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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Otis Brown III
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Otis Brown III
  • City/Place: Plainfield, New Jersey
  • Country: United States

Life & Work

  • Bio: The son of musicians and music educators, New Jersey native Otis Brown grew up to the sounds of jazz, gospel, funk and rhythm and blues. His father, a jazz band instructor, played with James Brown and Al Green. His mother, an educator who also served as principal at Newark’s Arts High School (alma mater to jazz greats Sarah Vaughan and Wayne Shorter), was also a choir director and classically trained pianist. One could surmise that Brown had no choice in the matter when it came to his profession, yet he felt no pressure by his musically-immersed childhood. “I think they understood that it has to, in a way, choose you; you can’t really force it on somebody,” says Brown of a career in music. “My parents were great about that.”

    After playing saxophone and drums in school and church, and attending Delaware State University as music major, Brown crossed paths with jazz icon Donald Byrd and his course was dramatically altered. Byrd, who was Artist in Residence at DSU, convinced Brown to think beyond a career in music education and go to New York City to be in the thick of things. “It was life changing,” says Brown, who after studying at The New School for Jazz and Contemporary Music and the Thelonious Monk Institute, caught the attention of Joe Lovano. Initially subbing for Lewis Nash and Idris Muhammad in Lovano’s bands, Brown became a founding member of Lovano’s Us Five quintet, recording three albums, including the GRAMMY-nominated Bird Songs.

    Esperanza Spalding holds Us Five’s bass chair, and the musical camaraderie shared with Brown resulted in his joining her band and recording on her debut album. “He always gave and gives one hundred and ten percent of himself musically on the bandstand,” says Spalding, which is a sentiment inspired by most every musician who encounters Brown. “You always get the feeling playing with him, about the humility in his spirit and his willingness to do whatever it takes to take the music to its highest level,” says Ben Williams. That humility is rooted in Brown’s faith which is his personal and professional foundation. “It’s critically important for me; it’s the reason I play,” says Brown. “Without sounding contrived, I think it’s super important for how we try to raise our children, and just for every aspect of life, and music is one of those aspects and avenues for me. Without it, it would be pointless to me. It’s the reason for everything I do.”

Media | Markets

  • ▶ Twitter: ob3isme
  • ▶ Instagram: ob3isme
  • ▶ Website: http://www.obthree.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCpIRK2ke9I45sHlkC0HHmXg
  • ▶ Spotify: http://open.spotify.com/album/1tpbVb1DkbDbZbRLAok9eh

Clips (more may be added)

  • 2:32
    Otis Brown III -- "You're Still The One" (arr. Robert Glasper)
    By Otis Brown III
    180 views
  • 4:53
    Otis Brown III feat. Jean Baylor "Thought Of You"
    By Otis Brown III
    184 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Otis Brown III:

