Christian Scott aTunde Adjuah via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Christian Scott aTunde Adjuah:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Christian Scott aTunde Adjuah
- City: New Orleans
- Country: United States
My Life & Work
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Bio:
Christian Scott, also known as Christian Scott aTunde Adjuah (born March 31, 1983, in New Orleans, Louisiana) is a two-time Edison Award winning and Grammy Award nominated trumpeter, composer and producer. He is the nephew of jazz innovator and legendary sax man, Donald Harrison, Jr. His musical tutelage began under the direction of his uncle at the age of thirteen. After graduating from the New Orleans Center for Creative Arts (NOCCA) in 2001, Christian received a full tuition scholarship to Berklee College of Music where he earned a degree in professional music and film scoring thirty months later.
Since 2002, Christian has released eleven critically acclaimed studio recordings, two live albums and one greatest hits collection. According to NPR, "Christian Scott ushers in new era of jazz". He has been heralded by JazzTimes Magazine as "Jazz's young style God." Christian is known for developing the harmonic convention known as the “forecasting cell” and for his use of an un-voiced tone in his playing, emphasizing breath over vibration at the mouthpiece. The technique is known as his “whisper technique.”
Christian is the progenitor of “Stretch Music,” a jazz rooted, genre blind musical form that attempts to “stretch” jazz’s rhythmic, melodic and harmonic conventions to encompass as many other musical forms, languages and cultures as possible. Jazz is a progressive musical movement and Christian is at the forefront of its continued viability as an art form. Christian’s 2015 release, Stretch Music, marked the partnership between Christian’s Stretch Music record label and Ropeadope Records. Critics and fans alike have praised the recording. Stretch Music is also the first recording to have an accompanying app, for which Christian won the prestigious JazzFM Innovator of the year Award in 2016. The Stretch Music App is an interactive music player that allows musicians the ability to completely control their practicing, listening and learning experience by customizing the player to fit their specific needs and goals.
In 2017, Christian released three albums, collectively titled The Centennial Trilogy, that debuted at number one on iTunes. The albums’ launch commemorated the 100th anniversary of the first Jazz recordings of 1917. The series is, at its core, a sobering re-evaluation of the social political realities of the world through sound. It speaks to a litany of issues that continue to plague the collective human experience, such as slavery in America via the Prison Industrial Complex, food insecurity, xenophobia, immigration, climate change, sexual orientation and gender inequality, fascism and the return of the demagogue.
The first release in the trilogy, Ruler Rebel, vividly depicts Adjuah's new vision and sound - revealing Adjuah to the listener in a way never heard before via a completely new production methodology that stretches trap music with West African and New Orleanian Black Indian masking tradition musical styles. Ruler Rebel’s release coincided with the first annual Stretch Music Festival at Harlem Stage in New York. The Stretch Music Festival, created and curated by Christian, explores the boundaries of Stretch, Jazz, Trap, and Alternative Rock with some of music’s most poised and fiery rising stars. The sold-out performances were met with praise from both music critics and fans. The second release, Diaspora, was showcased during Adjuah’s sold-out Carnegie Hall performance in 2017. The third release, Emancipation Procrastination, launched in September 2017 during NPR’s global Jazz Night in America broadcast from New Orleans.
Christian scored his identical twin brother’s and Director’s Guild of America 2015 Student Award recipient, writer-director and Spike Lee protégé, Kiel Adrian Scott’s, recent Student Academy Award nominated film, Samaria. Christian also scored Kiel’s award-winning film, The Roe Effect. He will also score Kiel’s feature length directorial debut, slated for production late 2018.
In addition to scoring documentaries for Hennessy Cognac and others, in 2017, Christian has scored commercials for Tag Heuer watch makers and The Gap clothing company, as well as music for ESPN’s Sports Center. Christian has also recently completed a music project, in which he served as leader, in conjunction with 1800 Tequila and Billboard Magazine called The Refined Player’s Series.
Since 2006, Christian has worked with a number of notable artists, including Prince, Radiohead’s Thom Yorke, McCoy Tyner, Marcus Miller, Eddie Palmieri, rappers Mos Def (Yasin Bey), Talib Kweli, and Vic Mensa, as well as heralded poet and musician Saul Williams.
