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  • Patricia Janečková

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Patricia Janečková
  • City/Place: Prague
  • Country: Czech Republic

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Patricia is a young German-born soprano, a Slovak national currently living in the Czech Republic.

Contact Information

  • Management/Booking: Ing. Jana Švábová
    S.V.A.B. Promotion
    +420 605 249 594
    [email protected]

Media | Markets

  • ▶ Twitter: pjaneckova
  • ▶ Instagram: patricia_janeckova
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCHuahlpHknSRKoF3sjefcgQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UCRyWnaZKr4S1uVKOQLZg8HQ
  • ▶ Spotify: http://open.spotify.com/album/7jOYaKDQCEfNZ4UQCSrDGL

Clips (more may be added)

  • "Ave Maria" (Philippe Rombi)
    By Patricia Janečková
    756 views
  • Once Upon A Time In The West
    By Patricia Janečková
    424 views
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Patricia Janečková Curated
pathways in

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  • 0 Soprano
  • 0 Soprano

What's Been Happening?

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  • Patricia Janečková
    Ukrainian Freedom Orchestra → Україна, Ukraine has been recommended via Patricia Janečková.
    • August 18, 2022
  • Patricia Janečková
    Ukrainian Freedom Orchestra → Класична музика, Classical Music has been recommended via Patricia Janečková.
    • August 18, 2022
  • Patricia Janečková
    A video was posted re Patricia Janečková:
    "Ave Maria" (Philippe Rombi)
    PRAY FOR PARIS Dedicated to Paris, dedicated to France AVE MARIA (Philippe Rombi) Soprano: Patricia Janečková Piano: MgA. Michal Bárta The recording was made...
    • October 17, 2019
  • Patricia Janečková
    A video was posted re Patricia Janečková:
    Once Upon A Time In The West
    Patricia Janeckova sings Once Upon A Time In The West from Ennio Morricone. Miss Reneta student competition, Havirov, Czech Republic, 30 March 2012.
    • October 17, 2019
  • Patricia Janečková
    A category was added to Patricia Janečková:
    Soprano
    • October 17, 2019
  • Patricia Janečková
    A category was added to Patricia Janečková:
    Czech Republic
    • October 17, 2019
  • Patricia Janečková
    A category was added to Patricia Janečková:
    Prague
    • October 17, 2019
  • Patricia Janečková
    A category was added to Patricia Janečková:
    Opera
    • October 17, 2019
  • Patricia Janečková
    A category was added to Patricia Janečková:
    Soprano
    • October 17, 2019
  • Patricia Janečková
    Patricia Janečková is matrixed!
    • October 17, 2019
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  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

WHO IS INSIDE THIS GLOBAL MATRIX?

Explore above for a complete list of artists and other members of the creative economy.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

QUEM ESTÁ DENTRO DESTE MATRIX?