  • 4 Composer
  • 4 Drums
  • 4 Jazz
  • Marcello Gonçalves Brazil
  • Dan Weiss Drumming Instruction
  • Nels Cline Jazz, Rock, Country, Experimental
  • Trombone Shorty Songwriter
  • Tyshawn Sorey New York City
  • Gabriel Grossi Choro
  • Rogério Caetano Composer
  • Ryan Keberle Manhattan School of Music Faculty
  • Ênio Bernardes Salvador
  • Demond Melancon Mardi Gras Indian
  • Filhos de Nagô Bahia
  • Cainã Cavalcante Composer
  • Jean-Paul Bourelly Avant-Blues-Rock
  • Jakub Józef Orliński Hip-Hop
  • João Luiz Choro
  • Dona Dalva Samba de Roda
  • Dafnis Prieto Master Classes, Clinics, Workshops
  • Karla Vasquez El Salvador
  • Bill Pearis Brooklyn, NY
  • James Sullivan Journalist
  • Frank Negrão Brazil
  • Lenna Bahule MPB
  • Bob Telson New York City
  • Cláudio Jorge Record Producer
  • Anthony Hamilton R&B
  • Francisco Mela Jazz
  • John Zorn New York City
  • Béco Dranoff Cultural Producer
  • Saileog Ní Cheannabháin Classical Music
  • Tony Kofi Flute
  • João Callado Brazilian Jazz
  • A-KILL Graffiti Artist
  • Jim Hoke Saxophone
  • Béla Fleck Multi-Cultural
  • Ari Rosenschein Writer
  • Sharay Reed Jazz
  • Nate Chinen Journalist
  • China Moses Actor
  • Maia Sharp Multi-Instrumentalist
  • Mike Marshall Choro
  • Cathal McNaughton Street Photography Workshops
  • Roy Ayers New York City
  • Tomoko Omura Jazz
  • Jean-Paul Bourelly Composer
  • Bebel Gilberto Bossa Nova
  • Stefon Harris Vibraphone
  • Tony Trischka Banjo
  • Rita Batista Podcaster
  • Leon Bridges Fort Worth, Texas
  • Michael Pipoquinha Brazilian Jazz
  • Roosevelt Collier Blues, Gospel, Rock, Funk
  • Natan Drubi Brasil, Brazil
  • Terrace Martin Ropeadope
  • Weedie Braimah Drums
  • Ari Hoenig Author
  • Archie Shepp Record Label Owner
  • Marcus Miller R&B
  • David Wax Museum Charlottesville, Virgina
  • Horacio Hernández Havana
  • Booker T. Jones Soul
  • Filhos de Nagô Samba de Roda
  • J. Cunha Cenógrafo, Scenographer
  • Anissa Senoussi Matte Painter
  • Karim Ziad Jazz
  • Tom Green Guitar
  • Christian Sands Jazz
  • Cara Stacey Johannesburg
  • Christopher Seneca Drums
  • Kiko Souza Brasil, Brazil
  • Yazhi Guo 郭雅志 Multi-Instrumentalist
  • Marcel Powell Rio de Janeiro
  • Gui Duvignau Brazilian Jazz
  • Steve Cropper Recording Studio Owner
  • McIntosh County Shouters Gullah Geechee
  • Cimafunk Singer-Songwriter
  • Daru Jones Nashville, TN
  • Igor Osypov Ukraine
  • Brian Blade Composer
  • Ben Okri Essayist
  • John Donohue Artist
  • Billy Strings Singer
  • ANNA Techno
  • Missy Mazolli New York City
  • Cécile McLorin Salvant Singer
  • Vivien Schweitzer Photographer
  • Michael Formanek Composer
  • Dan Trueman Norwegian Traditional Music
  • Alain Pérez Bass
  • Don Byron Dance Performance Scores
  • Bill Pearis Editor
  • Mona Lisa Saloy New Orleans
  • Jurandir Santana Salvador
  • John Boutté Jazz
  • Del McCoury Country
  • Papa Mali New Orleans
  • Corey Henry Funk
  • Rayendra Sunito Jazz
  • Mulatu Astatke Vibraphone
  • Merima Ključo Theater Scores
  • Seu Jorge Samba
  • Orlando 'Maraca' Valle Havana
  • Case Watkins James Madison University Faculty
  • Jane Ira Bloom Saxophone
  • Stuart Duncan Nashville, Tennessee
  • Márcio Bahia Percussion
  • Doug Wamble Singer-Songwriter
  • Bruce Molsky Old-Time Music
  • Jeff Preiss Producer
  • John Santos Afro-Latin Music
  • Luques Curtis Jazz
  • Clarice Assad Singer
  • Nabih Bulos Violin
  • Michael League Record Label Owner
  • Hugues Mbenda Marseille
  • Rhiannon Giddens Banjo
  • Philip Sherburne Photographer
  • Anna Webber Flute
  • Plinio Oyò Bahia
