Dan Rosenboom
This Brazilian cultural matrix positions Dan Rosenboom globally... Curation
CURATION
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from this page:
by Matrix
The Integrated Global Creative Economy
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Name:
Dan Rosenboom
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City/Place:
Los Angeles
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Country:
United States
Current News
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What's Up?
“A singularly creative voice whose unique aesthetic encompasses an array of idiosyncratic influences...a lyrical virtuoso with a commanding tone, whose expansive trumpet technique is saliently paralleled in his diverse writing...an artist on the rise.”
— Troy Collins, All About Jazz
Life & Work
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Bio:
Dan Rosenboom, born on May 7, 1982, stands as an internationally recognized figure in the realm of music, particularly as a trumpeter, composer, and producer. Hailing from the vibrant Los Angeles creative music scene, Rosenboom boasts an extensive catalogue, comprising over 25 albums of original music as both a solo artist and a leader of various bands. Additionally, his label, Orenda Records, has supported the releases of over 100 artists, solidifying his influence within the community.
Rosenboom's prowess extends beyond the realm of independent music, as he is a respected member of the Hollywood studio musician cadre. His trumpet can be heard on over 200 major film and television soundtracks, collaborating with esteemed composers such as John Williams, Danny Elfman, and Alexandre Desplat, among others. Furthermore, he has graced the stages of elite ensembles like the LA Philharmonic, the LA Chamber Orchestra, and the LA Opera, showcasing his versatility and skill.
Rejecting the confines of genre classification, Rosenboom's music draws inspiration from a myriad of influences, including Black American Music, metal, experimental rock, contemporary classical, and Balkan folk music. His educational journey, spanning institutions like the Eastman School of Music, CalArts, and UCLA, has equipped him with advanced degrees in music, enriching his creative endeavors.
The Los Angeles Times has lauded Rosenboom as a boundary-breaking artist dedicated to exploration and expression, aptly dubbing him "a phenomenon." As a composer, he has been the recipient of grants and awards from esteemed institutions like the American Composers Forum and ASCAP, further validating his impact on the contemporary music scene.
Onstage, Rosenboom has graced renowned venues such as the Monterey Jazz Festival and the Angel City Jazz Festival, captivating audiences with his innovative compositions and virtuosic performances. Through his label, Orenda Records, and various musical projects like PLOTZ! and DR. MiNT, he has nurtured both established icons and emerging talents, cementing his status as a pivotal figure in LA's creative landscape.
One of Rosenboom's most notable ventures is his protest band, Burning Ghosts, which combines elements of experimental jazz, punk, and metal to address modern socio-political issues. Their music has garnered international attention, with four albums released to date, including one under John Zorn's prestigious Tzadik label. Described by Something Else Reviews as "the Rage Against the Machine of jazz," Burning Ghosts exemplifies Rosenboom's commitment to using music as a platform for social commentary.
Beyond his musical endeavors, Rosenboom is a dedicated advocate for progressive music education. He currently shares his expertise as a teacher at UCLA and has authored educational materials such as "The Boom Method: Universal Fundamentals for Trumpet and Other Instruments, Vol. 1," published by Balqhuidder Music in 2019. Additionally, his writing has been featured in John Zorn's "Arcana IX: Musicians on Music" on Tzadik, further solidifying his multifaceted contributions to the music community.
