Rez Abbasi - The Matrix

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Who I Am & Where I Live

Name: Rez Abbasi
City: New York City
Country: United States
Hometown: Karachi, Pakistan

My Life

Biographical: Voted #1 Rising-Star Guitarist in the 2013 DownBeat Critics Poll and subsequently placed in the “Top-Ten Guitarists” alongside luminaries Bill Frisell and Pat Metheny, guitarist and composer Rez Abbasi is one of the most original voices on the current scene.

Born in Karachi, Pakistan, removed at the age of four to the vastness of Southern California, schooled at the University of Southern California and the Manhattan School of Music in jazz and classical music, along with a pilgrimage in India under the guidance of master percussionist, Ustad Alla Rakha, Rez Abbasi is a vivid synthesis of all the above stated influences and genres. Making New York home for the past 25 years, Abbasi is considered by many to be one of the foremost modern jazz guitar players the world over. He has honed his skills with performances throughout Europe, Canada, the U.S., Mexico and India and has performed and recorded with many jazz greats including, Grammy winner Ruth Brown, Peter Erskine, Kenny Werner, Barre Phillips, Tim Berne, Michael Formanek, Billy Hart, Gary Thomas, Dave Douglas, Rudresh Mahanthappa, Mike Clark, Tim Hagans, John Beasly, Ronu Majumdar, Kadri Gopalnath, Vishwa Mohan Bhatt, Vijay Iyer, Marilyn Crispell, Greg Osby, Howard Levy and a host of others.

With 14 albums of mostly original compositions under his belt, Abbasi continues to find new groups of musicians to help his musical vision come to life. His 2005 recording Snake Charmer, created a stir in the music world partly due to his organic, original approach in blending two complex musical genres together, namely jazz and Indian music. The provocative instrumentation of organ, drums and guitar alongside Indian vocalist Kiran Ahluwalia, is on one hand, a sound grounded in jazz and yet uncommon in jazz arenas. 20th Century Guitar reviewed the CD as, “One of the best examples yet of how to merge Indian Classical music with jazz…Snake Charmer really breaks new ground.” In 2007, Rez achieved even greater heights with the follow up to Snake Charmer, Bazaar. Bazaar continues the group’s journey through territories unheard in today’s jazz/world music scene.

Abbasi’s sixth album, Things To Come (Sunnyside, 2009) is yet another leap into unchartered musical territory. It features a star-studded group of Vijay Iyer, Rudresh Mahanthappa, Kiran Ahluwalia, Johannes Weidenmueller and Dan Weiss and was included in DownBeat’s top CD’s of the decade. The same year he was awarded the prestigious Chamber Music America Grant as a commission to compose new works for the same ensemble, Invocation. At the end of 2009, Abbasi formed a new quartet. The Rez Abbasi Acoustic Quartet, or RAAQ, was conceived for the purposes of featuring Abbasi’s acoustic guitar talents. Simultaneously, it serves as an outlet to feature his compositions alongside “gems from other composers that are rarely heard today.” Abbasi was well aware of creating a group that would magnify and enhance his acoustic guitar sound – calling upon vibraphonist, Bill Ware (Steely Dan), bassist, Stephan Crump (Vijay Iyer Trio) and drummer, Eric McPherson (Andrew Hill). RAAQ’s debut, Natural Selection (Sunnyside, 2010) captures the profound sensitivity of the ensemble as it twists and turns through the set, featuring the standout textural cascades created between acoustic guitar and vibraphone. The album was included in JazzTimes’ and NPR’s ‘best of’ the year lists and the New York Times did a feature review of the CD release concert. RAAQ performed at the 2010 Newport Jazz Festival which was recorded and broadcasted several times on NPR’s JazzSet with Dee Dee Bridgewater.

In 2010, Abbasi reconvened his group, Invocation to record the follow-up to Things To Come. Suno Suno (enja, 2011) features his new CMA commissioned compositions that are informed by Qawwali – spiritual music from Pakistan. The power, joy and depth that Qawwali encompasses can be heard throughout Suno Suno. The album was included on multiple top-ten lists of 2011. As a response to Invocation, with its extended ensemble and highly complex compositions, Abbasi felt the need to do a more intimate project. His new trio was formed and it includes long time cohorts, bassist, John Hebért (Andrew Hill) and drummer, Satoshi Takeishi (Eliane Elias). Continuous Beat (enja, 2013), is his first trio outing and the results are brimming with adventure and subtlety. Along with his cutting edge compositions, the trio reinterprets music of Monk, Jarrett and others, using guitar electronic manipulation. As he states, “I wanted to excite the listener with a new guitar trio experience – one that retains the warmth of the established trio sound but also employs electronics in order to expand the timbral palette, especially for the melodies. Ultimately, this approach not only gives clarity to the solos but also keeps the listener’s aural sense stimulated.”