  • Sierra Hull Singer-Songwriter
  • Mark Turner New York City
  • Paulão 7 Cordas Violão de Sete
  • Gilson Peranzzetta Composer
  • Pedro Martins Choro
  • Brad Mehldau Jazz
  • Flor Jorge MPB
  • Mike Moreno Jazz
  • Myles Weinstein Agent
  • John Santos Cape Verde
  • David Hepworth London
  • Jas Kayser Jazz
  • Chad Taylor Composer
  • Zara McFarlane Soul
  • Paulo César Pinheiro Brazil
  • Júlio Lemos Violão de Sete
  • Taj Mahal Singer-Songwriter
  • César Camargo Mariano Samba
  • Otmaro Ruiz Los Angeles
  • Robb Royer Songwriter
  • Aurino de Jesus Samba de Viola
  • Monarco Samba
  • Jack Talty Musicologist
  • Gabriel Geszti Brasil, Brazil
  • J. Cunha Bahia
  • João Luiz Composer
  • King Britt Electronic Music
  • Shirazee Africa
  • Jane Ira Bloom New School for Jazz and Contemporary Music Faculty
  • Abel Selaocoe Classical Music
  • César Camargo Mariano Composer
  • Elizabeth LaPrelle Actor
  • Chau do Pife Pífano
  • Michael Janisch London
  • Herlin Riley Tambourine
  • César Orozco Violin
  • Marcos Suzano Pandeiro
  • Sombrinha Guitar
  • Casa PretaHub Cachoeira Afroempreendedorismo, Afro-Entrepreneurship
  • Howard Levy Keyboards
  • Horácio Reis Compositor, Composer
  • Taylor Ashton Banjo
  • Herlin Riley New Orleans
  • Max ZT Hammered Dulcimer
  • Oded Lev-Ari Music Producer
  • Shuya Okino Japan
  • Miles Okazaki Guitar
  • Derek Sivers Entrepreneur
  • Adam Rogers Composer
  • Arismar do Espírito Santo Samba
  • Inaicyra Falcão Cantora, Singer
  • Isaak Bransah Brazil
  • Theo Bleckmann New York City
  • John Zorn Saxophone
  • Cláudio Jorge Guitar
  • Adenor Gondim Brazil
  • Rick Beato Recording Engineer
  • Papa Mali Blues
  • Stuart Duncan Americana
  • Thomas Àdes Contemporary Classical Music
  • Martin Koenig Liner Notes
  • Goran Krivokapić Classical Guitar
  • Stephen Guerra Choro
  • James Poyser Record Producer
  • Thomas Àdes Piano
  • Milton Primo Brazil
  • Sergio Krakowski Experimental Music
  • Miguel Zenón Puerto Rico
  • Shaun Martin Record Producer
  • Hélio Delmiro Brazil
  • Linda Sikhakhane Ropeadope
  • Matt Garrison Jazz
  • Celino dos Santos Viola Machete
  • Muhsinah Piano
  • Morgan Page House
  • Ana Tijoux Santiago
  • Terell Stafford Classical Music
  • Shemekia Copeland Chicago
  • Benoit Fader Keita Singer-Songwriter
  • Filhos da Pitangueira Chula
  • Mika Mutti Los Angeles
  • Dale Barlow Saxophone
  • Gui Duvignau Brooklyn, NY
  • George Garzone Jazz
  • Jason Reynolds Washington, D.C.
  • Jim Lauderdale Nashville, Tennessee
  • Antonio García Arranger
  • Juliana Ribeiro Salvador
  • Corey Harris Guitar
  • Vivien Schweitzer New York City
  • Marc Cary Multi-Cultural
  • Mestre Nelito Samba de Roda
  • Soweto Kinch Birmingham, UK
  • Joey Baron New York City
  • Nabihah Iqbal Guitar
  • Ivan Neville New Orleans
  • Larissa Fulana de Tal Cineasta, Filmmaker
  • Frank Olinsky Artist
  • Elif Şafak Novelist
  • Marcel Camargo MPB
  • Ofer Mizrahi Multi-Cultural
  • Cláudio Jorge Samba
  • André Mehmari Piano
  • Elodie Bouny Classical Guitar
  • Molly Tuttle Singer-Songwriter
  • Bing Futch Singer-Songwriter
  • Raelis Vasquez Dominican Republic
  • Kurt Andersen New York City
  • Varijashree Venugopal Film Scores
  • Pururu Mão no Couro Brasil, Brazil
  • Karsh Kale कर्ष काळे EDM
  • Berkun Oya Istanbul
  • Nic Hard DJ
  • Andy Romanoff Storyteller
  • Tiganá Santana Violão, Guitar
  • Awadagin Pratt University of Cincinnati College-Conservatory of Music Faculty
  • Raul Midón Guitar
  • Liron Meyuhas Percussion Instruction
  • Abderrahmane Sissako Film Producer