My Film Work
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Credits:
SOUNDTRACKS
As a member of the Hollywood studio musician community, Dan Rosenboom has recorded for over 200 film and television soundtracks, including some of the most successful films of all time:
2024
Ghostbusters: Frozen Empire - music by Dario Marianelli
Beetlejuice 2 - music by Danny Elfman
Despicable Me 4 - music by Heitor Pereira
Alto Knights - music by David Flemming
Twisters - music by Benjamin Wallfisch
Bad Boys: Ride or Die - music by Lorne Balfe
Solar Opposites - music by Chris Westlake
American Dad - music by Joel McNeely
2023
Indiana Jones and the Dial of Destiny - music by John Willimas"
Aquaman 2 - music by Harry Gregson-Williams
Haunted Mansion - music by Kris Bowers
Joker: Folie à Deux - music by Eyvind Kang
Blue Beetle - music by Bobby Krlic
Shazam 2 - music by Christophe Beck
Elemental - music by Thomas Newman
The Color Purple - music by Kris Bowers
Harold and the Purple Crayon - music by Batu Sener
65 - music by Chris Bacon
Quiz Lady - music by Nick Urata
The Tiger’s Apprentice - music by Steve Jablonsky
Honeymoon Friends - music by Mark Mothersbaugh
Story Ave - music by Pierre Charles
Please Don’t Destroy - music by Amie Doherty
Underdoggs - music by Joseph Shirley
Lost and Found in Cleveland - music by Sven Faulconer
Candy Cane Lane - music by Marcus Miller
Family Leave - music by Pinar Toprak
Diary of a Wimpy Kid 3 - music by John Paesano
Iwáju - music by Ré Olunuga
The Last Repair Shop - music by Kris Bowers & Katya Richardson
Merry Little Batman - music by Patrick Stump
Ahsoka - music by Kevin Kiner
Percy Jackson - music by Bear McCreary
The Simpsons - music by Bleeding Fingers
Star Trek: Discovery - music by Jeff Russo
Star Trek: The Lower Decks - music by Chris Westlake
The Flash - music by Blake Neely
Gremlins - music by Sherri Chung
American Dad - music by Joel McNeely
Solar Opposites - music by Chris Westlake
The Santa Clauses - music by Ariel Rechtshaid
Big City Greens - music by Joachim Horsley
Looney Tunes - music by Joshua Moshier
2022
Avatar: The Way of Water - music by Simon Frangelin
Black Adam - music by Lorne Balfe
Strange World - music by Henry Jackman
Beauty and the Beast Live - music by Alan Menken
Disenchanted - music by Alan Menken & Stephen Schwartz
Creed III - music by Joseph Shirley
Super Mario Brothers - music by Brian Tyler
Hocus Pocus 2 - music by John Debney
The Mandalorian - music by Joseph Shirley
A Night at the Museum: Kahmunrah Rises Again - music by John Paesano
Nope - music by Michael Abels
Strays - music by Dara Taylor
American Born Chinese - music by Wendy Wang
The Lost City - music by Pinar Toprak
Under the Boardwalk - music by Jonathan Sadoff
13 The Musical - music by Chris Lennertz
Obi-Wan - music by John Williams, William Ross & Natalie Holt
Willow - music by James Newton Howard & Xander Rodzinski
Animaniacs - music by Steve & Julie Bernstein
The Walking Dead: Final Episode - music by Bear McCreary
Gremlins - music by Sherri Chung
Stargirl - music by Pinar Toprak
The Orville - music by Kevin Kaska, John Debney, Joel McNeely, & Andrew Cottee
Solar Opposites - music by Chris Westlake
Star Trek “The Lower Decks” - music by Chris Westlake”
Star Trek “Picard”- music by Jeff Russo & Stephen Barton
Star Trek “Discovery” - music by Jeff Russo
Star Trek “Strange New Worlds” - music by Nami Melamud
The Santa Clauses - music by Ariel Rechtshaid
Diary of a Wimpy Kid 2 - music by John Paesano
The Flash - music by Blake Neely
American Dad - music by Joel McNeely
Cars+ - music by Jake Monaco
Halo - music by Sean Callery
Baymax - music by Dominic Lewis
Disney 100th Anniversary Logo - arranged by Christophe Beck
2021
The Orville - music by Kevin Kaska, John Debney, Joel McNeely, & Andrew Cottee
Solar Opposites - music by Chris Westlake
Green Eggs and Ham - music by David Newman
Luca - music by Dan Romer
Space Jam 2 - music by Kris Bowers
Animaniacs - music by Steve and Julie Bernstein
Star Trek “The Lower Decks” - music by Chris Westlake”
Star Trek “Picard”- music by Jeff Russo
Star Trek “Discovery” - music by Jeff Russo
Star Trek “Strange New Worlds” - music by Nami Melamud
Red Notice - music by Steve Jablonsky
Ice Age: The Adventures of Buck Wild - music by Batu Sener
Ghost Party - music by Kevin Kaska
The Book of Boba Fett - music by Ludwig Goransson
Addams Family 2 - music by Mychael & Jeff Danna
American Dad - music by Joel McNeely
Bob’s Burgers - music by Tim Davies & the Daceys
The Flash - music by Blake Neely
Blood & Treasure - music by Kyle Newmaster
Distant - music by Steven Price
Looney Tunes - music by Joshua Moshier
The Shrink Next Door - music by Joshua Moshier
League of Legends - music by Hollywood Scoring
