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  • Why a "Matrix"?
  • @ Ground Zero
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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Jay Mazza:

  • 3 Journalist
  • 3 New Orleans
  • 3 Writer

What's Up

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  • Jay Mazza
    The Umoza Music Project → Senga Bay has been recommended via Jay Mazza.
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    John Donohue → Writer has been recommended via Jay Mazza.
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    John Donohue → Journalist has been recommended via Jay Mazza.
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Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Jay Mazza
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Jay Mazza
  • City/Place: New Orleans
  • Country: United States

Current News

  • What's Up? “Jay Mazza is the ultimate authority on the New Orleans music scene. If he doesn’t know it, it’s not worth knowing.”
    -Reggie Scanlan, bassist for the Radiators & formerly for Professor Longhair

    “You can always trust Jay Mazza’s musical judgment. He’s always on the scene to find out the real deal.”
    -Kirk Joseph, founding member of the Dirty Dozen Brass Band, Backyard Groove

    “He’s been on the scene for as long as I can remember.”
    -Corey Henry, Rebirth Brass Band, Galactic

Life & Work

  • Bio: Jay Mazza has been documenting the music scene in New Orleans for three decades. He was editor of Beat Street Magazine, "The National Geographic of New Orleans Music and Culture".

    He's written for Downbeat, the Times-Picayune, Offbeat and Blues Access. He wrote the "Jazz City" column and covered culture for the Lousiana Weekly from 1992 to 2005.

    He wrote 'I Got the Fish in the Head: A Radiators Retrospective', a cultural, first-hand documenting of New Orleans and its music scene centered on iconic band The Radiators. His opus is 'Up Front & Center: New Orleans Music at the End of the Twentieth Century'. His latest book is "Not Just Another Thursday Night: Kermit Ruffins and Vaughan's Lounge."

