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  • Terri Lyne Carrington

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Terri Lyne Carrington
  • City/Place: Boston, MA
  • Country: United States

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Celebrating 40 years in music, three-time GRAMMY® award-winning drummer, producer, educator and activist, Terri Lyne Carrington started her professional career in Massachusetts at 10 years old when she became the youngest person to receive a union card in Boston. She was featured as a “kid wonder” in many publications and on local and national tv shows. After studying under a full scholarship at Berklee College of Music, Carrington worked as an in-demand musician in New York City, and later moved to Los Angeles, where she gained recognition on late night TV as the house drummer for both the Arsenio Hall Show and Quincy Jones’ VIBE TV show, hosted by Sinbad.

    In 1989, Ms. Carrington released a GRAMMY®-nominated debut CD on Verve Forecast, Real Life Story, and toured extensively with Wayne Shorter and Herbie Hancock, among others. In 2011 she released the GRAMMY®Award-winning album, The Mosaic Project, featuring a cast of all-star women instrumentalists and vocalists, and in 2013 she released, Money Jungle: Provocative in Blue, which also earned a GRAMMY®Award, and established her as the first woman ever to win in the Best Jazz Instrumental Album category.

    To date Ms. Carrington has performed on over 100 recordings and has been a role model and advocate for young women and men internationally through her teaching and touring careers. She has worked extensively with luminary artists such as Al Jarreau, Stan Getz, Woody Shaw, Clark Terry, Cassandra Wilson, Dianne Reeves, James Moody, Yellowjackets and Esperanza Spalding, and many more. Ms. Carrington’s 2015 release, The Mosaic Project: LOVE and SOUL, featured performances of iconic vocalists Chaka Kahn, Natalie Cole, and Nancy Wilson.

    In 2003, Ms. Carrington received an honorary doctorate from Berklee College of Music and was appointed professor at the college in 2005, where she currently serves as the Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice, which recruits, teaches, mentors, and advocates for musicians seeking to study jazz with gender equity as a guiding principle, and asks the important question, “what would jazz sound like in a culture without patriarchy?” She also serves as Artistic Director for Berklee’s Summer Jazz Workshop, co-curator for BAMS Fest, and co-Artistic Director of The Carr Center, Detroit, MI.

    In 2019 Ms. Carrington was granted The Doris Duke Artist Award, a prestigious acknowledgment in recognition of her past and ongoing contributions to jazz music. Her current band project, Terri Lyne Carrington and Social Science (a collaboration with Aaron Parks and Matthew Stevens), released their debut album, Waiting Game, in November, 2019 on Motema Music. Galvanized by seismic changes in the ever-evolving social and political landscape, Waiting Game expresses an unflinching, inclusive, and compassionate view of humanity’s breaks and bonds through an eclectic program melding jazz, R&B, indie rock, contemporary improvisation, and hip-hop.

    Both Waiting Game and the Berklee Institute of Jazz and Gender Justice point to Carrington’s drive to combine her musical passion with her profound regard for humanity. Waiting Game is not the first time that Carrington has addressed her concerns for society, though it is the most direct and impactful. The subjects addressed on Waiting Game run the gamut of social concerns: mass incarceration, police brutality, homophobia, the genocide of indigenous Americans, political imprisonment, and gender equity.

    “In previous projects I’ve hinted at my concerns for the society and the community that I live in,” Carrington says. “But everything has been pointing in this direction. At some point you have to figure out your purpose in life. There are a lot of drummers deemed ‘great.’ For me, that’s not as important as the legacy you leave behind.”

Contact Information

  • Email: [email protected]
  • Management/Booking: PUBLICITY:
    Shorefire Media, Matt Hanks
    [email protected]

    BOOKINGS:
    International Music Network
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.terrilynecarrington.com/discography
  • ▶ Twitter: tlcarrington
  • ▶ Instagram: terrilynecarrington
  • ▶ Website: http://www.terrilynecarrington.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC4mC0JTLeV66VrmOhghc7dQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UC4mC0JTLeV66VrmOhghc7dQ
  • ▶ Spotify: http://open.spotify.com/album/2WoKgvcflqELmYewgAp4s0
  • ▶ Spotify 2: http://open.spotify.com/album/18RxTkBPI5YoRvthuJkTBn
  • ▶ Spotify 3: http://open.spotify.com/album/5dkbelaW9FFI8lDqcec8sB
  • ▶ Spotify 4: http://open.spotify.com/album/0UWkYlvRs80P6pCbDlO2r1
  • ▶ Spotify 5: http://open.spotify.com/album/2dwKVsW3Ke5DINzM8nNIDV
  • ▶ Spotify 6: http://open.spotify.com/album/43VrOUYo6hqkU5ewzXPYTI
  • ▶ Articles: http://www.terrilynecarrington.com/press