Mickey’s Philharmagic - music by Germaine Franco
Encanto - music by Germaine Franco
The Late Late Show 1000th Episode - music by Steve Scalfati
Sausalito - Tyler Bates
Tiny Toons Looniversity - music by Matthew Janzen
2020
Jungle Cruise - music by James Newton Howard
Ghostbusters: Afterlife - music by Rob Simonsen
Rumble - music by Lorne Balfe
Solar Opposites - music by Chris Westlake
Star Trek "Picard” - music by Jeff Russo
Star Trek “Discovery” - music by Jeff Russo
Star Trek “The Lower Decks” - music by Chris Westlake
Green Eggs and Ham - music by David Newman
Animaniacs - music by Steve and Julie Bernstein
2019
Star Wars IX: The Rise of Skywalker - music by John Williams
Call of the Wild - music by John Powell
Da 5 Bloods - music by Terence Blanchard
Jumanji: The Next Level - music by Henry Jackman
Frozen 2 - music by Christophe Beck
Bloodshot - music by Steve Jablonsky
Spies In Disguise - music by Teddy Shapiro
Charlie’s Angels - music by Brian Tyler
Men In Black International - music by Danny Elfman and Chris Bacon
The Secret Life of Pets 2 - music by Alexandre Desplat
Playing With Fire - music by Nathan Wang
The Mandalorian - music by Ludwig Goransson
The Simpsons - music by Bleeding Fingers
Looney Tunes - music by Joshua Moshier
Stargirl - music by Pinar Toprak
The Orville - music by Joel McNeely, John Debney, and Andrew Cottee
American Dad - music by Joel McNeely
Star Trek Picard - music by Jeff Russo
Star Trek Discovery - music by Jeff Russo
Star Trek Discovery Shorts - music by Sahil Jindal, Nami Melumad
MARVEL's Agents of S.H.I.E.L.D. - music by Bear McCreary
2018
12 Princesses - music by Rob Gardner
Creed 2 - music by Ludwig Goransson
First Man - music by Justin Hurwitz
Venom - music by Ludwig Goransson
The Grinch - music by Danny Elfman
Welcome to Marwen - music by Alan Silvestri
Christopher Robin - music by Jon Brion
Wonder Park - music by Steven Price
Deadpool 2 - music by Tyler Bates
Deception - music by Blake Neely
Rampage - music by Andrew Lockington
Luke Cage (Season 2) - music by - music by Adrian Younge and Ali Shaheed Muhammad
American Dad - music by Joel McNeely
The Orville - music by John Debney, and Joel McNeely
Star Trek Discovery - music by Jeff Russo
2017
Star Wars VIII: The Last Jedi - music by John Williams
Despicable Me 3 - music by Heitor Pereira
MARVEL's Agents of S.H.I.E.L.D. - music by Bear McCreary
Snatched - music by Chris Bacon and Teddy Shapiro
Diary Of A Wimpy Kid 4 - music by Ed Shearmur
"Dark Universe" Universal Logo - music by Danny Elfman
Once Upon A Time "Musical" - music by Mark Isham
Cars 3 - music by Randy Newman
Star Trek Discovery - music by Jeff Russo
Transformers: The Last Knight - music by Steve Jablonsky
American Dad - music by Joel McNeely
American Gods - music by Brian Reitzell
The Orville - music by Bruce Broughton, John Debney, and Joel McNeely
Ready Player One - music by Alan Silvestri
Crazy Ex-Girlfriend (Season 3) - music by Adam Schlesinger
Ferdinand - music by John Powell
Jumanji: Welcome to the Jungle - music by Henry Jackman
Resound - music by Fil Eisler
The Simpsons - music by Austin Fray
The Post - music by John Williams
A Christmas Story Live - music by Benj Pasek & Justin Paul
Maze Runner: Death Cure - music by John Paesano
Game Night - music by Cliff Martinez
2016
Hairspray Live - music by Marc Shaiman and Scott Wittman
Fences - music by Marcelo Zarvos
Sing - music by Joby Talbot
La La Land - music by Justin Hurwitz
CHiPs - music by Fil Eisler
The Magnificent Seven - music by Simon Frangelin
Storks - music by Mychael and Jeff Danna
Suicide Squad - music by Steven Price
Independence Day: Resurgence - music by Harald Kloser and Thomas Wander
The BFG - music by John Williams
Teenaget Mutant Ninja Turtles: Out of the Shadows - music by Steve Jablonsky
Ice Age: Collision Course - music by John Debney
Ghostbusters - music Teddy Shapiro
X-Men: Apocalypse - music by John Ottman
10 Cloverfield Lane - music by Bear McCreary
Going In Style - music by Rob Simonsen
Keanu - music by Steve Jablonsky
MARVEL's Agents of S.H.I.E.L.D. - music by Bear McCreary
Grease Live - music adapetd by Tom Kitt
American Crime (Season 2) - music by Mark Isham
Luke Cage (Season 1) - music by Adrian Younge and Ali Shaheed Muhammad
Crazy Ex-Girlfriend (Seasons 1 and 2) - music by Adam Schlesinger
2015
Star Wars VII: The Force Awakens - music by John Williams
The Good Dinosaur - music by Mychael and Jeff Danna
American Music Awards: Star Wars with Pentatonix - music by John Williams
Creed - music by Ludwig Goransson
Trumbo - music by Teddy Shapiro
Goosebumps - music by Danny Elfman
The Walk - music by Alan Silvestri
Minions - music by Heitor Pereira
Scouts Guide to the Zombie Apocalypse - music by Matthew Margeson