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ My Substack: http://jaymazza.substack.com
  • ▶ Book Purchases: http://www.amazon.com/dp/1492278386/
  • ▶ Website: http://www.jaymazza.com
  • ▶ Blog: http://www.thevinyldistrict.com/city/neworleans/
  • ▶ Articles: http://www.offbeat.com/author/fakejaymazza/
  • Mestre Nenel AFROBIZ Salvador
  • João do Boi Samba de Roda
  • Jay Mazza Journalist
  • Kareem Abdul-Jabbar Writer
  • Margareth Menezes Salvador
  • Pedrito Martinez Congas
  • Airto Moreira Brazil
  • Vijay Iyer Harvard University Faculty
  • Yosvany Terry Harvard University Faculty
  • Mário Pam AFROBIZ Salvador
  • Robert Glasper Hip-Hop
  • Toby Gough Musical Theater
  • Herbie Hancock Jazz
  • Hermeto Pascoal Multi-Instrumentalist
  • Julian Lloyd Webber Cello
  • Kamasi Washington Saxophone
  • Caetano Veloso Salvador
  • Gabi Guedes Salvador
  • Armandinho Macêdo Salvador
  • Juliana Ribeiro Salvador
  • Nduduzo Makhathini South Africa
  • Raymundo Sodré Bahia
  • Jorge Washington AFROBIZ Salvador
  • Luedji Luna Salvador
  • Iuri Passos AFROBIZ Salvador
  • Darius Mans Economist
  • Louis Marks Ropeadope
  • Simon Brook Filmmaker
  • Lauranne Bourrachot Movie Producer
  • Taj Mahal Blues
  • Gilberto Gil Salvador
  • Jau Salvador
  • Bob Mintzer USC Thornton School of Music Faculty
  • Ilê Aiyê Salvador
  • Alicia Svigals Klezmer Fiddle
  • Lazzo Matumbi Salvador
  • Paulinho da Viola Samba
  • Bobby Sanabria Manhattan School of Music Faculty
  • Kurt Rosenwinkel Guitar
  • Mateus Aleluia Candomblé
  • Chief Xian aTunde Adjuah New Orleans
  • Magary Lord AFROBIZ Salvador
  • Gal Costa Salvador
  • Christopher Wilkinson Screenwriter
  • Tony Trischka Banjo
  • Beth Bahia Cohen Berklee College of Music Faculty
  • Larry Achiampong Composer
  • Jeff Tweedy Multi-Instrumentalist
  • David Castillo New Orleans
  • David Wax Museum Charlottesville, Virgina
  • Jaques Morelenbaum Brazil
  • Mauro Diniz Rio de Janeiro
  • Garth Cartwright Music Critic
  • Will Holshouser Accordion
  • Samuca do Acordeon Samba
  • Michael Peha Guitar
  • Paulinho do Reco Percussion
  • Justin Stanton Multi-Cultural
  • Courtney Pine Composer
  • Alessandro Penezzi Composer
  • Tessa Hadley Bath Spa University Faculty
  • Omar Hakim Drums
  • Isaiah Sharkey Guitar
  • Wadada Leo Smith Jazz
  • Alicia Keys Author
  • Tomoko Omura Violin
  • John Archibald Podcaster
  • Luiz Brasil Brazil
  • H.L. Thompson Hip-Hop
  • Turíbio Santos Rio de Janeiro
  • Rodrigo Amarante Singer-Songwriter
  • Guinha Ramires Rio Grande do Sul
  • Carl Joe Williams Sculptor
  • Ray Angry Songwriter
  • Aaron Parks Brooklyn, NY
  • Cristovão Bastos Piano
  • Dan Trueman Hardanger Fiddle
  • Edgar Meyer Bluegrass
  • Harish Raghavan Brooklyn, NY
  • Michael Garnice Reggae
  • Leon Bridges R&B
  • Dan Nimmer Piano
  • Duncan Chisholm Traditional Scottish Music
  • Raynald Colom Composer
  • Yazhi Guo 郭雅志 Jazz
  • Sergio Krakowski Experimental Music
  • Donald Harrison New Orleans
  • Orrin Evans Neo Soul/Acid Jazz
  • Donald Vega Composer
  • Nomcebo Zikode South Africa
  • Paul Anthony Smith Jamaica
  • Dhafer Youssef ظافر يوسف Tunisia
  • Bruce Molsky Old-Time Music
  • Donnchadh Gough Bodhrán
  • Deesha Philyaw Columnist
  • Yosvany Terry Cuba
  • Ben Harper Reggae
  • Etienne Charles Trumpet
  • Alan Bishop Egypt
  • Hugo Linns Pernambuco
  • Danilo Caymmi Brazil
  • Celso de Almeida Brazilian Jazz
  • Pedro Aznar Singer-Songwriter
  • Sérgio Mendes Brazil