Clips (more may be added)

  • Terri Lyne Carrington: Waiting Game Bells
    By Terri Lyne Carrington
    444 views
  • Terri Lyne Carrington ''Money Jungle'' - Jazzwoche Burghausen 2014
    By Terri Lyne Carrington
    426 views
  • I Am The Drums | Terri Lyne Carrington | [email protected]
    By Terri Lyne Carrington
    290 views
Previous
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Terri Lyne Carrington Curated

  • 5 Berklee College of Music Faculty
  • 5 Composer
  • 5 Drums
  • 5 Jazz

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  • Terri Lyne Carrington
    Gerald Albright → Songwriter has been recommended via Terri Lyne Carrington.
    • November 5, 2022
  • Terri Lyne Carrington
    Gerald Albright → Session Musician has been recommended via Terri Lyne Carrington.
    • November 5, 2022
  • Terri Lyne Carrington
    Gerald Albright → Saxophone has been recommended via Terri Lyne Carrington.
    • November 5, 2022
  • Terri Lyne Carrington
    Gerald Albright → R&B has been recommended via Terri Lyne Carrington.
    • November 5, 2022
  • Terri Lyne Carrington
    Gerald Albright → Flute has been recommended via Terri Lyne Carrington.
    • November 5, 2022
  • Terri Lyne Carrington
    Gerald Albright → Contemporary Jazz has been recommended via Terri Lyne Carrington.
    • November 5, 2022
  • Terri Lyne Carrington
    Gerald Albright → Bass has been recommended via Terri Lyne Carrington.
    • November 5, 2022
  • Terri Lyne Carrington
    Andra Day → Singer-Songwriter has been recommended via Terri Lyne Carrington.
    • April 22, 2022
  • Terri Lyne Carrington
    Andra Day → R&B has been recommended via Terri Lyne Carrington.
    • April 22, 2022
  • Terri Lyne Carrington
    Andra Day → Pop has been recommended via Terri Lyne Carrington.
    • April 22, 2022
  • Terri Lyne Carrington
    Andra Day → Los Angeles has been recommended via Terri Lyne Carrington.
    • April 22, 2022
  • Terri Lyne Carrington
    Andra Day → Jazz has been recommended via Terri Lyne Carrington.
    • April 22, 2022
  • Terri Lyne Carrington
    Andra Day → Actor has been recommended via Terri Lyne Carrington.
    • April 22, 2022
  • Terri Lyne Carrington
    Nêgah Santos → São Paulo has been recommended via Terri Lyne Carrington.
    • March 26, 2022
  • Terri Lyne Carrington
    Nêgah Santos → Percussion has been recommended via Terri Lyne Carrington.
    • March 26, 2022
  • Terri Lyne Carrington
    Nêgah Santos → Pandeiro has been recommended via Terri Lyne Carrington.
    • March 26, 2022
  • Terri Lyne Carrington
    Nêgah Santos → New York City has been recommended via Terri Lyne Carrington.
    • March 26, 2022
  • Terri Lyne Carrington
    Nêgah Santos → MPB has been recommended via Terri Lyne Carrington.
    • March 26, 2022
  • Terri Lyne Carrington
    Nêgah Santos → Jazz has been recommended via Terri Lyne Carrington.
    • March 26, 2022
  • Terri Lyne Carrington
    Nêgah Santos → Brazil has been recommended via Terri Lyne Carrington.
    • March 26, 2022
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

DISCOVERY BY MATRIX

Quincy Jones can curate Gilberto Gil. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic below. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