Pixels - music by Henry Jackman
Hannibal (Season 3) - music by Brian Reitzell
Daddy's Home - music by Mike Andrews
MARVEL's Agents of S.H.I.E.L.D. - music by Bear McCreary
Vacation - music by Mark Mothersbaugh
Concussion - music by James Newton Howard
The Maze Runner "Scorch Trials" - music by John Paesano
Ice Age: Cosmic Quest - music by Mark Mothersbaugh
Ice Age: Eggscapade - music by Mark Mothersbaugh
Mozart In The Jungle - music by Roger Neill
Alvin and the Chipmunks 4: The Road Chip - music by Mark Mothersbaugh
The Healer - music by Nathan Wang
American Crime (Season 2) - music by Mark Isham
Spy - music by Teddy Shapiro
2014
The Maze Runner - music by John Paesano
Spider-Man 2 - music by Hans Zimmer
Godzilla - music by Alexandre Desplat
A Million Ways To Die In The West - music by Joel McNeely
X-Men: Days of Future Past - music by John Ottman
22 Jump Street - music by Mark Mothersbaugh
Misfits - music by Fil Eisler
Planes: Fire and Rescue - music by Mark Mancina
MARVEL's Agents of S.H.I.E.L.D. - music by Bear McCreary
Into The Storm - music by Brian Tyler
The Interview - music by Henry Jackman
Teenage Mutant Ninja Turtles - music by Brian Tyler
Big Hero 6 - music by Henry Jackman
Tinker Bell and the Legend of the NeverBeast - music by Joel McNeely
Night at the Museum 3 - music by Alan Silvestri
My All American - music by John Paesano
Jurassic World Teaser Trailer - music by John Hanson and Kyle Biane
2013
Kick-Ass 2 - music by Henry Jackman and Matthew Margeson
The Conjuring - music by Joseph Bishara
Despicable Me 2 - music by Heitor Pereira
The Lone Ranger - music by Hanz Zimmer
The Hangover Part III - music by Christophe Beck
White House Down - music by Harold Kloser and Thomas Wander
G.I. Joe - Retaliation - music by Henry Jackman
League of Legends Cinematic: A Twist of Fate (Riot Games) - Hollywood Scoring
2012
Video Game Awards (Spike TV)
League of Legends World Championship (Riot Games) - Hollywood Scoring
2011
Beginners - music by J.S. Bach
E3 Video Game Convention - Lord of the Rings War In The North (Warner Bros.) - LIVE - music by Inon Zur
2010
Dragon Age II (BioWare) - music by Inon Zur
Clips (more may be added)
There are certain countries, the names of which fire the popular imagination. Brazil is one of them; an amalgam of primitive and sophisticated, jungle and elegance, luscious jazz harmonics — there’s no other place like it in the world. And while Rio de Janeiro, or its fame anyway, tends toward the sophisticated end of the spectrum, Bahia bends toward the atavistic…
It’s like a trick of the mind’s light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there (and here; the Bahian Recôncavo was final port-of-call for more enslaved human beings than any other place throughout the entirety of mankind’s existence on this planet, and in the past it extended into what is now urban Salvador), one must be led to the inevitable conclusion that one is in a place unique to history, and to the present:
Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.
Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil’s national music — the pandeiro — was almost certainly brought to Brazil by these people).
Across the parched savannas of the interior of Brazil’s culturally fecund nordeste/northeast (where wizard Hermeto Pascoal was born in Lagoa da Canoa — Lagoon of the Canoe — and raised in Olho d’Águia — Eye of the Eagle), much of Brazil’s aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.
Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof.
That's where this Matrix begins:
Wolfram MathWorld
The idea is simple, powerful, and egalitarian: To propagate for them, the Matrix must propagate for all. Most in the world are within six degrees of us. The concept of a "small world" network (see Wolfram above) applies here, placing artists from the Recôncavo and the sertão, from Salvador... from Brooklyn, Berlin and Mombassa... musicians, writers, filmmakers... clicks (recommendations) away from their peers all over the planet.
This Integrated Global Creative Economy (we invented the concept) uncoils from Brazil's sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix... expanding like the canopy of a rainforest tree rooted in Bahia, branches spreading to embrace the entire world...
Recent Visitors Map
Great culture is great power.
And in a small world great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC (I've lived here in Brazil for 32 years now) I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Across the creative universe... For another list, reload page.
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For a complete list of everybody inside, tap TOTAL below:
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