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  • Carpe diem

The Birth of the Matrix →

No princípio...

Imagine uma rede em que, por alguma mágica fantástica, todos dentro tenderiam a poucos passos detectáveis ​​de todos os outros... na rede e no planeta...

 

Imagine uma rede que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem...

 

Imagine uma rede que incluiria todos na economia criativa global da humanidade...

 

Você está imaginando O Matrix (Rede Online).

 

 

Esse Matrix baiano foi fundado numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a network wherein by some fantastic magic everybody within would tend to within scant, discoverable steps of everybody else... in the network, and across the planet...

 

Imagine a network that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did...

 

Imagine a network which would include all in humanity's global creative economy...

 

You are imagining The Matrix (Online Network).

 

 

This Bahian Matrix was founded on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

Carpe diem

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  • Afel Bocoum
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      Sparrow Roberts It was Jorge Ben that got me into Brazilian music. This guy really changed the course of my life!!!!!
      • April 4, 2019
  • Afel Bocoum
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    Afel Bocoum - Penda Djiga (Official Video)
    'Penda Djiga' is the brand new single from celebrated Malian songwriter and guitarist Afel Bocoum, taken from his new studio album ‘Lindé’ , out via World Circuit Records on 4th September. Named after the wild expanse near Bocoum’s hometown of Niafunk...
    • August 21, 2020
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    Afel Bocoum - Dakamana (Official Audio)
    Celebrated Malian songwriter and guitarist Afel Bocoum premieres ‘Dakamana’, the latest track to be taken from his upcoming album ‘Lindé’, released through World Circuit Records on 4th September. The song is a plea to his fellow Malians to come togeth...
    • August 21, 2020
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    A video was posted re Afel Bocoum:
    Afel Bocoum - Avion (Official Video)
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    Afel Bocoum - Tinki Hiiri (Live)
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    A video was posted re Afel Bocoum:
    Afel Bocoum & Alkibar - AFH469
    Born in Niafunke in Northern Mali, Afel Bocoum is a virtuoso guitarist of the Sonrai country, where music is tinged by the desert...
    • August 21, 2020
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    A category was added to Afel Bocoum:
    Guitar
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  • Afel Bocoum
    A category was added to Afel Bocoum:
    Singer-Songwriter
    • August 21, 2020
  • Afel Bocoum
    A category was added to Afel Bocoum:
    Mali
    • August 21, 2020
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    Afel Bocoum is matrixed!
    • August 21, 2020
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  • ALL IS CLOSER THAN WE IMAGINE
    (Imagine Afel Bocoum)
    I RECOMMEND
    You can recommend Afel Bocoum from below when logged in ←

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Afel Bocoum
  • City/Place: Bamako
  • Country: Mali
  • Hometown: Niafunke, Mali

Life & Work

  • Bio: Born to a Peule mother and a Sonrai father, also a musician. Having studied agriculture, Afel has worked since 1978 as a farmer and agricultural adviser.

    His musical career began in 1968. At 13 years of age, Afel Bocoum joined his uncle Ali Farka Toure, also from Niafunke, in his group Asco. Though he left the group in 1978, his collaboration with Ali Farka Toure has lasted some thirty years. In the 1980s, he founded his own group, which he named Alkibar, meaning "Messenger of the great river" in Sonrai.

    Afel plays the guitar, composes and sings. Traditional violin and the diurkel (a one-stringed instrument) add their individual voices to calabashes and percussion, creating an interwoven atmosphere of sounds that gently seizes the listener. The principal themes of his songs are forced marriage, homage to characters from local history, odes to nature and work songs. It’s delightful to allow yourself to be rocked by these monotonous chants, slipping like noiseless canoes down the river.

    Afel Bocoum sings mainly in Sonrai, his mother tongue, but also in Tamashek, the language of the Tuareg, and in Bambara. His songs evoke the evolution of Malian society, acknowledge women, forced marriage, and respect.

    In 1999, Afel produced his first album "ALKIBAR" (World Circuit/Night & Day).

