Dale Barlow via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Dale Barlow:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix via ↴
Who I Am & Where I Live
- Name: Dale Barlow
- City: New York City
- Country: United States
- Hometown: Sydney, Australia
My Life & Work
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Bio:
In the early 1980s Barlow moved to New York, where he was a member of two groups, the Cedar Walton Quartet and Art Blakey’s Jazz Messengers, two of the greatest training grounds for musicians in jazz history.
Barlow has also toured and recorded with many other jazz greats including Sonny Stitt, Chet Baker, Gil Evans, Jackie McLean, Billy Cobham, Dizzy Gillespie, Curtis Fuller, Eddie Palmieri, Benny Golson, Lee Konitz, Helen Merrill, Mulgrew Miller, Kenny Barron, Ray Drummond, Dave Kikowski, Richie Cole, Dizzy Gillespie, Billy Higgins, Freddie Hubbard and Wynton Marsalis, Cindy Blackman, Ernie Watts, Eddie Henderson, Jeff Watts, Essiet Essiet, Bennie Green and Mike Nock. He played with the Gil Evans’ Big Band, and was a member of the Billy Cobham band for 3 years.
Dale also was a part of the English Jazz scene for some years where he performed at Ronnie Scotts many times as a part of Ronnies’ band, as well as his own units, and was a composer and member of the original ‘Loose Tubes Big Band’. He was in Stan Traceys’ Group, Gordon Becks’ Quintet, and performed with Kenny Wheeler and Django Bates. He recorded and performed with numerous pop artists while in England including- Wham, Style Council, Sting, Ian Dury.
In Australia and SEAsia he has performed with many artists and groups, including Keys Music Association, The Benders, Bruce Cale, Roger Frampton, Vince Jones, Margaret Urlich, Kate Ceberano, Indra Lesmana, and Dwiki Dharmawan. Dale’s group ‘The Wizards of Oz’ with Paul Grabowsky, Lloyd Swanton and Tony Buck, was the first Australian group to undertake a major 2 continent tour (USA/Canada/Europe) with assistance from the Australia Council for the Arts.
Dale was chosen to represent Australia at International Jazz Day 2013 in Istanbul alongside Esperanza Spalding, Robert Glasper, Ben Williams, Terri Lyne Carrington, Terence Blanchard, Herbie Hancock and others.
Barlow briefly studied at the Sydney Conservatorium of Music in the late 1970s. After moving to New York, he studied saxophone with George Coleman and Dave Liebman, piano with Barry Harris, and Hal Galper, and won a BMI scholarship to study at the “Jazz composers workshop” with Bob Brookmeyer and Manny Album. Dale has a Masters of Music degree originally begun at City College New York under Ron Carter and completed at ANU Canberra. He has received numerous awards and accolades including: 3 ARIA Awards, Album of the Year/ Jazz performer of the year/ International Artist of the Year/ Bicentennial Artist of the Year, four Mo Awards and numerous grants and credits for his achievements and contribution to the arts In Australia.
Dale loves being part of the world jazz community and hosts his own bands featuring his original music in the spirit of the now and oneness with all things.
Contact Information
- Email: dalebarlowjazz@gmail.com
My Media & Markets
- ▶ Website: http://dalebarlow.com
- ▶ YouTube Music: http://music.youtube.com/channel/UComW1iKY2v-wvtkJRfi3KUQ
- ▶ Spotify: http://open.spotify.com/album/6J2TKZaiqwFJvQvFP5F8uc
- ▶ Spotify 2: http://open.spotify.com/album/5h9a0r1bOAjydbYQSgWBtS
Clips (more may be added)
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