  • Kurt Andersen New York City
  • Issa Malluf Udu
  • Alita Moses Singer-Songwriter
  • Iuri Passos Candomblé
  • Edsel Gomez Multi-Cultural
  • Kaveh Rastegar Record Producer
  • Walter Pinheiro Brazilian Jazz
  • Robert Randolph Gospel
  • Doug Wamble Guitar
  • Antônio Queiroz Forró
  • Paulinho Fagundes Rio Grande do Sul
  • Béla Fleck Multi-Cultural
  • Raymundo Sodré Samba de Roda
  • Warren Wolf Bass
  • Cécile McLorin Salvant Illustrator
  • Quincy Jones Record Producer
  • Issa Malluf Arabic Percussion
  • Kiko Horta Composer
  • Shankar Mahadevan Film Scores
  • Michael Formanek Jazz
  • Shez Raja Bass
  • Scott Kettner Maracatu
  • John Luther Adams Contemporary Classical Music
  • Quincy Jones Trumpet
  • Barry Harris Jazz
  • Amaro Freitas Jazz
  • Mary Norris New York City
  • Greg Ruby Composer
  • Chief Xian aTunde Adjuah Record Producer
  • Rudresh Mahanthappa Composer
  • Nicholas Barber London
  • NIcholas Casey International Correspondent
  • Yasushi Nakamura Japan
  • China Moses Actor
  • Olga Mieleszczuk Poland
  • Darrell Green New York City
  • Simone Sou Percussion
  • Yunior Terry Afro-Cuban Jazz
  • Frank Negrão Music Director
  • Armen Donelian Composer
  • Alma Deutscher Composer
  • Bing Futch Singer-Songwriter
  • Swizz Beatz New York City
  • Andrew Finn Magill Choro
  • Jaleel Shaw Manhattan School of Music Faculty
  • Arturo Sandoval Trumpet
  • Filhos de Nagô Samba
  • Celsinho Silva Brazil
  • Psoy Korolenko Псой Короленко Moscow
  • Emicida Brazil
  • Jonathan Richter Classical Guitar
  • Ivan Huol Drums
  • Dan Nimmer Jazz
  • Daphne A. Brooks Journalist
  • Augustin Hadelich Classical Music
  • Ned Sublette Singer-Songwriter
  • Luedji Luna Brazil
  • Michael Kiwanuka Record Producer
  • Edu Lobo Multi-Instrumentalist
  • Cainã Cavalcante Composer
  • Mark Bingham Record Producer
  • Lívia Mattos Accordion
  • Joan Chamorro Spain
  • Nguyên Lê Film Scores
  • William Skeen Baroque Cello
  • Ben Street New York City
  • Msaki Singer-Songwriter
  • David Sánchez Ropeadope
  • Bertram Drum Set Performance
  • Rodrigo Amarante MPB
  • Africania Candomblé
  • Richie Barshay Jazz
  • Taylor Eigsti New York City
  • Sarah Jarosz New York City
  • Alicia Keys Actor
  • Fabian Almazan Record Label Owner
  • Luiz Santos Contemporary Classical Music
  • Barney McAll Composer
  • Cale Glendening Film Director
  • Mateus Alves Recife
  • Anders Osborne Americana
  • Mônica Salmaso MPB
  • Wilson Simoninha Music Producer
  • Jacám Manricks Composer
  • David Byrne Writer
  • Eric Bogle Singer-Songwriter
  • Ashley Pezzotti Singer-Songwriter
  • Ed O'Brien Guitar
  • Samuca do Acordeon Choro
  • Meshell Ndegeocello Rapper
  • King Britt DJ
  • Nicholas Daniel Music Director
  • Dan Trueman Composer
  • Hanif Abdurraqib Poet
  • Ethan Iverson Piano
  • G. Thomas Allen Opera
  • Lula Moreira Percussion
  • David Braid Film Scores
  • Ronell Johnson Funk
  • Rayendra Sunito Songwriter
  • Anthony Hervey Composer
  • Gerald Clayton Composer
  • Pretinho da Serrinha Brazil
  • Aditya Prakash Singer
  • Ajurinã Zwarg Rio de Janeiro
  • Burhan Öçal Divan-Saz
  • Miles Mosley Television Scores
  • Germán Garmendia Comedian
  • Gilmar Gomes Bahia
  • Şener Özmen Kurdistan
  • Estrela Brilhante do Recife Maracatu
  • Yacouba Sissoko Griot
  • Michelle Mercer Radio Producer
  • Sean Jones Jazz
  • Tommy Peoples Donegal Fiddle
  • Gui Duvignau Multi-Cultural
  • Elif Şafak Writer
  • Terell Stafford Jazz
  • Ajeum da Diáspora Restaurant
