Cory Henry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
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Who I Am & Where I Live
- Name: Cory Henry
- City: Brooklyn, New York
- Country: United States
My Life & Work
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Bio:
“The human voice is so powerful,” says Cory Henry. “When I’m singing, it’s like this extra way of connecting and communicating with people beyond what I can do just playing the organ. I’m able to convey these messages that are really important and meaningful to me through my words. Being front and center like this every night, it’s a challenge, but I’m up for it.”
On his latest debut album with The Funk Apostles, ‘Art of Love,’ organ virtuoso Cory Henry demonstrates that he's more than up for the challenge, moving from sideman to frontman with seemingly effortless grace and cool. Praised by AllMusic as “one of the finest Hammond B-3 organ players of his generation,” Henry also proves himself to be a remarkable singer and songwriter here, one of extraordinary depth and vision. He and the band whip up an intoxicating blend of blues, soul, R&B, Afrobeat, gospel, and jazz on the record, blurring genres and upending expectations at every turn. Simultaneously futuristic and retro, experimental and classic, it’s the sound of one of modern music’s most inventive minds coming fully into his own as a bandleader and storyteller.
A Brooklyn native, Henry may be best known for his role in Snarky Puppy, the instrumental jazz-pop orchestra hailed by Rolling Stone as “one of the more versatile groups on the planet right now.” He’s won a pair of GRAMMY Awards for his work with the band since 2012, but Henry’s deft keyboard skills have been blowing minds around the world for more than two decades now. At six, he made his debut at Harlem’s legendary Apollo Theater, and at nineteen, he joined the touring band of jazz icon Kenny Garrett. Since then, he’s toured or recorded with everyone from Bruce Springsteen and The Roots to P. Diddy and Yolanda Adams in addition to cracking the Top 10 on Billboard’s Jazz charts with a pair of solo albums. NPR called him “a master” and said his “musical charisma is a match for a nearly 400 pound organ,” while Keyboard Magazine dubbed his playing “soulful, church-y, playful, restrained, and virtuosic,” and The Boston Globe raved that “if anyone’s going to preach the gospel of the Hammond organ, it should be Cory Henry.”
The gospel, in fact, is where it all began for Henry. He grew up performing and singing in church (a recent documentary titled ‘Gotcha Now’ features incredible footage of him tearing up the organ there at the age of four), but he refrained from sharing his voice with the world outside those holy halls for many years.
“I just didn’t think my voice was good enough,” he confesses. “I didn’t think anyone else would want to hear it. But now that I’ve overcome my fear of singing, I’ve gotten comfortable with my voice, and it’s become just like another instrument for me.”
Henry’s vocals on the album are smooth and breathy, with an intimate delivery that’s alternately understated and ecstatic. While his keyboard playing often draws comparisons to Oscar Peterson and Herbie Hancock, Henry’s singing reveals a whole different side of his musical personality, one that synthesizes everything from Michael Jackson and Marvin Gaye to Stevie Wonder and Prince.
“Every influence that I could think of growing up is in this record,” reflects Henry. “I’m trying to break the barriers. The word funk is in our name, but I want people to know that this band is bigger musically than any one genre.”
Henry pieced together The Funk Apostles’ lineup out of players he met on the road over the years, and each member of the band is an all-star in their own right. Guitarist Adam Agati, who co-wrote the album’s lyrics with Henry, has worked with everyone from Booker T. Jones to Ludacris, while bassist Sharay Reed has performed with Patti LaBelle, Aretha Franklin, Chakha Khan, and more. Henry met drummer TaRon Lockett while he was playing with Snarky Puppy, but he’s performed with some of the biggest names in R&B including Erykah Badu and Montell Jordan, and keyboardist Nick Semrad’s credits include Miss Lauryn Hill, Bilal, and Gabriel Garzon-Montano.
