Salvador Bahia Matrix
  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Maciel Salú
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Maciel Salú
  • City/Place: Olinda, Pernambuco
  • Country: Brazil

Life & Work

  • Bio: Son of illustrious Mestre Salustiano, Maciel Salú is a repository of the folk-styles of Pernambuco.

Contact Information

  • Email: [email protected]
  • Telephone: (81) 99606-7758

Media | Markets

  • ▶ Instagram: macielsalu
  • ▶ YouTube Channel: http://www.youtube.com/user/MacielSalu
  • ▶ YouTube Music: http://music.youtube.com/channel/UChilMpZ96G8bvziCR7Re8gg
  • ▶ Spotify: http://open.spotify.com/album/6iZYpT6wCm6yIp6rocEWBP
  • ▶ Spotify 2: http://open.spotify.com/album/3I7UXei4LbPEN6ypvSDDiu
  • ▶ Spotify 3: http://open.spotify.com/album/6AslMkj6XAt7cY6ujiM2kF
  • ▶ Spotify 4: http://open.spotify.com/album/1h5nqZgfPxfKT5LoD4nWlO
  • ▶ Spotify 5: http://open.spotify.com/album/2Byku5MPABGefSNTDqOFRr
  • ▶ Spotify 6: http://open.spotify.com/album/7AdsgkOa0TmD8ty5DAytsz

Clips (more may be added)

  • 3:56
    Projeto Azougue - Edição 2018
    By Maciel Salú
    96 views
  • 0:58:40
    Maciel Salú - Liberdade
    By Maciel Salú
    89 views
  • 0:10:02
    Rabeca do Cavalo Marinho | aula 5
    By Maciel Salú
    146 views
  • 0:07:58
    Rabeca do Cavalo Marinho | aula 6
    By Maciel Salú
    189 views
  • 0:11:39
    Rabeca do Cavalo Marinho | aula 7
    By Maciel Salú
    183 views
  • 0:13:04
    Rabeca no Cavalo Marinho | aula 8
    By Maciel Salú
    128 views
  • 1:56:18
    PROJETO AZOUGUE - Encontro de Mestres e Poetas da Mata Norte
    By Maciel Salú
    95 views
  • 0:36:09
    PROJETO AZOUGUE - Mano Baé
    By Maciel Salú
    81 views
  • 0:36:56
    PROJETO AZOUGUE - Ciranda Caboclo
    By Maciel Salú
    90 views
  • 1:24:56
    PROJETO AZOUGUE - Rima, Métrica e Improviso | Criolo
    By Maciel Salú
    80 views
  • 1:01:36
    PROJETO AZOUGUE - Rima, Métrica e Improviso | Maria Vilani
    By Maciel Salú
    91 views
  • 1:02:31
    PROJETO AZOUGUE - Rima, Métrica e Improviso | Mestre Barachinha
    By Maciel Salú
    78 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Maciel Salú:

  • 5 Brazil
  • 5 Cavalo Marinho
  • 5 Côco
  • 5 Composer
  • 5 Fiddle
  • 5 Maracatu
  • 5 Pernambuco
  • 5 Rabeca
  • 5 Singer
  • Mulatu Astatke Addis Ababa
  • Stephanie Foden Montreal
  • Utar Artun Turkey
  • Karim Ziad North African Music
  • Beth Bahia Cohen Kabak Kemane
  • Carlinhos Brown Multi-Instrumentalist
  • Betão Aguiar Rio de Janeiro
  • Mavis Staples Singer-Songwriter
  • Philip Ó Ceallaigh Translator
  • Terreon Gully Drums
  • Christopher Seneca Diplomat
  • Nate Chinen Music Critic
  • Fabiana Cozza Samba
  • D.D. Jackson Piano
  • Immanuel Wilkins Composer
  • Marco Pereira Guitar
  • Dee Spencer San Francisco State University Faculty
  • Steve Earle Actor
  • Robby Krieger R&B
  • Léo Rodrigues Choro
  • Molly Tuttle Banjo
  • Oteil Burbridge Funk
  • Rachael Price Singer-Songwriter
  • Richard Bona Multi-Instrumentalist
  • Bejun Mehta Opera
  • Ari Hoenig Drum Instruction
  • James Brandon Lewis Saxophone
  • Delfeayo Marsalis Record Producer
  • Theo Bleckmann New York City
  • Echezonachukwu Nduka Nigeria
  • Hugo Rivas Composer
  • Urânia Munzanzu Brasil, Brazil
  • Olga Mieleszczuk Yiddish Folk Songs
  • Rebeca Omordia Piano
  • Kendrick Scott Drums
  • Caetano Veloso Brazil
  • Fábio Luna Rio de Janeiro
  • Bongo Joe Records Café
  • Michael Pipoquinha MPB
  • Dee Spencer Musical Director
  • Giba Gonçalves Brazil
  • Mary Norris New York City
  • Brian Q. Torff Piano
  • Nduduzo Makhathini Piano
  • Lucio Yanel Gaucho Culture
  • Tessa Hadley Writer
  • Lívia Mattos Salvador
  • Paulo Aragão MPB
  • Jan Ramsey Creole Music
  • Adriana L. Dutra Director
  • Kareem Abdul-Jabbar Television Producer
  • Rodrigo Caçapa Música Nordestina
  • David Ngwerume Africa
  • João do Boi Bahia
  • Brad Mehldau Piano
  • Armen Donelian Piano
  • Myles Weinstein Drums
  • MARO Multi-Instrumentalist
  • The Bayou Mosquitos Zydeco
  • Laura Beaubrun Haiti
  • Miroslav Tadić Film, Theater, Dance Scores
  • Jack Talty Musicologist
  • Susheela Raman London
  • Arto Tunçboyacıyan New York City
  • Custódio Castelo Compositor, Composer
  • Dezron Douglas New York City
  • John Archibald Podcaster
  • Wayne Krantz Jazz
  • Nigel Hall Singer
  • James Gadson Blues
  • Fantastic Negrito R&B
  • Jas Kayser Drums
  • Colm Tóibín Ireland
  • Ali Jackson Percussion
  • Negrizu Ator, Actor
  • Bob Telson Film Scores
  • Meddy Gerville Maloya
  • Maria Drell Produção Cultural, Cultural Production
  • Johnny Lorenz Brazil
  • Gal Costa Salvador
  • Lorna Simpson Sculptor
  • Doug Wamble Jazz
  • Thomas Àdes Opera
  • Colm Tóibín Literary Critic
  • Mariana Zwarg Rio de Janeiro
  • Siphiwe Mhlambi Photographer
  • Ricardo Herz Brazilian Jazz
  • Nação Zumbi Brazil
  • Bruce Molsky Old-Time Music
  • Gilberto Gil Salvador
  • Milford Graves Composer
  • Alphonso Johnson Funk
  • Eddie Kadi London
  • Stephan Crump Bass Instruction
  • H.L. Thompson Festival Producer
  • Walter Ribeiro, Jr. Guitar
  • Jaimie Branch Trumpet
  • João Teoria Salvador
  • Chris Potter Multi-Instrumentalist
  • Jeff Ballard Jazz
  • Peter Slevin Journalist
  • Nate Chinen Writer
  • Jen Shyu Vocalist
  • Gerald Clayton Jazz
  • Abel Selaocoe Composer
  • Run the Jewels Hip-Hop
  • Serwah Attafuah Digital 3D Artist
  • Andrew Finn Magill Irish Traditional Music
  • Karsh Kale कर्ष काळे Multi-Cultural
  • Lilli Lewis Folk Rock
  • Chau do Pife Brazil
  • Buck Jones Salvador
  • Edsel Gomez New York City
  • Miguel Atwood-Ferguson Television Scores
  • Robi Botos Toronto
  • Ivo Perelman Painter
  • Munir Hossn Bahia
  • Júlio Lemos San Francisco
  • Scott Devine Bass Instruction
  • Mike Compton Mandolin
  • Camille Thurman Singer
  • Thiago Espírito Santo Guitarra, Guitar
  • Alexa Tarantino Woodwinds
  • Chucho Valdés Cuba
  • Sara Gazarek Jazz
  • Adriana L. Dutra Screenwriter
  • Jaleel Shaw Manhattan School of Music Faculty
  • Jonga Cunha Author
  • Lalah Hathaway Soul
  • Corey Harris Guitar
  • Samuel Organ Keyboards
  • Fred Dantas Euphonium
  • Cássio Nobre Salvador
  • Linda Sikhakhane Saxophone
  • Bebê Kramer Samba
  • Carlos Henriquez Latin Jazz
  • Richie Stearns Banjo
  • Tutwiler Quilters Mississippi
  • Nara Couto MPB
  • David Kirby Novelist
  • Chief Xian aTunde Adjuah Multi-Cultural
  • Neo Muyanga Singer
  • Wadada Leo Smith Composer
  • Nabih Bulos Los Angeles
  • Jess Gillam Contemporary Classical Music
  • Kendrick Scott Jazz
  • Pasquale Grasso Jazz
  • Marcus Strickland Record Producer
  • Mono/Poly Glitch
  • Dan Nimmer Jazz
  • Tam-Ky Supermarket
  • Imanuel Marcus Berlin
  • Jakub Józef Orliński Poland
  • Leela James Jazz
  • Greg Kot Chicago
  • Fábio Peron Choro
  • Stephen Guerra Samba
  • Eliane Elias Bossa Nova
  • Alexa Tarantino Jazz
  • Luiz Brasil Bahia
  • Sarah Jarosz Americana
  • Donald Harrison Mardi Gras Indian
  • Marcos Sacramento Brazil
  • Jam no MAM Jazz
  • Branford Marsalis Composer
  • Jonga Cunha Bahia
  • Zigaboo Modeliste Second Line
  • Michael Garnice Reggae
  • H.L. Thompson Apparel & Fashion
  • Tommaso Zillio YouTuber
  • Stormzy Grime
  • Marko Djordjevic Composer
  • Alain Pérez Big Band
  • Wayne Escoffery Saxophone
  • Guga Stroeter Vibraphone
  • John Waters Playwright
  • Thiago Espírito Santo Brasil, Brazil
  • Antonio García Arranger
  • Mohamed Diab Cairo
  • Renato Braz São Paulo
  • Fabiana Cozza Brazil
  • Lilli Lewis Louisiana Red Hot Records
  • Jan Ramsey Zydeco
  • Morgan Page DJ
  • Eamonn Flynn Irish Traditional Music
  • Zeca Pagodinho Rio de Janeiro
  • Bebê Kramer Rio de Janeiro
  • Jason Moran Film Scores
  • Virgínia Rodrigues Singer
  • Hilton Schilder Multi-Instrumentalist
  • THE ROOM Shibuya Dance Club
  • Spok Frevo Orquestra Frevo
  • Arifan Junior Percussão, Percussion
  • Marcelinho Oliveira Salvador
  • Rema Namakula Kampala
  • Tom Piazza Liner Notes
  • Morgan Page EDM
  • Pedro Aznar Poet
  • Derrick Hodge Record Producer
  • Jon Otis Singer-Songwriter
  • George Cables New York City
  • Yvette Holzwarth Theater Sound Design
  • Rudresh Mahanthappa New York City
  • Joel Best Sculptor
  • Isaak Bransah Ghana
  • Nêgah Santos Jazz
  • Henry Cole Multi-Cultural
  • King Britt Record Label Owner
  • Romero Lubambo Brazilian Jazz
  • Julia Alvarez Latin American Literature
  • Toumani Diabaté Kora
  • Frank Beacham Videographer
  • Chris Cheek New School for Jazz and Contemporary Music Faculty
  • Musa Okwonga Writer
  • Brandon Coleman Los Angeles
  • Paulinho do Reco Songwriter
  • Olga Mieleszczuk Accordion
  • Jurandir Santana Brazilian Jazz
  • Celsinho Silva Samba
  • Gevorg Dabaghyan Armenian Folk Music
  • Benny Benack III Piano
  • Kiko Freitas MPB
  • Mateus Aleluia Filho Música Pan-Africana, Pan-African Music
  • David Sánchez Pan-Africana
  • Oded Lev-Ari Music Producer
  • Las Cafeteras East Los Angeles
  • Nathan Amaral Classical Music
  • Logan Richardson Classical Music
  • James Sullivan Writer
  • Tyshawn Sorey Multi-Instrumentalist
  • Hot Dougie's Local de Música ao Vivo
  • Taylor McFerrin Record Producer
  • Pururu Mão no Couro Sambalanço
  • Itiberê Zwarg Brazil
