Nathalie Joachim via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Nathalie Joachim:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Nathalie Joachim
- City: Brooklyn, NY
- Country: United States
My Life & Work
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Bio:
Nathalie Joachim is a Grammy-nominated flutist, composer, and vocalist. The Brooklyn born Haitian-American artist is hailed for being “a fresh and invigorating cross-cultural voice”. (The Nation). She is co-founder of the critically acclaimed urban art pop duo, Flutronix, and comfortably navigates everything from classical to indie-rock, all while advocating for social change and cultural awareness. Her authenticity has gained her the reputation of being “powerful and unpretentious.” (The New York Times)
Ms. Joachim, a 2020 United States Artist Fellow, has performed and recorded with an impressive range of today’s most exciting artists and ensembles, including Bryce Dessner, Bonnie “Prince” Billy, Richard Reed Parry, Miguel Zenón, and the International Contemporary Ensemble, and is the former flutist of the contemporary chamber ensemble Eighth Blackbird. As a composer, Joachim is regularly commissioned to write for instrumental and vocal artists, dance, and interdisciplinary theater, each highlighting her unique electroacoustic style. Upcoming works include Discourse, an evening-length performance, community engagement and social change initiative commissioned by Carolina Performing Arts; new solo instrumental works for cellist Seth Parker Woods and violinist Yvonne Lam; and larger scale chamber works for So Percussion, Lorelei Ensemble, the Brooklyn Youth Chorus and Duo Noire.
Joachim’s current touring project, Fanm d’Ayiti, is an evening-length work for flute, voice, string quartet and electronics that celebrates some of Haiti’s most iconic yet under recognized female artists, and explores Joachim’s personal Haitian heritage. Commissioned by and developed in residence through St. Paul Chamber Orchestra’s Liquid Music series, Fanm d’Ayiti was recorded with Chicago-based ensemble Spektral Quartet. The work, released in 2019 on New Amsterdam Records as Joachim’s first featured solo album, received a Grammy nomination for Best World Music Album.
Other recent projects include Land Bridge, an evening-length score for Helen Simoneau Danse funded by New Music USA; Dam Mwen Yo for solo cello and processed field recordings written for Amanda Gookin of PUBLIQuartet as part of her Forward Music Project, and is featured in a TEDX Talk; and Ulysses in 3, a collaboration with renowned jazz drummer Ulysses Owens, Jr. as part of Park Avenue Armory’s Under Construction residency program. Joachim’s original compositions have been broadcast on NPR, WNYC, WQXR, Q2, J-Wave, Tokyo FM, FM Yokohama and more. In addition, she has been featured in television segments on SNL, Late Show with David Letterman, Telemundo, BK Live and The Daily Buzz, as well as an internationally broadcast ESPN super bowl commercial.
Ms. Joachim is an official Burkart Flutes & Piccolos artist, and has appeared as a concert soloist both in recital and with orchestra on stages throughout the United States, Europe and Japan, where she is represented by Village Again Records. Highlights include featured performances at the Newport Jazz Festival, Carnegie Hall, the Brooklyn Museum, Fukuoka Symphony Hall, National Flute Association Conventions, Gezmataz Genoa Jazz Festival, Symphony Space, Biwako Hall, Virginia Arts Festival, and WNYC’s Greenespace among others.
She is an active educator of students of all ages and skill levels. Ms. Joachim is Director of Contemporary Chamber Music at the Perlman Music Program; is a guest teaching artist for The Juilliard-Nord Anglia Performing Arts Programme; and holds faculty positions at the Bang on a Can Summer Festival and Banff Centre for Arts and Creativity. She is a former flute faculty member at The Juilliard School’s Music Advancement Program, and has coached chamber music for The Juilliard School’s Pre-College Division. Her youth education workshops, presented internationally with Flutronix, focus on creative collaboration and the use of traditional instruments in modern ways including improvisation, extended techniques and the integration of technology. At the university level, she has been presented as a music career lecturer and panelist, and has led masterclasses for The Juilliard School, University of Michigan, University of North Carolina School for the Arts, University of North Carolina Greensboro, University of the Arts, New York Flute Club, New England Conservatory, University of Wisconsin-Madison, and many other institutions across the country.
Joachim is a graduate of The Juilliard School, and was the first person to successfully complete the conservatory’s MAP, Pre-College, and College Division programs. Upon graduation, she was granted the first ever Juilliard InterArts Award for independently producing and presenting exceptional interdisciplinary arts performances involving music, dance, theater and technology while pursuing her degree. She continued her graduate degree studies at The New School, where her focus was audio production and sound design.
Contact Information
- Email: njoachim@gmail.com
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Management/Booking:
Press Inquiries:
Shore Fire Media
Matt Hanks mhanks[at]shorefire.com
Chris Taillie ctaillie[at]shorefire.com
My Media & Markets
- ▶ Buy My Music (downloads/CDs/DVDs): http://nathaliejoachim.bandcamp.com/album/fanm-dayiti
- ▶ Buy My Music 2 (downloads/CDs/DVDs): http://www.flutronix.com/albums/
- ▶ Twitter: flutronix
- ▶ Instagram: njoachim
- ▶ Website: http://www.nathaliejoachim.com
- ▶ YouTube Channel: http://www.youtube.com/nathaliejoachim
- ▶ Spotify: http://open.spotify.com/album/3KVpKanJVJ1efS6ISTkaJm
My Instruction
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Lessons/Workshops:
Nathalie Joachim teaches private students of all ages and skill levels. She is Director of Contemporary Chamber Music at the Perlman Music Program, and a former flute faculty member at The Juilliard School’s Music Advancement Program.
Private lessons with Ms. Joachim can be arranged to take place in the comfort of your own home, online (via live video chat), out of her home studio and/or at arranged accommodations while on tour. She works with students ages 7 through university and pre-professional level students internationally.
Contact Nathalie to schedule a private lesson or for more information on lessons for you or your child.
Clips (more may be added)
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