Recorded in Williamsburg, Brooklyn, ‘Art Of Love’ was tracked live to tape in an effort both to capture the inimitable energy of the band’s live shows and to channel the warm analog vibes of the 1970’s. While Henry may be renowned for his gifts as an improviser, the album serves as a showcase for his skills as a songwriter and producer, rich with intricate arrangements and memorable hooks. That’s not to say it’s without spontaneity, though. The band worked with minimal rehearsal (Henry estimates they’ve had three in the two years since the band started playing together), and several tracks are actually first-take recordings.
The driving, funky “In The Water,” combines a relentlessly pulse-pounding rhythm section groove with swirling synthesizer underneath Henry’s insistent, charismatic vocals. Like much of the album, the song is an examination of love: what it means, what it takes, what makes it last. On lead single “Trade It All,” he offers up a vulnerable, honest account of the sacrifices he’d make for a lover, while the sensual and smooth “Just A Word” sets a sultry mood for romance, and the fluid, elegant “Our Affairs” finds him asking, “Babe tell me why / You put me through Hell when Heaven’s where true love resides?”
As a writer, Henry is clearly interested in love beyond just the romantic sense of the word, though, often zooming out to take a big picture look at a world that seems to be sorely lacking in it. “Find A Way” is an anthem to making life better through compassion and empathy, frequent show-closer “Give Me A Sign” is a blues and gospel-tinged love letter to music itself, and the punchy “Takes All Time” is Henry’s true-life account of his journey to manhood, his “testimony to love and not rushing to find it.”
The album ends on a more political note with “Free,” a gritty tune inspired by current events that features Henry’s most impassioned vocal performance yet as he promises, “we gonna fight / live or die for our rights / everywhere.”
“I want to make music that really means something,” he explains. “I think of the 60’s and 70’s as this golden era of music, and if you look at some of the top artists then like Curtis Mayfield and Stevie Wonder, they were singing about what was happening around them in this creative way that made people want to act. They used music as a tool to reach the world and bring about change to help make it a better place. I want to do that, too.”
It’s an ambitious goal, to be sure, but if there’s one thing this album proves, it’s that Cory Henry is up for the challenge.
Contact Information
- Email: coryhenry@cultureco.co
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Management/Booking:
Management
Culture Collective
Jonathan Azu & Zeek Elliott
Booking
United Talent Agency
Jesse Rossoff & Noah Simon
My Media & Markets
- ▶ Buy My Vinyl: http://coryhenrymusic.shop.musictoday.com/store/
- ▶ Buy My Merch: http://coryhenrymusic.shop.musictoday.com/store/
- ▶ Twitter: cory_henry
- ▶ Instagram: coryhenry
- ▶ Website: http://www.coryhenrymusic.com
- ▶ YouTube Channel: http://www.youtube.com/channel/UCRxt82qGgUASnftwSCQCWZw
- ▶ YouTube Music: http://music.youtube.com/channel/UCi9l8RCKbQ_SuyKNW_rwq9w
- ▶ Spotify: http://open.spotify.com/album/3kbzbE9WRpulPMAtKn9D4S
- ▶ Spotify 2: http://open.spotify.com/album/7pHAuTN3sOfBQyouX96uOd
- ▶ Spotify 3: http://open.spotify.com/album/5WcSZDr1GHrVZ7e9dTzEpn
- ▶ Spotify 4: http://open.spotify.com/album/7zGarblpCI0jL1Of8ucNJd
- ▶ Spotify 5: http://open.spotify.com/album/0Axt7OY255NCj62bexMsYB
- ▶ Spotify 6: http://open.spotify.com/album/6nsgpcvFcg7i2TPZdMusIg
Clips (more may be added)
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Cory Henry & The Funk Apostles – Rise (Official Audio)
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"Love Will Find A Way" [Live in LA] - Cory Henry and the Funk Apostles
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"In The Water" [Live In LA] - Cory Henry and The Funk Apostles
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"Our Affairs" [Live In LA] - Cory Henry and the Funk Apostles
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Cory Henry and the Funk Apostles feat. B.Slade
142 views
The world's artists via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius. In order to work for the children of the canecutters though, the mechanism must work for everybody.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
This matrix is dedicated to them, and to all everywhere for whom art is not just a means to survive in life, but even if only in the smallest way, to somehow prevail.
