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The Birth of the Matrix →

No princípio...

Imagine uma rede em que, por alguma mágica fantástica, todos dentro tenderiam a poucos passos detectáveis ​​de todos os outros... na rede e no planeta...

 

Imagine uma rede que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem...

 

Imagine uma rede que incluiria todos na economia criativa global da humanidade...

 

Você está imaginando O Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a network wherein by some fantastic magic everybody within would tend to within scant, discoverable steps of everybody else... in the network, and across the planet...

 

Imagine a network that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did...

 

Imagine a network which would include all in humanity's global creative economy...

 

You are imagining The Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

Carpe diem

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  • Aindrias de Staic
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    • March 3, 2020
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    From Medication to Meditation and Now...Mackeral-eatin’! | Aindrias De Staic | TEDxGalway
    As a performer, Aindrias cannot be pigeonholed. He is his own unique and authentic brand of Irish entertainment. Whether life imitates art or otherwise, ther...
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CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Aindrias de Staic
  • City/Place: Galway
  • Country: Ireland

Life & Work

  • Bio: Born in Galway Ireland, Aindrias's rich 'n' rare style of fiddle playing is as unique to the west of Ireland as his story-telling, antics and humor.

    Aindrias is well known internationally for his one man theatre show "Around the World on 80 quid" which won Best Solo Show at New Zealand Fringe and rave reviews thoughout Australia. "Around the World on 80 quid" also got Aindrias the nomination for Most Outstanding Performer at the Dunedin Fringe Festival 2008.

    "The year I got Younger" was initially written as a spoken word novel loosely based on Aindrias own experience in Australia. Aindrias joined thousands of other Irish travelers to enjoy the sun and the 1year working holiday visa in Aus. The story was later fashioned into a one-man theatre show, which was nominated for the Malcolm Hardee Award at Edinburgh Fringe in 2008, and won rave reviews.

    Later, holiday video, found footage and other scenes were edited into a performative documentary, directed by Gen Bailey with new music composed by Aindrias, who also produced the short film. "The Year I got Younger" went on to screen internationally and won BEST IRISH SHORT DOCO at Galway Film Fleadh as well as Best Documentary at Open Channel's Love Your Work event in Melbourne.

    Other Theatre shows include "Summer I Did The Leaving" which won the Three Weeks Editors Award at Edinburgh 2009.

    Star of stage and screen, Aindrias de Staic has enjoyed recent success in film, music and theatre. has enjoyed various other acting roles in Film and Tv including the role John the drug dealer in Ras na Rún (TG4), ) an Argentine patient The Clinic (RTE) a street trader in Neighbours, and has been cast as a diverse range of characters in various feature films including "Simon The Gypsy Fiddler" in feature movie "Further we Search" by Darias Devas, as well as mixed roles in the Magma Films: Green Freedom(1998), Summer of my Flying Saucer (2007). Aindiras recently played the lead role of Michael in "Moment of Grace", which won the Bright Spark Award at Trop Fest 2010.

    "The Year that I got Younger" - The show, written and performed by Aindrias was Nominated for The Malcom Hardee Award at Edinburgh Fringe this year. The award is for comic originality in performance, and is made in honour of the late Malcom Hardee, god father of Alternative comedy. The short trailer movie of the same title, written and produced by Aindiras to promote a larger project, "The Year I Got Younger" (dir Gen Bailey 2008) won BEST SHORT Doco at the Galway Film Fleadh 2008.

    Aindrias grew up primarily in the West of Ireland. But, by his teenage years, the globe-roving youth would be as familiar with the nearby Mayo Gaeltacht as he would with the Spanish speaking Mission district of San Francisco. From Hobo to Boho via Soho, this multilingual traveling entertainer has delighted audiences around the world with his unique humour, lively storytelling and captivating music.

    Originators of Gyp-Hop (Gaelic gypsy hip-hop!), Aindrias and his band, The Latchikós, deliver a sound heavy with wild fiddle playing, driving Gaelic beats and comical lyrics, combined to give new sound in the colourful tapestry of World music.

    They regularly perform at major festivals and popular music venues. During 2015, The Latchikós brought their dance music pandemonium to multiple stages at the Electric Picnic, the Body & Soul and the Tuam Trad Festivals, rounding out the year with shows in Dublin, Galway, several appearances during Fleadh Cheoil na hÉireann in Sligo and the Quicksilver World Surfing Championships in Hossegor, France.

    In 2014, Aindrias and The Latchikós played large events countrywide, including the Body & Soul Festival, Fleadh Cheoil na hÉireann in Sligo, a Night Circus Extravaganza in Salthill, the Tuam Trad Festival and the Electric Picnic - a performance which was featured on the Irish television cultural and artistic entertainment programme, "Imeall."

    Earlier that year, The Latchikós took their rare and witty combination of sham-poetry, blues harmonica, and gypsy violin to eastern Australia, delivering a legendary New Year’s Eve performance at Woodford Folk Festival, plus shows at the Illawarra Folk Festival, Sydney and Melbourne. They also launched their hit single song, "Off to Bondi Junction," with a packed St. Patrick's Day season tour of Sydney, Bondi Beach, Melbourne and a guest appearance with Damien Dempsey. "Off to Bondi Junction" first became a popular YouTube hit, showing a humorous contrast between the wet west of Ireland and sunny Sydney beaches. The song reached No. 2 in Ireland's folk music charts as the band appeared on several television and radio shows, including SKY TV's "Up for the Match" and the first ever broadcast of TG4's "Roisin" which focused on Australian immigration.

    Starting out as a busking band in Galway City, The Latchikós gained international popularity in 2013 after supporting the Saw Doctors on their US tour. Following their selection for the Folk Alliance showcase in Toronto, The Latchikós exploded onto the national and international festival circuit; appearing at Glastonbury, the Main Stage at Body & Soul, Calgary Folk Music Festival, Halifax International Busker Festival, playing alongside 'The Waterboys' at The Vancouver Folk Festival and lastly returning to Ireland for the 10th anniversary of The Electric Picnic.

    Over his career, Aindrias has collaborated on many musical projects. In 2015, he co-wrote and appeared as front man in the Rolling Tav Revue's wildly popular YouTube and chart hit protest song, "No Privatisation - Irish Water, Irish Nation," which they performed in front of a massive crowd in Dublin at the December 2014 Irish Water protest.

Contact Information

  • Email: aindrias (@) gmail.com

Media | Markets

  • ▶ Twitter: aindestaic
  • ▶ Website: http://www.aindrias.com
  • ▶ YouTube Channel: http://www.youtube.com/user/latchicko
  • ▶ Spotify: http://open.spotify.com/album/5dH4bwlEDLJEzA7wm31Uzw

More

  • Quotes, Notes & Etc. "... exquisite, picaresque. Rarely has storytelling been so foot-tappingly funny."
    - Nick Awde, Theatre Guide, London

    "A wild-eyed shock of Celtic unpredictability, the man's got talent and humour in abundance."
    - Malcolm Jack, The Scotsman

    "The performance is half seanchaí, half shaman, half 'Fiddler of Dooney' with a whallop of Flann O’Brien thrown into the mix for good measure."
    - Philip Dunne, State.ie

    "A demented Trad trio whipping an already frothing crowd into a frenzy ... highlight of the festival ... The Latchikós had steam coming off bald men’s heads."
    - Mark Graham, The Irish Times

    "... We just love their energy ... their repertoire includes political songs, spoken word and some of the best damn fiddling on the planet from actor, musician and storyteller Aindrias de Staic ..."
    - Francois Marchand, The Vancouver Sun

Clips (more may be added)

  • Irish storyteller gets told "watch your language" by young audience member
    By Aindrias de Staic
    209 views
  • From Medication to Meditation and Now...Mackeral-eatin’! | Aindrias De Staic | TEDxGalway
    By Aindrias de Staic
    204 views
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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



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From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
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 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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