DESCOBERTA POR MATRIX
A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Quincy Jones pode indicar Gilberto Gil, por exemplo. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone acima. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Pedro Aznar Bass
  • Dani Deahl DJ
  • Dom Flemons Singer-Songwriter
  • Adriano Giffoni Brazil
  • Nonesuch Records Jazz
  • Greg Osby Jazz
  • Kenyon Dixon R&B
  • Rhiannon Giddens Celtic Music
  • Jerry Douglas Music Director
  • Germán Garmendia Comedian
  • Djamila Ribeiro Ensaísta, Essayist
  • Greg Ruby Guitar
  • Mono/Poly Music Producer
  • David Bragger Mandolin Instruction
  • Adam Neely YouTuber
  • Michelle Burford Writer
  • David Braid Guitar
  • Stefan Grossman Songwriter
  • Alan Bishop Cairo
  • Oteil Burbridge Jazz
  • OVANA Cunene
  • Dale Barlow Flute
  • Duncan Chisholm Composer
  • Melanie Charles Jazz
  • Mauro Refosco Compositor de Teatro, Theater Scores
  • Benny Benack III Piano
  • Ana Moura Singer
  • Michel Camilo Music Director
  • Menelaw Sete Escultor, Sculptor
  • Ricardo Markis Salvador
  • Brian Stoltz Songwriter
  • John Donohue Artist
  • Nublu Record Label
  • Eduardo Kobra Ativista da Paz, Peace Activist
  • David Hepworth London
  • Utar Artun Piano
  • Vijith Assar Software Engineer
  • Nabil Ayers Cultural Critic
  • David Chesky New York City
  • Neo Muyanga Singer
  • Capinam Brasil, Brazil
  • Gary Clark Jr. Singer-Songwriter
  • Cedric Watson Zydeco
  • Cut Worms Americana
  • Marcus Strickland Jazz
  • Nduduzo Makhathini Record Producer
  • Guto Wirtti Guitar
  • Kaia Kater Singer-Songwriter
  • Betão Aguiar Brazil
  • Carrtoons Bass
  • Daniil Trifonov New York City
  • Paulinho do Reco Songwriter
  • David Ritz Lyricist
  • Babau Santana Bahia
  • Lokua Kanza Singer-Songwriter
  • Rodrigo Caçapa Guitar
  • Karim Ziad Algeria
  • Alain Mabanckou UCLA Faculty
  • Jorge Glem Mandolin
  • Antonio Adolfo Escritor, Writer
  • Christopher Silver Maghrib
  • Elio Villafranca Juilliard Faculty
  • Congahead Jazz
  • Ênio Bernardes Salvador
  • Justin Stanton Multi-Cultural
  • Joe Lovano Flute
  • Martín Sued Composer
  • Alicia Hall Moran Singer
  • Ricky (Dirty Red) Gordon Jazz
  • Nancy Viégas Salvador
  • Casa da Mãe Chula
  • Luciano Salvador Bahia Brazil
  • Bodek Janke Berlin
  • Lula Moreira Documentary Filmmaker
  • Ronald Angelo Jackson Historian
  • Isaias Rabelo Composer
  • Dadi Carvalho Multi-Instrumentalist
  • Arany Santana Atriz, Actor
  • Luizinho Assis Bahia
  • Andrew Dickson Art Critic
  • Ry Cooder Multi-Instrumentalist
  • Wadada Leo Smith Jazz
  • Esperanza Spalding Bass
  • Ben Cox Film Director
  • Echezonachukwu Nduka Poet
  • Goran Krivokapić Montenegro
  • Gavin Marwick Edinburgh
  • Sergio Krakowski Pandeiro
  • Sam Eastmond Trumpet
  • Colson Whitehead New York City
  • Kaveh Rastegar Songwriter
  • Rita Batista Apresentadora de Televisão, Television Presenter
  • Aditya Prakash Carnatic Music
  • Dafnis Prieto Afro-Cuban Jazz
  • Robertinho Silva Jazz
  • D.D. Jackson Television Scores
  • Jamz Supernova London
  • Richie Stearns Banjo
  • Lalah Hathaway Piano
  • Nailor Proveta Saxophone
  • Malin Fezehai Photographer
  • Oscar Bolão Rio de Janeiro
  • Luiz Inácio Lula da Silva Brasil, Brazil
  • Arany Santana Bahia
  • Fernando César Educator
  • Ashley Page Music Management
  • Antônio Queiroz Brazil
  • Marc Ribot Soul
  • Orquestra Afrosinfônica Música Afro-Brasileira, Afro-Brazilian Music
  • João Luiz Composer