Additionally, through his partnership with Adam’s Instruments, Christian designed a signature line of horns, the Siren Trumpet, Sirenette and Reverse Flugelhorn that are revolutionizing brass instrument design all over the world. Domestic production of Christian’s proprietary reverse flugelhorn will begin in 2018.
Christian is a scion of New Orleans’ first family of art and culture, the Harrisons, and the grandson of legendary Big Chief, Donald Harrison Sr., who lead four nations in the City’s masking tradition. The HBO series, Treme, borrowed the name “Guardians of the Flame” from African-American cultural group Scott began “masking” as a member of with his grandfather in 1989. Christian recently became the Chief of The Brave, in February 2017, one his grandfather’s early banners. In 2018, Tulane University’s acclaimed Amistad Research Center announced its archive of the Donald Harrison, Sr. legacy papers to highlight the Harrison/Scott/Nelson family’s contributions to the arts, activism, and African diaspora cultural expressions. The Harrison family’s story has been documented by Oscar winning director, the late Jonathan Demme, in his post-Hurricane Katrina works.
Christian is dedicated to a number of causes that positively impact communities. He gives his time and talents in service to several organizations which garnered him a place in Ebony Magazine’s 30 Young Leaders Under 30. He has provided his services to Each One, Save One, NO/AIDS Task Force, Girls First, The Mardi Gras Indian Hall of Fame, Good Work Network and numerous other community service organizations. Holding master classes, creating and participating in discussion panels, and purchasing and giving away instruments, are all part of Christian’s community based work. He has worked with Guardians Institute in New Orleans’ 9th Ward, which is dedicated to reading and fiscal literacy, cultural retention and a firm commitment to the participation of community elders and artists in uplifting and supporting youths in underserved areas of New Orleans. Christian currently sits on the Boards of Guardians Institute and The NOCCA Institute. Since Christian’s emergence on the jazz music scene, he has been a passionate and vocal proponent of human rights and an unflinching critic of injustices throughout the world.
Contact Information
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Management/Booking:
Non-Tour Related Inquiries:
Stretch Music, LLC
Stretch Music Publishing, LLC
Cara Harrison Daniels
cara@stretchmusicofficial.com
+1 504.427.3660
Management/DOMESTIC (USA & CANADA) BOOKING:
Second Son Productions
Manager: Vincent Bennett
vincent@secondsonproductions.com
+1 504.908.2192
International Booking:
The Agency Group
Agent: James Wright
jameswright@theagencygroup.com
+44 20 7278 3331
Press Copy - physical cd:
ropeadope records
publicity@ropeadope.com
My Media & Markets
- ▶ Buy My Music (downloads/CDs/DVDs): http://www.christianscott.tv/shop
- ▶ Twitter: cscottjazz
- ▶ Instagram: christianscottofficial
- ▶ Website: http://www.christianscott.tv
- ▶ YouTube Music: http://music.youtube.com/channel/UCeomdpyi4mHEOa6osV9V5wg
- ▶ Spotify: http://open.spotify.com/album/2wAs9qKyT3FW3MljQ53LlL
- ▶ Spotify 2: http://open.spotify.com/album/7nmjMOOQlDxZWfKGDRy9Hb
- ▶ Spotify 3: http://open.spotify.com/album/7cPLbQhG8gu3rP81JBPHTA
- ▶ Spotify 4: http://open.spotify.com/album/37VcKBnyY3AwQCklkDvcHN
- ▶ Spotify 5: http://open.spotify.com/album/5dFfrmCWp4rYbggmhYhakl
More
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Quotes, Notes & Etc.
The Centennial Trilogy
"an exquisite trilogy of albums..."
- The Washington Post
“Every jazz lover wants the music to find a younger audience… To borrow an old New Orleans expression, he's got the kind of horn that can call the children home.” - NPR
Adjuah “uses jazz improvisation as a bedrock but integrates a universe of influences, creating a sound that is open-ended and immersive”
- New York Times
“as contemporary as today’s date”
- The Guardian
Clips (more may be added)
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging from New Orleans to Harlem and the South Side of Chicago ... through Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