Explore acima para uma lista completa de artistas e outros membros da economia criativa global.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • June Yamagishi Blues
  • Will Holshouser Composer
  • Les Thompson Performance Center Technical Director
  • Zisl Slepovitch Composer
  • Carlos Henriquez Northwestern University Faculty
  • Lucio Yanel Composer
  • Carlos Aguirre Composer
  • Robby Krieger Los Angeles
  • Ben Monder New York City
  • Stomu Takeishi Bass
  • Tommy Orange Writer
  • Martin Shore Film Director
  • Horácio Reis Faculdade da Ucsal, Catholic University of Salvador Faculty
  • Bob Reynolds Saxophone
  • Issa Malluf Middle Eastern Percussion
  • Doug Adair Producer
  • Ricardo Herz Rabeca
  • Marcus Miller Bass
  • Jim Hoke Multi-Instrumentalist
  • Walter Ribeiro, Jr. Guitar
  • Taylor McFerrin Multi-Instrumentalist
  • Scotty Apex Record Producer
  • Alegre Corrêa Violin
  • Arto Tunçboyacıyan Multi-Cultural
  • Antonio García Latin Music
  • Sam Harris New York City
  • Mestre Nelito Brazil
  • Stefan Grossman Guitar
  • Sarah Hanahan New York City
  • Michael W. Twitty Food Writer
  • Ivo Perelman Multi-Instrumentalist
  • Mestre Nelito Salvador
  • Leo Nocentelli R&B
  • Steve Abbott Singer-Songwriter
  • Ricardo Markis Bandolim, Mandolin
  • Arifan Junior Cavaquinho
  • João Teoria Brasil, Brazil
  • Mauro Refosco Forró
  • Sheryl Bailey Author
  • Mariana Zwarg Composer
  • Mandisi Dyantyis Music Director
  • Jonathan Finlayson Trumpet
  • Allen Morrison Jazz History Lecturer
  • Oriente Lopez Piano
  • Armen Donelian Author
  • Edgar Meyer Jazz
  • Elie Afif Bass
  • Jeff Spitzer-Resnick Disability Law
  • Matthew Guerrieri Washington, D.C.
  • Ben Monder Jazz
  • Mestrinho Accordion
  • Romero Lubambo MPB
  • Brian Stoltz Guitar
  • Steve Coleman Jazz
  • Nardis Jazz Club Istanbul
  • Mariene de Castro Samba de Roda
  • Toninho Horta Belo Horizonte
  • Brian Stoltz Singer
  • Brian Q. Torff Writer
  • Bejun Mehta Countertenor
  • Jamberê Cerqueira Brasil, Brazil
  • Andrew Huang Multi-Instrumentalist
  • Varijashree Venugopal Jazz
  • Susana Baca Folklorist
  • Oscar Peñas Composer
  • Victor Wooten Record Label Owner
  • Aruán Ortiz Contemporary Classical Music
  • Negra Jhô Bahia
  • Danilo Caymmi Television Scores
  • Gonzalo Rubalcaba Afro-Cuban Jazz
  • J. Cunha Salvador
  • Nara Couto Atriz, Actor
  • Tommaso Zillio Metal
  • María Grand New York City
  • Morten Lauridsen Contemporary Classical Music
  • Seth Rogovoy Jewish Music
  • MARO Portugal
  • Hermeto Pascoal Brasil, Brazil
  • Jake Webster Sculptor
  • Pretinho da Serrinha Songwriter
  • Curly Strings Estonia
  • Michael Sarian Big Band
  • Keyon Harrold Record Producer
  • Marilda Santanna Brasil, Brazil
  • Nelson Latif Brazilian Jazz
  • Willie Jones III New York City
  • Milad Yousufi Calligrapher
  • H.L. Thompson New York City
  • Samba de Nicinha Chula
  • Ben Monder Composer
  • Avner Dorman Gettysburg College Faculty
  • Barry Harris Jazz
  • Henry Cole Drumming Instruction
  • Endea Owens Double Bass
  • Ken Avis World Jazz
  • Fabiana Cozza Brazil
  • Esperanza Spalding Singer
  • Amaro Freitas Jazz
  • Zé Luíz Nascimento Salvador
  • Monarco Cavaquinho
  • Wouter Kellerman South Africa
  • Alan Bishop Record Label Owner
  • Joe Fiedler Jazz
  • Soweto Kinch Hip-Hop
  • Maria Bethânia MPB
  • Bombino Niger
  • Eric Bogle Scotland
  • Adenor Gondim Photographer
  • Camilla A. Hawthorne Writer
  • Jane Ira Bloom Multi-Cultural
  • John Santos Afro-Latin Music
  • Chris Cheek Composer
  • Dan Auerbach Nashville, Tennessee
  • Kiko Souza Salvador
  • Dave Smith England
  • Del McCoury Banjo
  • Luis Perdomo Jazz
  • Victor Gama Angola
  • Leonardo Mendes Samba
  • Frank Beacham Journalist
  • Oscar Bolão Drums
  • Linda May Han Oh Bass
  • Rowney Scott Diretor Artístico, Artistic Director
  • Robert Everest Multi-Instrumentalist
  • Matt Garrison App Developer
  • Horace Bray Funk
  • Gilad Hekselman Composer
  • Tutwiler Quilters Mississippi
  • Nelson Cerqueira Romancista, Novelist
  • John Patitucci Jazz
  • Jim Lauderdale Country
