John Schaefer via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from John Schaefer:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: John Schaefer
- City: New York City
- Country: United States
My Life & Work
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Bio:
John has written extensively about music, including the book New Sounds: A Listener’s Guide to New Music (Harper & Row, NY, 1987; Virgin Books, London, 1990); The Cambridge Companion to Singing: World Music (Cambridge University Press, U.K., 2000); and the TV program Bravo Profile: Bobby McFerrin (Bravo Television, 2003). He was contributing editor for Spin and Ear magazines, and his liner notes appear on more than 100 recordings, ranging from “The Music of Cambodia” to recordings by Yo-Yo Ma and Terry Riley.
In 2003, Schaefer was honored with the American Music Center's prestigious Letter of Distinction for his "substantial contributions to advancing the field of contemporary American music in the United States and abroad." In May 2006, New York magazine cited Schaefer as one of "the people whose ideas, power, and sheer will are changing New York" in its Influentials issue. He began blogging for WNYC when accompanying the New York Philharmonic on its historic (and apparently very weird) trip to North Korea in 2008 and continues to blog at soundcheck.org.
He is a regular contributor to the World Science Festival and the White Light Festival at Lincoln Center; he has also written about horse racing (Bloodlines: A Horse Racing Anthology, Vintage NY 2006) and was a regular panelist on the BBC’s soccer-based program Sports World.
My Media & Markets
- ▶ Twitter: newsounds
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging from New Orleans to Harlem and the South Side of Chicago ... through Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