    This album was recorded in Mali, during busy Ali Farka Toure (Niafunke) sessions. Afel benefited from the mobile recording studio provided by Ali’s producer (Nick Gold).
    Afel wanted to make an album in the spirit of the man he affectionately called "the Boss". With the blessing of the latter, he developed a repertoire and a soft and hypnotic style unique to him. His playing of the njarka or njurkle (one string fiddle and lute), his six chord solos, his increasingly simple melodies, his inspiration that evokes the earth, his conviction that he gives the best of himself to each of his compositions... all these elements are found on Afel’s first album, even if he had already revealed himself on the cult album of his mentor (The Source). His style is accompanied by a certain roundness of sound. His playing is more serene, more confident and less tortured by the meaning of life. Perhaps this is a generation difference.

    In 2002, Afel collaborated with the lead singer of Blur, Damon Albarn, on the extremely popular album "Mali Music". The gigs they played together were well received, especially the concert at the Barbican in London in June 2003. Damon also made a guest appearance beside Afel on a larger stage at Roskilde in Denmark in front of 65,000 people.

    During 2004 and 2005, Afel and his group took part in the project "Desert Blues" in the company of Habib Koite and Tartit, the Tuareg women of Timbuktu.
    This project, expressive of Malian ethnic diversity, travelled to the heart of the Sahara and to Sahel. The three groups joined talents to offer an original repertoire, at the same time a mutual discovery and illustrating the influence of the Sahara on the musical traditions of each of them.

    At the beginning of 2006, Afel recorded his second opus "Niger" in the studio of his bass player, Barou Diallo in Bamako, in collaboration with Daniel Boivin.
    With Niger, Afel takes us once again to the banks of the great river beside Niafunke, to one of the sources of the Blues... The theme of the songs is, in addition to the river and its surroundings, respect for women, the values of Malian society, and politics.
    In this opus, Afel truly assumes the musical heritage of his uncle, Ali Farka Toure.

    In spite of his growing success, Bocoum remains gentle and unassuming, modestly directing the energy this recognition brings him towards the welfare of his people and the inspiration they give to his music. In the dancing melodies of the river and the palpitating rhythm of the hard desert wind, there is no doubt that the heritage of Ali Farka Toure is in good hands. With remarkable subtlety and a sure talent, Afel Bocoum has proved that he is a true "Messenger of the great river", and it’s certain he will actively contribute to keeping Malian music at the forefront of the international scene.

    "Afel Bocoum returns with a second CD, seven years after Alkibar (World Circuit).

    With Niger, he takes us once again to the banks of the great river beside Niafunke, to one of the sources of the Blues...

    In this opus, Afel truly assumes the musical heritage of his uncle, Ali Farka Toure."

Contact Information

  • Record Company: Record Company:
    World Circuit Records
    https://worldcircuit.co.uk

Media | Markets

  • ▶ YouTube Music: http://music.youtube.com/channel/UCrEk56kmn6KVmI9LilWUzkA
  • ▶ Spotify: http://open.spotify.com/album/4eIINnCLgKF5hUcXyk0dIE
  • ▶ Spotify 2: http://open.spotify.com/album/2iYA7xvN6sFDWgwFYvOInV
  • ▶ Spotify 3: http://open.spotify.com/album/2VENrn9eShgRO237opg55T
  • ▶ Spotify 4: http://open.spotify.com/album/7G6gjsqYgiCbGkZxYYdsoe
  • ▶ Spotify 5: http://open.spotify.com/album/6nJUvluszQDzR5YKLxRQOn
  • ▶ Spotify 6: http://open.spotify.com/album/47UvxAVojeZHyDCxVXsQE0

Clips (more may be added)

  • 4:01
    Afel Bocoum - Penda Djiga (Official Video)
    By Afel Bocoum
    167 views
  • 4:24
    Afel Bocoum - Dakamana (Official Audio)
    By Afel Bocoum
    206 views
  • 3:53
    Afel Bocoum - Avion (Official Video)
    By Afel Bocoum
    167 views
  • 0:06:55
    Afel Bocoum - Tinki Hiiri (Live)
    By Afel Bocoum
    193 views
  • 0:07:18
    Afel Bocoum & Alkibar - AFH469
    By Afel Bocoum
    159 views
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Do you  recommend Afel Bocoum?

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 0 Guitar
  • 0 Mali
  • 0 Singer-Songwriter

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
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 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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