  • Eddie Palmieri Piano
  • Chris Cheek New School Faculty
  • Bob Mintzer Saxophone
  • David Sacks Washington, D.C.
  • DJ Sankofa Salvador
  • Charles Munka Painter
  • Chris Dingman Vibraphone
  • Cleber Augusto Brazil
  • Luê Soares São Paulo
  • John McEuen Guitar
  • Bill Laurance Classical Music
  • Damon Albarn Multi-Instrumentalist
  • Virgínia Rodrigues Brazil
  • Amitava Kumar India
  • Jane Ira Bloom Jazz
  • João Rabello Guitar
  • Oded Lev-Ari New York City
  • Shalom Adonai Brazil
  • Gerald Cleaver Brooklyn, NY
  • Msaki South Africa
  • Clint Smith Essayist
  • Alicia Svigals New York City
  • Wadada Leo Smith Jazz
  • Marco Pereira Classical Guitar
  • David Ritz Writer
  • Sandi Bachom Documentary Filmmaker
  • Ambrose Akinmusire Trumpet
  • Safy-Hallan Farah Writer
  • Oleg Fateev Composer
  • Steven Isserlis Cello
  • Ben Cox Filmmaker
  • Mulatu Astatke Percussion
  • John Harle Author
  • Terell Stafford New York City
  • Thiago Espírito Santo Jazz
  • Maria Drell Produtora Musical, Music Producer
  • Ray Angry Keyboards
  • Matt Dievendorf Composer
  • Cimafunk Cuban Funk
  • Doug Adair Music & Cultural Education
  • Dorian Concept Composer
  • Sheryl Bailey Guitar
  • Joshue Ashby Jazz
  • Paulo César Pinheiro Samba
  • Danilo Brito Mandolin
  • Anders Osborne Blues
  • James Martin Jazz
  • Yamandu Costa Guitar
  • João Teoria Jazz Afro-Baiano, Afro-Bahian Jazz
  • Shahzad Ismaily Pakistan
  • Hugues Mbenda Experimental French, African Cuisine
  • Ronell Johnson Sousaphone
  • Leon Bridges Soul
  • Jason Moran Piano
  • Molly Tuttle Bluegrass
  • Alan Brain Journalist
  • Matt Glaser Jazz
  • Cara Stacey South Africa
  • Anat Cohen New York City
  • Nei Lopes Rio de Janeiro
  • Jerry Douglas Dobro
  • International Anthem Progressive Media
  • Buck Jones Brasil, Brazil
  • Carlos Henriquez Latin Jazz
  • Simon Brook Filmmaker
  • Ed O'Brien Brazil
  • Ore Ogunbiyi Writer
  • Otmaro Ruiz Los Angeles
  • Milford Graves Drums
  • Guilherme Kastrup Record Producer
  • Jamberê Cerqueira Bahia
  • Sarah Jarosz New York City
  • Negra Jhô Turbantes, Turbans
  • Ronald Bruner Jr. Composer
  • Africania Bahia
  • Chris Boardman University of Miami Frost School of Music Faculty
  • Darren Barrett Jazz
  • Daru Jones Record Producer
  • Darcy James Argue Composer
  • Adam Neely New York City
  • Johnny Lorenz Literary Critic
  • Colson Whitehead Writer
  • Lina Lapelytė Vilnius
  • Lizz Wright Gospel
  • Zisl Slepovitch Singer
  • Sierra Hull Mandolin
  • Laércio de Freitas Piano
  • Carlos Malta Pife
  • Chris Speed Avant-Garde Jazz
  • Júlio Caldas Viola Caipira
  • Bob Reynolds Jazz
  • Olodum Salvador
  • Quincy Jones Composer
  • Ben Hazleton Indian Classical Music
  • Eddie Palmieri Latin Funk
  • Tatiana Campêlo Afro-Brazilian Dance Instruction
  • Joatan Nascimento Trumpet
  • Kermit Ruffins Singer
  • Iara Rennó Brasil, Brazil
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  • Maladitso Band Singers-Songwriters
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  • Kris Davis Jazz
  • Paulo Aragão Arranger
  • Michael Peha Guitar
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  • Jill Scott Actor
  • Nicole Mitchell Jazz
  • Alex Clark Documentary Filmmaker
  • Joshua Abrams Composer
  • The Umoza Music Project Malawi
  • James Gavin Journalist
  • Jerry Douglas Record Producer
  • Monty's Good Burger Southern California
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  • Ben Wendel Saxophone
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  • Curly Strings Multi-Cultural
  • Luiz Inácio Lula da Silva Servidor Público, Public Servant
  • Tito Jackson Singer-Songwriter
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  • Dexter Story Los Angeles
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  • Dr. Lonnie Smith R&B
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  • Henry Cole Drums
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  • Pedro Martins Choro
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  • Lucian Ban Composer
  • Natan Drubi Violão, Guitar