  • Mark Bingham New Orleans
  • Johnathan Blake Composer
  • Nic Adler Live Music Venue Owner
  • Kurt Andersen Screenwriter
  • Wolfgang Muthspiel Vienna, Austria
  • Robert Glasper Record Producer
  • Chief Xian aTunde Adjuah Multi-Cultural
  • Courtney Pine Keyboards
  • Paolo Fresu Bologna, Italy
  • Maria Drell Higher Education Professional
  • Orrin Evans Jazz
  • Diosmar Filho Escritor, Writer
  • Marcus Rediker University of Pittsburgh Faculty
  • Speech Music Production
  • Yvette Holzwarth Violin
  • Chris Potter Saxophone
  • Rowney Scott Brasil, Brazil
  • Martin Koenig Balkan Music
  • Jean Rondeau Paris
  • Ben Azar Israel
  • Mulatu Astatke Ethiopia
  • Bhi Bhiman Los Angeles
  • Mavis Staples Chicago
  • Ry Cooder Multi-Cultural
  • Jason Parham Editor
  • Shoshana Zuboff Social Psychology
  • Sarah Jarosz Guitar
  • Serwah Attafuah NFTs
  • Christian Sands Jazz
  • Fábio Peron Samba
  • Evgeny Kissin Short Stories
  • Margaret Renkl Writer
  • Fred Dantas Ethnomusicologist
  • Oscar Bolão Samba
  • Brett Orrison Austin, Texas
  • Rogê Singer-Songwriter
  • Arismar do Espírito Santo Samba
  • Louis Michot Singer-Songwriter
  • Patricia Janečková Soprano
  • Michael Pipoquinha Bass
  • Zeca Baleiro Música Infantil, Music for Children
  • Nonesuch Records Contemporary Classical Music
  • Doca 1 Bahia
  • Will Holshouser Jazz
  • Hercules Gomes São Paulo
  • Mary Norris New York City
  • Nancy Ruth Vocal Instruction
  • Mickalene Thomas Brooklyn, NY
  • Eddie Palmieri Afro-Latin Dance Music
  • Brian Blade Composer
  • Ivan Huol Drums
  • Marcelinho Oliveira Record Producer
  • J. Cunha Salvador
  • Terreon Gully Drums
  • Kirk Whalum Flute
  • Hopkinson Smith Vihuela
  • Jess Gillam Radio Presenter
  • Frank Negrão Bahia
  • Oren Levine St. Croix
  • Joachim Cooder Keyboards
  • Mark Turner Composer
  • Alexandre Gismonti Belo Horizonte
  • Sérgio Mendes MPB
  • Wilson Simoninha Singer-Songwriter
  • Leyla McCalla Folk & Traditional
  • João Callado Rio de Janeiro
  • Wilson Café Salvador
  • Julie Fowlis Scottish Gaelic
  • Richard Galliano Accordion
  • Yotam Silberstein Israel
  • Miguel Atwood-Ferguson Multi-Instrumentalist
  • Bill Laurance Classical Music
  • Monty's Good Burger Vegan Restaurant
  • Teddy Swims Soul
  • Ilya Kaminsky Ukraine
  • Hot Dougie's Local de Música ao Vivo
  • Avishai Cohen Trumpet
  • Aneesa Strings R&B
  • Adenor Gondim Salvador
  • Savoy Family Cajun Band Cajun Music
  • William Parker Essayist
  • John Santos Afro-Latin Music
  • Léo Rugero Sanfona de 8 Baixos
  • Manolo Badrena Jazz
  • Abel Selaocoe Contemporary African Classical Music
  • Hamilton de Holanda Mandolin
  • Forrest Hylton Salvador
  • David Ritz Liner Notes
  • Yola R&B
  • Jon Madof Educator
  • Daniel Owoseni Ajala Dance Instructor
  • Amaro Freitas Composer
  • Isaak Bransah Brazil
  • Luke Daniels Scotland
  • Shanequa Gay Installation
  • Nação Zumbi Manguebeat
  • Marvin Dunn Writer
  • Jason Treuting Percussion
  • Raphael Saadiq Record Producer
  • Jaimie Branch Brooklyn, NY
  • Willy Schwarz Jewish Music
  • Larry McCray Guitar
  • João Luiz MPB
  • Lucian Ban Jazz
  • Gunter Axt Escritor, Writer
  • Imanuel Marcus War Correspondent
  • Irmandade da Boa Morte Cachoeira
  • John Patitucci Bass Instruction
  • Edgar Meyer Classical Music
  • James Sullivan Music Critic
  • Toninho Nascimento Rio de Janeiro
  • Steve Earle Americana
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