Abbasi soon re-employed his acoustic quartet, RAAQ for another album. Intents & Purposes (enja, 2015) acoustically recasts classic jazz-rock music from the ‘70s, a genre Rez initially overlooked due to its overuse of synthesizers. He used a fretless guitar to highlight his love for micro-tonality. Rez was consequently featured in the Wall Street Journal, DownBeat and JazzTimes.

In the summer of 2016 Abbasi released an album with his group, Junction. Behind the Vibration(Cuneiform 2016), is the inverse of Intents & Purposes in that it is a full-blown electric album of all originals. With Mark Shim on tenor sax & midi wind-controller, Ben Stivers on keyboards, B3 & Rhodes, Kenny Growhowski on drums and Rez employing overdrive and effects, the music moves in very unpredictable ways.

Abbasi’s 2017 album, Unfiltered Universe (Whirlwind Records, 2017) finds him back in the company of his group Invocation. It’s the third album of the trilogy Abbasi set out to record starting from Things to Come from 2008. Unfiltered Universe received top 50 best albums from NPR along with countless positive reviews the world over and was funded by his second CMA grant.

2019 sees the release of Abbasi’s first score for a silent film. The film, A Throw of Dice was produced in 1929 in India and is based on an episode from the Mahabharata, one of two major Sanskrit works from the 8th century B.C.E. Abbasi was commissioned by the New York Guitar Festival to write and perform the new score live to the film. The resulting music was highly inspiring and released on Whirlwind Recordings.

My Media

Website: http://www.reztone.com
Twitter: rezabbasi
Buy My Music: http://www.reztone.com/cd-store/
Instagram: reztone

Listen on Spotify

Spotify: http://open.spotify.com/album/08hOfcgnMAyyVEcz1R496n
Spotify 2: http://open.spotify.com/album/13ZzZivZ5pTACuqh6uwJoQ
Spotify 3: http://open.spotify.com/album/16MOVt2Fjne7u5xFggHamo
Spotify 4: http://open.spotify.com/album/2A9eGoiGTxBERdoI2vQ5YY
Spotify 5: http://open.spotify.com/album/2tgQShWpT022e50v7SBm2Z
Spotify 6: https://open.spotify.com/album/3759cmP6ZfF6s4oJW9lZGJ

Contact Information

Email: reztone@gmail.com

Clips

Rez Abbasi Trio: Rise Above & Lonnie’s Lament (cover of Coltrane)
By Rez Abbasi

7 views
The Sounds of Rez Abbasi
By Rez Abbasi

7 views

The Matrix & its Backstory in Bahia, Brazil

"If Myspace Music had been set up backwards per the Matrix — for recommending rather than "friends" — they'd be using it to hear Hermeto Pascoal in Andromeda by now!" Sparrow Roberts, founder, The Matrix

"Wow! Very impressive! ... I love what you've built here..." Derek Sivers, founder, CD Baby

"I'm truly thankful! ... Sohlangana ngokuzayo!" Nduduzo Makhathini, Blue Note Recording Artist

Pre-Brazil we "rescued" unpaid royalties for performers and composers including Aretha Franklin, Barbra Streisand, Led Zeppelin, Philip Glass, Mongo Santamaria, Airto Moreira, Gilberto Gil, Astrud Gilberto, Jim Hall, Robb Royer of Bread, Speedo & the Cadillacs, and many more! Recording by WXPN's Kim Junod

THIS IS THE WORLD'S FIRST EVER SMALL WORLD CURATION NETWORK...

Meaning that ANY ARTIST (in ANY FIELD) in ANY PLACE in the world can be potentially reached by ANYBODY from ANYWHERE.

BY WHAT WIZARDRY?

We've all heard of six degrees of separation, more properly called a small world network. Within six or so steps we can move through a chain of people knowing other people to just about anybody on the planet.

SIMPLY CHANGE "KNOW" TO "RECOMMEND"

In exactly the same way, step by step we can move through chains of ARTISTS CURATING ARTISTS to to just about any artist on the planet (anybody is welcome to begin curation-chains by recommending somebody).

LIKE THIS...

From the Quincy Jones page we access one of his protégés, stellar young Cuban pianist Alfredo Rodriguez. From the Alfredo Rodriguez page we access a fabulous multinstrumentalist Alfredo plays with, Munir Hossn. Two more steps and we've reached Raimundo Sodré, formerly virtually unreachable in Bahia:

Dengo

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DICTATED SILENCE

Sodré's meteoric major-label career was crushed and he was threatened with death by the Brazilian dictatorship years ago, sending him into a 19 year exile. He became almost impossible to find and hear.

MUSIC FALLS LIKE RAIN

But now lines of everbranching interlinked recommendations rise from Bahia to form a (small world) network rounding the planet like the arboreal canopy of a vast Amazonian rainforest. When the dictatorship ground Sodré into the dust, they unwittingly planted a seed.

IS THE MATRIX AN ALTERNATE REALITY?

The original meaning of "matrix" is "source", from "mater", Latin for "mother". We're real mothers for ya!

DOES THE MATRIX WATCH YOU?

Zero surreptitious tracking, data mining and data brokerage per Cambridge Analytica, Facebook, et al.