  • Marvin Dunn Miami, Florida
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  • Ron Mader Communications Catalyst
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  • Glenn Patscha Record Producer
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  • David Braid Composer
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  • Luciano Matos Bahia
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  • Marcus Teixeira Brazilian Jazz
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  • Jan Ramsey Zydeco
  • Dale Farmer Folk & Traditional
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  • Frank London Multi-Cultural
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  • Barlavento Bahia
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  • Yoron Israel Drums
  • Tom Moon Writer
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  • Arturo Sandoval Composer
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  • Papa Grows Funk New Orleans
  • Daniil Trifonov New York City
  • Bodek Janke Tabla
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  • Richard Galliano Composer
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  • Frank London Composer
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  • Jeff Tweedy Singer-Songwriter
  • Archie Shepp Paris, France
  • Jennifer Koh Classical Music
  • Ivan Neville Multi-Instrumentalist
  • Rogê Samba
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  • Gilad Hekselman Brooklyn, NY
  • Nathan Amaral Violin
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  • Susan Rogers Sound Engineer
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  • Ryan Keberle R&B
  • Ibrahim Maalouf Composer
  • Philip Sherburne Photographer
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  • Immanuel Wilkins Composer
  • Saileog Ní Cheannabháin Sean-Nós Singer
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  • Michael Doucet Fiddle
  • Massimo Biolcati App Developer
  • Yola England
  • Gabriel Grossi Composer
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  • Lucía Fumero Composer
  • Urânia Munzanzu Jornalista, Journalist
  • Philip Ó Ceallaigh Bucharest
  • Eli Degibri אלי דג'יברי Israel
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  • Azadeh Moussavi Iran
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  • Augustin Hadelich Classical Music
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  • Victoria Sur Bogotá
  • Alain Pérez Bass
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  • Biréli Lagrène Jazz
  • Damon Krukowski Cambridge, Massachusetts
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  • Arany Santana Gestor Público, Public Servant
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  • Cainã Cavalcante Choro
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  • Diana Fuentes Singer-Songwriter
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  • Gregory Hutchinson R&B
  • Fernando Brandão Choro
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  • Jason Parham Publisher
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  • Steve Abbott Guitar
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  • Woody Mann Writer
  • Luiz Antônio Simas Brasil, Brazil
  • Carl Allen Record Producer
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  • Brenda Navarrete Havana
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  • Gustavo Caribé Brasil, Brazil
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  • Ron Mader Writer
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  • Scotty Barnhart Composer
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  • Meshell Ndegeocello Multi-Instrumentalist
  • Marko Djordjevic Jazz
  • Djamila Ribeiro Ensaísta, Essayist
  • Leonard Pitts, Jr Novelist
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  • Stefon Harris Jazz
  • Molly Jong-Fast Editor
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  • Brandee Younger Pop Music
  • Harvey G. Cohen King's College London Faculty

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