  • Chris Cheek Jazz
  • Cory Henry Jazz
  • Etan Thomas Motivational Speaker
  • Jaleel Shaw Manhattan School of Music Faculty
  • John Archibald Alabama
  • Garth Cartwright Music Promoter
  • Eivør Pálsdóttir Singer-Songwriter
  • Endea Owens Bass
  • Tia Surica Singer
  • Sameer Gupta Tabla
  • David Byrne Writer
  • Miles Okazaki Jazz
  • Riley Baugus Old-Time Music
  • Simon Singh Mathematics
  • Horace Bray Singer-Songwriter
  • Irma Thomas Gospel
  • Seth Swingle Banjo
  • Peter Mulvey Milwaukee, Wisconsin
  • Brett Orrison Austin, Texas
  • Fernando César Educator
  • Jorge Pita Bahia
  • Richard Rothstein Historian
  • Gilson Peranzzetta Clarinet
  • João Rabello Choro
  • Gerônimo Santana Brazil
  • Donald Vega Piano Instruction
  • Caoimhín Ó Raghallaigh Uilleann Pipes
  • Maria Nunes Photographer
  • Beth Bahia Cohen Balkan Music
  • Luciana Souza New York City
  • Alegre Corrêa Violin
  • Gilad Hekselman Guitar
  • Kaveh Rastegar Songwriter
  • Leandro Afonso Film Director
  • Flor Jorge Singer-Songwriter
  • Stephan Crump Jazz
  • Brentano String Quartet String Quartet
  • Joe Newberry Singer-Songwriter
  • Casey Driessen Fiddle
  • Paul Mahern Audio Preservation
  • Tam-Ky France
  • Aditya Prakash India
  • Antonio García Singer
  • Bernardo Aguiar Pandeiro
  • Maria Rita MPB
  • Dale Bernstein Photographer
  • Mateus Aleluia Brazil
  • Kathy Chiavola Folk & Traditional
  • Fabiana Cozza Samba
  • Owen Williams Developer
  • Carlinhos 7 Cordas Rio de Janeiro
  • Craig Ross Recording Engineer
  • Stephanie Foden Salvador
  • Asma Khalid Washington, D.C.
  • Msaki Singer-Songwriter
  • Guillermo Klein New York City
  • David Sacks Washington, D.C.
  • Saul Williams Singer-Songwriter
  • Nicolas Krassik Choro
  • Richie Stearns Composer
  • Chano Domínguez Brooklyn, NY
  • Alfredo Del-Penho Brazil
  • Gilberto Gil Bahia
  • Gabrielzinho do Irajá Partideiro
  • Michael Janisch Record Producer
  • Paulo Martelli Violão de 11, 11-String Guitar
  • Yoron Israel Multi-Cultural
  • David Binney Record Producer
  • Kotringo Singer-Songwriter
  • Caroline Shaw Singer
  • Samba de Lata Samba de Roda
  • Munir Hossn Multi-Cultural
  • Lionel Loueke Singer
  • Roy Germano NYU Faculty
  • The Umoza Music Project London
  • Jocelyn Ramirez Chef
  • Elio Villafranca Manhattan School of Music Faculty
  • Seth Rogovoy Jewish Music
  • Andrés Beeuwsaert Multi-Cultural
  • Robertinho Silva Rio de Janeiro
  • Negra Jhô AFROBIZ Salvador
  • Ajeum da Diáspora Brazil
  • Wolfgang Muthspiel Guitar
  • Antonio García University of KwaZulu-Natal Faculty
  • Edgar Meyer Composer
  • The Weeknd Singer-Songwriter
  • Jared Sims Jazz
  • Ashley Pezzotti Jazz
  • Dan Auerbach Nashville, Tennessee
  • Hélio Delmiro Jazz
  • Nubya Garcia London
  • Capinam Diretor de Museu, Museum Director
  • Michelle Mercer Writer
  • Sarz Afrobeat
  • André Vasconcellos Jazz Brasileiro, Brazilian Jazz
  • Anders Osborne New Orleans
  • Larissa Fulana de Tal Roteirista, Screenwriter
  • D.D. Jackson Conservatory of Music at Brooklyn College Faculty
  • Oleg Fateev Accordion
  • Lula Galvão MPB
  • Towa Tei テイ・トウワ Keyboards
  • Ken Coleman Reporter
  • François Zalacain New York City
  • Dave Holland Bass
  • Shaun Martin Multi-Instrumentalist
  • Antibalas Pan-Africana
  • Cássio Nobre Guitarra Baiana
  • Mono/Poly DJ
  • Mokhtar Samba Paris
  • Abel Selaocoe Cello
  • Barlavento Samba
  • Aindrias de Staic Television Presenter
  • Nigel Hall Funk

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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