  • Dave Douglas Festival Director
  • Brian Stoltz New Orleans
  • Renata Flores Rapper
  • Tom Bergeron Choro
  • Endea Owens New York City
  • Yvette Holzwarth Violin
  • Simon Shaheen Oud
  • Taylor Eigsti Piano
  • Merima Ključo Author
  • Kalani Pe'a Singer-Songwriter
  • Ivan Lins MPB
  • Daymé Arocena Cuba
  • Siobhán Peoples Fiddle
  • Immanuel Wilkins Jazz
  • Irmandade da Boa Morte Cachoeira
  • H.L. Thompson Brazil
  • Joshue Ashby Timba
  • Ravi Coltrane Brooklyn, NY
  • Mark Lettieri Ropeadope
  • Bukassa Kabengele Actor
  • Menelaw Sete Artista Plástico, Artist
  • Seth Swingle Folk & Traditional
  • Margareth Menezes Salvador
  • Simon Brook Paris
  • Philip Sherburne Photographer
  • Hua Hsu Vassar College Faculty
  • Stomu Takeishi Jazz
  • Yoko Miwa Piano
  • Leyla McCalla Cello
  • Madhuri Vijay Writer
  • Archie Shepp Jazz
  • Guillermo Klein Piano
  • Jen Shyu Dancer
  • Marcello Gonçalves Choro
  • Lilli Lewis Americana
  • Reena Esmail Hindustani Classical Music
  • Jon Faddis Trumpet
  • Aditya Prakash Singer
  • Duane Benjamin Trombone
  • Perumal Murugan Novelist
  • Toumani Diabaté Multi-Cultural
  • Alessandro Penezzi Multi-Instrumentalist
  • Wolfgang Muthspiel Contemporary Classical Music
  • Mônica Salmaso Brazil
  • China Moses Voiceovers
  • D.D. Jackson Opera
  • Gary Clark Jr. Blues
  • João Callado Brazilian Jazz
  • Joanna Majoko Jazz
  • Vanessa Moreno Samba
  • Miles Mosley Television Scores
  • Michael Olatuja Nigeria
  • Vivien Schweitzer Piano
  • Michael League Multi-Instrumentalist
  • Chubby Carrier Louisiana
  • James Carter Contemporary Classical Music
  • Siphiwe Mhlambi Visual Story Teller
  • Mauro Senise MPB
  • Flying Lotus Rapper
  • Jocelyn Ramirez Online Cooking Classes
  • Juçara Marçal Singer-Songwriter
  • Aurino de Jesus Viola Machete
  • Aperio Chamber Music
  • Alex Clark Digital Media Producer
  • Nettrice R. Gaskins Afro-Futurist
  • Eddie Kadi Congo
  • Simone Sou São Paulo
  • Case Watkins Writer
  • Gonzalo Rubalcaba Afro-Cuban Jazz
  • Bebel Gilberto Bossa Nova
  • Mart'nália Rio de Janeiro
  • Kimmo Pohjonen Finland
  • Gerald Clayton Piano
  • Nate Chinen Journalist
  • Marcel Camargo Choro
  • Cyro Baptista Composer
  • Larry Grenadier Basel Music Academy Faculty
  • Larry McCray Keeping the Blues Alive Records
  • Sarah Jarosz Folk & Traditional
  • Monarco Samba
  • Marc Ribot Experimental Music
  • Bobby Sanabria Percussion
  • Ed O'Brien Singer-Songwriter
  • Leo Genovese Composer
  • Sierra Hull Mandolin
  • Ray Angry Songwriter
  • Aditya Prakash India
  • Carlos Malta Rio de Janeiro
  • 小野リサ Lisa Ono Brazil
  • Mikki Kunttu Finland
  • Yilian Cañizares Havana
  • Moreno Veloso Brazil
  • Chris Boardman University of Miami Frost School of Music Faculty
  • Orrin Evans Composer
  • Michael Janisch Record Producer
  • Mika Mutti Record Producer
  • Ned Sublette New Orleans
  • Etienne Charles Trumpet
  • Kurt Andersen Novelist
  • Marcel Powell Choro
  • Leonardo Mendes Bahia
  • Adonis Rose New Orleans
  • Nicolas Krassik MPB
  • Pedrito Martinez Singer
  • Dhafer Youssef ظافر يوسف Singer
  • Roy Ayers Film Scores
  • Gretchen Parlato MPB
  • Afrocidade Rap
  • Asali Solomon Haverford College Faculty
  • Yotam Silberstein Guitar
  • Herlin Riley Tambourine
  • Concha Buika Singer-Songwriter
  • Kurt Andersen Playwright
  • Yvette Holzwarth Singer
  • Anoushka Shankar Piano
  • William Skeen USC Thornton School of Music Faculty

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share