  • Gevorg Dabaghyan Armenian Folk Music
  • Bob Telson New York City
  • Ruven Afanador Colombia
  • Scott Yanow Jazz Journalist
  • Maia Sharp Multi-Instrumentalist
  • Gêge Nagô Bahia
  • Aderbal Duarte Guitar
  • Tia Fuller Composer
  • Daniil Trifonov Russia
  • Mary Norris Writer
  • Steve Earle Writer
  • Warren Wolf Piano
  • Joe Lovano Author
  • Stephen Guerra Samba
  • Echezonachukwu Nduka Piano
  • James Carter Jazz
  • Ferenc Nemeth Hungary
  • Osvaldo Golijov Contemporary Classical Music
  • Matt Garrison Composer
  • Alex Conde Spain
  • J. Period Remixer
  • Victoria Sur Bogotá
  • Craig Ross Songwriter
  • Alma Deutscher Piano
  • Mayra Andrade Cape Verde
  • Gabi Guedes Bahia
  • Susana Baca Peru
  • Joey Alexander Indonesia
  • Carlinhos Brown Bahia
  • Logan Richardson Kansas City, Missouri
  • Ramita Navai Tehran
  • Marcel Camargo Composer
  • Los Muñequitos de Matanzas Rumba
  • Ben Wolfe New York City
  • Morgan Page EDM
  • Renata Flores Quechua
  • Richie Stearns Ithaca, New York
  • Daru Jones Hip-Hop
  • Simon Singh Physics
  • Jon Cowherd Piano
  • Teresa Cristina Rio de Janeiro
  • Adam Rogers Jazz
  • Spider Stacy New Orleans
  • Nicole Mitchell Composer
  • Kiko Freitas Samba
  • Bodek Janke World Music
  • Doug Wamble Record Producer
  • Lalah Hathaway Singer-Songwriter
  • Siba Veloso Ciranda
  • Cassandra Osei University of Illinois PhD Candidate
  • Duncan Chisholm Scotland
  • Adriano Souza Piano
  • Joachim Cooder Americana
  • Ben Wolfe Composer
  • Alex Hargreaves Jazz
  • Nelson Latif Cavaquinho
  • Nardis Jazz Club Turkey
  • Jonga Cunha Bahia
  • Tyler Gordon Artist
  • Chano Domínguez Piano
  • Moreno Veloso Guitar
  • Ferenc Nemeth Jazz
  • Nicolas Krassik Choro
  • Tam-Ky Vietnamese Foods
  • Ronaldo do Bandolim Composer
  • Margareth Menezes Brazil
  • Jon Otis Singer-Songwriter
  • Corey Henry Second Line
  • Yunior Terry Jazz
  • Fred Hersch Piano
  • Christopher James New York City
  • Carlos Henriquez Composer
  • Ferenc Nemeth New York City
  • Sarz Africa
  • Chelsea Kwakye UK
  • Antônio Queiroz Bahia
  • Brett Orrison Record Producer
  • Bebel Gilberto Bossa Nova
  • Chris Acquavella Composer
  • Moreno Veloso Brazil
  • OVANA Cunene
  • Swami Jr. Bass
  • João Rabello Composer
  • George Porter Jr. Bass
  • João Teoria Compositor/Composer
  • Rudresh Mahanthappa Saxophone
  • Monk Boudreaux Percussion
  • João Bosco Singer-Songwriter
  • Eli Saslow Writer
  • Leon Bridges Fort Worth, Texas
  • Parker Ighile Singer-Songwriter
  • Welson Tremura Composer
  • Adanya Dunn Toronto
  • Fred Hersch Composer
  • David Binney Record Producer
  • Simon Shaheen Oud
  • Alphonso Johnson Funk
  • Henrique Cazes Rio de Janeiro
  • Lalah Hathaway R&B
  • Shaun Martin Keyboards
  • Ron Miles Composer
  • Antibalas New York City
  • Isaias Rabelo Salvador
  • Kalani Pe'a Hawaii
  • Marcelinho Oliveira Brazil
  • Cedric Watson Accordion
  • Atlantic Brass Quintet Baroque
  • John Doyle Singer-Songwriter
  • Sharita Towne Multidisciplinary Artist
  • Arthur L.A. Buckner Drums
  • Domingos Preto Samba de Roda
  • Colson Whitehead New York City
  • Marquis Hill R&B
  • Dezron Douglas NYU Steinhardt Faculty
  • Ricky (Dirty Red) Gordon Second Line
  • Pururu Mão no Couro Samba Rock
  • Stefon Harris Composer
  • Rogê Samba
  • Willy Schwarz Songwriter
  • Rumaan Alam Short Stories
  • Anissa Senoussi London

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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