CURATION
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from this page:
by Matrix
The Integrated Global Creative Economy
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Name:
Kim André Arnesen
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City/Place:
Oslo
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Country:
Norway
Life
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Bio:
Kim André Arnesen (b. 1980) is one of the most frequently performed classical composers from Norway today. He grew up in Trondheim, and while being a daily follower of MTV, and no one understood why he was such a big The Cure fan at the age of 10, he also played the piano at the music school and was a chorister in the Nidaros Cathedral Boys´ Choir.
He was educated at the Music Conservatory in Trondheim. With a big interest in baroque music, contemporary classical music, and popular music, Kim could have taken many roads, but choral music became his greatest passion. As a composer, he had his first performance at the age of 18 with the boys´ choir. Since then he has written music that has been performed by choirs all over the world.
In 2010, his first large-scale work, Magnificat was commissioned and premiered by the Nidaros Cathedral Girls´ Choir. The premiere got an overwhelming feedback leading to several new commissions. A recording was released by 2L in 2014 and the album has received excellent reviews in Gramophone, Choir & Organ and other classical magazines. Gramophone calls the music "haunting, beautifully arched, warmly compassionate".
In 2011 his choral work Even when He is silent had its premiere during the St. Olav Festival (Olavsfestdagene) in Trondheim. The piece was commissioned by the festival and has since its premiere been performed many times around the world and recorded on several CDs.
In 2013 Even when He is silent and Cradle Hymn featured in the TV production "Christmas in Norway" with St. Olaf Choir and Nidaros Cathedral Girls' Choir. Cradle Hymn has been the bestseller of Santa Barbara Music's Christmas music in 2014, 2015 and 2016. In 2016 it was performed at The White House for President Barack Obama.
In April 2014 his Requiem was premiered by the Nidaros Cathedral Boys' Choir, and the work had its U.S. premiere in April 2015. The work had its New York City premiere at Carnegie Hall in January 2017, in a production with the Distinguished Concerts International New York (DCINY).
Kim was the Composer-in-residence for the Denver-based choral ensemble Kantorei and Artistic Director Joel Rinsema in their 2015/16 Season, which will end with Kim's second CD album to be released in January 2018 by Naxos. In 2016 the new large-scale work The Wound in the Water was premiered during the St. Olaf Festival in Trondheim, with Conspirare, conductor Craig Hella Johnson, soprano Elin Manahan Thomas, and TrondheimSolistene.
The National Lutheran Choir commissioned the Holy Spirit Mass in commemoration of 500 years since the reformation and was premiered in Washington D. C. and Minneapolis in 2017. Several new commissioned anthem length pieces were premiered throughout 2017 including a commissioned work for the Texas Choral Directors Association and Oregon Bach Festival. In 2018 the album INFINITY was released by Naxos with the Denver choir Kantorei and conductor Joel Rinsema. The album included a selection of Kim's choral works. In 2018, the 5th large-scale work Tuvayhun - Beatitudes for a Wounded World with lyrics by Charles Anthony Silvestri was premiered in New York City by the Manhattan Girls Chorus. In October 2018 the work So That the World May Believe was premiered in Rome together with the European premiere of the "Holy Spirit Mass."
Kim is an elected member of the Norwegian Composers Society, and a full-time composer focusing on choral music. From September 2017 he has signed with Boosey & Hawkes as one of their house composers.
Clips (more may be added)
When creators curate people (and entities) for what they do and where they do it, a matrix is generated.
Following human society, by the mathematical magic of the small-world phenomenon, all inside such a matrix tend to within degrees of all others inside.
And by logical extension, to within degrees of all humanity.
It is almost completely unknown that the Recôncavo of Bahia was final port-of-call for more enslaved human beings than any other place throughout the entirety of mankind’s existence on this planet.
And widely unknown that Brazil — a repository of African deities now largely forgotten in their lands of origin — absorbed over ten times the number of Africans taken to the United States of America.
And unknown that Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil’s national music — the pandeiro — was almost certainly brought to Brazil by these people).
Across the parched savannas of the interior of Brazil’s culturally fecund nordeste/northeast (where wizard Hermeto Pascoal was born in Lagoa da Canoa — Lagoon of the Canoe — and raised in Olho d’Águia — Eye of the Eagle), much of Brazil’s aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.
Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth.
This matrix began here and opens pathways to everywhere.
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"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Ground Zero for the project was the culture born in Brazil's quilombos (in Angola a kilombo is a village; in Brazil it is a village either founded by Africans or Afro-Brazilians who had escaped slavery, or — as in the case of São Francisco do Paraguaçu below — occupied by such after abandonment by the ruling class):

...theme for a Brazilian Matrix, from an Afro-Brazilian Mass by
Milton Nascimento
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC (I've lived here in Brazil for 32 years now) I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
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