ME tab.

 
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