CURATION
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from this page:
by Matrix
Network Node
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Name:
Eric Assmar
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City/Place:
Salvador, Bahia
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Country:
Brazil
Life
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Bio:
Vencedor do Prêmio Caymmi de Música como “Melhor Instrumentista” em 2015, o guitarrista, cantor e compositor baiano Eric Assmar se destaca como um dos principais nomes da nova geração de artistas de blues e rock no Brasil. Ele lançou três álbuns solo: "Eric Assmar Trio" (2012), "Morning" (2016) e "Home" (2022).
Como músico, Assmar colaborou com grandes nomes como Álvaro Assmar, Marcelo Nova, Os Panteras (Raul Seixas), André Christovam (pioneiro do blues no Brasil) e Flávio Guimarães (Blues Etílicos). Ele também se apresentou em festivais renomados, incluindo o SXSW (Austin, Texas, 2009), XI Fenart (João Pessoa, 2010), SESC 'N' Blues (Ribeirão Preto, 2011), VI Festival de Blues de Londrina (Londrina, 2016), Festival de Jazz do Capão (Chapada Diamantina, 2018), Paulo Afonso Jazz Festival (Paulo Afonso, 2018), Blues Jazz Serra Grande (Serra Grande, 2019) e Festival Jazz no Castelo (Praia do Forte, 2022). Suas apresentações também passaram por importantes cidades como São Paulo, Minas Gerais, Rio de Janeiro, Nova Iorque (outubro de 2016), Toronto (agosto de 2017) e Londres (fevereiro de 2020).
Seu trabalho foi destaque em especiais de televisão na TV Brasil e na TVE Bahia e recebeu reconhecimento em revistas especializadas como Guitar Player Brasil (2015), Guitar Load (2013) e Wall Street International (Nova Iorque, 2015).
Além de sua carreira musical, Eric Assmar é pesquisador e professor de guitarra blues. Ele possui doutorado em Música pelo PPGMUS/UFBA, com uma pesquisa sobre metodologias de ensino da guitarra blues no Brasil (2019), e mestrado em Etnomusicologia pela mesma instituição, com foco na cena do blues em Salvador (2014). Formou-se em Licenciatura em Música pela Universidade Federal da Bahia em 2010.
Filho do renomado bluesman Álvaro Assmar, com quem trabalhou como músico e co-produtor, Eric Assmar também é produtor e apresentador do programa Educadora Blues na Rádio Educadora FM, uma emissora pública da Bahia. Criado por seu pai em 2003 e transmitido semanalmente, o programa continua a apresentar novos lançamentos de blues tanto no Brasil quanto internacionalmente.
English:
Eric Assmar, a guitarist, singer, and composer, won the Caymmi Music Award for “Best Instrument Player” in 2015. Recognized as a leading figure in Brazil's new generation of blues and rock musicians, he has released three solo albums: "Eric Assmar Trio" (2012), "Morning" (2016), and "Home" (2022).
Throughout his career, Assmar has collaborated with notable artists such as Álvaro Assmar, Marcelo Nova, Os Panteras (Raul Seixas), André Christovam (a blues pioneer in Brazil), and Flávio Guimarães (from Blues Etílicos). He has performed at numerous festivals, including SXSW (Austin, TX, 2009), XI Fenart (João Pessoa, 2010), SESC 'N' Blues (Ribeirão Preto, 2011), VI Festival de Blues de Londrina (Londrina, 2016), Festival de Jazz do Capão (Chapada Diamantina, 2018), Paulo Afonso Jazz Festival (Paulo Afonso, 2018), Blues Jazz Serra Grande (Serra Grande, 2019), and Festival Jazz no Castelo (Praia do Forte, 2022). He has also played in major cities worldwide, including New York (October 2016), Toronto (August 2017), and London (February 2020).
Assmar's work has been featured on TV special shows for TV Brasil and TVE Bahia and highlighted in magazines such as Guitar Player Brasil (2015), Guitar Load (2013), and Wall Street International (New York, 2015).
In addition to his artistic career, Assmar is an accomplished researcher and educator. He holds a PhD in Music from UFBA, focusing on blues guitar teaching methodologies in Brazil (2019), and a Master’s in Ethnomusicology from the same institution, where he studied the blues scene in Salvador (2014). He graduated in Music from Universidade Federal da Bahia in 2010.
Son of bluesman Álvaro Assmar, a pioneering figure in Bahia's blues scene, Eric has continued his father's legacy by co-producing music and presenting the weekly radio show Educadora Blues on Rádio Educadora FM, the leading public radio station in Bahia. Founded by his father in April 2003 and continued after his passing in December 2017, the show showcases new blues releases both in Brazil and internationally.
Clips (more may be added)
Integration is a superpower...
This technological matrix originating in Bahia, Brazil closely integrates creators around the world with each other and the entire planet. It is able to do so because it is small-world (see Wolfram):
Bahia itself, final port-of-call for more enslaved human beings than any other place on earth throughout all of human history, refuge for Lusitanian Sephardim fleeing the Inquisition, Indigenous both apart and subsumed into a brilliant sociocultural matrix comprised of these three peoples and more, is small-world.
America is small-world. Mozambique is small-world. Central Asia is small-world. Ukraine is small world...
Human society, the billions of us in all the complexity of our relationships, is small-world. Neural structures for human memory are small-world. Neural structures in artificial intelligence are small-world...
In a small world great things are possible. In a small-world matrix they are universal.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,
Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
* I renegotiated sync rates for Earl and for The Flamingos. Now when I hear "Speedo" in a movie soundtrack (Goodfellows and others), or "I Only Have Eyes for You" (a million films), I remind myself that the artists (and now their heirs) were/are getting double what they were getting before.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Nduduzo Makhathini
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX